The cemetery is home to about 3000 graves, below which urns of ashes are buried. Unlucky for me the place was closed when I reached there after a 40 minutes bus ride. I could still make a few shots, but there seems to be some very interesting views to catch so I will try to go back at a better time.
Today’s pictures where taken on Ilford Pan F 50ISO film with the Hasselblad 500cm and 80mm F2.8. They were processed soon after in Caffenol using the batch I prepared last week, then scanned with the Epson v800. I had 3 shots left when leaving the cemetery, so I head back in town. I made a first stop at Tiong Bahru at QiTian Gong temple. It s the 100’s birthday of the temple this year and it has been renovated, but due to the Covid there are no celebrations this year. You can find pictures of past ceremonies there :
After this I head to the old railway station which is under work (no idea what is suppose to happen to it in the future) and finally to the small Hock Teck See Temple, a small Taoist temple surrounded by construction sites.
Today I am posting a few shots salvaged from a friendly “reportage” we did with a group of friends last week for The Social Kitchen at Orchard YMCA, in Singapore.
The Social Kitchen, is the Cafe located on 4th floor of the YMCA. It is a social enterprise that provides employment to disadvantaged individuals. The intention was to give them a few pictures to put on their website.
I must say I did not perform very well, and I am bit ashamed of it. I pleased myself in my choice of gear, but the result is not really usable by our friends at Social Kitchen. Luckily some more conscientious photogs were there.
I brought the Leica M6 with Summilux 50 v2 loaded with Ilford Delta 400. Above are the shots processed in Caffenol, my eights roll and the worst so far I must say. Very nice opportunity to shoot in a kitchen, but also quite difficult as the place is small and was packed with 3 staff and 4 photogs.
I also carried the Hasselblad 500CM loaded with Cinestill 500. There are only 3 “good” shots on 12, I don’t use the blad so often these days, so I mixed up mix and max aperture, and the first 6 shots were blank. The Cinestill roll was shot at ISO640 as usual, and all shots were done at 1/60 F2.8.
It’s nice to have fun, delivering good and usable pictures is another matter.
During the last outings of the Leica User Group Singapore (LUGS) of 2019, I had the good idea to carry the Hasselblad 500CM loaded with my favorite film: the Rollei Retro 80s
I love the range of grays and the profound black that this film can produce. This is not all art but a nice walk with friends at a time when this was possible. I put the full roll, no censorship and some edition in Lightroom. Film was was processed at the usual lab (Ruby Photo) and scanned at home of Epson v800.
… and some friends from the HUGS (Hasselblad User Group Singapore), just before we could not hug anymore. A very small mid week post, 10 shot of a Rollei Superpan 200.
This is taken with a Hasselblad 500 CM with the Planar 80mm F2.8 CF, processed at my usual lab and scanned at home with the Epson v800, and edited in Lightroom. I don’t particularly like the Superpan, but I must admit it was OK on this occasion.
This is the second roll shot with the Hasselblad during the outing to Mc Pherson area. The Lego buildings at this point were behind us, so not too many shots of the “Mondrian” colorful pattern here.
Shots are done with the faithful Hasselblad 500cm, with 80mmF2.8 and I used a more than 2 years expired roll of Rollei CR200 .
When I collected the slides from the shop I watched them on light box there and they really looked brilliant. Once scanned I must say I am a bit disappointed, maybe not trying hard enough.
I think the high contrast of the slides make it difficult to scan.
Also the weather started to turn a bit more cloudy and the colors less saturated.
This type of shots may benefit from using a tripos as well.
Being a slow shooter I did not finished the film that day so I carried the Hassie in Lavender area the following week and walked from there to my fav lab t bring the roll
I love this area, I used to hang around there weekly until two years ago, it goes under a slow gentrification, but still very interesting with its workshops, warehouses, small shops, bars, coffee shops…
I don’t like the rendering of the next two shots, but sure they look vintage enough.
All in all a nice set, but not as nice as the Portra roll of McPherson “Lego”buildings . It does not seem the film has suffered from being expired, but it was kept in the fridge most of the time.
This is a set of pictures of the colorful public housing blocs situated on Circuit Road in Singapore.
Circuit road is accessible via Mc Pherson MRT, and is located in the east part of town, 20 minutes ride from Orchard Road.
This estate dates back from the early 1970’s and has recently received a face-lift, becoming the Lego or Mondrian estate. Apparently the “upgrade” as we say here was not only cosmetical as the area used to be a bit shabby from what I gathered.
The outing was organized by Low Che Eng from the “Lets Shoot Film SG” Facebook group. We were nearly a dozen freaks walking around the estate, with cameras ranging from various Leicas and medium formats to a view camera (Chamonix ?).
I carried around the Hasselblad 500CM and 80mmF2.8 loaded with a slightly expired roll of Portra 160vc (nearly two years I think) shot at 200iso and the Leica IIIc with the Voigtländer 21mmF4 loaded with a roll of Rollei retro 80s.
The film was processed at the usual lab and scanned at home with the Epson v800.
I did a bit of post processing in light room but even without it the film turned out quite well.
Finally meet a resident, this gentleman used to a be a guitarist at the raffles hotel back in the days where hotels had musicians and is now keeping fit in his old age. This is the last shot of the roll hence the slight issue on the top of the frame.
The hassie keep on having problems shooting 12 complete frames, but this time I got lucky.
I am trying to stay true to my promise to de-clutter the film box in the fridge and shoot some 120 film that sometime is expired for more than two years.
So I recently shot a not expired roll of Ilford FP4+ expiring in 2020 over a couple of Sundays walking around Singapore.
On this second shot, a happy groom on his stag day, it is obvious there are some white dots all over the picture. After discussion in the Facebook group “Lets Shoot film SG”. It appears this may be a problem caused by the backing paper of the film after being taken in and out of the fridge. Frankly I am a slow shooter so I am guilty of taking from the fridge more than I can chew and putting it back afterwards, but I cannot remember having seen this problem before.
I kind of understand this is more common with Ilford which I rarely shoot, that is not encouraging me to do more (I still have a roll in the fridge, damn )
Pearl Bank Apartments is an iconic housing block in Singapore cityscape, built in 1976, it what is referred as brutalist style (Although Landmark tower nearby is more pure brutalist), it has now been sold and is empty since the end of April 2019.
It will be demolished and the plot redeveloped ; this is the traditional buildings life-cycle in Singapore.
The white dot issue is also quite prominent on this shot
The friendly waiter was shot wide open at 1/60th handheld, explaining the slightly off focus.
All done with Hasselblad 500CM and Planar 80mmF2.8
I realized when doing the math at the end of the year that in 2018 I did not shoot much medium format film. I must say that my only working condition camera is the Hasselblad 500 CM which is not so easy to grad around for my casual shots.
One of the consequences is that my film box contains now mostly 120 film, some starting to be expired for more than two years. Not that I think that the are going to be wasted, but it is never a good sign.
So I have now decided to bring the Hassie along for casual shooting. There will probably be less people in the coming rolls as it is not greatly suited for “street” shots, but probably more city views from a local tourist.
Hong Lim park
I think this is my last roll of the Cinestill 50D, part of the Kickstarter package. I quite like this film in the end as per my last post, it s quite punchy, is easy to scan. And slow speed is fine in good weather and daylight. I am not sure I ever shot many films with the Hassie at night or dusk.
One thing the lead of the film is gooey so when you remove the lead you will often end up with some parts of the back that take up the film being sticky, and some goo ending up on the roll as in the first Hong Lim shot.
Happy new year everybody, happy film shooting to all the film photogs. If I looks around me in Singapore it looks like more and more people are shooting film. I see young kids buying film at the shop and carrying around some analog point and shoots, SLRs or rangefinders. I met fellow film shooters in Japan, Laos and Thailand this year and at the big dismay of my family I (nearly) always go and talk to them, and take their picture sometime.
In my own opinion 2018 has been less exciting that 2017 in term of the film industry : Cinestill is now part of the landscape, KodakEktachrome is said to be available but I have not tried it yet, Film Ferania is still nowhere near the shelves. The only new film I tried is the Rollei variochrome positive film, which is quite gimmicky.
Below is a breakdown of my film rolls:
Rollei Retro 80s
Kodak Tmax 400
Rollei CR 200
Fuji Reala 800
Kodak Gold 200
Rollei Superpan 200
Kodak Portra 400
Kodak Ektar 100
Kodak Tmax 100
Kodak Portra 160
Kodak TMZ 3200
Agfa APX 400
And by Brand
The first thing to notice is that I shot a bit less that last year (I did 63 rolls then), I think I also shot less digital, I spend some time in a couple other projects. But still I am holding the one roll per week rate.
I shot 17 rolls of Ultrafine that I hand-rolled myself : this is a first for me. This is a quite good film : I told the lab it is Kentmere 400 and had no problem. I liked the experience of hand rolling shorter rolls, but as I don’t process myself there is a balance to reach between the cost of processing and not having to throw away the last shots of a roll (or shoot meaningless pics with them).
Kodak is a mix bag of black and white and the cheap color films like Colorplus and Gold 200. I tried the new TMZ 3200 once again this year and I think a good performer. I am a Kodak fanboy.
On the disappointment side are the Bergger Panchro and the Rollei Superpan, they lack contrast and have too much grain to my taste (or maybe I lack the skills to make them shine). I cannot make them out of my fridge fast enough, so I will still have some to shoot this year. I finally finished my two years expired Fuji reala 800, both shot with the Leica IIIc, I don’t really like this film (but it was so cheap) and also I have problem measuring for 800 Iso in daylight, so results were not great.
Finally the Rollei Vario ( you can read the full review here ) : it is very gimmicky so one roll is enough. I think if you are a pro and shoot a wedding, you can have a nice couple of pictures with a very different look, but apart from this the tint makes its usage very limited.
Camera N.5 : Agfa Isolette with Bergger Panchro 400
Now let’s look at the gear.
Agfa Isolette III
Kodak Autographic Jr
Minolta Himatic 7s
Once again Leica’s are on top of the ladder, I am still investing in my Leica Kit, so the M system is set to shine for a while. My travel kit now is the M262, the M6 and 3 or 4 lenses in the shoulder bag.
The Leica IIIc paired with the 35mm F3.5 Summaron is my walk around camera, as a consequence the M4 lags a bit behind.
I only shot 7 rolls of medium format, the Hasselblad has a problem now and only takes 11 shots per roll, and stays at home during holidays; the Agfa still cannot focus but I like taking it out a couple of times a year (exactly two times)
I kept on my decluttering habit this year, so I got rid of my broken Olympus Mju1, the EOS 1N, the Kiev and some Nikon Zoom lenses.
Finally my v500 scanner died in the first week on 2018, so I upgraded to an Epson v800. Frankly the difference is not that visible but it is a lot faster and the Silverfast software is quite better than the Epson one, although I must say I still have some work to master it.
If you are curious you can check the past reviews : 2015, 2016, 2017.
The Lion dance troupes from the Zhoujia style go each year to Bright Hill temple for Qingming celebration to honor their founder. The Zhoujia is a special form of Lion Dance, which is very energetic, founded in Singapore, there are very interesting videos on the history of this martial art, coming from the south China King-Fu. Mister Li, in his 80’s is he current master and the son (or grand son) of the founder
The Qingming or Ching Ming festival, also known as Tomb-Sweeping Day in English (sometimes also called Chinese Memorial Day or Ancestors’ Day).
The troupes gather at the bottom of the slope getting up to one of the temple courtyards (for those who do not know Bright Hill temple, it is a massive compound), they run up one by one up the steep slope (and very sunny last week).
The lion dancers perform around the yard at the sound of drums and pray as different shrines before ending before a table laid with offerings. They then move aside and align waiting for the other troupes to parade as well. A total of 6 groups were present this day.
Afterwards there will be some common praying to the ancestor, Kung-Fu demonstration , a full minute of full strength drumming and a final tour.