So holidays are over, and after a one week business trip to Philippines I am back home where I can start processing my pictures. Let me start by saying that I enjoyed very much the Leica Kit that I wrapped in my last post (The summer bag). Sadly the 90mm did not get much use (apart from some marmots) and my sensor is dusty so every shot with some blue sky needs editing.
Let me start by a small post about the exhibition “Treasures from the Wreck of the Unbelievable” the latest work of Damien Hirst at Foundation Pinault both at Palazzo Grassi and at la Punta Della Dogana. This is off the Biennale, but probably the most striking work to be seen in Venice this year.
Hirst exhibitions is a colossal collection of the old world wonders as they have been recovered from a wreck in Easter Mediterranean sea. The exhibition boasts the “original” treasures as recovered, some footage of the salvaging, some artifacts redone as new.
This fictional (needless to say) story and the amount (in quantity, variety of materials and size) of the objects in display is mesmerizing, whatever anyone can think of Hirst work. If you still have time don’t hesitate to go.
The ticket covers both exhibitions, but frankly the exhibition at Punta Della Dogana is superior to the Palazzo Grassi, so if you have to chose… The Palazzo offers two major items, a colossal status of three stores high (below) and a piece inspired by the haircut of Yolandi from the band “Die Antwort” and teh bust of the artist girlfriend (so was I said, but I did not have a chance to check).
You can check http://www.palazzograssi.it/
Note also that the building at the Punta Della Dogana is a 17th century warehouse refurbished by Tadao Ando, this by itself is worth visiting.
All shots with Leica M262 with Summicron 28mm or 50mm.
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[…] part only as he also owns similar exceptional place in Venice, you can check back my post about the Venice Biennale of 2017 and also some of the 2011 […]