These two auspicious oranges offered during CNY period, here at the entrance of a restaurant in Clarke Quay. As often I make associations in my mind which are quite irrelevant, why think of Serguey Prokovief Opera The Love for Three Oranges where actually I just have two? Maybe the essence of photography : showing what’s not there.
I started this roll in Chinatown a while back, and as we were during CNY period, people came around the Buddha Tooth Relic temple to take selfies.
CNY is also about food, and the Bak Kwa (sliced barbequed port meat) shops are busy. There are queues outside some of the most famous who generally have sold all their goods by lunch time on week ends.
I was very happy / lucky a couple of weeks later when coming back to Chinatown I saw this group of youngsters dressing up in traditional Chinese costumes, for a fun photo shoot.
This is a roll of Rollei retro 80s, shot with the Leica M6 and the Summaron 35mmF3.5 ltm lens.
The film was processed in Caffenol CM recipe at 28 degrees for 5minutes. Some shots are great, but the ones with big dark areas like above are showing some marks in the dark parts. Fingers marks? Fogging ? Effect of the expired film? I don’t really know. The effect is even more noticeable below:
It is not super easy to shoot indoor with 100 ISO setting and a 3.5 lens. I quite like the result, regardless of the marks.
A big thank you to Louis Vuitton for this fashionistas playground giving opportunities for a few candid shots. Once again it was 7pm the light of the day was fading so the shots are taken at 1/60 or 1/40 and F3.5
A few random shots to finish
A pile of bar stools, the blacks and the contrast are really specific to the Rollei 80s, so I am happy this can be rendered in Caffenol.
Some sculpture in a back alley, I think it’s the entrance of a club or a bar.
A bit if tragedy to finish this is the place where 5 party goes met their fate when driving into coffee in the late night hours a couple of weeks back. You can still see the burned façade of the building. A few days (maybe 1 or two weeks) after the incidents, offerings were placed for the deceased.
Passing my favorite photo shop the other day (Ruby Ye in Excelsior Plaza basement), I noticed a stack of an unknown (to me) boxes of film. I was told it is Kosmo Foto Mono. I heard of the brand before but never tried it. So I could not resist, parted from 14 SGD and walked home.
Next day was an unformal outing of the HUGS (Hasselblad User Group Singapore) and I brought both the Hassie (see last post) and the Leica M6 loaded with the said Kosmo Foto Mono and mounted with the 50mm Summilux v2 (My first ever Leica Lens). We met in Chinatown, to capture the Chinese New Year atmosphere.
That day was also the outing of the Urban Sketchers group, which gave us (me) plenty of pictures opportunity, I like shooting random strangers, but strangers in action is even better.
The Mono is a 100 ISO film, the weather that morning was quite ok for outdoor shots with normal speed and aperture. Except the below, inside the Chinatown complete, probably full open and 1/60 sec.
When I reached home after lunch the tricky question came : how do I process this film? Querying the Caffenol Facebook group I learned that this is some rebranded Kentmere 100, so I looked up processing time. But when I removed the label to take a nice scan of it for my collection I noticed the canister actually says Fomo.
Who to believe? Anyway checking the Massive Development Chart I noticed both the Kentmere 100 and the Foma 100 have the same development time for the same Caffenol formula. My vitamin C stock is a bit depleted but I still could find enough to process one roll with the following formula:
500 ml water. 27g Washing Soda, 8 g Vitamin C , 20g Netscafe classic
My room temperature here in Singapore is 28 Deg, so I scaled the time and processed for 6 minutes, with agitation the first 20 seconds then 3 inversions every minute. Using Ilford method to rinse, Ilford rapid fixer and dishwashing soap in the last rinse batch.
The negative is a bit over but the scams are looking good. There is a certain softness to them which is quite pleasant. 14$ is a bit expensive for a standard 100 ISO film, but I quite like the results so I may give it another try (oh yes maybe I have to finish by 100ft roll of Ilford Delta first, I probably have the equivalent of 12 rolls left in there)
Saturday morning a small outing was organized by one of my friends and we met in Chinatown to capture the atmosphere of this every special Chinese New Year.
I brought the Hasselblad 500CM with the standard lens (The only one I have), loaded with my last roll of Portra 160.
The film was processed and scanned in Whampoa Color. And I am quite happy with the results once again. I think from the roll are missing picture of the bottom of my bag and a redundant picture of the Sri Mariamman Temple.
Shooting with the Hassie is very slow, and I brought multiple films but could only shot one.
Singapore racial harmony (official term) finds a perfect example with the display of Chinese lanterns in front of this Hindu temple and the sign above the entrance wishing to all a Happy and prosperous Lunar New Year.
I waited 15 good minutes to take this shot to finally get a mopped in the middle and miss the top of the roof.
Covid or not, Chinese New Year 2021 is upon us : a lot less feisty than usual, with masks and social distancing, here we go again.
CNY 2021 will be on Friday, 12 February, but for a couple of weeks now, some stalls have open in Chinatown, and people start to go do their shopping. Yes there are less stalls than usual, and Chinatown has lost quite a few businesses these last months. Also there will be no Lion dance this year
You will see more of it surely, Chinatown is always happening and picturesque. Above some shots of an aquarellist, and in the top middle an art exhibition part of SPIF (Singapore Photography International Festival).
Shots were done on Kodak 160 slightly expired, shot with a Leica IIIc and Elmar 50mmF3.5. Filem was processed and scanned at Whampoa photo. Whampoa does an excellent job as usual, but the pictures seems a bit underexposed, maybe the roll was a bit more expired that I thought.
On a more technical note, I always wonder why people use 50mm finders for the Barnack Leicas, as its suppose to be what the viewfinder window is doing. But actually I found when shooting this roll that the I missed a few shots because of framing. In the absence of framing lines using the border of the viewfinder is quite uneasy.
A very quick post of shots done earlier this month on an expired roll of Kodak Portra 400 with the Leica M6 and the Summicron 35mm Asph v2.
The roll was processed and scanned at Whampoa Photo. I find the scanning job they do of equal quality (or better) than what I do myself, so no point wasting time. The first set above was done around Marina Bay, over a couple of different week ends, one being just before Halloween.
Second section comprise photos of Little India around Deepavali celebration and the first shot was in Chinatown during a meet up with fellow film photographers.
Third section contains some shot shots fort Siloso in Sentosa, and a couple of random shots from a walk around Newton.
Finally a shot of fellow film photographer from Japan who has been around in Singapore for quite a few years and always carry his two pristine Nikons F2. He will go home soon for good, so farewell.
This was roll number 42 of the year, and the 11th with the M6, I hop eyou enjoyed the ride.
Brace yourself for a long post today, with many pics selected form two rolls of Ultrafine Xtreme 400. If you look through this blog, you will find out that in 2018, I shot an entire 30m roll of Ultrafine Xtreme 400. I quite like this film and my usual lab was doing a good job processing it.
This year is another game as my friend Ray Toei, the serial shooter who introduced me to this film, offered me two of his hand rolled film, with 24 shots each, and this year as you may know is the year of Caffenol.
The are not many resources on the web about processing this film in Caffenol, or maybe I was not able to find hem, so I decided to start with the Delta Recipe which is now my go to recipe for Ilford Delta and HP5+.
The first film (Roll 43) was processed for 4’40” at 28 Celsius, time from pouring in the mix, to pouring it out (I start pouring out at 4’35” ). The resulting negative is quite thick, meaning over processed. I cut the time down to 4’15” for the second film (Roll 44) and the result is much much better, maybe I can try to cut down few more seconds.
I had another problem with the first film : I did somehow manage to not load it properly on the spool, so some areas were not properly processed, giving some vast white areas in the pictures (black on the negs). Ths is very clear on the first shot of this post. That’s a lesson learned : when the spooling does not sound right it is not right.
To make this a bit more difficult I have shoot these two rolls with my antique Nikon F3 and 50mmF1.4 AIS. I have dug the F3 out of the dry box for my last travel in February where I shot a quite nice roll of HP5, and I though he deserved a second round this year.
I bought the F3 in 1992 already pretty battered, and I was never totally satisfied with it. But I long so much for this little fellow that I cannot drop it totally.
I never have so many out of focus focus pictures with any of the Leica’s. I have changed the micro prism focusing screen for a vertical split screen in 2008 but it did not bring much improvements. I am happy to blame my eyesight of my technique.
This said, the pictures that are technically ok have a different quality to them than those taken wit the Leica. Not better (impossible 🙂 ) , just different, and its quite appreciable.
For those interested, I carried last week both the F3 combo and the Leica M6 with the 35 Cron Asph v2, and the Leica is about 200 grams lighter, the F3 being just short of 1 KG. Still it is not big camera and discounting the fact I miss-focused 6 images at least on these rolls, it is a pleasure to use.
I went to Whampoa to bring a roll of color film to the lab there, not remembering that Saturday was a public holiday (Deepavali), so being confronted with the closed shop I walked to Whampoa market.
A few kilometers away, on Serangoon road, Hindu’s were visiting the temple, like this young family with a baby. I walk close the 11 km Saturday.
My Delta recipe is as follows:
I kept last week Caffenol, but decide not to use it, let’s brew some fresh stuff for the moment. For those interested in stats I shot 44 rolls sofa this tear, and 24 processed in Caffenol (probably 4 can be considered as having been sacrificed on the path to knowledge).
The title of today’s post is a trap. It should be called Caffenol week 6, but it starts to be boring. Saturday I finished a roll of Ilford Delta 400, and processed it as soon as I was back home.
This is my second brew that I kept from last week. I have been careful today to limit the time of processing to 5 minutes at 28 degrees, plus 10 seconds for pouring out.
The negatives are still a bit thick but on the better side I would say. I also filtered my fixer before using it. As a result I have very few crap on the film.
Another innovation this week is that I cut the roll in two before processing to squeegee. Less chance to scratch by carrying dust over with my fingers, less residual water at the bottom of the film. Unfortunately I did not count he frames so I ended up with an odd number of strips.
The result : this is my best Caffenol film of these past 6 weeks. I must say it is the best film altogether and choosing a small number of shots from it was difficult.
But back to the processing, there was very little dust on the film, and I did only minimal spot cloning in light-room after processing. I also added 1 more minute to the fixing time, this is the 7th roll with the fixer (It should do 17), it cannot harm.
This is shot again with the Leica IIIc, but with the Summaron 35mmF3.5, which is quite a sharp lens. I measured the light with the handheld Sekonic L-308-s, and used my 35mm Leica finder. The finder shoe was bent during my last move and I think the shot above really shows it.
The first three shots were taken around Chinatown last week, while the next three where taken around Marina Bay, where I met some friends by complete fluke. Friends are great picture subjects, lets remember this.
Saturday morning I met some fellow shutterbugs in Haji Lane. The two frames above were shot in a kind of artsy enclave where a lot of murals can be found.
The area is far less crowed than usual, but its still a busy place in the morning, with deliveries for local businesses, people having coffee or photographers bringing models to shoot with the colorful area as a backdrop.
We hijacked the model above, thanks, thanks, one shot and we move, my camera is so old, anyway.
We have entered the 7th month of the Chinese new year and offerings are appearing outside maybe businesses.
During the last outings of the Leica User Group Singapore (LUGS) of 2019, I had the good idea to carry the Hasselblad 500CM loaded with my favorite film: the Rollei Retro 80s
I love the range of grays and the profound black that this film can produce. This is not all art but a nice walk with friends at a time when this was possible. I put the full roll, no censorship and some edition in Lightroom. Film was was processed at the usual lab (Ruby Photo) and scanned at home of Epson v800.
It seems to be a tradition to write about the F3 magically getting out for a spin (You can read the 2012 post ANOTHER OLD FELLOW BACK FROM THE MAGIC CUPBOAD – NIKON F3 ) the last picture I put on Flickr with this old fellow dates back from 2015 so it had time to gather dust inside the magic box. When I took it out the mirror foam was all gone but I have some spare foam, maybe a bit thick, so I replaced it in a 5 minutes. The 5 years old batteries were dead (not stored inside the camera), but I found some for 4$ at the convenience store of my condo. I fiddled a bit to find the correct direction for the batteries and of we go! The meter is metering and shutter is shutting. Attach the 50mm F1.4 AI-S, load a roll of H5 and lets roll.
I will start with my favorite images, above two tourists wondering the streets of Chinatown, a rare hip-shot, I have not used a SLR for years i am not sure about using it for street shots.
A friendly man in Karon (Phuket Thailand) building a new extension to the local temple (Wat Karon), he is molding cement Buddhist wheels to decorate the wall outside the building.
Russian lady with a tambourine humming to Buddha while fiddling with her instrument I say : she a Shaman.
Okay so appart from these 3 shots that I really like, the rest of the roll is pretty good as you can see there after (I spared you those of my family by the pool)
First stop was in Singapore Chinatown, a few days before flying to Phuket, one of the reasons why I stopped using the F3 was because I keep on thinking it is not focusing properly. Indeed the distance on the lens always looks off compared to the actual distance. But the shots of this roll seems to prove otherwise.
I used the original B screen (micro-prism) which is more difficult to focus than the split screen (model K on top of my head).
I have loaded a second roll now and will try to split screen on the second half of it just t try to assert where the issue is.
Also I used the A mode for aperture, so the speed adjust automatically to the aperture you select. I never use it on the Leica, as I always found the speed to be too low and result in camera shake, but again it proved to work nicely here.
Then we flew to Thailand for the week-end, which was the reason to resurrect the F3 ; I did not want to bring the M6 or the M262 to the beach. Oh but I did in Australia last year. Well OK, that’s just how it is.
A rickshaw in front of our hotel, close focusing seems to work, I am not sure I actually focused on the horn, but that sounds (ha ha) realistic.
And off to the beach .
Back light as the sunset if approaching the metering works great.
Street / beach scene, another nice action by the F3 meter.
On the next day we walk from our hotel to Katong center town, very bright light. All shots were done at F11 with 1/1000th. The shutter of the F3 is limited to 1/2000th so I could not use wider apertures with a 400 ISO film.
And we reach Wat Karon the local temple.
Inside the temple we just missed the lunch of the monks , normally no later than 11am. Pity.
From the seaside at Karon we took a taxi to visit Phuket Big Buddha, a seated Maravija Buddha.
It is big indeed, like 40 meters high.
Here as well the light was very powerful, so maximum shutter speed and min apperture.
I spent 30 minutes at the shot yesterday discussing with other photogs of the potential focusing issue of my body. This roll seems to prove me wrong, but on the other hand most shots were done at very small apertures, so the focusing may not matter much.
A quick comparison with the M6 ? The F3 is slightly bigger, but just a sexy, the weight is probably very close, actually the M6 is 200 grams heavier. Both cameras have an integrated meter, but with slightly different methods, teh F3 is 80% center weighted the M6 is roughly spot metering, I actually quite like the exposure of the shots above.