If you read the last two posts, you get that I fell in love with Paris for the second time (or the third maybe, one shall not count when it comes to love).
So this is my last post of the digital shots made with the M262 and the Elmar 50 or the Summicron 35.
You guess by this last sentence that there are indeed some analogue shots of Paris but that will be for another post.
Goldilocks’ car a pre WWII Citroen Rosalie I think
6 or 7 weeks after these pictured le M11 is out and the M262 really feels like an antique. But I still really like it, faithful device, my goto camera.
I did not go camera shopping in Paris. Err, ok I went to the Leica shop on the Faubourg Saint Honoré, to check on the film MP prices in France. This camera is a beauty, but do I really need it? Ah let’s wait a bit longer…
Probably translate literally to “Boss pour us a little one, we are thirsty”. Paris and its bistro’s could fill a life of photography.
I travelled to Paris in November last year for the first time in more than 10 years, the main reason being that I left the last 14 years on the other side of the planet. We were blessed with nice weather for the first part of our stay.
It was real fun being a tourist in a city I leaved for in the late 80’s. Like London, it takes me a little time to adjust and turn my eye to the local subjects and actually press the shutter, but there are really plenty of subjects here.
I carried my usual set in Paris, the M262 and the M6, but due to some luggae constraints I only carried two lenses : the Summicron 35mm Asph v2 and the vintage screw mount Elmar 50mmF3.5.
The Summicron is as always a great performer, and the Elmar is very pleasant. I must say the aperture adjustment at the front of the lens is a pain on a film camera without meter, but with the M6 or even better with the M262 set on auto mode, its no longer a problem.
Yes subjects are plenty in Paris, the sites, the people, the tourists, there is always something to shoot. I found there are also a lot of smaller shops that in London, which are making nice subjects.
Of course I was blessed being there during Christmas season where a lot of decorations are making the city even more attractive.
Below a few more random pictures. I have a couple more sets on Paris to come and in a few weeks, some analogue shots will come up.
If read until now you deserve me to whish you a happy new year, keep on shooting and may the light be with you.
That’s public now , I am a quitter, after 14 years I am leaving Singapore. I am moving to new horizons but that’s a story for later. The recent tightened measures are not facilitating farewells and the mood is not to party.
Last Sunday, I wen out but my shooting buddy Ez, founder of the Hasselblad User Group Singapore (HUGS), for a last photo walk. We met in Joo Chiat and then walked to Kalang MRT along Geylang road. Quite a walk under the hot sun.
Camera of choice was the Hassie, loaded first with a roll of Ektar (Still to be processed) and here with my fav film : the Rollei Retro 80s, processed in Caffenol.
Its been a very satisfying morning, walking with my friend along the charming Joo Chait road, then turning into what used to be the last red district of Singapore (Still a bit seedy in 2021).
Geylang has a very rich architecture, remains of better days.
A rare close up shot, never really satisfactory to my taste.
I could not have dreamt of a more satisfying last roll and Ez promised I can keep posting on the HUGS groups even when overseas, so all is good; it just a goodbye.
This is bit back to the future as I already posted about rolls 12,13, and 15, but rest assured roll 10 will come in due time. I was complaining last week about life in Singapore being less photogenic since the Covid started last year. Man I did not knew what was coming.
For one week now we are in Heightened alert mode, basically we are back in a quite strict mode, mostly : non essential workers are asked to stay home, it is not possible to eat or drink outside (eateries can thankfully to take away), quarantine form most countries are extended to 3 weeks in selected hotels and coming into Singapore is quite difficult (even for residents).
Having enjoyed a lot more freedom than most countries since last July, we feel taken a bit aback by this new deal. So my color roll shot a couple of weeks before this soft lockdown 2.0 seems quite joyful and interesting for the place in time where I write from.
We were discussing our last holidays abroad, which were in March 2020, when we could still fly (in half empty planes though) and I remembered that I brought the Nikon F3 to Thailand and shot only two or three rolls before putting it back in the box. So it was time to pick it up again and give it another go.
I will explain a bit later this month but I am downsizing a few things, so I am shooting what’s left in the fridge rather than go and by fresh film. So I picked up my last roll of Portra 400, which is a bit overkill for just walking around, but ok I an clearing my fridge. The roll was shot over two days around Singapore.
I put the 50mmF1.4 on the F3, because my other lenses are too big for just walking around. I must say I have always been a big proponent of the 50mm, claiming the 28 / 50/ 135 were the trinity of my generation, and only young punks would walk around with a 35 as their normal lens. But I think I have moved my point of view a little bit…
The yellow Burmese girl
I have used many 35mm on the Leica system (film or digital) and I finally came quite used to it (I own 3 😦 ). The versatility of the 35mm, with a field of view larger by more than 30% is quite impressive and I think I really appreciate it on the Leica’s to the point that I find the 50mm narrow. Off course you have to step closer to your subject, but that’s not so much or a problem with a small rangefinder.
Getting closer with a SLR, even a small old fellow as the F3 is a bit less easy. Also (I am happy to be corrected) it seems the offer in term of 35mm (Vintage of course) is a bit lesser that the offer in 50mm, where Nikon has a few outstanding lenses.
So ok I feel now that the 50 is a bit narrow but at the same I don’t think I will invest in a new (even a new old) lens for the Nikon at this point) (And remember I am decluttering).
The roll was processed at Whampoa Colours, scanned by their good services, and shared on the web. Damn I still have not collected my negs. The combo F3 + 50mmF1.4 AIS + Porta did a fairly good job. I shot most of the time in Auto mode, meaning the speed is controlled automatically by the aperture I selected, quite easy with a 400 ISO film (shot at 320).
It seems the focusing of the F3 with the 50 is quite ok, I would need to try with the original 35-70 F3.5 AI Pro see if I have any problems. But that’s a heavy lens, not for casual walks.
A well deserved treat.
A final though for the road, a lot of my pictures from 25-30 years suck, I feel very bad, because souvenirs from this time are scarce, but on the upside It looks like my photography has progressed.
A short post with not many words for the roll 14th of the year 2021. This is a roll of Ilford HP5+ hand-rolled from a bulk roll. I thought I counted 30 frames but it looks It did not count well and could just fire 25 shots.
I dug out the Leica M4 from the box and screw the Voigtländer 21mmF4 Color Skopar in front of it, set the 21-24mm finder, put a battery in my Sekonic light meter and hit the road.
The roll was processed at home in Caffenol Delta. I put a 6th of the water from the fridge to cool down the very hot tap water ( 29 to 30 degrees), and used the usual dev time (4.41 minutes) for the delta recipe. It looks it had a positive effect as the negatives were not as dark as usual.
The film dried overnight and was scanned today. After scanning there are a few dusts specs and white spots, but all in all a pretty successful processing.
A pretty mundane set of pictures : after 15 month without leaving Singapore, I start to be a bit bored. No big celebrations are happenings, it s a bit more of the same every week ends.
I shall not complain too much as the weather was pretty good that day, instead of the usual downpour we get on afternoons these days.
Luckily sometime the unexpected steps into the frame
Or you have lunch with friends
And suddenly when you feel you are finally in the mood, the film ends.
As my Ilford roll only had 22 shots, I loaded my last roll of Tri-X into the Nikon F3 while we were still in Tekka Market. I could not resist running after the guy with the umbrella hat, even I did not really got a really good shot.
316 on the bowl is probably the number of the stall so the staff attending to the hawker center know where to bring it back after picking up and cleaning. I felt really hungry at that time, but it was way too early to get a second breakfast.
It was still raining outside and this guy was playing with his phone inside a wheelbarrow.
At that point we had stepped in the street, and faced the last few drops of rain. I have a hood on my 50 which does a good job at protecting him from small rain (although that’s a metal hood for a 28mm)
Ez was still with me of course. At this point you would have realized that the pictures are not as sharp as usually, for instance compared to the last post. I have several options to explain this.
First option is that the Tri-X is notoriously difficult to process in Caffenol. I have used my usual Delta recipe scaled for 500ml. BUT because I think my films are usually over processed I have decided once again to try to lower the temperature.
I feel that usually the time for processing is 4’40” and that does not give much leeway for control (I may be wrong), so I decided to keep the same time but cool a little bit the mix by using 10% of water from the fridge (probably 3 degrees) and 90% of tap water (29 degrees) to get a mix around 26 to 27 degrees.
Of course I have no thermometer and the reason you have not seen roll 2001#11 yet is because I quite screwed up by making the mix too cold back wen I processed it. But I must say that this time, looking at the film drying it has gone in the correct direction, showing more contrast than my usual processing’s.
So what could have gone wrong ? Err not sure, could the difference of 3 or 4 degrees between the developer and the rinsing water caused an effect similar to reticulation?
.. or shall I just blame the Tri-X and look for another recipe for this film the next time?
I could simply finish my bulk roll of HP5plus and keep things simple what do you think? It’s a pity as I was quite happy with the content of the film ; that will teach me to try experimenting. This is also probably the last roll of the F3 for a little while.
The little fellow made 3 turns ( understand rolls ) and will now go back to the box. Yielding a SLR, even the not so bulky F3 with a 50mm, to the face of people is a bit gross. I’ll go back to the rangefinders for a little while
I realized this Saturday that these old folks are hanging around in that place because the are polls nearby ; you can expect more shots of this place soon.
All these shots were done in Aperture Auto mode with the F3, very convenient. A facility I don’t have on the M6. It looks the shots were properly exposed, I had some difficulties as I thought that holding the shutter button would store the speed. I may get it wrong by 20 years or so. I think after these 3 rolls and the two ones form last year, I can happily conclude that the F3 focuses properly. With the 50mm at least, I did not bother trying other lenses.
These two auspicious oranges offered during CNY period, here at the entrance of a restaurant in Clarke Quay. As often I make associations in my mind which are quite irrelevant, why think of Serguey Prokovief Opera The Love for Three Oranges where actually I just have two? Maybe the essence of photography : showing what’s not there.
I started this roll in Chinatown a while back, and as we were during CNY period, people came around the Buddha Tooth Relic temple to take selfies.
CNY is also about food, and the Bak Kwa (sliced barbequed port meat) shops are busy. There are queues outside some of the most famous who generally have sold all their goods by lunch time on week ends.
I was very happy / lucky a couple of weeks later when coming back to Chinatown I saw this group of youngsters dressing up in traditional Chinese costumes, for a fun photo shoot.
This is a roll of Rollei retro 80s, shot with the Leica M6 and the Summaron 35mmF3.5 ltm lens.
The film was processed in Caffenol CM recipe at 28 degrees for 5minutes. Some shots are great, but the ones with big dark areas like above are showing some marks in the dark parts. Fingers marks? Fogging ? Effect of the expired film? I don’t really know. The effect is even more noticeable below:
It is not super easy to shoot indoor with 100 ISO setting and a 3.5 lens. I quite like the result, regardless of the marks.
A big thank you to Louis Vuitton for this fashionistas playground giving opportunities for a few candid shots. Once again it was 7pm the light of the day was fading so the shots are taken at 1/60 or 1/40 and F3.5
A few random shots to finish
A pile of bar stools, the blacks and the contrast are really specific to the Rollei 80s, so I am happy this can be rendered in Caffenol.
Some sculpture in a back alley, I think it’s the entrance of a club or a bar.
A bit if tragedy to finish this is the place where 5 party goes met their fate when driving into coffee in the late night hours a couple of weeks back. You can still see the burned façade of the building. A few days (maybe 1 or two weeks) after the incidents, offerings were placed for the deceased.
Covid or not, Chinese New Year 2021 is upon us : a lot less feisty than usual, with masks and social distancing, here we go again.
CNY 2021 will be on Friday, 12 February, but for a couple of weeks now, some stalls have open in Chinatown, and people start to go do their shopping. Yes there are less stalls than usual, and Chinatown has lost quite a few businesses these last months. Also there will be no Lion dance this year
You will see more of it surely, Chinatown is always happening and picturesque. Above some shots of an aquarellist, and in the top middle an art exhibition part of SPIF (Singapore Photography International Festival).
Shots were done on Kodak 160 slightly expired, shot with a Leica IIIc and Elmar 50mmF3.5. Filem was processed and scanned at Whampoa photo. Whampoa does an excellent job as usual, but the pictures seems a bit underexposed, maybe the roll was a bit more expired that I thought.
On a more technical note, I always wonder why people use 50mm finders for the Barnack Leicas, as its suppose to be what the viewfinder window is doing. But actually I found when shooting this roll that the I missed a few shots because of framing. In the absence of framing lines using the border of the viewfinder is quite uneasy.