A Roll of Rollei ATP 32

Rollei ATP11

Rollei ATP (Advanced Technical Pan) 1.1 is advertised as an extremely high-resolution black and white fine grain film. This film is characterized by fine grain, high sharpness and variable contrast. It has a nominal sensitivity of ISO 32/16°.

The roll was shot with the Leica M6 and mostly a Summicron 28.

It is a  (super) panchromatic film, ie have a sensibility to all the visible wavelength as opposed to orthochromatic which have a specific sensibility to red.

This is the second roll I shot in 35mm and as you can see from the label is has passed the expiration date by 2 years, but was kept in the fridge. As usual my rolls go to the shop (Ruby photo in Singapore) and do not get any special processing.

Back from the shop it is evident the roll is underexposed, blame the 2 years expiry or the failing batteries on the M6? I cannot say. But all in all a bit under.

The first 3 pictures were taken in the afternoon, on a rather sunny day, in Mac Ritchie reservoir in central Singapore. I really like the metallic rendering of these pictures, particularly the second one. The first one has something special in the richness of the grey tones which is very pleasing.

The picture above is very different, under midday sun a family scene a the skate park. Hard sun, not ideal conditions, but the contrast is not as harsh as with the Rollei 25 RPX. Very pleasing.

Same goes for the above; hard light, wide range of grey.

Above the heritage buildings on Petain Court. And below the Summicron wide open on an overcast day. Very nice definition.

Finally the last picture below, and the revelation of why I liked this roll very much : these negative scans (with the now outdated Epson v500) have a rendering close to a wet print. I think it is done to the total range but also something special in the depth of the blacks.

I checked the results of the first roll that I shot 3 years ago with the defunct NikonF4s. The pictures are showing the same smoothness, high resolution and deep darks, and a bit undeexposed. So, with the Rollei Retro 80s this is a very good choice of film for a change. I will order some Medium format rolls to check with the hassie.

Finally, what can you shoot at 32 ISO? On a sunny day with a F2 lens ? Anything. But when the sun goes out you better have another body at hand. So it can be quite frustrating at times.

Oh and where to get some? No idea where you can buy some in Singapore. In France I order mine from http://www.mx2boutique.com/ , there is also https://www.macodirect.de/en/ in Germany.

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A Roll of Rollei ATP 32

Warorot Market – Chiang Mai – Thailand

Last holidays trip was in Chiang Mai in Northern Thailand. This is my second trip there and I love place. This is the second time I travel with a Leica kit both Film and Digital. I have two bodies a M6 and a M262, a 28 Summicron, a 35 Summaron F2.8, an old Summilux 50 v2 and an Elmarit 90F2.8.

2 Bodies, 4 lens that sounds a lot and actually I packed the big Crumpler 8 Mio dollar bag. It is a bit over-sized, but then I have room for papers, wallet, reading and sun glasses and on the flight I can pack in a book, you can probably pack a tablet as well. I am proud I resisted the urge to buy a new bag.

I shot 4 rolls of film and a few hundred (but less than 1K) digital frames; this first set was done inside the Warorot market with the M6 and mainly the Summilux; film is the Kodak TMY 400.

I like the TMY400 for its low grain and slightly lower contrast that the Tri-x. I think all in all these shots turn out to be quite pleasant.

The Summilux is suffering from back focusing on the M262 but that does not show at all on the film shots.

People in the market are quite friendly, actually it is quite a touristic spot so the view of a tourist with a camera is not news.

I try to follow the advice of pro photographer Bobby Lee : let people know you are here, that you want to take a picture of them or their activity, but once they agree (or ignore you) don’t just snap and run away; as they don’t bother the least you can do is hang around until you have a good shot.

All scanned with the now antique Epson v500

 

Warorot Market – Chiang Mai – Thailand

Japan Camera Hunter – JCH 400 FILM

During my trip to Melbourne where I discover the FilmNeverDie  shop, I bought a couple of rolls of their SHIROKURO but also one roll of JCH StreetPan 400 film (why only one?)! I am always looking forward to try new or uncommon films, this is part of the magic of chemistry of film photography, to make me expected something new and exciting that does not depend on my technical skills (if I have any) to happen on the roll.

You can find the announcement of the film and read more about it there.

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This does not look to be  a re-branded film as the negs have the mention JCH.

This is not a technical review, I am by noway an expert, I understand that pan chromatic does not mean much other than a reproduction similar to human eye. Not sure what this means for black and white. This film is supposed to have a higher sensibility to red and a low grain.

I loaded the roll in the newly repaired Leica IIIc, and the following shots are done during Chinese new year in Singapore using a Summitar 50mmf2 lens. The Summitar is a bit back focusing so this is probably not a proper set-up to judge the quality of the film, but I have a soft spot for the IIIc.

Exposure is measured with a handheld Sekonic 308s lighmeter.

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Peanut stall

This picture is shot under a red tent and gives for interesting palette of grey, probably due to the sensitivity to red.

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There’s a cow behind the bins

For those who wonder, this was processed by the usual lab used by Ruby photo, no idea what chemical they use.

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Cookie stall
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Fellow film shooter, using a Canon 7s and Summar 50mm (but I saw he has more tricks in his bag)

The grain is actually quite controlled, and the sharpness, if you keep in mind this is shot with a vintage soft lens, is quite good. I am not a big fan of high grain film like the TriX (although I use it a lot), and always preferred the soft TMAX100 or Fuji Acros

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Kueh shop

Actually the contrast is quite smooth, unlike the Rollei Retro 400s I used recently, so for higher contrast scenes it gives  nice gradation of grey.

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The ladies selling newspaper on Keong Saik Road
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Happy fellows
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Night shot in Chinatown, a Bakua shop
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Preparing for Chinese new year

Even this night shot with back-light could be salvaged and give a nice rendering.

All in all this is quite a satisfying experience, if I manage to get more rolls they’l deserve to be shot with a better camera like the M6 or the “never-fail” EOS 1N.

JCH has sold all his stock, so only retailers will have some rolls now, until more are produced. I don’t think anybody has some in Singapore but you can find a list of suppliers on the JCH web-site.

 

 

Japan Camera Hunter – JCH 400 FILM

THE SECOND FILM WITH THE LOMO KONSTRUKTOR.

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This has been more than two years since I was offered the Lomo Konstruktor kit by my wife and my son. It took me 2 month to complete and shoot the first roll and actually it took another two years for me to shoot a second roll.

(See my first post here)

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There are a couple of reasons for this none might be very good nor definitive, but here they are.

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I first found the Konstruktor very flimsy.  The winding is very hard (hence the frames overlapping, or extra spacing), the shutter mechanism is quite hard to press causing camera shake more often than not.

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The F10 lens and 1/80s speed are only allow well lit scenes; my first roll for 400 ISO and a few of the pictures were underexposed. I had a try this time with a 800 ISO Fuji Extra, and some shots are over exposed but all in all that’s not too bad.

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I found the framing and focusing difficult, ok focusing a F10 lens is not that critical after all.

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Finally I have enough sh*t cameras a home and the Lomo does not bring anything really new. It’s back on the shelf now, it may stay there for a little while.

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THE SECOND FILM WITH THE LOMO KONSTRUKTOR.

FilmNeverDie.com – Shirokuro 400 film

Give me a hand – Wide Open, a bit OOF, quite smooth

One of the pleasures of shooting film is trying different films when you come across some. When I was last in Melbourne, I stumbled by complete chance upon the shop / gallery of FilmNeverDie.com.

Thai Smile – very grainy probably under exposed

These are die shard film fans, with a collection of vintage cams on display, a fridge well stocked with various emulsions but I was also told by Gary, who looks to be the guy in charge, that they will soon launch their own film. Soon being very soon, Gary sold me two rolls and here are the results of the first one. I also bough a JapanCameraHunter JCH StreetPan roll, that will be for another day.

Sungei Road Golden hour

 

Apart from the label saying C41 and the indication “made in Belgium” the label of the lab and myself were not able to decipher what film it is. I am not aware of C41 films made by Agfa, the only Belgium factory, so this is news for me. But I am just an amateur so who knows.

Stacking up – Sungei Road

The film turns out quite grainy and the negatives show low contrast (I mean there are no white areas, the lighter areas being 30% grey), the scans are looking quite ok though and maybe the exposition was not so great. I used the Nikon F with one of my prisms that does not meter and an old Goosen meter. I will shot my second film more carefully.

Standard Ti Shaw
Trishaw handle bar close up. Grainy but quite pleasing

The result is quite interesting and will probably appeal to the crowd of street photographers that  like grain and “gritty” look.

IAmCeno2 mural on Funan destruction site. Nice rendering to my taste

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Shirokuro 400 – Black and White chromogenic film c-41 process 35mm 27 exposure film

FilmneverDie.com: 2/640 Bourke Street, Melbourne CBD, 3000

FilmNeverDie.com – Shirokuro 400 film

Sydney on Film

I went “down under” for the first time last school holidays. I was now carrying the “new” travel kit:

  • Leica M6
  • Leica M262
  • Summicron 28F2
  • Summaron 35mmF2.8
  • Summilux 50mmF1.4v2
  • Elmarit 90mmF2

5 or 6 rolls of film (I just shot 2) and small accessories.

I overcome (temporarily the urge to by a new camera bag by loading all of this is the very big Crumpler 8Mio and for day to day walks to put in my suitcase a Crumpler 1Mio. The later can fit one body with a lens and an extra lens, my wallet and phone, the second body goes around the neck.

On circular quay there are always a few buskers including this group of aboriginals, playing didgeridoo along with disco beats.

The fish market is packed with Chinese tourists.

Men’s biz : a trendy barber in one of the galleries in central Sydney.

Sydney on Film

Fuji Superia 800 galore

One of the members of the Lugs (Leica user group Singapore) and prominent film shooter has ordered a bulk of Fuji Superia 800 and offered to share them. So even if I’m not a Fuji guy myself I picked up the occasion and snapped 12 rolls of 24 shots a 5 SGD a piece.

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We met last week with his gang at Brawn & Brains café and had a nice meet up session, discussing gear, film and shooting stories.

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I brought along the Leica M6 with the Summaron 35mmF2.8, the fool proof combo I bought last year. A couple of nice camera were on the table, some Olympus, Minolta, Nikon and Leica of course.

Heading back home I met junior at the skate park and had him pause.

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The 24 shots were quickly finished in the afternoon, my dad use to favor them over 36 as you could finish them quicker, but also that in a time where you had to pay for the prints  doing extra useless shots was not an obvious choice.

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One friend said yesterday that he dreaded two things in Singapore, the haze and the formula one. Well we may skip the haze this year but formula one is upon us.

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I must say I am quire disappointed wit this shot. Not only did the big baboon insisted to be next to miss formula one, but the light is poor and the color is so so, making me remind that I don’t like Fuji colors.

I must say the colors for these indoor shots are quite nice, and those of the skate park are ok as well (a bit less nice). The pictures are quite grainy, is it the film or an effect of the exposure I do not know. Well I have 11 rolls left so I can load them in many different cameras over the coming weeks and see what I get.

 

 

Fuji Superia 800 galore