And here is the second roll shot with the Hassie in London last month. Kodak Ektar 100 shot at 100, with Hassie 500CM.
Friendly climate activist (Aren’t they all?)
I use a handled Sekonic L-308X, that is overkill for the job, but I had to change my last one after 10 years of service, some soldering broke, and I though about finding it a new home and treating me to a new meter.
I am impressed by the 3D pop on this shot. The hassie is a great ice breaker. I really like these first two shots.
A bit of Easter spirit was still hanging around.
We bumped into Malaysian students around Borough Market, chit chat about Singapore and Malaysia and took a few pics and weefy.
I was quite intrigues when I arrive din London to see these street shops selling food for cabbies and probably the general public also. I never tried though.
A colourful block near Victoria station
Film processed and scanned by Analogue Lab in Shoreditch.
So after Roll15, here is Roll14. This one is a bit late as I had to bring it to the lab and it took me the whole week to do it. Well so here is a beautiful roll of Kodak Ektar, processed and scanned by Whampoa color. The roll was shot with the Hasselblad 500CM with the kit lens (Planar 80mmF2.8), as last Sunday I stick to the rule, one camera one lens.
So these are 12 shots done when I met Ez in Joo Chiat, you can see him in one of the shots.
It was a beautiful morning, with a lot of light (and very hot), I shot the Ektar at 100 measure with the Sekonic 308x. As usual there was not a single AA battery in sight at home, so I started my photowalk by scouting for batteries.
That’s public now , I am a quitter, after 14 years I am leaving Singapore. I am moving to new horizons but that’s a story for later. The recent tightened measures are not facilitating farewells and the mood is not to party.
Last Sunday, I wen out but my shooting buddy Ez, founder of the Hasselblad User Group Singapore (HUGS), for a last photo walk. We met in Joo Chiat and then walked to Kalang MRT along Geylang road. Quite a walk under the hot sun.
Camera of choice was the Hassie, loaded first with a roll of Ektar (Still to be processed) and here with my fav film : the Rollei Retro 80s, processed in Caffenol.
Its been a very satisfying morning, walking with my friend along the charming Joo Chait road, then turning into what used to be the last red district of Singapore (Still a bit seedy in 2021).
Geylang has a very rich architecture, remains of better days.
A rare close up shot, never really satisfactory to my taste.
I could not have dreamt of a more satisfying last roll and Ez promised I can keep posting on the HUGS groups even when overseas, so all is good; it just a goodbye.
Sunday at Marina South and Marina Barrage with the Hasselblad 500 CM and a roll of Rollei 80s. I processed the roll in two or three weeks after shooting it. There is couple of problems (like the dost on the bonnet of the Beetle) but I think this is due to teh film being old and the having taken in and out of the fridge a few times
A bit more defects are visible in the shadow area. lets blame the age of the film. Also at the bottom the part of of the picture missing is due to the film starting too early, probably some adjustment to make to the back of the hassie.
So when I brought my last roll of Portra to the lab the uncle coaxed me into buying some Ektar 100, not wanting to look mean I bought not a roll but a box of 5 rolls. I must say this is a decent deal as it comes with five coupons of one dollar to be rebated of their processing. If I remember correctly this is 52 dollars for the 5 rolls and they do processing + super decent scanning at 11 dollars (Singapore Dollars).
I shot Ektar before, but mostly in 35mm, I must say it pays credit to the claim that it is the finest grain film. So I loaded the good old Hassie 500 CM with my first roll and hit the road to give it a try.
12 shots on a 120 roll is not much, but walking through overshot areas on a Sunday afternoon, it can be quite a challenge to finish a full roll.
We walked from home to Tiong Bahru, then headed to Chinatown. The Straight Clan is where the Majestic hotel used to be. I spent 5 weeks in this hotel in 2006 and have some interesting shots from the construction site period, when it was converted. Maybe I’ll share this some time.
We moved to the Buddha tooth relic temple where I notice the Buddhist flags which where not there last week ( you can check the post) and I though it was a nice opportunity for color sampling and smooth grain demonstration.
In Chinatown every year temporary stands selling goods for the occasion the Chinese New Year appear and disappear in a mater of a few weeks. Generally they close late on the eve of the New Year day. This year everybody was masked, there were less stands as the people coming from other countries could not enter Singapore. If you want to ne picky, the focus is on the cage bars, not the seller.
Exiting Chinatown, I took this shot of the Ox silk paper statue. This is not the best angle as it is quite busy with the traffic lights posts and cars. The best angle is diametrically opposite I think. But you can see here how nice and bright the colors are.
Nice mural on Substation, an art center on Armenian Street, close to the Peranakan museum. Substation used to host gigs and has a broad program, with what seems to be a focus on the street / youth culture.
The last shot in order to finish the roll : a mundane view of the Rendez-Vous Hotel at the bottom of Orchard Road. Totally uninteresting but very nice blues.
Hello, here is the first post of the new year. So let me whish you a happy and prosperous new year, happy 2021 everybody, lets hope the situation will improve and I won’t spend the next 52 weeks shooting the same parts of Singapore again and again. And of course the same goes for everybody (Of course a lot more serious things need to be fixed first before our hobbies can be considered).
So these are pictures from roll #51 of the year 2020, another trip with Geylang Lorong 3 with the Hasselblad 500CM loaded with a roll of slightly expired Portra 400. The Roll was shot at 320 ISO, processed and scanned at Whampoa color center and slightly adjusted in Lightroom.
The sky was cloudy that morning, but colors are quite vivid. I forgot to bring a light meter so I used the Keks EM01 light meter that was on the Leica M4 and changed the ISO when switching Camera. It looks that I managed not to f*ck up any shots.
The last shot has a defect as I think thing the back has an issue with the spacing of the frames, so part of this shot went over the end of the film.
The blog got 4000 views n 2020: 2.5 tomes more that last year : thanks to all the readers for stopping by. Also on days to come, I have a nice roll shot with he M4 on the same location, and of course as every year the summary of what I shoot with which camera and some other silly stats.
The cemetery is home to about 3000 graves, below which urns of ashes are buried. Unlucky for me the place was closed when I reached there after a 40 minutes bus ride. I could still make a few shots, but there seems to be some very interesting views to catch so I will try to go back at a better time.
Today’s pictures where taken on Ilford Pan F 50ISO film with the Hasselblad 500cm and 80mm F2.8. They were processed soon after in Caffenol using the batch I prepared last week, then scanned with the Epson v800. I had 3 shots left when leaving the cemetery, so I head back in town. I made a first stop at Tiong Bahru at QiTian Gong temple. It s the 100’s birthday of the temple this year and it has been renovated, but due to the Covid there are no celebrations this year. You can find pictures of past ceremonies there :
After this I head to the old railway station which is under work (no idea what is suppose to happen to it in the future) and finally to the small Hock Teck See Temple, a small Taoist temple surrounded by construction sites.
So a few weeks ago, after the last roll shot with the Agfa Isolette, I decided that something must be done with the rangefinder. My easiest solution was to order a second Agfa from Ebay. But actually when he finally reached home, the camera was in very good condition but the rangefinder was stuck and so was the lens focusing ring. So I took step back and decided to leave it alone (for the moment) and try to fix the rangefinder of my original Agfa.
I think I mentioned earlier this is a family camera bough in 1958 in Germany by my dad who was in the French forces there. It was my first medium format camera, I used it for the first time in 1990 (30 years ago already). I looked at this link and proceeded to fix my rangefinder : The Classic Camera Repair Forum: CLA’ing an Isolette III.
I don’t have much to add to the procedure, this precise camera has other issues so I think I will proceed with repairing the other one soon, or maybe send it to repair, depending on the time I have at hand.
Once again I used a roll of Rollei 80s because I have a few hanging around and because I love it. Shot at 100 Iso, this is a slow film for the weather conditions so some shots were taken at 1/50s F4.5.
I processed the roll in my second batch of Caffenol, so this is my Caffenol roll #7. The results are good I think, but there is a lot of dust or particles compared to the roll#6, I am not sure where it comes from and I am bit disappointed as I took care to filter both the Fixer and the Caffenol before using them. I also added 1 minute to the fixing time, just in case.
It also seems there is some unevenness on the processing. I will have to reach out for some advice.
Ah yes so what about the rangefinder ? Well see for yourself, but it looks to me that it may not be spot on but it surely can focus.
I am pushing my luck by trying the my brew from two weeks ago again this Sunday.
First things first, shooting a bit of film. The weather is not improving and I did not had a chance to shoot much this past week. So this morning I loaded the old Agfa Isolette with a roll of Rollei 80s (my favourite film) and hit the road in direction of Arab street with a detour by Little India to finish the roll of Acros I processed last week.
The Agfa uncouple rangefinder is no longer working so distance are guestimated. I also use the EM-01 KEKS light meter.
For processing I used the two week sold Caffenol stored in a green bottle in the shade at ambient temperature (more or less 28 C). I think it turned out quite well (5 minutes processing at 28 degrees, 30 second inversions then 3 inversions every minute). The negatives are of average thickness, maybe I could have added 30 seconds. The caffenol is now old and this is the 3rd film processed with this batch.
I made a fatal mistake by wiping the film with my kitchen towel, lot of dust I had to clone in Photoshop. I will have to find how to do this properly. The fixer is starting o have some deposit. Maybe it wont last after the next couple of films.
Plans for next roll is to start a new batch of caffenol to see if the process is repeatable.
… and some friends from the HUGS (Hasselblad User Group Singapore), just before we could not hug anymore. A very small mid week post, 10 shot of a Rollei Superpan 200.
This is taken with a Hasselblad 500 CM with the Planar 80mm F2.8 CF, processed at my usual lab and scanned at home with the Epson v800, and edited in Lightroom. I don’t particularly like the Superpan, but I must admit it was OK on this occasion.