I read this brilliant idea last week, but I I cannot remember where nor who to credit, so my apologies to the original writer. So here it is, Sunday was father’s day and what nicer tribute to my dad that to shoot with his camera?
So I loaded his Agfa Isolette III with a roll of Bergger Panchro 400 and went for the usual family stroll in the city center.
Last week I went out with fellow members of the “Lets shoot film SG” group, in the area of Arab Street in Singapore. The intent was to shoot the crowd : this has became a very popular spot now and there are many opportunities for candid shots.
I loaded the Agfa Isolette III with my second roll (on 3) or Pancro 400, to see how it fares with a slightly better camera. I must say this was not some precision work, the uncoupled rangefinder is not working so the distances are guestimated and I preset the exposition most of the time. I put the original yellow filter (probably 1/2 stop) in front of the Apotar 80mmF4.5 lens as well as the aluminium hood for good order.
The film was processed at the same lab as the first one, I was not told the film need pushing this time, so maybe they worked out how to process it “normally”, go figure!
The results : as the first film, this one came fairly flat from the lab and was easy to scan. A bit of tweaking in Lightroom, et voila!
Is it the conjunction of the small aperture used and / or the yellow filter? The results surely have more contrast that my first roll but still shows pretty smooth tones, and no hard contrasts. Highlights were easily recuperated, underlining the claim to large latitude.
Something keep on surprising me ( as I also just scanned my first roll in 35mm format) it is that this film manage to be quite grainy and still preserves an impressive amount of details even in under or over exposed shots (no shown here) or areas.
I will shot the last 120 roll with the Hassie; maybe I’ll try to do some portraits to see if in a more controlled environment something else is revealed.
The French company Bergger released earlier this year the Pancro400 film in 120 roll film & 35mm. Without getting too much in the technical details that you can find here, this is a film with high speed, fine grain and wide exposure latitude (from ISO 100 to 1600). As per Wikipedia, a panchromatic emulsion produces a realistic reproduction of a scene as it appears to the human eye, which is what most modern films are tending to (except the ones labelled as orthochromatic films) so nothing special to expect. Some of my friends think the film will have a tendency to highlight skins and darken greens / blues.
Recently during my last fridge replenishing order, I bought 3 rolls of this film in both 120 and 35mm.
I shot the first roll with the Dacora Digna, a 1950’s German 6×6 camera with a collapsible 80mm lens, a fixed speed of roughly 1/50 seconds and a choice of aperture of f8 or f11. This is not a perfect camera for testing a new film but the Hassie was 10000 KM away.
The film was processed at my usual lab; when I collected I was told it was pushed; the only explanation I had was that the guy from the lab knows the film need to be pushed. The result is ok-ish anyway, but the negative did not look too contrasty; I expected it to be overexposed a bit by sunny sixteen rule.
On a practical note the markings on the back of the film are very faint so it is difficult to read the frame number though the red window when you advance the film.
The pictures were taken during a walk to the Lac d’Allos one of biggest high altitude (2230m ) lakes in Europe.
Roll number two is at the lab at the moment, street shots from yesterday walk with the more reliable Agfa Isolette III, the last roll I’ll definitely keep for the Hassie.