London on Film

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I spent a week in London recently with my family and brought the usual travel kit (Leica M, M262 and the Summicrons 28mm Asp, 35 Asph v2 and 50mmv5), I brought a nice set of films but in the end I did not shoot much, only a roll of TriX and half a roll of Portra  400. And on digital as we are here I took a mere 300 shots.

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Looking at the TriX shots I am quite pleased; as usually they have been dropped for processing at Ruby photo in Singapore and scanned at home ; but when I was there I was a bit puzzled about what or who to shoot.

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On one hand I am so used to travel in Asia that I am a bit lost in European cities, I am not sure about people reactions to the camera (I like candid shots), but also I think the whole way the big city works need so getting used to. So a bit of frustration. Maybe also my expectations were a bit too high, who knows.

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London as changed a lot since I was last there 14 years ago. The south bank area is so lively now, also packed with tourists and street performers.

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Asian tourists selfy-ing themselves are everywhere, but that’s the same all over the planet. Here at the Borough Market, a place that I never saw before, this is definitely a good area to shoot.

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There are many food stalls there.

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Some attractions on South Bank are using old lorries that are worth a shot imo. I only realized today that the London eye was reflecting on the bonnet of the lorry, I would have framed it better if I have known.

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A morning stroll in SOHO, is also a nice opportunity for people shooting.2019-22-M6-15-22

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Or just window shopping.2019-22-M6-15-27

In the places I never visited before was Ealing Broadway, home of the Ealing Studios who produce(s/d) cinema and television shows.

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Finally another happy discovery was Old Spitalfields Market that I visited the day of the vintage records market.

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A couple more Portra shots below:

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London on Film

MCPHERSON “LEGO”BUILDINGS on slide

This is the second roll shot with the Hasselblad during the outing to Mc Pherson area. The Lego buildings at this point were behind us, so not too many shots of the “Mondrian” colorful pattern here.

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Shots are done with the faithful Hasselblad 500cm, with 80mmF2.8 and I used a more than 2 years expired roll of Rollei CR200 .

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When I collected the slides from the shop I watched them on light box there and they really looked brilliant. Once scanned I must say I am a bit disappointed, maybe not trying hard enough.

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I  think the high contrast of the slides make it difficult to scan.

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Also the weather started to turn a bit more cloudy and the colors less saturated.

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This type of shots may benefit from using a tripos as well.

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2019-18-Hassie-6-9  Being a slow shooter I did not finished the film that day so I carried the Hassie in Lavender area the following week and walked from there to my fav lab t bring the roll

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Tibetan Buddhist  temple in Beaty lane

I love this area, I used to hang around there weekly until two years ago, it goes under a slow gentrification, but still very interesting with its workshops, warehouses, small shops, bars, coffee shops…

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One of the commercial buildings along Lavender road
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On Jalan Besar a shrine in front of a Feng Shui consultant

I don’t like the rendering of the next two shots, but sure they look vintage enough.

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Kwan Im Thong Hood Cho Temple on Waterloo street
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Waterloo street life

All in all a nice set, but not as nice as the Portra roll of McPherson “Lego”buildings . It does not seem the film has suffered from being expired, but it was kept in the fridge most of the time.

MCPHERSON “LEGO”BUILDINGS on slide

McPherson “Lego”buildings

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This is a set of pictures of the colorful public housing blocs situated on Circuit Road in Singapore.

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Circuit road is accessible via Mc Pherson MRT, and is located in the east part of town, 20 minutes ride from Orchard Road.2019-16-Hassie-5-04

This estate dates back from the early 1970’s and has recently received a face-lift, becoming the Lego or Mondrian estate. Apparently the “upgrade” as we say here was not only cosmetical as the area used to be a bit shabby from what I gathered.

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The outing was organized by Low Che Eng from the “Lets Shoot Film SG” Facebook group. We were nearly  a dozen freaks walking around the estate, with cameras ranging from various Leicas and medium formats to a view camera (Chamonix ?).

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I carried around the Hasselblad 500CM  and 80mmF2.8 loaded with a slightly expired roll of Portra 160vc (nearly two years I think) shot at 200iso and the Leica IIIc with the Voigtländer 21mmF4 loaded with a roll of Rollei retro 80s.

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The film was processed at the usual lab and scanned at home with the Epson v800.

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I did a bit of post processing in light room but even without it the film turned out quite well. 2019-16-Hassie-5-10

 

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Finally meet a resident, this gentleman used to a be a guitarist at the raffles hotel back in the days where hotels had musicians and is  now keeping fit in his old age. This is the last shot of the roll hence the slight issue on the top of the frame.

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The hassie keep on having problems shooting 12 complete frames, but this time I got lucky.

 

McPherson “Lego”buildings

A not so good roll of FP4+

I am trying to stay true to my promise to de-clutter the film box in the fridge and shoot some 120 film that sometime is expired for more than two years.

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The colorful Alkaff bridge on Singapore river

So I recently shot a not expired roll of Ilford FP4+ expiring in 2020 over a couple of Sundays walking around Singapore.

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On this second shot, a happy groom on his stag day, it is obvious there are some white dots all over the picture.  After discussion in the Facebook group “Lets Shoot film SG”. It appears this may be a problem caused by the backing paper of the film after being taken in and out of the fridge. Frankly I am a slow shooter so I am guilty of taking from the fridge more than I can chew and putting it back afterwards, but I cannot remember having seen this problem before.

 

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Pearl Bank Apartments

I kind of understand this is more common with Ilford which I rarely shoot, that is not encouraging me to do more (I still have a roll in the fridge, damn )

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Pearl Bank Apartments entrance

Pearl Bank Apartments is an iconic housing block in Singapore cityscape, built in 1976, it what is referred as brutalist style (Although Landmark tower nearby is more pure brutalist), it has now been sold and is empty since the end of April 2019.

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Pearl Bank Apartments the open side

It will be demolished and the plot redeveloped ; this is the traditional buildings life-cycle in Singapore.

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The white dot issue is also quite prominent on this shot

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No 5C
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Singapore Bi centennial statue
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Beware of falling branches – enter at your own risk
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Friendly waiter

The friendly waiter was shot wide open at 1/60th handheld, explaining the slightly off focus.

All done with Hasselblad 500CM and Planar 80mmF2.8

ILFORD FP4+ as I said, developed by the usual lab

Scanned at home with Epson v800

 

 

A not so good roll of FP4+

A walk around Singapore with the Hassie and a roll of Cinestill 50D

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One of the vintage public housing estates in Singapore

I realized when doing the math at the end of the year that in 2018 I did not shoot much medium format film. I must say that my only working condition camera is the Hasselblad 500 CM which is not so easy to grad around for my casual shots.

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A traditional flowers arrangement for a shop opening in Singapore, to wish success. Now binned

One of the consequences is that my film box contains now mostly 120 film, some starting to be expired for more than two years. Not that I think that the are going to be wasted, but it is never a good sign.

 

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Hong Lim park

So I have now decided to bring the Hassie along for casual shooting. There will probably be less people in the coming rolls as it is not greatly suited for “street” shots, but probably more city views from a local tourist.

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Hong Lim park
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Hong Lim park

Hong Lim park

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Bollywood Dhoom on Circular Road
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Mustapha shopping center
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Mustapha shopping center – with people

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Allenby House : a colorful building at Jalan besar

I think this is my last roll of the Cinestill 50D, part of the Kickstarter package. I quite like this film in the end as per my last post, it s quite punchy, is easy to scan. And slow speed is fine in good weather and daylight. I am not sure I ever shot many films with the Hassie at night or dusk.

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The thyme at Merci Marcel in Tiong Bahru. I love the light bulbs.

One thing the lead of the film is gooey so when you remove the lead you will often end up with some parts of the back that take up the film being sticky, and some goo ending up on the roll as in the first Hong Lim shot.

 

A walk around Singapore with the Hassie and a roll of Cinestill 50D

Yes another roll of Cinestill 800T (35mm)

I shot the last of my Cinestill 800T 35mm rolls during the last holidays in Japan. This is the last roll from the batch I ordered from UK a few years back when it was first released. I must say that I am quite satisfied with this one.

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The roll was kept a couple of years in the fridge but had also traveled by plane in many occasions, because it is not so easy to make up your mind to shoot a 18$ roll of film rates at 800 Iso and specified for Tungsten light.

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The roll was shot with a Leica M6 camera and one my Summicron lenses, 35, 28 or 50mm.

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Based on my former experiences I rated the film at 640 ISO on the M6 ISO dial and off we go lets shoot happily.

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The first few shots are taken at night in the popular area of Dotombori in Osaka. Neon lights, restaurants and people, that works great for the 800T.

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When shooting at night the M6 meter, which does center averaged measure, will have a tendency to overexpose : your subject is bright surrounded by a lot of darkness, so the reading will tend to overexpose. I generally underexposed by a step of diaphragm or the next speed to get the balance right.

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On the next day we were off to Nara to visit its park and temples and the 800T was still not finished. The following shots were done without filter.

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The above shot has tints that reminds of Portra 400, so it is not that bad. I tried to shot as open as possible which explains the softness. The M6 speed is limited to 1/1000 second so shooting in daylight with a 640 ISO film does not always give you a lot of latitude in term of aperture.

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But shots taken in the shade allows a wider aperture and to play with out of focus.

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The next few shots are taken in restaurant in Takamatsu the main city in Kagawa prefecture.

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The south most part of our trip was Hiroshima where we visited the peace memorial.

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At this point I played it old school and rewind the film which was about 28 shots and store it aside. I loaded a roll of Rollei CR200 slide film and when back in Osaka, I loaded the Cinetsill back again, put the cap, turn the aperture rint to on F22, set the speed to 1/1000 and fires 29 shots to find more or less the point where I was last and use my last 8 frames below:

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Yes another roll of Cinestill 800T (35mm)

Another roll of Cinestill 800

A couple years back I participate in the kick starter campaign for the launch o the CineStill 800 medium format film. I ended up (with a slight delay) with a nice T shirt ( (I spare you the picture for the time being) and a few rolls old the said film.

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I have already shot a few rolls and I must think of going through the reminder before they expire. The Hassie also did not get much action this year so I loaded a roll when I went to the Leica User Group Singapore outing to the Red Hill market area.

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Above is the best shot of the roll. This lady sing sings the market for the greatest pleasure of the people around. The film was rated at 640 ISO, the day was a bit overcast but most shots were done about F11 1/250.

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This is the seventh month of the Chinese year and it is the time were the dead visit the world of the livings and displays of religious artifacts as above are common over Singapore, to please them and let them go back in peace.

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We also took a tour of the Red Hill close estate, a public housing estate set for redevelopment.

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I did not manage to shot the whole 12 frames in  the morning, so I went last week in Chinatown to finish the roll on the lantern festival. I shot the remaining frames at F4 1/60s.

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The above is quite OK, the below is not. It is seems a bit difficult for me to measure the light for this kind of scene.

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Shot with Hasselblad 500CM, Planar 80mmF2.8 lens, and a tripod fr the last two shots.

The film was scanned with Silverfast and Epson v800, with bit of white balance and contrast and exposure adjustment in Lightroom.

Another roll of Cinestill 800