A not so good roll of FP4+

I am trying to stay true to my promise to de-clutter the film box in the fridge and shoot some 120 film that sometime is expired for more than two years.

2019-15-Hassie-4-01
The colorful Alkaff bridge on Singapore river

So I recently shot a not expired roll of Ilford FP4+ expiring in 2020 over a couple of Sundays walking around Singapore.

2019-15-Hassie-4-02

 

On this second shot, a happy groom on his stag day, it is obvious there are some white dots all over the picture.  After discussion in the Facebook group “Lets Shoot film SG”. It appears this may be a problem caused by the backing paper of the film after being taken in and out of the fridge. Frankly I am a slow shooter so I am guilty of taking from the fridge more than I can chew and putting it back afterwards, but I cannot remember having seen this problem before.

 

2019-15-Hassie-4-03
Pearl Bank Apartments

I kind of understand this is more common with Ilford which I rarely shoot, that is not encouraging me to do more (I still have a roll in the fridge, damn )

2019-15-Hassie-4-04
Pearl Bank Apartments entrance

Pearl Bank Apartments is an iconic housing block in Singapore cityscape, built in 1976, it what is referred as brutalist style (Although Landmark tower nearby is more pure brutalist), it has now been sold and is empty since the end of April 2019.

2019-15-Hassie-4-05
Pearl Bank Apartments the open side

It will be demolished and the plot redeveloped ; this is the traditional buildings life-cycle in Singapore.

2019-15-Hassie-4-06

The white dot issue is also quite prominent on this shot

2019-15-Hassie-4-07
No 5C
2019-15-Hassie-4-09
Singapore Bi centennial statue
2019-15-Hassie-4-10
Beware of falling branches – enter at your own risk
2019-15-Hassie-4-11
Friendly waiter

The friendly waiter was shot wide open at 1/60th handheld, explaining the slightly off focus.

All done with Hasselblad 500CM and Planar 80mmF2.8

ILFORD FP4+ as I said, developed by the usual lab

Scanned at home with Epson v800

 

 

Advertisements
A not so good roll of FP4+

THE SECOND ROLL OF BERGGER PANCRO400

Most common activity : posing in from the Mexican style mural

Last week I went out with fellow members of the “Lets shoot film SG” group, in the area of Arab Street in Singapore. The intent was to shoot the crowd : this has became a very popular spot now and there are many opportunities for candid shots.

Second most favorite activity : show your best profile to the camera

I loaded the Agfa Isolette III with my second roll (on 3) or Pancro 400, to see how it fares with a slightly better camera. I must say this was not some precision work, the uncoupled rangefinder is not working so the distances are guestimated and I preset the exposition most of the time. I put the original yellow filter (probably 1/2 stop) in front of the Apotar 80mmF4.5 lens as well as the aluminium hood for good order.

Painting is older than film

The film was processed at the same lab as the first one, I was not told the film need pushing this time, so maybe they worked out how to process it “normally”, go figure!

Small variation : a duo in from of a plain wall

The results : as the first film, this one came fairly flat from the lab and was easy to scan. A bit of tweaking in Lightroom, et voila!

Is it the conjunction of the small aperture used and / or  the yellow filter? The results surely have more contrast that my first roll but still shows pretty smooth tones, and no hard contrasts. Highlights were easily recuperated, underlining the claim to large latitude.

Whats going on there?

Something keep on surprising me ( as I also just scanned my first roll in 35mm format) it is that this film manage to be quite grainy and still preserves an impressive amount of details even in under or over exposed shots (no shown here) or areas.

I will shot the last 120 roll with the Hassie; maybe I’ll try to do some portraits to see if in a more controlled environment something else is revealed.

 

 

THE SECOND ROLL OF BERGGER PANCRO400

Good bye Mister Lee – Day two

Facebook-1

On the second day or the mourning, the body is mister Lee was visible in the Parliament house. A large crowd attended the transfer itself early in the morning. From then the body of mister Lee was visible for the public inside the parliament.

Facebook-4

A large queue started to form and when I stepped outside of home and head to the river, by 3pm the queue was zig zagging along more than 6km to end up around Clark Quay.

Facebook-2

Facebook-3

Facebook-5

People with flowers were trying to reach the start of the queue

Facebook-8

The queue was turning along new bridge road up to Hong Lim park. Luckily there was shade for most of this stretch.Facebook-7

Not so lucky were the people still on the bridge.Facebook-14

Facebook-11

The police organized the queue, but everybody was polite and patient it seemed. No the policeman is not pointing at me.

Facebook-10

Some more far-sighted people have brought umbrellas and seats.

Facebook-13

Staff from Song Fa Bak Kut Teh shop were distributing water to people in the queue passing by their shop.

Facebook-19

I made it to Canvenagh bridge in 30 minutes, probably it will be 4 hours minimum for the people in the queue and from here a good one to two hours extra to get the parliament. I could not cross so I walked back along the queue.Facebook-17

Opposite the Fullerton hotel, some guys were distributing water.

Facebook-18 Facebook-20
Facebook-21

Another refreshment point in front of Maybank

Facebook-23

The queue passed with Marina Bay Sands in the background, the latest Icon of the capital city.

Facebook-22

I really hope this woman did not have to go back all the way to Clarke Quay to queue. People I met at this point had no idea how far the start of the queue was.

Facebook-24

Today’s walk from the back of the queue up to Cavenagh bridge, took me a good hour.

All pictures with Leica M4

Summilux 50mm1.4
Rollei RPX100 or Kodak Tri-x

Good bye Mister Lee – Day two

Urban renovation – Cannes – France

Urban renovation - Cannes - France

One of the rare examples I have seen in Cannes or urban renovation of an old industrial building.

La soufflerieClose to the center this warehouse use to be a wind tunnel for a french aeronautic company (can be Sud Aviation but I am not sure).La soufflerie

From what I could find on the web these are mixed habitations and offices usage.

La soufflerie

Camera:Hasselblad 500CM
Lens:Planar 80mm F2.8
Film:Rollei RPX 100ISO

Image

A day at sea with a Toy Camera

Let’s have a small break from the pictures of Vietnam.

Last week end we had a company outing in Phuket, Thailand and I was asked what camera i will bring. I have a pretty bad record for this type of activities as I broke my D80 last time as well as a Fuji Instax. So this in mind, plus not wanting to have a proper camera in the middle when having some funny activities (some involving water and some even stronger beverages) I ended up picking up the Heineken Toy Camera. A plastic 35mm camera that was given free a couple of years back with the purchase of 15 bottles of Heineken.

I loaded the thing with some Ilford 400 PAN, which turned out to be as its worst but also when we went to a beach on an island with a roll of Rollei RPS 100ISO. The pictures below were taken from this film. I really really enjoyed it, specially the ones under the rain. Of did I mention the camera came with an under water case? I don’t really shoot with toy camera’s, only with battered old ones, but I like the dreamy effect of the plastic lens very much.

Long Boat ashore
Long Boat ashore

All Rollei RPX 100ISO , F9, 1/100th

Long Boat
Long Boat
Fishermen
Fishermen
Andaman See
Andaman See
Friends under the rain
Friends under the rain
Happy buch
Happy buch
A day at sea with a Toy Camera

Caffenol – First test

Caffenol no1
Caffenol no1

This week the holidays are starting, so I found a new project: trying Caffenol film development.

Actually it was the first roll I ever processed. Prior to the holidays I have ordered a Paterson tank and some Fomapan Fixator.

I used the stand recipie by Lukaz (http://lukaz-photo.com/archives/400) with Saint-Marc soda wash (Common brand in France). I stick to the recipie so I did not shake the film during the process appart from at the start of each 30 minutes cycles.

The film is a Kodak Gold 200 and I used Fomafix fixator (7 minutes fixing).

I was quite pleased to be able to go through the whole process without hassles. Including opening the 35mm canister with a bottle opener and loading the film of the automatic reel.

However my negative is very thick, I can hardly see through but still can guess the images. Apparently this is because I used a color film; so I started from the wrong end! Well I’ll start again with a B&W film soon, I still have a few days of holidays left.

DIY scan, at my parent’s house I have no film scanner; I used their flatbed scanner and set a small torch light through a white plastic sheet as a back light in order to scan the thick film.

So I promise I will scan the film again when I am back home.

Oh yeah, the picture taken with my son’s Olympus mju1, is my colleague Oliver in the elevator of the office.

Camera: Olympus Mju1
Film: Kodak Gold 200
Processing: Cafenol
Scanning: HP flatbed scanner, Gimp processing

Caffenol – First test