I enjoy browsing back the not so used scans and these are from one roll of November / December 2022. Unlike the most recent roll I posted, this one is shot entirely in London, it is the penultimate of my bulk roll of Ilford HP 5 bought in Singapore from Ruby Photo back in early 2021.
No surprise, the roll was shot with the Leica M6 classic and probably most of the shots were done with the Summicron 35mm Asph v2. The two shots above, early in the roll were taken around Spitalfields Market near my office and they were probably shot on my way to the lab to drop or collect one roll ( ANALOGUE FILMShttps://www.analoguefilms.co.uk/)
Because I am a slow shooter I carried the film around London for a couple of weeks,
The highlight of the roll was bringing some dear friends to Spitalfields and Brick Lane, quite an interesting area for visitors.
But first to Liverpool street station
Then through the street towards the market.
Finally to Brick lane
Hope you enjoyed the walk, this was roll #24 of 2022.
Well actually this roll was shot between mid December and the first week of January. It travelled around a bit as it started from London (Spitalfields market on the first three shots)
Then came Xmas holidays and a trip to see the family in Cannes on the French Riviera, and the long awaited trip to Lapland (Guess which shot). I will try to talk about my (limited ) experience shooting in Lapland but maybe another time.
We were back from Lapland in Paris the 1st of Jan
Then finally back in London (one have to work)
Then back to Cannes and Nice again.
and finally back to London where I have to go to Brick lane to drop this roll.
Ok so these two months were not very good for my carbon footprint and I feel a bit ashamed, although some of the trips were done by train. This also mean this roll of Kodak TMY-400 travelled quite a bit and went through at least 6 scans, and is still faring pretty well. I still have a TMZ 3200 that I bought for Lapland and did not shot, so it will also have a bit of mileage and it will be interesting to see how it turns out.
All shots were done with a Leica M6 classic and a Summicron50mm v5 or 35mmAsph v2.
I first saw Mike Nelson work in the 2011 Venice Biennale where he was occupying the British Pavilion, I quite enjoyed his set-up and particularly the dark room lit with red safety light.
I must say to my shame that his name did not ring a bell when I saw the add for the exhibition at the Hayward Gallery in London’s Southbank. But the picture of one of the artworks ( the one bove) was compelling enough to motivate me going.
Remnants of the Dark room were to be found both in a first piece looking like the artist storage room as the chandelier below.
But also in a recreation of the dark room itself, behind the dune of Tripple Buff Canyon
The main piece I think is maze of about 20 rooms, build with salvaged items, quite a bit of quite a bit of queue to get in as the space inside is quite narrow to get in.
The main room of the gallery, which is often the entrance of exhibition if today the last room to be visited. It offers a very striking piece with a 3D metal mesh holding concrete heads Studio Apparatus for Kunst Halle Munster.
Studio Apparatus for Kunst Halle Munster (2014)
A couple more interesting items can be found on the way out including a recreation of the artist studio in the early 2000’s (what a mess 🙂 )
It has been super long since I last posed anything so here is my first post of 2023, even though these are pics of 2022. These are picture of the Italian Market that happens once a month, the first week end of the month, in Cagnes sur mer, near Nice, on the French Riviera.
Very colourful, even in black and white. Excellent cold cuts and cheese, pretty good value for money.
Genuine food sellers coming from nearby italy.
Shots were done with Leica M262+Summicron 50 and Leica M6 with Summicron 35mm Asph v2 on Kodak TMY (400Iso)
This is not a piece of sci-fi write up, just a few shots from a protest about Climate Change on Trafalgar Square in London in early November.
It seems to become a recurring pattern in my posts (check here ), but this is a reality : some people wants to let the others know that climate is changing and its time we do something about it.
I don’t necessarily do enough myself (oh that business trip to Asia makes me guilty) , but maybe sharing pictures is a small action I can do?
It cannot be less productive than wearing an extinction rebellion tie 🙂 . Ok ok and what about the impact of film processing? Frankly I don’t know. This was shot with my Leica M4 from 1967, with an even older lens, so probably it has less impact that a digital sensor made in the recent years. Tough question, a bit like electric car battery impact vs thermic engine oil consumption.
This guy’s accordion is probably not younger than the M4, he kindly started playing when I asked to take his portrait, but even in 2022 the M4 is still not capturing sound. I used the KEKS EM-01 Light meter , it is nice and light and quite accurate, but I still have problems reading the measure.
This is another roll of my 100ft HP5 roll that I still have not finished, it is not so old, so I don’t think age has deteriorated it that much but I am not really enthralled by the grain. Well another 4 rolls to go. It seems it never finishes, but all in all it should be about 18 rolls overall. I think I’ll buy something else next. Maybe some Ultrafine 400, but it seems the Extreme is sold out. They now have a different product, Finesse, I have to dig a little before engaging me for another 18 rolls, but also that is just 60USD for 100ft roll.
By the way this is roll 23 of this year, all in all better than last year (in term of number of rolls anyway) but far from my 55 rolls from a few years back.
Oh I have decide to go back to Caffenol, so watch this space for badly processed pictures in the coming weeks.
I hope you enjoyed the pics, and remember : “There is no planet B”
“Paris est une fête” as goes the say (Paris is a party) ; I am not 100% sure about it but Paris in summer surely put me in a great mood, and I enjoy shooting in the streets that I am rediscovering after so many years.
— Asian tourist checking a Korean restaurant —
This is summer 2022, probably my 5th or 6th trip in a year, carrying the M6 (The old one) and the Summicron 50v5 and a roll of Kodak TMA100, my favourite film very appropriate (I think) to the summer time. This is my 16th film of the year, so I am now far from my past One-roll-a-week diet, but ok this is not a competition.
If you have read the last post you have probably guessed the plot of this one : a roll of HP5, loaded in the back of the Hasselblad with no label, is first loaded around May, and used to shoot a single frame, the above view of Battersea Power Station as seen from other side of the river.
A few weeks later it travelled to Brick lane on a sunny Saturday afternoon, very close to where my photo lab is (Analogue Films).
The area is famous for its murals.
Probably the next day, I went for a walk in Chelsea Harbour and its surroundings
and then the camera, the back (the other back) and the film they contain all go back in to the box. Until a couple of weeks back, where I started the famous walk from Maida Vale to Regents park and further.
I thought this film was contained in the back with the “400 ” label, when it was on the other ones, so the shots from the one above were “pulled” at 100. I think the film handled it pretty well, if not for obvious marking problems.
Regents Canal is pretty nice place to walk through, a bit of Venetian style given by the boat, but something more urban brought by the metal bridges and the street art.
At the end of the Canal is the unique Chinese floating restaurant.
Back in Regent’s park to look at Freeze Art Fair open air sculpture, the tree of socks was waiting for my last frame
Is there any moral? One stop does not mater much surely, probably don’t keep your film 4 month in your camera. Ilford 120 rolls are known to have some backing paper issues, I should check if this is the case with this roll instead of blaming the storage in the cupboard.
Two weeks ago I took my courage in my hands and pulled the Hassie out of the box. When I say the Hassie I mean the Hassie and my second back. Because after my first outing with the Blad in London (here and here) I was so happy that I put a colour (Kodak Ektar 100 slightly expired) film in one back, and a roll of Ilford HP5+ in the other.
One back has a label “400” which is supposed to make things easier. Well anyway, back in May, and this Ektar roll, that was the Chelsea flower show and the sun was shinning and everything was perfect for a stroll in Chelsea.
I even found a Chinese artist doing whatever he was doing
and a dummy representing Vivienne Westwood close to where her iconic shop was in the 70’s.
Charles Eames plastic chairs are always a colourful delight (some of these are vintage fiberglass ones)
And then the hassie went in the cupboard for summer and went out two weeks ago. And on a beautiful autumn day, I dragged it along regents Canal, where the afternoon light was warm and beautiful.
All of this is water under the bridge. I used the Sekonic 380x as a light meter. A great piece of kit, but no so easy when switching backs.
And of course you are now expecting the catch at the end of the story. So we finish walking around Regents’ Park, went back to the Freeze open air sculpture exhibition, shot the final two frames, roll the roll .. et voila. The back labelled “400” is of course the one containing the Ektar roll. So assuming I had all my head for the first half of the roll, the second half was over exposed by one stop without visible effect on these shots.
You will also notice that there are only nine shots : apart from a portrait of my lovely wife that I keep to myself, there are two incredibly sh!t shots : the floor at my feet and a misfocused Austin mini as the beginning of the film. That’s easily 4 £ lost … errr
I hope you enjoyed the reading, get ready for the other roll soon.