Roll 2021#12 Tekka Market

The man who took me out of bed on that rainy day

Rainy day Saturday, when I left home to meet my fried Ez at Tekka Market, in Little India. The weather was quite bad so I left the Hassie home (Ez is the man behind HUGS the Hasselblad User Group Singapore) and only put the Nikon F3 loaded with a hand rolled roll of HP5+ (and a spare roll of TriX).

C est le pied.

I was soaked when getting to the MRT. I have not seen my friend for a while so we spent a certain time in front of a coffee and shot randomly what happened within range.

Grosse fatigue / tiredness

I set the F3 to ISO 320, to overexpose my film a little bit as recommended for Caffenol for medium speed film. My best lens for the F3 is the 50mmF1.4AIS so the combo enabled to shoot decently in the dimmed lighted market (also given the very gloomy external light).

Curry Puff stall

I came quite a few times in Tekka market but that’s not my favorite : I find it a bit too dark, and alleys are on the narrow side so you often find yourself in the middle of somebody else’s path. I generally feel a bit more at ease in Tiong Bahru or Chinatown Complex, but that Saturday was very nice and friendly.

The art of choosing the crab

Once home I quickly processed the film with the Caffenol Delta Recipe, adjusted for 500ml of water. At current temperature ( more or less 30 degrees), processing time is 4’40”. I use the Ilford rinsing method and Ilford fixer after that.

The smile of the butcher

Scanning was a breeze, the film is quite flat and after processing shows very little dust. The roll only had 20 full shoots and 2 half shots at start and end. 22 frames rolls are nice because I can hand them to dry in the shower without having to cut it in two.

Balance is everything

Loosing half a frame at the start is a bit obvious but why at the end? I remember now that when loading from a bulk roll the first part of the roll, which will be the last frame is partially exposed, only enabling for half a shot. It is very difficult to know when you last shot will be, maybe I should try to quickly load a new roll and retake the last shot?

Self Service

I still struggle focusing with the F3, but I think this roll is ok from that point of view. I have included a few more pictures below, I hope you enjoyed the reading

A really wet day

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Ultrafine Xtreme 400 in Caffenol Delta

Passer by with phone (Roll 43)

Brace yourself for a long post today, with many pics selected form two rolls of Ultrafine Xtreme 400. If you look through this blog, you will find out that in 2018, I shot an entire 30m roll of Ultrafine Xtreme 400. I quite like this film and my usual lab was doing a good job processing it.

The ubiquitous delivery man (Roll 43)

This year is another game as my friend Ray Toei, the serial shooter who introduced me to this film, offered me two of his hand rolled film, with 24 shots each, and this year as you may know is the year of Caffenol.

Teo Hin Tyres (Roll 43)

The are not many resources on the web about processing this film in Caffenol, or maybe I was not able to find hem, so I decided to start with the Delta Recipe which is now my go to recipe for Ilford Delta and HP5+.

Hang them high (Roll 43)

The first film (Roll 43) was processed for 4’40” at 28 Celsius, time from pouring in the mix, to pouring it out (I start pouring out at 4’35” ). The resulting negative is quite thick, meaning over processed. I cut the time down to 4’15” for the second film (Roll 44) and the result is much much better, maybe I can try to cut down few more seconds.

Wrap me some of those, uncle (Roll 43)

I had another problem with the first film : I did somehow manage to not load it properly on the spool, so some areas were not properly processed, giving some vast white areas in the pictures (black on the negs). Ths is very clear on the first shot of this post. That’s a lesson learned : when the spooling does not sound right it is not right.

Deepavali shopping (Roll 43)

To make this a bit more difficult I have shoot these two rolls with my antique Nikon F3 and 50mmF1.4 AIS. I have dug the F3 out of the dry box for my last travel in February where I shot a quite nice roll of HP5, and I though he deserved a second round this year.

Framed (Roll 44)

I bought the F3 in 1992 already pretty battered, and I was never totally satisfied with it. But I long so much for this little fellow that I cannot drop it totally.

Catwoman (Roll 44)

I never have so many out of focus focus pictures with any of the Leica’s. I have changed the micro prism focusing screen for a vertical split screen in 2008 but it did not bring much improvements. I am happy to blame my eyesight of my technique.

A fish stall at Whampoa market (Roll 44)

This said, the pictures that are technically ok have a different quality to them than those taken wit the Leica. Not better (impossible 🙂 ) , just different, and its quite appreciable.

Saving the planet one tree at a time Whampoa (Roll 44)

For those interested, I carried last week both the F3 combo and the Leica M6 with the 35 Cron Asph v2, and the Leica is about 200 grams lighter, the F3 being just short of 1 KG. Still it is not big camera and discounting the fact I miss-focused 6 images at least on these rolls, it is a pleasure to use.

The newspapers stand – Whampoa market (Roll 44)

I went to Whampoa to bring a roll of color film to the lab there, not remembering that Saturday was a public holiday (Deepavali), so being confronted with the closed shop I walked to Whampoa market.

Family visit to the temple (Roll 44)

A few kilometers away, on Serangoon road, Hindu’s were visiting the temple, like this young family with a baby. I walk close the 11 km Saturday.

Chinatown Kueh Stoll (Roll 44)

Aperol Spritz (Roll 44)

My Delta recipe is as follows:

Caffenol C-M	Delta
Water	0.75
Washing Soda	18
vitamin-C	15
coffee	32

I kept last week Caffenol, but decide not to use it, let’s brew some fresh stuff for the moment. For those interested in stats I shot 44 rolls sofa this tear, and 24 processed in Caffenol (probably 4 can be considered as having been sacrificed on the path to knowledge).

I hope you enjoyed the reading.

THE NIKON F3 : DOES IT FOCUS OR NOT

The Big Buddha is a work in progress

Before moving to the focusing bit, lets start by a few shots from Phuket. My eyesight for short distances is becoming quite bad so I cannot read the markings on the camera, so when I loaded this roll of Kodak Pro image 100 I put the speed selector to 1600 instead of 100.

So the pictures from Phuket are underexposed by 4 stops, but end up being quite exploitable , the colors are still pleasant. Nice job Kodak.

Inside the shrine

 

Karon football stadium

Karon football stadium

A resort in Karon

Karon beach scene

Phuket airport

I realized my mistake at Phuket airport and changes the speed. Above the colorful planes at the airport terminal; I quite like the colors of this film.

Apples in Chinatown

Back in Singapore, I had my black and white film processed and as the results were OK (See last post), so I decided to finish this roll with the F3. I changed the screen to the Split screen model K as its easier to focus, so it will give a better indication of the accuracy of the camera focusing.

Lost in Chinatown

Of course the shot above is a hip shot where distance has been guesstimated, so it does not prove much.

Taoist ceremony in Chinatown

The two following shots are related to a Taoist ceremony in the center of town, the afternoon weather was quite bright so the shots were done with a small aperture, balancing potential focusing problems.

Flags in Chinatown

I think this ceremony is held by one of temples situated in the nearby habitation block. The place were the tent is set, often hosts funeral wakes, and even a medium ceremony after Chinese new year.

Inside TWG tea shop

In TWG tea shop at raffles hotel, the lens was nearly wide open and the focusing on the letters quite easy, it looks the picture is in focus.

Yellow throat lizard

The lizard also is is focus, though small.

Tiong Bahru Monkey God temple

The shot above  was done probably at F4 and quite close, looks reasonably in focus as well, I really love the warn tones or the film.

Next table

So far so good until the last shot, wide open (F1.4) , the light was a bit dim, I focused on the glass at the front where it seems the actual focus is on the middle of the table (or the Asahi beer logo), so 10 to 15 cm back. So this is not very conclusive then.

• Nikon F3
• Nikkor AI-S 50mm F1.4
• Kodak Pro Image 100ISO
• Epson v800

 

The Nikon F3 gets out the closet

It seems to be a tradition to write about the F3 magically getting out for a spin (You can read the 2012 post ANOTHER OLD FELLOW BACK FROM THE MAGIC CUPBOAD – NIKON F3 ) the last picture I put on Flickr with this old fellow dates back from 2015 so it had time to gather dust inside the magic box. When I took it out the mirror foam was all gone but I have some spare foam, maybe a bit thick, so I replaced it in a 5 minutes. The 5 years old batteries were dead (not stored inside the camera), but I found some for 4$ at the convenience store of my condo. I fiddled a bit to find the correct direction for the batteries and of we go! The meter is metering and shutter is shutting. Attach the 50mm F1.4 AI-S, load a roll of H5 and lets roll.

I will start with my favorite images, above two tourists wondering the streets of Chinatown, a rare hip-shot, I have not used a SLR for years i am not sure about using it for street shots.

A friendly man in Karon (Phuket Thailand) building a new extension to the local temple (Wat Karon), he is molding cement Buddhist wheels to decorate the wall outside the building.

Russian lady with a tambourine humming to Buddha while fiddling with her instrument I say : she a Shaman.

Okay so appart from these 3 shots that I really like, the rest of the roll is pretty good as you can see there after  (I spared you those of my family by the pool)

First stop was in Singapore Chinatown, a few days before flying to Phuket, one of the reasons why I stopped using the F3 was because I keep on thinking it is not focusing properly. Indeed the distance on the lens always looks off compared to the actual distance. But the shots of this roll seems to prove otherwise.

I used the original B screen (micro-prism) which is more difficult to focus than the split screen (model K  on top of my head).

I have loaded a second roll now and will try to split screen on the second half of it just t try to assert where the issue is.

Also I used the A mode for aperture, so the speed adjust automatically to the aperture you select. I never use it on the Leica, as I always found the speed to be too low and result in camera shake, but again it proved to work nicely here.

Then we flew to Thailand for the week-end, which was the reason to resurrect the F3 ; I did not want to bring the M6 or the M262 to the beach. Oh but I did in Australia last year. Well OK, that’s just how it is.

A rickshaw in front of our hotel, close focusing seems to work, I am not sure I actually focused on the horn, but that sounds (ha ha) realistic.

And off to the beach .

Back light as the sunset if approaching the metering works great.

Street / beach scene, another nice action by the F3 meter.

Speeding in speedos.

 

Back to USSR

On the next day we walk from our hotel to Katong center town, very bright light. All shots were done at F11 with 1/1000th. The shutter of the F3 is limited to 1/2000th so I could not use wider apertures with a 400 ISO film.

Asoline ?

And we reach Wat Karon the local temple.

Inside the temple we just missed the lunch of the monks , normally no later than 11am. Pity.

From the seaside at Karon we took a taxi to visit Phuket Big Buddha,  a seated Maravija Buddha.

It is big indeed, like 40 meters high.

Here as well the light was very powerful, so maximum shutter speed and min apperture.

Family praying the Big Buddha

Another quite big statue at he back of the main one

I  spent 30 minutes at the shot yesterday discussing with other photogs of the potential focusing issue of my body. This roll seems to prove me wrong, but on the other hand most shots were done at very small apertures, so the focusing may not matter much.

A quick comparison with the M6 ? The F3 is slightly bigger, but just a sexy, the weight is probably very close, actually the M6 is 200 grams heavier. Both cameras have an integrated meter, but with slightly different methods, teh F3 is 80% center weighted the M6 is roughly spot metering, I actually quite like the exposure of the shots above.

First try of Cinestill 800T

My sson Noé in Shanghart gallery, lightened by Tungsten bulb

Cinestill  produces a tungsten film (the 800T) based on motion picture cinema film; they pre-process and package the film so it can be used in 35mm cameras and processed in any C41 capable lab.  Cinestill also had a daylight film and planed to offer a 120 format film, but if I believe their web site (http://cinestillfilm.com/) all products are sold out at the moment and the kick-starter project for the 120 format did not get off the ground.

“Lock Road” sign in Gilmore Barracks , overcast daylight

You can however still buy some film in some online re-sellers or in brick and mortar shops. I have 5 in my house in France waiting for me that I ordered from Firstcall Photographic Ltd in the UK and I bought this one in the Lomo shop in Chinatown in Singapore. This is quite a costly film, Lomo sold it around 16 SGD and Firstcall 13 (so around 8 EUR or 10 USD). Processing is standard price so around 8 SGD here. All in all this is quite expensive for casual shooting.

Lavender Food Square, probably accounts as daylight (dimmed)

Picking the camera to try a new or special film is a bit tricky, I do not want to blame the gear for missing shots or bad exposure, so I decided to remove the dust from the F4s. Unfortunately it appeared (once all loaded) that the auto-focus was not working any more. Well we have a say in France that for every bad thing there is a good one coming. So with no AF working I was allowed to pick up a manual lens; that was the small and sturdy 50mm F1.4 AIS. But I must admit it feels silly to carry such a big beast of a camera with no AF.

My friend Oliver aka the Walrus, artificial light but I cannot say it’s tungsten

After google-ing a bit I decided to overexpose the film a bit and shot it at 640 ISO and processed at 800. This is a Tungsten film, for those who do not know it is to be shot in scenes lightened by tungsten bulbs. Daylight shots should be done with a 85B color filter; I have done none of this and tried to manage the white balance in Lightroom, but I think I’ll get the proper filter next time (quite inexpensive).

My friend Fei, artificial light but I cannot say it’s tungsten

Many Heineken bottles, artificial light but I cannot say it’s tungsten

“Fat leo’s” team; artificial light but I cannot say it’s tungsten

Camera:Nikon F4s
Lens:Nikkor 50mmF1.4 AIS
Film:Cinestill 800T

Namo Buddha – Nepal

Namo Buddha - Offerings

Camera: NikonD700
Lens: Nikkor 50mm F1.4 AI
Processing:LR3+PS Elements 4.0