On the French Riviera

After leaving Paris, I travelled to my hometown of Cannes, famous for its festival, the beaches and its beautiful weather.

It did not disappoint its son. The weather was perfect, mostly bright blue skies all the time and a far warmer climate that Paris (or London).

Cannes also boasts two main harbours, filled with oversized yachts but also with fishermen’s boats as in the two pictures above showing some traditional fishing boats called “pointus”.

The end of the bay on the east side is called la Pointe Croisette and hosts the casino named “Palm Beach”, whose name is sometime used to designate the area. The casino is under renovation, and for those with a culture in French cinema, the crane you see is located where the famous swimming pool of “Melodie en Sous Sol” was located.

Cannes is not just for stars : locals still play the “petanque”

And not all drive Rolls Royces.

A tiny Autobianchi can be found on the harbour (in excellent condition)

And a 1950’s Peugeot 203 can be found driving around (slightly less good condition).

There was a lot of activity along the beach this year. Some relax, some have to work, thats life.

The sunsets on these winter days were often breath-taking.

All shots with Leica M262 and 35mm Summicron Asph v2 or Elmar 50mmF3.5 ltm, what else do you need?

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On the French Riviera

Bye Bye Paris

Paris by night

If you read the last two posts, you get that I fell in love with Paris for the second time (or the third maybe, one shall not count when it comes to love).

Palais Royal

So this is my last post of the digital shots made with the M262 and the Elmar 50 or the Summicron 35.

Goldilocks was here

You guess by this last sentence that there are indeed some analogue shots of Paris but that will be for another post.

Goldilocks’ car a pre WWII Citroen Rosalie I think

To each his (her) own

6 or 7 weeks after these pictured le M11 is out and the M262 really feels like an antique. But I still really like it, faithful device, my goto camera.

The model and her phographers.
False hopes?

I did not go camera shopping in Paris. Err, ok I went to the Leica shop on the Faubourg Saint Honoré, to check on the film MP prices in France. This camera is a beauty, but do I really need it? Ah let’s wait a bit longer…

That week Josephine Baker made it to the Panthéon. A bit of history captured here.
Patron un p’tit coup on a soif

Probably translate literally to “Boss pour us a little one, we are thirsty”. Paris and its bistro’s could fill a life of photography.

Paris by night again and again
Bye Bye Paris

Bye bye, but don’t be sad I will be back soon.

Bye Bye Paris

PARIS – LA BOURSE DU COMMERCE – NOVEMBER 2021

One of the new things I wanted to visit in Paris was the recently opened (Summer 2021) Bourse du Commerce. Very briefly : this building which was originally a place to trade grain, has been leased by French billionaire Francois Pinault to host the art collection of its group (well a part only as he also owns similar exceptional place in Venice, you can check back my post about the Venice Biennale of 2017 and also some of the 2011 Biennale).

Beside its exceptional architecture and location in the hear of Paris, the bourse du commerce as it is today, also boasts two major attractions to my eye. A work by Tadao Ando, under the form of the concrete cylinder at the heart of the main exhibition hall. I have made a few posts about Tadao Ando in the past, you can for instance read about the church of light in Osaka here.

But also in this same hall is a masterpiece by swiss artist Urs Fisher, that I already saw in Venice in 2011.

On the outside the concrete cylinder, forms a galley where work of arts by
Bertrand Lavier

The double spiralled staircase

The glass ceiling

All shots were done with the Leica M262 and I think the Elmar 50mm F3.5 (otherwise that’s the Summicron 35mm Asph vII, but Lightroom tells me its 50mm). One of the constraints I feel when shooting in big cities it to limit the kit I am carrying : I feel like it is a bit silly (lack of style, overly touristic, …) to carry too much gear in such occasion so I often carry a single body and a single lens for the day.

PARIS – LA BOURSE DU COMMERCE – NOVEMBER 2021

Paris – November 2021

I travelled to Paris in November last year for the first time in more than 10 years, the main reason being that I left the last 14 years on the other side of the planet. We were blessed with nice weather for the first part of our stay.

It was real fun being a tourist in a city I leaved for in the late 80’s. Like London, it takes me a little time to adjust and turn my eye to the local subjects and actually press the shutter, but there are really plenty of subjects here.

I carried my usual set in Paris, the M262 and the M6, but due to some luggae constraints I only carried two lenses : the Summicron 35mm Asph v2 and the vintage screw mount Elmar 50mmF3.5.

The Summicron is as always a great performer, and the Elmar is very pleasant. I must say the aperture adjustment at the front of the lens is a pain on a film camera without meter, but with the M6 or even better with the M262 set on auto mode, its no longer a problem.

Yes subjects are plenty in Paris, the sites, the people, the tourists, there is always something to shoot. I found there are also a lot of smaller shops that in London, which are making nice subjects.

Of course I was blessed being there during Christmas season where a lot of decorations are making the city even more attractive.

Below a few more random pictures. I have a couple more sets on Paris to come and in a few weeks, some analogue shots will come up.

If read until now you deserve me to whish you a happy new year, keep on shooting and may the light be with you.

Paris – November 2021