A wet day in chinatown

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A small write up today, and I will avoid the temptation to make another complete roll review (although in fairness I was tempted).

The flea market that use to seat in Sungei Road east of the city center has been closed for building a MRT (the local term for underground). What used to be coined as the “thieves market” has slowly moved to Chinatown in the heard of the city.

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I am not sure what the authorities think of it, but here is another attraction in one of the tourist hubs of the Lion-city. These guys sell mostly old junk, and it’s rare you will find anything you might want to bargain for … actually as odd as it seems I bought for 2$ a record of Industrial Music, and one of the sellers (not sure how to call them) actually has a few interesting cameras.

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You will find old watches and Buddhist artifacts and amulets, and for the rest … you’ll see for yourself.

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Sure this will come a popular spot for street photography.

The 4 shots above were taken in a rainy afternoon,  with Ultrafine Xtreme 400 iso with the Leica IIIc and the Summaron 35mmF3.5, probably 1/60 second and f3.5.

As I am here I also add as a bonus three earlier shots done on the same film with the Leica M4 and teh modern Summicron 50mm v5.

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I hope you enjoyed the visit

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A wet day in chinatown

A roll of Kodak Ektar shot with the Leica IIIc

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01. The first shot, in a Hindu temple in little India

Hello, today a little pointless exercise consisting in reviewing the shots of an entire roll. You will see below keepers in a larger size that the dismissed shots.

I loaded the roll during the LUGS (Leica User Group Singapore) outing in Little India last month inside Sri Veeramakaliamman Temple. This is always a good place for shooting.

Lesson from the first frame: always skip the first 1 or 2 frames, otherwise in the unlikely event you like the shot, it may be half burned.

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02. Sri Veeramakaliamman temple in little India

 

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03. Hindu temple in little India

It is quite rare that I shoot color films with the IIIc, actually I mostly shot Black and white film anyway, I feel very restricted by color film, I generally prefer to shoot digital for color.

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04. Coconut stall Little India
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05. Coconut stall Little India

So far no shot is great, maybe number 5 is ok, street activity, a bit of the documentary style, probably ok technically. I like the color of the Ektar for “street” photos.

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06. Mural

There are many mural in little India now, this one is in a back alley, it is not so great , or maybe too much. The shot is quite bad, not sure its even in focus.

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07. Working Class Hero

Probably an Indian actor, the first good shot, nice color. Taken bottom up with the 35mm, the vertical line are of course not straight, but that’s the name of the game.

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08. Working class hera take two.

Not as good.

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09. Cardboard Man

Ok you get that it it about the plight of people making a leaving from urban scraps. Not such an uncommon sight in Singapore. Informative, but not necessarily a great pic.

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10.Elephant Park

I would find that picture quite uninteresting, but technically ok; color-wise it is another chance for the Ektar to rock.

Leaving Chinatown and moving toward city center, two visions of hotel 81 in Jalan Besar.

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11. Hotel 81 in Jalan Besar
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12. Hotel 81 in Jalan Besar

Second shot is better exposed an less traffic in the middle. Roughly ok, The Art Deco building is attractive, but not overwhelming.

In the street with a camera in hand it is tempting to catch passers by, in particular if they are charming.

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12. Female passer-by 1

Too far, would you even have noticed her?

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13. Female passer-by 2

Motion blur, Out of focus, bad framing.

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14. Female passer-by 3

So what?

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15. Colorful

Maybe yes, maybe not, that was just a try.

The same afternoon I walked into Chinatown

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16. Ceno2 new mural

Quite a bad pic, maybe OOF ? Shame. I thinks it’s also not Ceno2’s best mural.

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17. South Bridge Road commercial building
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18. South Bridge Road commercial building

The two commercial buildings are quite ok, I would be happy to show the second one, the colors and details are good to my taste, and the composition not so bad.

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19. Strangers with brolly

 

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20. Strangers with brolly

Second version is probably an ok street shot, movement, color and overall an umbrella.

 

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21. Buddha tooth relic temple

Buddha tooth relic temple, one random shot

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22. The mosque on new bridge road

I tough the light was great and worth capturing

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23. Mural in “Amoy Alley”

I quite like this one, unusual.

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24. Satay club

Another random shot, not great angle, too far, not showing much.

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25. MBS reflection

Ok ok we can try.

Next great spot is the Merlion Park, it is always endless fun shooting people taking selfies there.

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26. The lady in cheamseong

It would have work with better light, the subject here is a bit lost in the background.

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27. Posing

This one is really random.

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28. Uncle shooting a relative (or friend)

Something was going on, but it was not the right moment yet.

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29. The same uncle in action

I think that one is ok, just average but ok. Nice light, funny pause and all.

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30. hijacking the shot

Nothing easier to ask somebody who pause if you can also take a shot. Too contrasty but probably OK.

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31. The three good fairies

These three Muslim ladies remind me of the good fairies in Walt Disney’s Cinderella. They were very happy to oblige. I like he colorful bags, maybe a second closer shot without the bags would have been a nice complement.

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32. Beach Road

The new building on Beach Road in the evening light. Nice tourist shot.

 

Finally the next 5 shots were taken during the next LUGS outing in Tiong Bahru, on my birthday.

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33. a fish stall

Ok I think I took enough fish stalls so far not to call this one a keeper.

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34. Another fish stall

I would keep this one, framing is nicer, action is clear. technically I think it’s ok, may need to be overexposed a little bit.

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35. Fruit Stall

Obviously random

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36. Fruit Stall (again)

The lens was attracted by the lady in the center, but one week later it does not look like it is enough.

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37. Tiong Bahru street scene

 

So where am I a the end of the exercise? I managed to shot 36 and half frames on this roll, all exposed properly and focused reasonably well (two are debatable), the only thing you can take from this is that my IIIC works reasonably well and, probably, produces a comparable result to a modern camera. One picture out of three,  I will probably share on one of the Facebook groups I partake in. Real keepers (going on Flickr), will be  “Working Class Hero“, “Strangers with brolly“, “the three good fairies“, maybe the “Other fish stall“.

At this point in time he Leica IIIc is my favorite 35mm film camera : it is small and sexy and over the time it get slightly improved : by the addition of the a 35mm Summaron (f3.5), then by the one of a 35mm finder. I always dismissed the 35 finders as being not useful, but in the end this accessory  proved very good for composition. Over the years I had the curtain changed, there is still a a small defect when shooting at fast speeds, the right side exposure is a bit under exposed, but it looks like using it more often, at least one roll a  month, it seems to be less obvious.

Hope you enjoyed the reading and viewing, to later

 

A roll of Kodak Ektar shot with the Leica IIIc

Japan Camera Hunter – JCH 400 FILM

During my trip to Melbourne where I discover the FilmNeverDie  shop, I bought a couple of rolls of their SHIROKURO but also one roll of JCH StreetPan 400 film (why only one?)! I am always looking forward to try new or uncommon films, this is part of the magic of chemistry of film photography, to make me expected something new and exciting that does not depend on my technical skills (if I have any) to happen on the roll.

You can find the announcement of the film and read more about it there.

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This does not look to be  a re-branded film as the negs have the mention JCH.

This is not a technical review, I am by noway an expert, I understand that pan chromatic does not mean much other than a reproduction similar to human eye. Not sure what this means for black and white. This film is supposed to have a higher sensibility to red and a low grain.

I loaded the roll in the newly repaired Leica IIIc, and the following shots are done during Chinese new year in Singapore using a Summitar 50mmf2 lens. The Summitar is a bit back focusing so this is probably not a proper set-up to judge the quality of the film, but I have a soft spot for the IIIc.

Exposure is measured with a handheld Sekonic 308s lighmeter.

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Peanut stall

This picture is shot under a red tent and gives for interesting palette of grey, probably due to the sensitivity to red.

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There’s a cow behind the bins

For those who wonder, this was processed by the usual lab used by Ruby photo, no idea what chemical they use.

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Cookie stall
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Fellow film shooter, using a Canon 7s and Summar 50mm (but I saw he has more tricks in his bag)

The grain is actually quite controlled, and the sharpness, if you keep in mind this is shot with a vintage soft lens, is quite good. I am not a big fan of high grain film like the TriX (although I use it a lot), and always preferred the soft TMAX100 or Fuji Acros

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Kueh shop

Actually the contrast is quite smooth, unlike the Rollei Retro 400s I used recently, so for higher contrast scenes it gives  nice gradation of grey.

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The ladies selling newspaper on Keong Saik Road
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Happy fellows
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Night shot in Chinatown, a Bakua shop
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Preparing for Chinese new year

Even this night shot with back-light could be salvaged and give a nice rendering.

All in all this is quite a satisfying experience, if I manage to get more rolls they’l deserve to be shot with a better camera like the M6 or the “never-fail” EOS 1N.

JCH has sold all his stock, so only retailers will have some rolls now, until more are produced. I don’t think anybody has some in Singapore but you can find a list of suppliers on the JCH web-site.

 

 

Japan Camera Hunter – JCH 400 FILM

The year of shooting with Leica(s) – Part 1

 

I bought my first Leica in 2009; it was a very nice M4 paired with a Summilux 50mm version2; both from 1967 as close as I could to by date of birth (I was a bit worried at the time about getting involved in the double stroke or single stroke on the M3).  In 2009 I was already back into film for 2 years, I was lusting for a Leica. After much considerations I splurged the equivalent of 2500 USD on the above combo.

M4

If was not love at first sight with the Leica. First I was back to the shop (actually another) to invest in a light meter (Sekonic 380s). Then I brought it in  couple of trips, but with mixed feelings.

Japan 2010

I enjoyed using the little fellow, but really the results were no all great and also I have a trouble bringing the Leica on travel : I though the 35mm was redundant with my DSLR; at least in term of format.

The following years I bought a few other film cameras and got distracted, so indeed the love story with the M4 was not going the right way.

In 2013 I invested in a small LeicaIIIc and a Summitar 50mmF2; this fellow had a couple of problems, but I quite liked it for shooting around.
The Leica IIIc

I got a couple on third party lens in various stage of in-usability to pair him with (a back focusing Jupiter 35mm, a non-focusing Canon 135F4, not mentioning  the Industar of the Zorki 1) , but all in all we had good fun. Around this time I also invested in a 21mmF4 Color Skopar, that I always found difficult to use. And I made my first Leica trip only to Taiwan.

LeicaIIIc Taiwan 2013

Leica M4 Taiwan 2013

Last year finally when Lee Kwan Yew passed away I shot a lot of the funerals with the M4 and my interest was aroused again by the Leica M, so finally for a similar amount of the M4 kit, I bought a minty M6 Classic (Back) and a Summaron 35mmF2 (The version with the goggles).

And so started the year of shooting with Leica(s) (to be followed)

The year of shooting with Leica(s) – Part 1

Around Chinatown for Chinese new year – Singapore

So the last week-end before the start of the year of the goat I went with the family in Chinatown. I brought the Leica IIIc and a couple of lenses actually 3.

Most of the shots below are done with the infamous back focusing Jupiter 8, 50mm f2.

Quite fun anyway.

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Chinatown is very busy around this time. People shop for food, decoration, or just stroll around.waex99-01029

These two guys selling chestnuts are here all year roundwaex99-01031

But other stalls are just temporary,

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Just selling nutswaex99-01019

or fruits in the side of the streetwaex99-01021

Some of the sellers are coming from China just for the event, or so have I been told.waex99-01022
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Sausages and cured meat stall.

This was the first time I use Kentmere 100 ISO film; reasonably cheap, I understand it is manufactured by Ilford now. As I rarely use Ilford product (except fro Pan 50 and Pan 400) I cannot really tel how it compares to FP4 for instance. Nothing to rave about, I’ll probably finish my stock and go back to Tmax or Rollei RPX 100.

Around Chinatown for Chinese new year – Singapore

The uncle he is a painter – Singapore

 

 

 

 

This old folk was renovation some mural paintings along Keing Saik road near chinatown.

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All shots with the Leica IIIc with the Jupiter 12 35mm f2.8; I used the Ilford Pan 400ISO.

Still 4 or 5 shots going wrong on the film, but the rest is ok, but in short the Leica is not 100 operational.

The Jupiter is not bad after all but it back focuses a bit, it is definitely embarrassing of closer shots.

I just bought a Helios viewfinder for 35,85 and 135 mm so there will be more exploration of the Jupiter but also the Canon 135mm soon.

 

The uncle he is a painter – Singapore

Haw Par Villa on Film – Singapore

Back to Haw Par Villa after exactly 6 years. Nothing changed much, appart we all grew older; well and there is also a MRT that goes there now.

 

 

Different gear though bye bye the Nikon D80 Dslr.

The Leica IIIC back from the second turn to the repair shop; it looks like it’s working ok now.

Summitar 50mm f2.0 or Voighlander 21mmF4

Film: Kodak Ektar 100ISO

 

 

Haw Par Villa on Film – Singapore