Everything is nice in black and white, there was not other choice for pictures a few decades back anyway, nor for motion pictures. And black clothes have a sliming effect (oh I m being carried away, my goth side is speaking now).
That said the seaside is not necessarily associated with black and white photography, the sand and blue skies are far away from the gloom and doom of big cities.
This is part of the second roll of the year, still going through the 30 meters roll of Ilford HP5. It is a bit boring but I used the M6 classic again and all these pictures were taken with the 35mm Summicron Asph v2.
The Fiat 500 is associated to the Dolce Vita, a movie that was host in … Technicolor black and white.
In winter on the famous Croisette boulevard, not many stars nor sunbathers, but you can see the light is quite good.
On the seaside you can also so some street type shots.
Finally the sea, on this scene backlit by the setting sun (on the left), the old city of Cannes in the far right, hills of Tanneron behind and the Esterel range on the left.
Finally two random shots, trying to see what can be done a bit closer.
During the Vietnam trip we stayed 3 days on the coast between Hoi An and Danang. We drove all the way from Hué, through the “cloud pass”, through Danand, and passed the Marble mountains to the hotel; all in all a 3 hours drive. On this part of the coast fishermen are using round basket boat; I saw a few or our drive but they were a bit far off or we did not have the possibility to stop to investigate and take some pictures. So I was a bit frustrated when getting to our resort; I’m not too much of the sea-side photographer and anyway the weather was not so good.
Walking along the beach, what was my surprise after getting out of the resort to see a group of these basket boast ashore; I had to ran back to the hotel get a camera and snap a few shots. The next morning I was back and so the next evening; in both occasions when I spotted the guys rowing back to the beach. They have me pay for my taking picture by asking me to help carry their boat out the water, which I found a very fair trade.
Shots on this page are made either with the 50mmF1.8D or with the Angenieux 70-210F3.5AI