Feb 2020 in Singapore with the Leica III

Regular readers already know the Leice IIIc is my go to camera when I just walk around without goals. This roll was loaded at the end of a supposed Hasselblad walk with the Hasselblad User Group Singaore (HUGS).

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Masks and hankies are out to fight the Coronavirus

This is a roll of cheap Kodak Color Plus. I shot a few of them so far, and I think it is good enough when you have no special goal.

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Reading your fortune for the year of the rat

This is quite an easy film to scan, the ISO 200 is quite convenient for color street shots on a nice day.

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Roasted Chestnut stall

Walking from Bugis and Waterloo street area, the weather was beautiful, and I think the colors are very nice, vivid enough but not over saturated.

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The newly renovated Indian temple on Waterloo street

That day I had the Voigtlander 21mmF4 mounted on the Leica IIIc, and as above and below I think it realy renders movement very nicely.

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The shy passer by (cropped)

The colors on the next two shots are outstanding, but light was exceptional too.

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HDB block at Middle Road
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Ezekiel the HUGS master
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The Chinese tourists at Chimes

Of course sometime as above the 21mm gives a bit too much negative space.

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Capitol theater

Over this last year I shot a lot of with the 21 VC and I like it a lot. On the negative side I would say that sometimes it gives a very crisp and modern look to the pictures you may or may not like.

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Man at work

From this point the pictures are taken with the vintage Summaron 35F3.5. They are mostly taken in the afternoon where the light if not as good.

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Miror Miror
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The ugly Jag in from the Raffles hotel

I also think the Summaron is an excelled lens. 35mm is a lot more manageable than 21, but I also have a 35mm finder,

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Boom

The above is taken inside the National Design Museum, but there was plenty of light.

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The Man Machine

I don t realy know the relationship between the expo and Kraftwerk, but…

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Beaty Street Tibetan temple
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A random arcade game
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A Hot Road is a rare sight in Singapore

Film is scanned at home with Epson v800, I do a bit of colour and exposure correction in Light-room .

Feb 2020 in Singapore with the Leica III

You can’t hurry love (About the VC Color Skopar 21mm F4)

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A few weeks back I was in Riceball Photography shop where our friend Leon tempted me with the new Voigtlander 21mmF3.5. This is a beautiful lens, particularly with the metal hood attached. I had a try on my M262 in the corridor of the mall (below) and also a week later on the M6 (above).

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I was very enthusiast about the test shots, very sharp, no distortion to my eyes, no color shift on the digital sensor, unlike the test I did of the old Super Angulon F4 a couple weeks before (see below).

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At a price of about 800USD, even when adding the hood (100USD) and the finder (200 USD for 21-25 metal finder), this is a steal for a bout a third of the price of the next Leica lens.

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VC21mmF4 on M6 with the 21-25 VC finder

At this point I came back to my senses and remembered that I bought a 21mmF4 Color Skopar back in 2013, to fit the Leica IIIc. This lens did not get a lot of love for the following reasons : the plastic finder is shait and was replaced once and repaired twice, the color banding on the digital bodies is awful, more subjectively I have a bit of difficulty with the 21mm : I always end up with skewed perspectives that I don’t like very much and also, yes, 21mm is very wide.

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Street shot : VC21mmF4 on M6 with the 21-25 VC finder : 21mm is wide but gives very dynamic shots

So the reasoning was that, as I have a 21mm already, why not try to address the finder issue first and if I still don’t love the 21mm then there is no point getting a new one. Of course that does not address the digital issue, but everything in its own time.

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Vertical framing checked, VC21mmF4 on M6 with the 21-25 VC finder

So lets hunt for a 21mm finder. There is a bit of  choice on the market : the plastic VC, the metal 21-25 VC, the old Leica in plastic or metal version, the Leica Universal Wide Finder. Ken Rockwell vouches for the plastic version of the Leica, but I ended up with the VC metal version that Riceball provided me in two weeks.

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More vertical framing checked, VC21mmF4 on M6 with the 21-25 VC finder

The VC metal finder is a nice piece of kit. It feels very good in the hand, (it better for about 200 USD), fits the cameras (IIIc, M6 and M262) and provide a nice view. I immediately tried it on the digital body and on two rolls of film. and I must say I am pleased with the results.

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Horizontal framing checked, VC21mmF4 on M6 with the 21-25 VC finder
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More Horizontal framing ( VC21mmF4 on M6 with the 21-25 VC finder)
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More vertical and back light( VC21mmF4 on M6 with the 21-25 VC finder)

So now what about the 21mm? Well I will probably have to shoot more before I decide, but already I think going back to my VC 21F4 by buying a new finder was a smart move : shall I love the 21mm and get the new lens, I already have a finder, shall I want to sell it I have a full kit now, or maybe I can just stick with the 21F4 for a  while.

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The 21 is very (very very) wide, the three street shots in this page were taken at about 2 to 3 meters from the subjects and they feel like I was miles away, so I will really need to step very close for my candid shots.

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I generally shoot 28, 35 and 50 Summicrons, so I must say that F4 is not mindblowing, but this is minor. On another hand the 21F4 is very tiny and pleasant to use, so I feel very comfortable when walking around that I look inconspicuous.

On a final note about the color shifting on digital bodies, some of the Leica profiles help correct it, I think one the 28mm F2.8 profile provides better results that others, have try.

  • Film color shots done on Kodak Portra 160NC with Leica M6 Classic
  • B&W shots done on Kodak TriX with Leica M6 Classic
You can’t hurry love (About the VC Color Skopar 21mm F4)