Anandpur Sahib

The city is one of the most sacred places in Sikhism, it is a big hour drive from Chandigarh.

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The main Gurudwara is situated on a hill, you walk up from the parking.

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It is quite beautiful and offers a great view on the surrounding area.

This place receives a lot of pilgrims as it is the place where the last two Sikh Gurus lived, so it is quite interesting to see the infrastructure. Below a hall were pilgrims can rest.

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And below a young Sikh guarding the guesthouse for pilgrims (we unfortunately could not visit one).

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The communal kitchen of this Gurudwara is also hudge. They have big pots.L1000515

In the kitchen he lady below started singing while making chapatis.

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Finally a good shot of the chapati making machine:L1000527

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Next we walked to a nearby temple with a sacred well a hundred stairs below ground.

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From the outside there is a beautiful view on the Virasat-e-Khalsa, the museum of Punjab and Sikhism.L1000561

This museum is very well done, interesting and didactic, although it may sound a bit propagandist or proselyte , it gives a lot of information on the history of Punjab and Sikhism. I think it is a must do, to help memorize or clarify the things we learned through our trip.

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Anandpur Sahib

The Agfa Isolette goes to the end of the world

Moais quarry at Rano Raraku

A once in a lifetime trip, done for the second time : April – May we went on a family trip from Singapore, to Auckland, to Tahiti, to Easter Island and back. In total more than 30 thousand kilometers or travel. And on top of packing both swimsuit and polar jumpers (Auckland and Easter Island are on the cold side compare to our usual 30 degrees), the eternal question. What camera do I take.

Moais quarry at Rano Raraku

Of course the Nikon D700 is part of the trip, with the perfect travel combo: 50mmF1.8, 17-35F2.88 amd 80-200F2.8, a few filters, several cards in my new Pelican Case CF card holder, a spare battery, charger, flashgun, and Tripod (barely used). For film I immediately settled for the waterproof Heineken Camera loaded with Tri-x for fun and beach and then I pondered what serious film camera I should bring.

Moais quarry at Rano Raraku

Although I have a kind of return of love for the Leica, I think it is too fragile for this trip. The Hassie is too big for the hiking part in Easter island, the Nikons are a bit too unpredictable (although it would have been fun to bring the F3 back there after 20 years). Finally I decided for the Agfa Isolette, it is small enough not to be a pain to carry so I can eventually forgive bad results if any.

Ahu Akivi: the only moai facing the sea

The Agfa still has a problem with the rangefinder, so I have to guestimate the distance and report it on the lens but all in all with Tri-X and bright sun most of the pictures are taken around F11 so focus is not an issue.

Moais quarry at Rano Raraku

I only shot two rolls, all in Easter Island also called Rapa Nui in local dialect.

Ahu Tongariki - Easter Island
One day on the Anakena beach I met a nice Chilean lady with a Rolleiflex taking shots of the beach and the statues who are sitting on its background. I was as so happy to meet a charming fellow film photographer that I offered us a roll of Rollei RPX 400 to try.

On top of Terevaka - Easter Island Highest pic

We stayed at the wonderful Explora Hotel, unforgettable experience there; we made a couple of hikes with the new manager Francisco as above on top of the highest peak of the island.

The Moai Quary - Easter Island

Did I mention that this is our second time there? We went in 1995, 20 years ago for our honeymoon; I was carrying the Nikon F3 then, so this is why I considered bringing it back. I had a couple of old shots on my phone and inquired about people on them. Unfortunately on the three identifiable person, 2 have passed away; but the young boy visible on one, is now thirty and a father of two have I been told. I did not manage to meet him though.

The Agfa Isolette goes to the end of the world

Back from inside the cardbox : the Canonet 28

During last summer holidays my wife looked into an old card-box in the garage and found the Canonet 28 her dad offered her for her 10’s birthday. The camera was still boxed, with the never ready case, strap, manual, guarantee card and a film still engaged.
All looked in perfect condition at the time, but I did not have time to take it for a try and the wife did not want to bring it back to Singapore.

Cannes Le Vieux Port - Fishermen's warf
Cannes Le Vieux Port – Fishermen’s warf

So last month we were back to France for Christmas holidays and I planned carefully to arrived with a roll of Tri-X and an Alkaline battery to make my test. Opening the box a second time was a different experience: the never ready case is very deteriorated, and some joint on the camera door are desaggregating as well. The battery contact shows some corrosion but my father in law was clever enough to remove the old battery before packing the camera. All in all the camera is in good shape, but bought in 1975 and packed probably since the middle of the 80’s (30 years ago), it is not in pristine condition.

Orchestra - Xmas market - Cannes
Orchestra – Xmas market – Cannes

After cleaning the contacts, I loaded the battery and the roll of film and the meter start moving when the aperture ring is set to auto mode. I went though the documentation but could not get the meter to give me a speed indication when I select the aperture manually; so all the shots are done in full auto mode.

Framed - Saint Laurent du Var - France
Framed – Saint Laurent du Var – France

Results are quite good I think. Quite good contrast if not sharp. There is a few limitations ISO is limited to 25 to 400 range and speed from 1/30th to 1/600th. When it is getting dark, the camera will take pictures at 1/30th F2.8 which cause some motion blur or under exposure. Focusing is easy and seems quite accurate.

The fence - Saint Laurent du Var - France
The fence – Saint Laurent du Var – France

I saw the fence and just thought about Geoff Dyer’s book “The ongoing moment” that I am finishing at the moment. He makes a relationship between a 1916 shot of a fence by Paul Strand and a far later picture by Michael Ormerod echoing to it. And here I am in the next century, 100 years later indeed, in front of the fence… really I have no shame

Court Saleya - Nice
Court Saleya – Nice
Marché Saint François - Nice
Marché Saint François – Nice
Ferris Wheel - Nice
Ferris Wheel – Nice
Ferris Wheel - Nice
Ferris Wheel – Nice
Roundabout  at night  - Antibes - France
Roundabout at night – Antibes – France
Xmas Market scene - Cannes - France
Xmas Market scene – Cannes – France

And now for those who read carefully the start of the post. What of the film that was engaged in the camera?  This was Konika SR-V 100 color print film; manufacture in the late 80’s; so this is probably expired for 20 odd years. I rolled it back carefully, loaded it in the Nikon F3 and shot it at 50ISO and brought it to the lab… absolutely nothing was shown on the negs when I collected them. Too bad….

Back from inside the cardbox : the Canonet 28

The Dacora Digna gets a second chance this year

This is a lucky year for the Digna, not only did he get to shoot a roll of slides at Christmas but as I was recently on holidays back home I did 2 more rolls with it. 3 rolls in a year this is unseen for this little camera that I use on for holidays.
What I like the best is what I call the “Lomo effect”, the little distortion of the picture that make it a bit more interesting. So these are just holidays snaps, with this little extra.

Musée Fernand Léger – Biot
Musée Fernand Léger – Biot
Musée Fernand Léger – Biot
Piscine Jean-Médecin – Nice
9 lignes obliques – Nice
CGT building – Cannes
Le Marchand de pastèques – Cannes

Pictures are done with Kodak Portra 160 and Kodak Ektar 100 all shot at 100ISO.

The Dacora Digna gets a second chance this year

The last two film shot from India or when 12 shots are more than enough

Everything comes to an end. I post toguether the last two shots done with the Hasselblad of the Indian trip.
I realized I posted here 4 shots of the last film a good ratio.

Paan Wallah - in the street - New Delhi - India

These were shot in the New Delhi old town between the Red Fort and the Friday Mo-sq.

Bike repair in the street New Delhi  (India)
Bike repair in the street New Delhi (India)

Anyway this is not the end of the Indian pics; I have already discarded half of the digital pics; there is still a long way to go to get to the 200 keepers; you’ll probably see some here soon.

The last two film shot from India or when 12 shots are more than enough