Eve of Vesak Day in Brigh Hill temple – Singapore

For Buddhists Vesak Day marks the birth, enlightenment and death of Buddha. This is my very first time at Bright hill temple ; it is a huge compound in the center of Singapore.

Bright Hill temple also known as Kong Meng San Phor Kark See Monastery, is famous for the “3 Steps 1 Bow ceremony” on the eve of Vesak Day.

Above are monks who are opening the procession. The ceremony starts at 5pm and takes 2 and half hours to complete ending with the monks back in the main hall blessing the devotees with water.

Monks are followed by lay people who will queue all evening and a big part of the night. One people I know said he will go at 3am.

Below people queuing at the start of the procession

 

The main halls are also the occasion to pray and give offerings; mostly candles.

During the day itself, ritual is generally the bathing of the Buddha.

Most shots done with Leica M262 and Summicron 28mm, close ups with Elmarit 90mmF2.8.

Some film shots (with black border) done with Leica M6 on Fuji Xtra 800ISO with same lenses.

How to get there: Bright Hill is quite central  (like in the middle of the island) but may take some time to reach. You can get a bus there (check gothere.sg) which will take close to one hour from CDB or take a cab (more of less 15 SGD).

Devotees and temple staff are quite photo friendly, so as long as you are decently dressed and don’t go in the middle of ceremony you feel welcome to shoot. There is actually a small crowd of photographers.

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Eve of Vesak Day in Brigh Hill temple – Singapore

Chiang Saen – Thailand

So I finally shot the roll of Velvia 50 that has been sitting in the fridge for nearly two years. As around 20 SGD from the shop plus 13 for processing, this does not come cheap so I was waiting for an occasion to put it at good use. It made the trip to Chamonix last year but flew back to the fridge due to terrible weather in french alps.

I finally used it during the recent trip in Sunny Thailand. I used a Leica M6 classic and most of the pictures here are done with the Summicron 28mm. The film was shot at box speed.

Scanning the slides does probably not give them justice, I think that slides are better projected or printed in Cibachrome (who remembers this?) Here they look like nice digital shots, what they are at the end of the day. Scanned on the Epson v500, they look very close to what I can get out of the M262.

For people my age (50+), shooting travel on slides, reminds or the time where our dad or uncle keen on photography was bringing tons or slides from exotics places he visited and embark us for then boring evenings or projections (including oddly synched soundtracks)

Nowadays I the slides are shoot are mostly Rollei; they are more affordable. Both Rollei and Fuji have color casts one scanned, Fuji in the pink , Rollei on the yellow. On this set of late afternoon pictures in Chiang Saen, the cast is quite pleasant and I did not try to correct it too much.

The meter of the M6 (with new batteries) is doing a good job as only one slide of the roll was badly exposed. Counter-intuitively, slides who are notorious for being picky with exposure are better shot under exposed, the opposite to print film which likes to be a little over.

Chiang Sen, is situated in the most northern part f Thailand inside the Golden Triangle notorious for opium trafficking and more. Situated 1 hour from Chiang Rai and 5 hours drive from Chiang Mai, it is  nice city along the mekong where the 3 countries (Laos, Myanmar and Thailand) meet.

I read once that in the 21st Century, slides are the only serious reason to still shoot film. This may not be totally true, but it is probably the type of film which competes the best with commonplace high end digital image.

Chiang Saen – Thailand

Fuji Superia 800 galore

One of the members of the Lugs (Leica user group Singapore) and prominent film shooter has ordered a bulk of Fuji Superia 800 and offered to share them. So even if I’m not a Fuji guy myself I picked up the occasion and snapped 12 rolls of 24 shots a 5 SGD a piece.

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We met last week with his gang at Brawn & Brains café and had a nice meet up session, discussing gear, film and shooting stories.

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I brought along the Leica M6 with the Summaron 35mmF2.8, the fool proof combo I bought last year. A couple of nice camera were on the table, some Olympus, Minolta, Nikon and Leica of course.

Heading back home I met junior at the skate park and had him pause.

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The 24 shots were quickly finished in the afternoon, my dad use to favor them over 36 as you could finish them quicker, but also that in a time where you had to pay for the prints  doing extra useless shots was not an obvious choice.

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One friend said yesterday that he dreaded two things in Singapore, the haze and the formula one. Well we may skip the haze this year but formula one is upon us.

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I must say I am quire disappointed wit this shot. Not only did the big baboon insisted to be next to miss formula one, but the light is poor and the color is so so, making me remind that I don’t like Fuji colors.

I must say the colors for these indoor shots are quite nice, and those of the skate park are ok as well (a bit less nice). The pictures are quite grainy, is it the film or an effect of the exposure I do not know. Well I have 11 rolls left so I can load them in many different cameras over the coming weeks and see what I get.

 

 

Fuji Superia 800 galore

Leica M6 + summaron 35mmF2.8

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That’s it, it did not took me one year to upgrade, or at least expand my Leica toolbox.

I was a bit frustrated last summer when trying the M240 for nearly 4 days. This is of course a wonder of a camera but I found all in all a few issues. Definitely for its price it is not the one fits all camera I am wishing for; it cannot take Circular polarizers, the close range is not so close, older lenses are visibly outdated, for the price you would wish every shot to be a piece of art which actually it is not. Also, having to wear glasses to see things at short distance the back screen and live view is a total loss for me (maybe there is something I have to learn here). Don’t get me wrong I had a lot of fun, and probably I will end up owning one sometime, but really I felt no urge to do so. I concluded my small review saying that instead I would more likely invest in a newer film body in the short term.

I already own a M4 with a Summilux 50mm V2, a Leica IIIc with a Summitar 50mmF2 and a few Ltm lens; most notably a Color Skopar 21mmF4. I was quite interested in getting a body with a meter and a wider lend. I ended up purchasing a boxed M6 Classic black and a Summaron 35mmF2.8, the version with the goggles.

Subodh Gupta – Le Domaine du Muy – France Shot with Fuji Provia 100 ISO, Summilux 50mmF1.4

Both pieces come in excellent condition (but I am not a collector), no dents or scratches, difficult to see how much films they shot.

I have now shot 6 films with the M6 and the Summaron or the Summilux and I must say I am very happy. Both works very smoothly and are very easy to use.

The metering is a lot better that using a handheld meter. Actually this cause a bit of a problem because if I have the M6 and the M4 in the bag, the M4 tends to stay there. Focusing is very easy; the finder is very bright, although I suspect there is a bit of haze in one of the front glass. With the goggles of the Summaron the viewfinder is a bit less luminous, something I would not have though of.

Compression de Porsche – César – Mougins – France TMAX100 – Summaron 35mmF2.8

There is absolutely no difficulties using the M6 if you had another M before; actually I would think that if you played with a few film cameras before it’s difficult to come with a surprise. The only small problem, which Leica solved in the M6TTL is the size of the speed dial. It is quite frustrating to manipulate it when looking at the meter arrows inside the finder.

The Summaron is a nice piece of kit; the infinite lock is particular and easy to handle. The focusing is smooth and does mot require as much course as the Summilux. I think F2.8 is fine for daylight. Some shots have a very nice 3D effect as the lady from the lab puts it.

All in all I am very happy; for the price of a new Elmarit 28mmF2.8 (That I did not found great last year) I have a new kit. I went on my summer holidays with the two bodies, the two lenses and the Color Skopar a very happy combo. All of this fits in a Crumpler 6Mio, with a couple of spare films, wallet, keys, sunglasses and reading glasses.

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Church of the black Nazarene – Manila – Philippines – Portra 400 – Color Skopar 21mmF4

Film wise, I had the chance to shoot a mix of :

  • Provia 100 slides
  • Kodak Tmax 100, my favorite B&W for daylight
  • Kodak TriX and Rollei RPX400, different grain but both nice for street shots
  • Kodak Portra 400, an excellent film, unfortunately under bad weather
  • Cinestill 50, first try, very promising

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La Kitchenette – Katong – Singapore – Cinestill 50 – Summaron 35mmF2.8

It is difficult to conclude. Having a better film camera is not replacing having a digital body, none of the shortcomings of the M240 are solved by the M6, but I can do better Leica shots. But I feel I did a good move. I saved a lot of money, I can happily have my new toy around my neck and still agree that the D700 is the best camera I ever had without looking like a fool. Which is important at my age.

Leica M6 + summaron 35mmF2.8

Misadventure in Caffenol – take 2

If you read the last post, you have heard of my issues with Caffenol here is Singapore; the pictures below are taken what I refer to as  film number 3. This is a Fuji Neopan 100  which is supposed to be Caffenol friendly. I shot the film (only 12 shots in Medium Format) in Chinatown one afternoon with the old Agfa Isolette III. Film goes out very dark, but when digitized with the DSLR method, pictures are ok; unfortunately the focusing of the Agfa does not works. The lens was stuck a few years back and I disassembled and cleaned it but could not set the focus properly. There are 3 cool shots however.

Ice Man (1)
Ice Man (1)
Ice Man (2)
Ice Man (2)
Chinese Medical Hall
Chinese Medical Hall

The pictures could not be scanned with the Epson v500, I had to use my DSLR with a 50 mm lens and an old flashgun as a back light to digitize them; that is not improving the result of course.

Misadventure in Caffenol – take 2

The German- Soviet Pact (In photography term)

I can never resist doing something foolish, so after having owned the Zorki for a few weeks, I googled a bit and flickered a lot and ordered an adapter to put the Industar 22 lens on the Leica M4.

Leica introduced the M mount in 1954, before this time the M39 (LRM or screw mount) was the norm with some variations on the on the thread. Since 1954 it is possible to mount older LTM lenses on M bodies using adapters. Adapters have 3 functions:

  • allow mounting the LTM lens on the M body (the reverse is not possible)
  • enable the usage of the view finder for focusing
  • trigger the display of the correct frame lines in the M viewfinder. This means you need several adapters if you have several different lenses.
  • I found a very cheap adapter on Ebay (8 $ including port) and could attach the Industar on the M4. Hurrah ! I managed to replace a 50mm Summilux F1.4 genuine Leica lens that costs a 1000 bucks by a Industar F3,5 russian lens probably older that costs me 50 dollars at most. The 3 functions above work very well : the rangefinder displays the proper distance, the 50mm frame is shown on the viewfinder and needless to say that the lens is attached.

    I loaded a roll of Fuji Neopan 400ASA, so I can shoot at smaller apertures; we never know and a after a couple of days of waiting I got the results from the lab.


    Walking to the office, I came across this guy painting a very nice mural that can be found on my Flickr. I made a couple of shots at F3.5 and 1/30s; probably the Summilux would have come more handy.


    This lens has a terrible flare; I cannot see any special damage to my sample, so probably it’s a factory defect. I applied a bit of dodging in Lightroom to fix that one. I think the picture has a nice “old time” effect to it.


    This one is my favorite; nothing to add, I just like it.

    So all in all, that works, it’s good fun for 8$, plus the lens is very nice to focus but the aperture is a real pain to set. If you add the fact that the M4 has no internal meter it’s not so easy to take a pic. Or you have to play it but ear; very old style.

    But that’s not the end of the story. During a late Sunday night at home I ordered on Ebay (where else) a Canon LTM lens, a 135MM F4, called Serenar, for 60 USD including shipping. I also got the correct 135mm adapter. This one was a different ballgame:

  • It is not mounting on the Zorki because the thread is different, so it does not lock, plus it may get stuck with the Zorki Rangefinder prong.
  • And it does not couple with the M4 rangefinder prong. Basically once attached the M4 prong is at 12 o’clock and the lens one at 11AM: no rangefinder coupling. Ok I said I can use the guessometer, this useful tool I used for the Zorki, but damn the bloody lens distance scale is in imperial measurements!

    To be short there will be some DIY sooner or later, but however I made a few shots sitting at the terrasse of a Cafe and here is a sample below. Not mind blowing but that works.

    I think I like the 135mm.

  • The German- Soviet Pact (In photography term)

    Waiting for the year of the dragon

    Waiting for the year of the dragon
    Waiting for the year of the dragon

    First Film of the year ! Yeehah.

    Stroll around Waterloo street in Singapore before the Chinese New Year. I asked this gentleman for the picture. I focused on his hand and his ring, not a to good oof effect. But I did not know how long I could wait before shooting.

    Camera: Hasselblad 500 CM
    Lens: 80mm F2.8 Planar
    Film: Fuji Reala 100
    Scanner: Epson v500

    Waiting for the year of the dragon