
“Are you feeling lucky punk?”, the famous line of Clint Eastwood in Dirty Harry was probably a warning. How lucky was I feeling picking up the Leica IIIc for a week end in Paris?

I had not used my oldest Leica for a good year, so it was time for a walk outside the cupboard. I attached the Elmar 50mm3.5 and took a couple of rolls of Kodak film. One TMY 400 (this one), one Tri-X (the next one).

I also packed the Sekonik 308x light meter, as I cannot guesstimate and I found it easier to use than the flash shoe one I use from time to time.

The IIIC is charm to use, and shooting with it you really feel lucky (I do). The Elmar itself is another story, the aperture setting at the front of the lens is not very user friendly, and it puts me in a mode where I set my speed and aperture only every few shots.

So far so good, and I can add, probably for the 10th time, that the camera is quiet small and funky so it is quite appropriate for street photography ( I don’t like the term cause I am a bit snobbish, but that’s what I kind of do).

So where does it go wrong? As usual with film photography it goes wrong when you get home, wait a week for the lab to process your film and you discover that the film has not turned out quiet as expected.

With some reframing and photoshopping I managed to minimized it, but on that beautiful week-end where most of the shots were done at high speed ( for the IIIC that means 1/100, 2/100 or 1/500, I never trust the 1/1000) the left of the pictures is constantly overexposed and the right underexposed.




The two pictures above were actually shot in landscape and resized, as half the frame is black.

So what happens next? Well first thing I shot a second roll because I did not knew, and you will see it in a couple of days.


I hope you enjoyed the reading, be patient, next roll is coming