Thaipusam 2019 – A roll of Ilford Delta 3200

Nearly one year ago, in January, I went to Tank road in the middle of the night to shoot a roll of Ilford Delta 3200 at the Sri Thendayuthapani Temple for the Thaipusam ceremony.

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The orchestra

Thaipusam is a Tamil Hindu ceremony where devotees walk from Sri Srinivasa Perumal Temple in Little India to the temple in Tank road.

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The priests

It is interesting to shoot the ceremony at both temples ; at Little India where they start the pilgrimage or here where they finish it.

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I favor the little India location early in the morning ; it is already very busy, but manageable. But for a couple of years I go to Tank Road in the evening before ; it is general quiet, the action (if I can say so) is more subdued. Pilgrims flow through the temple, receive blessings and walk out.

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At the back of the temple is a resting aera and pilgrim receive tea and nibbles.

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A Chinese Hindu devotee

This year I tried a roll of Ilford Delta 3200 with the Leica M6 and the Summicron 50mm version 5. The result is quite nice, the M6 does a good job once again, the light meter is working very well once again.

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Giving offerings

I rarely shot the Ilford 3200, but must say the result is quite good. The grain is nice but controlled, the contrast is good. As I said somewhere else I think high ISO film give good results if you scene has a minimum of contrast.

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Collecting ashes

These were shot around 11pm, on the first evening, it is very quite just when the priest open the inner sanctum of the temple. Alternatively, you can come around on the next day and take pictures from pilgrims disassembling their Kavadis.

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The inside on the temple of the day itself is over crowed and their is no shortcut, you have to follow the devotees from Penang road, I am not sure how long it will take. Surely a great experience, but you will need a good couple of hours.

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The friendly volunteer
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04790

Get ready I have 2 or 3 rolls of TRIX that I shoot the next day.

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Walking out of the temple

Get ready, this year the Thaipusam procession is expected to start from SSPT on 07/02/2020 from 11.30pm.

 

Thaipusam 2019 – A roll of Ilford Delta 3200

Kodak Ultramax 400 – Oh no I did it again (Took the M4 and VC 21 on the road again)

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SMU

We are entering the rainy season in Singapore now, and film rolls are not easy to finish. So the roll of Kodak Ultramax 400 I loaded in the Leica M4 took a little time to finish. Particularly with a F4 lens and less light, not all opportunities are good,

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At the crossroad

I very rarely shot the Ultramax before, it is a quite cheap film you can still buy in supermarkets in France. My friend Felix, gave me a roll last time I met him, and he get a quantity of them for the same reason.

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Peninsula shopping center

The Leica M4 has no meter so I used my new Sekonic handheld light meter. All in it is doing quite a good job.

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Coleman street

The Ultramax end up being quite a different beast compare to the Portra 400. The grain is more accentuated, the colors get a bit more pink / green hue, the film I got from the lab was a bit more curly, but I am not sure it affected the scanning (with Epson v800).

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Tiong Bahru

The 21mm gave good results again, thanks to the viewfinder again I think. The vertical shots of cross roads gave what I called “dynamic” in my last post; I think they would benefit in being shot a bit lower, like wait level…

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The party is over

… but OK hand metering, range-finding (or pre-focusing or hyper focusing) and view finding are already a lot of actions for a single shot.

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Bincho
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A choir

With the 21mm the subject is often too far as above, unless you come really close to unsuspected subject …

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Fun for everybody

… for everybody’s fun.

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Carlsberg for free

Or willing models as above.

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The Instax team

Or you meet the Fuji Instax team (I did not enter the discussion about Fuji vs Kodak with them).

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Fancy fair

I also had the opportunity to take a few shots at night in a fancy fair and I must say the result is quite pleasant. A bit Saturated, but it looks the film reacted well to artificial light.

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Fancy fair
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Indonesian model

Interesting story here, aspirant photographer and aspiring make up artists from Indonesia using their friend as a model.

 

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SMU : Looping the loop

A  few weeks after the first shot back  at the SMU (Singapore Management University).

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The culprit! 

In case you directly jumped here: all shots on Kodak Ultramax 400 (not expired), with Voigtlander 21mm F4, VC viewfinder 21-25mm on Leica M4.

Kodak Ultramax 400 – Oh no I did it again (Took the M4 and VC 21 on the road again)

You can’t hurry love but you can try (More about the VC Color Skopar 21mm F4)

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One George Street in Singapore CDB

This is a follow up of my first write up YOU CAN’T HURRY LOVE (ABOUT THE VC COLOR SKOPAR 21MM F4) For those who don’t feel like digging back in the archives (pitty, there are a couple of nice shots there and probably my best piece of text in a while), this is about picking the Voigtlander Cosina Color Skopar 21mmF4 back from the dry box and putting it back to work.

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Ice cream parlor near Singapore river

Very quickly, the 21mm had two terrible defects for me: the color fringing in digital and the difficulty to frame in general. I decided in June to invest into a proper viewfinder to try to overcome the second issue : I picked a 21-25 VC metal finder.

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Walk down the bridge

The viewfinder did a really good job, it very bright and accurate, well built and on top of it it is super sexy (I have to post pictures of the Leica IIIc with it).

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Keong Saik road corner with Teck Lim road

All pictures here are from a single roll of Kodak Portra 400 shot with Leica M4 and VC Color Skopar 21mm F4 with the now famous 21-25 VC metal finder. Even vertical framing is accurate now.

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“MY CHINATOWN HOME” by  Yip Yew Chong 30 SMITH STREET

Horizontal framing works as well. As I am a slow shooter these were probably taken over a few week ends in different areas of central Singapore.

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The guitar hero

To shoot portraits the 21mm requires you to get very close to your subject, and still you will get some distracting details in your frame. Also you may get funky perspectives even if you frame correctly your subject (thanks to the perfect new viewfinder)

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Tan Boon Liat Building – a commercial / industrial building

When yout wan to put a lot in the frame as the Tan Boon Liat Building, actually it goes in. Colors with the Portra are quite rich, and vignetting is limited.

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The Monkey God temple in Tiong Bahru

Or when you are close to buildings and want to put them in the frame as above, this is a great ultra wide angle.

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Don’t go away

I did not do many “street” shots on this roll, but the 21 gives an amazing dynamics to the shots like above.

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Sakya Muni Buddha Gaya Temple in Little India

I was very convinced by these first 2 or 3 rolls, and this has slightly changed my photographic practice recently. I use the M262 and M6 with the summicrons for holidays or events, the M4 and IIIc with older lenses for fun( or street, or burning film name it as you want) and recently the 21 is glued to them.

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Sakya Muni Buddha Gaya Temple in Little India

So expect more posts like this one, but as you know that I found love with the VC21 again, so i will have to find out new titles.

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The Singapura Club – Little India

 

 

You can’t hurry love but you can try (More about the VC Color Skopar 21mm F4)

Australia on slide (Ektachrome Leica M6)

Holidays are (were) here, once again I was very excited at the perspective of having something different to shoot (or just something extra, or just something). Something different this time was Australia, a family trip to the Coral Reef and Ayers Rock

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This is the … err the rusty stuff in the sea

As usual now I picked up the travel kit in my travel bag (3 year old Wotancraft scout) : The Leica M262 and Leica M6, plus a few lenses, 28 / 35 / 50 Summicrons and also the 90mm Elmarit. I know that’s a bit too much, but hey you don’t travel these places every week.

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Green Island jetty

I was quite excited to shot a roll of Kodak Ektachrome. This is my third roll and I quite like it. I an not a great landscape photographer, but I had to give it by best shot.

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Seascape with dead wood

Most of the shots here are done with the 28mm Summicron Asph V1.

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The models

I could jest by saying my recipe to shoot slide is : load the roll, removes the lens cap, aim, shoot. But that’s pretty is actually, the M6 meter is accurate (I changed the batteries before the holidays).

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Chinese tourists at the beach

100 ISO is great for full daylight, still it was very bright, I cannot recall exactly, but a lot of shots where around 1/250 and F11.

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Dive boats at sunset

The next best thing to shooting the the seascape is looking at sunsets. I often mock shooting sunsets, a bit cheesy, yeah yeah, but when its nice, its nice.

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The jetty

And the slide film is doing a good job in this case as well. Mettering was a bit more on the guesstimate side. It was a bit easy for me because I made the guesstimate work with the M240, so I did not lost many shots doing the above and the next one.

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The sunset

Final sunset with drinks at the jetty above before heading back to Cairns the next day, and hanging around a couple days there before reading to Ayers Rock.

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Uluru in the evening light

Ayers rock is a beautiful place, at that time of the year (late October) but very hot (40 degrees Celsius), the colors are gorgeous. We had a very short stay there, so we did what we could.

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Uluru

We walked around the rock at lunchtime and dined under the stars.

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Uluru is surely a superb place, beautiful, magic to a certain extent, maybe not as toutching as other places I have been to, but maybe I did not stay long enough.

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The rock

And finally before you ask, I was in Uluru after the rock was closed from climbing, and would I have been there the week before I would have not climbed it.

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A beautiful gorge along the rock

Finally I shot a single roll during that week. The rest is digital and maybe that would be for another post.

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Sunset over Kata Kuja

Meanwhile, visit Australia and shoot film.

Australia on slide (Ektachrome Leica M6)