The Leica III goes out for a spin in London

Captain Tom Moore ( Primrose Hill)

It has been a year since I moved to London but it still feels like I just arrived and there are still so many things I have not done. But this is one I have done now : I took the Leica IIIC for a spin, and we had a great time.

Old 120

The pictures have been taken over a few weeks, mostly in London, but actually I realised I even brought the little fellow to Paris. It all started the week of the “Secret Gardens” walk : a week-end of open gates in private gardens around London. An opportunity of long walks and discoveries.

The first pictures are not really garden like, but I found this beautiful beast parked outside a garden. I had loaded the camera with my last roll of Fuji Across 100 (the old version) expired since a couple of years now. A souvenir from Singapore. For that first day I brought two lens (I think) the VC 21 Color Skopar and the 50 Elmar F3.5.

Nature

Light

The choir in the ultimate garden.

I have a small choice of LTM lenses: the VC 21mmF4, the Elmar, a Summitar 50mmF2 and a Summaron 35mmF3.5. And also a poor 135mmF4 Canon Serenar. But I particularly love the Elmar because of its ease of use and very predictable results. The 21mm, I love because it is sexy, particularly with the VC 21-25mm Viewfinder.

Ride in Piece.

I went to Paris that week end with the little fellow and I think that’s the first time he’s been there. I only brought the Elmar, a week end in Paris is not for fussing around.

Swing in Paris

The above scene is badly centred, I blame the viewfinder for this. I sometime wish I could have a 50mm external finder like the cool Leica SBOOI.

Saint Sulpice

A choir was rehearsing in Saint Sulpice church and I capture the above is a beautiful subdued light, probably wide open 1/15s, slow lens and 100 ISO film can do that.

Chelsea Old Townhall

I was back in London to capture the most beautiful day of the life of the lady above, and indulge in my gothic tendencies in Brompton cemetery

But soon it was time for Wimbledon and tennis balls grew on trees

I finished the roll in Chelsea harbour, back with the 21mm with the two shots below.

The pub around the corner, I love the tones.

Top picture is of a mural on Primrose hill, a portrait of Captain Sir Thomas Moore, more popularly known as Captain Tom, who was a British Army officer and fundraiser who made international headlines in 2020 when he raised money for charity in the run-up to his 100th birthday during the COVID-19 pandemic.

Film was processed in Analogue Films is Shoreditch as usual.

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New place, new life, new photos?

So that’s it after 14 years in Asia I am moving back to Europe, UK to be precise. I have now been 6 weeks on the old continent, and a first post is long overdue. While all my stuff is in transit, I have carried in my hand luggage the M6 and the M262 with 3 summicrons, the 28, 35 and 50.

I have finished my first roll of expired Fuji Across 100 and had it process at the first shot I could find for the whooping price of 16 GBP. I could hardly believe it, but I will be back to Cafenol soon so this is a one off. It seems however that prices of film are a bit higher that in Singapore.

Shooting in a new country is both exhilarating and inhibiting : I can see so many new things to capture but also I am a bit camera shy these days, and don’t really know how people will react to the camera. I have engaged a couple of photographers in the street and they assured me there was no problem with this, but I have to get into the mood.

Strange enough, I don’t see many people with cameras in the street and I am yet to meet a Leica shooter, but I am keeping my eyes open.

The shots were scanned by the shop (Snappy Snap), it seems they did an ok job at it.

I hope you’ll enjoy the reading, my second roll is nearly done and I start having a backlog of digital, so get ready for more posts. All shots Leia M6 + summicron 28 Asph v1

2020 a year in film

The weather has been very bad in Singapore recently so I did not shoot anything since the first of Jan. Good opportunity for my usual reflective post on 2020. The COVID has of course reduced the photo opportunities this year, no travels since February, less local events. Anyway, I still managed to spend some time on my hobby : burn some film.

Camera #1 : Chau Long Market Hanoi one year ago

Below is a breakdown of my 52 roll in film types:

Row Labels	Count of Film No
Fuji Across	8
Ilford HP5 Plus	6
Rollei Retro 80s	6
Kodak TRI X	5
Ilford Delta 400	4
Cinestill 800T	3
Shanghai GP3	2
Ultrafine Xtreme 400	2
Kodak TMY 400	2
Polypan 50	2
Ilford hp5	2
Kodak Portra 400	2
Kodak Ultramax	1
Kodak Colorplus	1
Ilford Delta 3200	1
Kodak Pro Image	1
Kentmere 400 pan	1
Fuji Neopan 400	1
Ilford Pan F	1
Rollei Superpan 200	1

Film brand	Rolls
Ilford	14
Kodak	12
Fuji	9
Rollei	7
Cinestill	3
Shanghai	2
Ultrafine	2
Polypan	2
Kentmere	1
Grand Total	52

I mostly shot black and white again. Mostly because I converted to Caffenol in the middle of the year, and have now processed around 20 rolls using this method. I lost 4 rolls more of less in the process, but I have a good standard procedure now. I also bought a roll of HP5+. Both steps make me shot black and white film for a lot cheaper.

Camera #2 LeicaIIIc Arab Street Singapore

Ilford in getting to the top of the list this year, surpassing the usual Kodak. I think Kodak is very close only because of the color films. In term of black and white, Fuji is this year in front of Kodak. I bought some expired Acros 100 which gives super good results in Caffenol.

Below is the breakdown of cameras I used:

Cameras	Rolls
Leica M6	18
Leica IIIc	10
Hasselblad 500CM	7
Leica M4	6
Agfa Isolette III	4
Nikon F3	4
Nikon F	1
Heineken	1
Minolta Himatic 7s	1

No surprise the 3 Leica bodies and the Hasselblad are still trusting the top of the list. The M6 is really a picture making machine, actually I just had the joints redone and the crank fixed.

Camera #3 Hasselbad 500CM

I did not buy any new cameras this year still I made some nice additions to my kit. I bought a new Sekonic 308-X meter as the old one died, a friend offered me a Keks EM01 light meter, which fits on the cold shoe o fthe M4 or IIIc, a very nice add on.

Camera #4: Leica M4

I tried to fix the rangefinder of the Isolette III and managed to shot a few rolls with it, making it climb to the fifth rank.

Camera #5: Agfa Isolette III

Actually I bought a second body for parts which has a few issues, so I may play to fix it or send it for service.

Curiously I digged the Nikon F3 from the Nikon box (I have a Leica box, a Nikon box and a various box). I gad very pleasant results mostly with the 50mm F1.4AIS.

Camera #6: Nikon F3

Lugging a SLR around is not longer a pleasure and this guy is so beaten up that I am a bit ashamed to carry it in the streets, but amazing results this year.

Camera #6 : Nikon F Photomnic

I only shot one roll with the Nikon F, with the 50mmF1.4 Non AI, on Polypan 50. My two photomnic meters are no longer metering or I can t be bothered to buy new batteries to use them. Using the Sekonic is just as good.

Finally two rolls with the Minolta 7S, great performer, still flimsy and the underwater Heineken Camera whose housing is leaving his last days.

Also the nice discovery of the year is the Whampoa Color photo lab which does a great job for processing and scanning color films.

The first shot of the last roll of the week (Kodak Portra 160 slightly expired shot with Leica IIIc and Elmar 50F3.5)

At the end of the year I feel expired

I am just trying to make a catchy title for this roll of Fuji Neopan 400 that expired in May 2014 and that I processed in Caffenol Delta. I very rarely shoot film that is so expired, that roll was entrusted to me by young fellow film photographer Brian Teo a few weeks back.

I shot the roll with the Leica IIIc and mostly the Elmar 50mm F3.5, but a couple of shots were also done with the Voigtlander Color Skopar 21mmF4. I processed the film with my Caffenol Delta recipe adjusted for 500 ml.

The recipe consist of 500 ML of water to use :

• 16 g of Arm and Hammer washing soda
• 10 g of pure Vitamin C
• 20 g of Nescafe Classic

At my average 28 Degree Celsius I process for 4’40”, 20 seconds inversion and then 3 inversions every minute.

I fixed with my first mix of Ilford Rapid Fixer for 11 minutes, this is my 18th film fixed with this batch, I’ll mix some new one next week. I don’t use a stop bath and use Ilford method for rinsing the developer and the fixer.

The result is quite grainy, which I blame on the age of the film. The film was also very clean, not much dust cloning was required. I think this is going to be my last roll processed in Caffenol this year, but I still hope to shoot a bit more before Friday.

The shot really shows my usual subjects when walking around Singapore : mostly passing strangers. I have added a couple more themes this time:

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Weddings

I stumble across a couple of weddings, actually only two shots turned out ok, but I met two other couples these last weeks.

I also made a short trip to Coney Island on the north shore. This popular leisure spot is also a good photo opportunity.

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Coney Island

More random stranger below

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Finally a bit of news

Santa was here

Lliang Court mall is dressed to go down

Robinsons shops are closing.

I hope everybody will have a great end of the year. See you in 2021, until then keep om shooting

Caffenol Rebirth : perseverare humanum est

We roll models

So what happened since last post and the “Caffenol rebirth” ; well nothing much happened in town nor to myself, so I shot half a roll of Fuji Across, mostly Saturday

Lonely dinner

Last Sunday I pour my Caffenol in a bottle of green glass (Perrier) and kept in just in case.

Gelato

So tonight I was restless and I decide to give Caffenol another try.

Buddha Tooth Relic Temple

Time for a nap

or catching up with th enews

Chinatown is her catwalk

As I did not finish my roll, I opened the Leica M4 in the dark, fiddle a bit with the film and managed to cut a 1 cm lead for the rest of the roll and unload the 22 first shots from the camera. I then loaded it in the Paterson tank and proceed as last week.

The lovely newly weds from China

That way

Massive Development chart give me again 6’44 @ 28 deg, for 100 ISO Accross, the Tri-x was overcooked last week, but that was 400ISO, so I though that I should give it a try, but actually I emptied the tank at 6’14.

Time for a trim

Double ciggie break

The film is still dense, but can be seen through in normal light. Probably some of this is due to the coffee coloration (I can see if is brownish), so for the next 12 shost I will cut the time down by maybe another 30 or 45 seconds.

Social distancing

Orchard back-light

I kept the Caffenol again, I read you can keep for 6 or 8 weeks. Without being so extreme, if I can use one batch for my monthly shooting this changes the economics of it totally, at 2$ a roll this is a no brainer. Plus it is amazing to have all the products ready and go through the motion in about 45 minutes.

My new fav model

Ok so now I’ve been through this roll what is the conclusion. It looks quite good for what it is, no reticulation, reasonable grain, the contrast is quite good.

Walking in the sunshine

This was also measured using my new Keks EM01 ligh meter.

A COVID hero back from work

The last pre lock down roll is back

I collected yesterday my first roll in a long time. It was probably finished the first week of the lock-down in Singapore which was on 5th of April.

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This is an expired roll of Fuji Across shot with the Leica M6 and probably a mix of Summaron 35 and Summicron 28.

The roll is so so , maybe the roll is too expired maybe sitting on my drawer for 3 month was not a good idea, maybe I just mucked up the metering. Well there is a couple of fun shots. I put them as a slide show just to try.

 

Kodak Ultramax 400 – Oh no I did it again (Took the M4 and VC 21 on the road again)

SMU

We are entering the rainy season in Singapore now, and film rolls are not easy to finish. So the roll of Kodak Ultramax 400 I loaded in the Leica M4 took a little time to finish. Particularly with a F4 lens and less light, not all opportunities are good,

At the crossroad

I very rarely shot the Ultramax before, it is a quite cheap film you can still buy in supermarkets in France. My friend Felix, gave me a roll last time I met him, and he get a quantity of them for the same reason.

Peninsula shopping center

The Leica M4 has no meter so I used my new Sekonic handheld light meter. All in it is doing quite a good job.

Coleman street

The Ultramax end up being quite a different beast compare to the Portra 400. The grain is more accentuated, the colors get a bit more pink / green hue, the film I got from the lab was a bit more curly, but I am not sure it affected the scanning (with Epson v800).

Tiong Bahru

The 21mm gave good results again, thanks to the viewfinder again I think. The vertical shots of cross roads gave what I called “dynamic” in my last post; I think they would benefit in being shot a bit lower, like wait level…

The party is over

… but OK hand metering, range-finding (or pre-focusing or hyper focusing) and view finding are already a lot of actions for a single shot.

Bincho

A choir

With the 21mm the subject is often too far as above, unless you come really close to unsuspected subject …

Fun for everybody

… for everybody’s fun.

Carlsberg for free

Or willing models as above.

The Instax team

Or you meet the Fuji Instax team (I did not enter the discussion about Fuji vs Kodak with them).

Fancy fair

I also had the opportunity to take a few shots at night in a fancy fair and I must say the result is quite pleasant. A bit Saturated, but it looks the film reacted well to artificial light.

Fancy fair

Indonesian model

Interesting story here, aspirant photographer and aspiring make up artists from Indonesia using their friend as a model.

 

SMU : Looping the loop

A  few weeks after the first shot back  at the SMU (Singapore Management University).

The culprit! 

In case you directly jumped here: all shots on Kodak Ultramax 400 (not expired), with Voigtlander 21mm F4, VC viewfinder 21-25mm on Leica M4.

BACK TO THE MONKEY GOD TEMPLE – With a roll of slides

The Sedan chair porter

This is a follow up of my last port about the Monkey God temple birthday  in Tiong Bahru. These pictures were taken with a roll of Provia 400F given to me by KC Eng. It is expired since 2008, but I did not check at the time and shot it at 400 with Leica M6 and Summicron 50.

The Lion dance

Ths shots were processed at Analog Lab and scanned at home ; they turned out quite okay. Maybe the overcast weather did not allow for a more reach color palette.

Dragon Dance

Dragon Dancer

Dragon Dancer

The musicians

The musicians

The lantern bearers

The lantern bearers

The lantern bearers

The lantern bearers

The lantern bearers

 

 

 

 

2018 – The year I still shot one roll of film a week.

Camera n.1: Leica M6 with Rollei Vario

Happy  new year everybody, happy film shooting to all the film photogs. If I looks around me in Singapore it looks like more and more people are shooting film. I see young kids buying film at the shop and carrying around some analog point and shoots, SLRs or rangefinders. I met fellow film shooters in Japan, Laos and Thailand this year and at the big dismay of my family I (nearly) always go and talk to them, and take their picture sometime.

In my own opinion 2018 has been less exciting that 2017 in term of the film industry : Cinestill is now part of the landscape, Kodak Ektachrome is said to be available but I have not tried it yet, Film Ferania is still nowhere near the shelves. The only new film I tried is the Rollei variochrome positive film, which is quite gimmicky.

Camera N.2 : Leica IIIC with Kodak TMAX 100

 

Below is a breakdown of my film rolls:

Film	Rolls
Ultrafine 400	17
Cinestill 50D	3
Rollei Retro 80s	3
Bergger Pancro400	3
Kodak Tmax 400	2
Rollei CR 200	2
Polypan PF50	2
Cinestill 800	2
Fuji Reala 800	2
Kodak Gold 200	2
Rollei Superpan 200	2
Kodak Colorplus	2
Kodak Portra 400	2
Kodak Ektar 100	1
Rollei Vario	1
Kodak Tmax 100	1
Kentmere 400	1
Ilford hp5	1
Kodak Portra 160	1
Kodak TMZ 3200	1
Agfa APX 400	1
Grand Total	52

And by Brand

Brand	Rolls
Ultrafine	17
Kodak	12
Rollei	8
Cinestill	5
Bergger	3
Fuji	2
Polypan	2
Agfa	1
Ilford	1
Kentmere	1
Grand Total	52

Camera n.3: Leica M4 with Kentmere 400

The first thing to notice is that I shot a bit less that last year (I did 63 rolls then), I think I also shot less digital, I spend some time in a couple other projects. But still I am holding the one roll per week rate.

I shot 17 rolls of Ultrafine that I hand-rolled myself : this is a first for me. This is a quite good film : I told the lab it is Kentmere 400 and had no problem. I liked the experience of hand rolling shorter rolls, but as I don’t process myself there is a balance to reach between the cost of processing and not having to throw away the last shots of a roll (or shoot meaningless pics with them).

Kodak is a mix bag of black and white and the cheap color films like Colorplus and Gold 200. I tried the new TMZ 3200 once again this year and I think a good performer.  I am a Kodak fanboy.

Camera N.4 : Hasselblad 500CM with Cinestill 50D

 

On the disappointment side are the Bergger Panchro and the Rollei Superpan, they lack contrast and have too much grain to my taste (or maybe I lack the skills to make them shine). I cannot make them out of my fridge fast enough, so I will still have some to shoot this year. I finally finished my two years expired Fuji reala 800, both shot with the Leica IIIc, I don’t really like this film (but it was so cheap) and also I have problem measuring for 800 Iso in daylight, so results were not great.

Finally the Rollei Vario ( you can read the full review here ) : it is very gimmicky so one roll is enough. I think if you are a pro and shoot a wedding, you can have a nice couple of pictures with a very different look, but apart from this the tint makes its usage very limited.

Camera N.5 : Agfa Isolette with Bergger Panchro 400

Now let’s look at the gear.

Camera	Rolls
Leica M6	21
Leica IIIc	11
Leica M4	10
Hasselblad 500CM	4
Agfa Isolette III	2
EOS 1N	2
Kodak Autographic Jr	1
Minolta Himatic 7s	1
Grand Total	52

Once again Leica’s are on top of the ladder, I am still investing in my Leica Kit, so the M system is set to shine for a while. My travel kit now is the M262, the M6 and 3 or 4 lenses in the shoulder bag.

The Leica IIIc paired with the 35mm F3.5 Summaron is my walk around camera, as a consequence the M4 lags a bit behind.

Camera N.6 : Canon EOS 1N Kodak Portra 160

I only shot 7 rolls of medium format, the Hasselblad has a problem now and only takes 11 shots per roll, and stays at home during holidays; the Agfa still cannot focus but I like taking it out a couple of times a year (exactly two times)

I kept on my decluttering habit this year, so I got rid of my broken Olympus Mju1, the EOS 1N, the Kiev and some Nikon Zoom lenses.

 

Camera N.7 : Minolta Hi matic with Ultrafine Xtreme 400

 

Finally my v500 scanner died in the first week on 2018, so I upgraded to an Epson v800. Frankly the difference is not that visible but it is a lot faster and the Silverfast software is quite better than the Epson one, although I must say I still have some work to master it.

Camera N. 8 : Kodak Autographic Jr 6×9 with Rollei retro 80s.

 

If you are curious you can check the past reviews : 2015, 2016, 2017.

Happy shooting in 2019 !

Eve of Vesak Day in Brigh Hill temple – Singapore

For Buddhists Vesak Day marks the birth, enlightenment and death of Buddha. This is my very first time at Bright hill temple ; it is a huge compound in the center of Singapore.

Bright Hill temple also known as Kong Meng San Phor Kark See Monastery, is famous for the “3 Steps 1 Bow ceremony” on the eve of Vesak Day.

Above are monks who are opening the procession. The ceremony starts at 5pm and takes 2 and half hours to complete ending with the monks back in the main hall blessing the devotees with water.

Monks are followed by lay people who will queue all evening and a big part of the night. One people I know said he will go at 3am.

Below people queuing at the start of the procession

 

The main halls are also the occasion to pray and give offerings; mostly candles.

During the day itself, ritual is generally the bathing of the Buddha.

Most shots done with Leica M262 and Summicron 28mm, close ups with Elmarit 90mmF2.8.

Some film shots (with black border) done with Leica M6 on Fuji Xtra 800ISO with same lenses.

How to get there: Bright Hill is quite central  (like in the middle of the island) but may take some time to reach. You can get a bus there (check gothere.sg) which will take close to one hour from CDB or take a cab (more of less 15 SGD).

Devotees and temple staff are quite photo friendly, so as long as you are decently dressed and don’t go in the middle of ceremony you feel welcome to shoot. There is actually a small crowd of photographers.