The Lion dance troupes from the Zhoujia style go each year to Bright Hill temple for Qingming celebration to honor their founder. The Zhoujia is a special form of Lion Dance, which is very energetic, founded in Singapore, there are very interesting videos on the history of this martial art, coming from the south China King-Fu. Mister Li, in his 80’s is he current master and the son (or grand son) of the founder
The Qingming or Ching Ming festival, also known as Tomb-Sweeping Day in English (sometimes also called Chinese Memorial Day or Ancestors’ Day).
The troupes gather at the bottom of the slope getting up to one of the temple courtyards (for those who do not know Bright Hill temple, it is a massive compound), they run up one by one up the steep slope (and very sunny last week).
The lion dancers perform around the yard at the sound of drums and pray as different shrines before ending before a table laid with offerings. They then move aside and align waiting for the other troupes to parade as well. A total of 6 groups were present this day.
Afterwards there will be some common praying to the ancestor, Kung-Fu demonstration , a full minute of full strength drumming and a final tour.
The Leica User Group Singapore (LUGS) organized an outing last week (7 April 2008) to the Kebun Baru Birdsinging Club.
The Hassie came to the party loaded with a roll of Cinestill 50D. Here is the result. The Kebun Baru Birdsinging Club is place in Amg Mo Kio, central Singapore, where bird lovers have their pets compete. In both singing and look competition.
It is a beutiful places with both shadow areas with low hanging bird cages but also a wide open space with high poles were cages are hoisted by a pulley system.
(The above rectangular shot is due to an issue with the Hassie back frame spacing)
On competition days judges are walking between the birds and give notes.
Forget about everything serious and let’s be silly. If you spend too much time on the internet you probably already came across something similar : people shooting 35 mm film with their Hasselblad. Even worse you find people trying to find out how to do it…
I will cut the chase short : I think there is absolutely no reasons to do it except the two following:
you want to scan the sprockets
you want to use film that is not available in 120 format
Apart from the general quirkiness of setting this up, please consider the following issues:
the automatic back of your Hassie is set to 12 frames, so there is just so much you can get of your 35mm roll, I would say that 24 shots rolls are ok, but you will loose a fair bit of film. Unless you roll them from bulk yourself, in which case I think with the technique exposed here you can probably use a 20 shots roll. I also read you can use a A24 back to shoot 20 shots out of a 36 roll.
the film moves upward in the hassie which does not make a difference in 120 format as it is square, but your “paronama” will by default be vertical, so to shoot landscape you have to turn your Hasselblad on the side, no so easy to frame after that. It is then recommended to use a 90 degree prism (I don’t own one)
finally framing is not easy unless you have a mask, but I did not find any template
Frankly I generally find panorama useless, as it is very difficult to see them on screen or printed, unless they are printed very large or they highlight very special shapes.
But last week a friend gave me some spacers that he 3D printed and I decided to give them a try. I had at hand a freshly hand rolled canister with 17 shots of Polypan (the end of the bulk) so why not kill two birds with one stone.
Note that on the re-enactment above the white canister is the take-up side, the Fuji is the film I will shoot. This is a very neat set-up. Note that I would normally cut the start of the Fuji film to have better adherence to the take up lead. Also I had no problem (it seems) with keeping the film flat on the pressure plate, but I saw some guys are adding some holders to keep the film flat.
To resolve the take up side of the issue I used another 35mm canister that I taped to the start of my roll and used the spacers on both side. I checked a couple of times to make sure the film was on the correct side. Closed the back and cracked until all was ready.
I thereafter happily shots my 12 pictures.
My roll was too short so the last picture was partially exposed to the light when I opened the back. Also I think this caused some spacing issues towards the end of the roll.
I will give this another try (in color), but I think it is really just good for fun. I thought about trying with the Agfa Isolette, but the winding not being automatic, guessing how much to wind will be quite challenging.
I joined Bernard Goh’s Singapore Photo Walk outing of March with my son.
Rochor Centre is group of buildings built by the Housing and Development Board of Singapore. It was built and completed in 1977 and consists of 4 blocks painted in vivid colors yellow, green, red and blue.
This is an iconic building in the east side on Singapore center that can be seen by tourists going to Arab Street or Little India.
The buildings comprise habitations, shops and hawkers ( food stalls). On the ground floor you still can find some religious artefacts.
The center has started closing as later this year it will be torn down to give way to a motorway joining the north to the south of the island. A lot of the shops have already relocated, but some are still open. The habitations seems to still be occupied if I can judge by the drying laundry.
The void desk is a classical feature of the HDB blocks, an open area for inhabitants to congregate and do activities.
Our friend Long Siew Leng aka Jumping girl.
Pictures 1 and 2 : Hasselblad 500cm+80mmF2.8, Rollei CR 200 slide film
The first outing of 2016 of the Singapore Photowalkers(SGPW) organized by Bernard Goh was at the newly opened National Gallery. An opportunity to bring out the Hasselblad and a roll of Rollei RPX 25Iso that I imagined well suited for Architecture.
The National Gallery is a museum displaying local collections, in a new building mixing contemporary architecture and two buildings form the colonial Area: the city hall an dthe high court.
Inside and outside the mix of the two style is visible.
Tripods are not allowed inside so all shots are handheld around 1/60s at F4. The film is very easy to scan with the old Epson V500 and the lab did not do a bad job with it.
I can let you judge the results.
I also shot a roll of Rollei Retro 400s which turned out to be so badly underexposed it is unusable. If is the second roll now, shall I blame the lab or the film? Actually I also manage to screw up another roll of 400s in the EOS1N, but I pushed that one by 1 stop. In doubt I’ll stay away from if from now on.
Here is the new year; so first happy new year to all the readers of this blog, and happy shooting. This is the time for a bit of retrospective, and I won’t miss the opportunity. 2015 was another good (in term of fun) year of film shooting. I managed to break the psychological barrier of one film a week, actually getting to 55 films (this is a roughly total of 1500 pics)
I have been shooting both travels and city (or street) , black and white, slides and color print films, both in 120 and 35mm formats, with a total of 12 different cameras.
Agfa isolette III
Heineken Toy Camera
I had been quite good GAS wise this year, my collection increased “only” by two additions:
the EOS 1N, with 50mm 1.8MKII, the body was given by a friend and I purchased a 80$ lens, so hardly any GAS here
finally I made the acquisition of a Leica M6 classic, and a 35mmF2.8 Summaron to accompany it. This is a long awaited purchase and the table above shows how much I am happy with it
The Leicas are on top of the list as I have now more lenses to pay with. Pity the Nikon F did not get out of the cupboard more I’ll try to do better this year. Some cameras did not get a chance: the F4, the Kodak Autographic, the Canonet, the Minolta Himatic, the Zorki but frankly this last one is not worth using. The Nikon F3, is definitely showing some focusing issue.
Plans for the year: do as well next year, maybe some film only trips. Gear wise I promise to be a good boy: maybe upgrade my scanner or do some processing at home.
Next article I will try to do a small overview of the films I tried this year.
Mid term school holidays stroked again last month and we pondered where to go this time. We have travelled around the region quite extensively but never did a nice trip in Thailand. Bangkok was the first city we visited in 2007, but we did not enjoy it too much; too overwhelming; we also visited Phuket once, but beach holidays are not too much our style. Oh yes and I also been on my own a few time to BKK and Phuket, but that’s another story.
So we decided to visit the north of Thailand from Bangkok (excluded) to Chiang Mai. Our first stop will be Ayutthaya, an old Capital near Bangkok. Wher eyou cna see the amazing Buddha image embedded in a tree (above). Or the very active Wat Phanan Choeng (below).
At Wat Phanan Choeng; these two men are folding robes to dress the large reclining Buddha.
So we flew to Bangkok, stayed near the airport and made a (long) day trip to Ayutthaya. Monday we flew to Sukothai; and visited the Historical park.
Tuesday we drove to Chiang Mai with very interesting stops on the way; particularly the Si Satchanalai Historical Par; below. An amazing complex or ruins in the shade of the trees.
All shots with the Hasselblad 500 CM; 80mm F2.8; Kodak TMAX 100