Father’s Day Special

agfa

I read this brilliant idea last week, but I I cannot remember where nor who to credit, so my apologies to the original writer. So here it is, Sunday was father’s day and what nicer tribute to my dad that to shoot with his camera?

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Mrs B and Mini-me

So I loaded his Agfa Isolette III with a roll of Bergger Panchro 400 and went for the usual family stroll in the city center.

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The scene without the models

(You can read some story of this camera here: the Agfa Isolette III is back

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A souvenir from India

A few days later The roll is back, as my last 3 or 4 Panchro rolls they did not turn out great. 11 unremarkable photos of my father’s day family walk.

 

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#15 – my favorite shot

Note there are 11 shots because the marks on the Panchro are very faint and I over roll

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Spottiswoode park back alley
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One of the many mural celebrating “last time”
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No comment

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Taoist temple, Amoy street
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Pho Saigon at the corner coffee shop
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Anderson bridge and MBS

Happy father’s day dad.

 

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Father’s Day Special

Kebun Baru Birdsinging Club (The Hasselblad shots)

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2018-19-Hassie-010082018-19-Hassie-01007The Leica User Group Singapore (LUGS) organized an outing last week (7 April 2008) to the Kebun Baru Birdsinging Club.

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The Hassie came to the party loaded with a roll of Cinestill 50D. Here is the result. The Kebun Baru Birdsinging Club is  place in Amg Mo Kio, central Singapore, where bird lovers have their pets compete. In both singing and look competition.

It is a beutiful places with both shadow areas with low hanging bird cages but also a wide open space with high poles were cages are hoisted by a pulley system.

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(The above rectangular shot is due to an issue with the Hassie back frame spacing)

On competition days judges are walking between the birds and give notes.

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Read more at https://kebunbarubirdsingingclub.weebly.com/about-us.html

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Also a nice opportunity for people watching.

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Kebun Baru Birdsinging Club (The Hasselblad shots)

35mm Film in hassy back

My backyard

Forget about everything serious and let’s be silly. If you spend too much time on the internet you probably already came across something similar : people shooting 35 mm film with their Hasselblad. Even worse you find people trying to find out how to do it…

I will cut the chase short : I think there is absolutely no reasons to do it except the two following:

  • you want to scan the sprockets
  • you want to use film that is not available in 120 format

Apart from the general quirkiness of setting this up, please consider the following issues:

  • the automatic back of your Hassie is set to 12 frames, so there is just so much you can get of your 35mm roll, I would say that 24 shots rolls are ok, but you will loose a fair bit of film. Unless you roll them from bulk yourself, in which case I think with the technique exposed here you can probably use a 20 shots roll. I also read you can use a A24 back to shoot 20 shots out of a 36 roll.
  • the film moves upward in the hassie which does not make a difference in 120 format as it is square, but your “paronama” will by default be vertical, so to shoot landscape you have to turn your Hasselblad on the side, no so easy to frame after that. It is then recommended to use a 90 degree prism (I don’t own one)
  • finally framing is not easy unless you have a mask, but I did not find any template
Marina Bay Sands without the top

Frankly I generally find panorama useless, as it is very difficult to see them on screen or printed, unless they are printed very large or they highlight very special shapes.

But last week a friend gave me some spacers that he 3D printed and I decided to give them a try. I had at hand a freshly hand rolled canister with 17 shots of Polypan (the end of the bulk) so why not kill two birds with one stone.

Note that on the re-enactment above the white canister is the take-up side, the Fuji is the film I will shoot. This is a very neat set-up. Note that I would normally cut the start of the Fuji film to have better adherence to the take up lead. Also I had no problem (it seems) with keeping the film flat on the pressure plate, but I saw some guys are adding some holders to keep the film flat.

 

Meeting point (This is what you get by default)

To resolve the take up side of the issue I used another 35mm canister that I taped to the start of my roll and used the spacers on both side. I checked a couple of times to make sure the film was on the correct side. Closed the back and cracked until all was ready.

I thereafter happily shots my 12 pictures.

My roll was too short so the last picture was partially exposed to the light when I opened the back. Also I think this caused some spacing issues towards the end of the roll.

Portrait of my son with (sprockets and all)

I will give this another try (in color), but I think it is really just good for fun. I thought about trying with the Agfa Isolette, but the winding not being automatic, guessing how much to wind will be quite challenging.

35mm Film in hassy back

THE SECOND ROLL OF BERGGER PANCRO400

Most common activity : posing in from the Mexican style mural

Last week I went out with fellow members of the “Lets shoot film SG” group, in the area of Arab Street in Singapore. The intent was to shoot the crowd : this has became a very popular spot now and there are many opportunities for candid shots.

Second most favorite activity : show your best profile to the camera

I loaded the Agfa Isolette III with my second roll (on 3) or Pancro 400, to see how it fares with a slightly better camera. I must say this was not some precision work, the uncoupled rangefinder is not working so the distances are guestimated and I preset the exposition most of the time. I put the original yellow filter (probably 1/2 stop) in front of the Apotar 80mmF4.5 lens as well as the aluminium hood for good order.

Painting is older than film

The film was processed at the same lab as the first one, I was not told the film need pushing this time, so maybe they worked out how to process it “normally”, go figure!

Small variation : a duo in from of a plain wall

The results : as the first film, this one came fairly flat from the lab and was easy to scan. A bit of tweaking in Lightroom, et voila!

Is it the conjunction of the small aperture used and / or  the yellow filter? The results surely have more contrast that my first roll but still shows pretty smooth tones, and no hard contrasts. Highlights were easily recuperated, underlining the claim to large latitude.

Whats going on there?

Something keep on surprising me ( as I also just scanned my first roll in 35mm format) it is that this film manage to be quite grainy and still preserves an impressive amount of details even in under or over exposed shots (no shown here) or areas.

I will shot the last 120 roll with the Hassie; maybe I’ll try to do some portraits to see if in a more controlled environment something else is revealed.

 

 

THE SECOND ROLL OF BERGGER PANCRO400

First roll of Bergger Pancro400

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The French company Bergger released earlier this year the Pancro400 film in 120 roll film & 35mm. Without getting too much in the technical details that you can find here, this is a film  with high speed, fine grain and wide exposure latitude (from ISO 100 to 1600). As per Wikipedia, a panchromatic emulsion produces a realistic reproduction of a scene as it appears to the human eye, which is what most modern films are tending to (except the ones labelled as orthochromatic films) so nothing special to expect. Some of my friends think the film will have a tendency to highlight skins and darken greens / blues.

 

Le refuge du Lac D’Allos – Parc de Mercantour

Recently during my last fridge replenishing order, I bought 3 rolls of this film in both 120 and 35mm.

I shot the first roll with the Dacora Digna, a 1950’s German 6×6 camera with a collapsible 80mm lens, a fixed speed of roughly 1/50 seconds and a choice of aperture of f8 or f11. This is not a perfect camera for testing a new film but the Hassie was 10000 KM away.

 

On the way to the Col D’Allos.

The film was processed at my usual lab; when I collected I was told it was pushed; the only explanation I had was that the guy from the lab knows the film need to be pushed. The result is ok-ish anyway, but the negative did not look too contrasty; I expected it to be overexposed a bit by sunny sixteen rule.

View from the Col d’Allos

On a practical note the markings on the back of the film are very faint so it is difficult to read the frame number though the red window when you advance the film.

Alpine shed

The pictures were taken during a walk to the Lac d’Allos one of biggest high altitude (2230m ) lakes in Europe.

Roll number two is at the lab at the moment, street shots from yesterday walk with the more reliable Agfa Isolette III, the last roll I’ll definitely keep for the Hassie.

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First roll of Bergger Pancro400

Singapore Photo Walk – March 2016 – Rochor Center

Rochor Center classic view

I joined Bernard Goh’s Singapore Photo Walk outing of March with my son.

Rochor Centre is group of buildings built by the Housing and Development Board of Singapore. It was built and completed in 1977 and consists of 4 blocks painted in vivid colors yellow, green, red and blue.

Rochor Center classic view

This is an iconic building in the east side on Singapore center that can be seen by tourists going to Arab Street or Little India.

The buildings comprise habitations, shops and hawkers ( food stalls). On the ground floor you still can find some religious artefacts.
Rochor Center classic view

Rochor Center classic view

The center has started closing as later this year it will be torn down to give way to a motorway joining the north to the south of the island. A lot of the shops have already relocated, but some are still open. The habitations seems to still be occupied if I can judge by the drying laundry.

Rochor Center classic view

The void desk is a classical feature of the HDB blocks, an open area for inhabitants to congregate and do activities.

Rochor Center classic view

Rochor Center classic view

Our friend Long Siew Leng aka Jumping girl.

Pictures 1 and 2 : Hasselblad 500cm+80mmF2.8, Rollei CR 200 slide film

Pictures 3,4,and 5 : Leica M6, summaron 28mm2.8, Kodak Portra 400

Pictures 6 : Hasselblad 500cm+80mmF2.8, Rollei RPX 100 film

 

Singapore Photo Walk – March 2016 – Rochor Center

Medium format on the Beach : “Le cabanon de la plage” and more

Summer holidays in France means for me taking an odd camera out of the cupboard in my parents house. I must say I am always tempted to take the Dacora Digna  which gives me quite some quite consistent results. Its lack of settings, its Lomo / Holga style rendering (yes but a Free vintage Holga mind you) always make it for interesting results.

Le Cabanon de la Plage is an extremely nice good restaurant with an amazing setting on the border of the beach in La Bocca just outside Cannes on the French Riviera.

La plage

I also became partial to using slide film with it. This makes the price per shot quite high indeed but actually I really like what I get in return.

Nice is nice I think “Nice is nice” is part of lyrics of a song, this made us laugh our heads out when we were teenagers.

Finally, a subtle hint of posts to come, picking one one of the “odd” camera was quite challenging this year as I carried from Singapore my beloved Leica M4 and also my new long awaited toy, a pristine M6 Classic black with a Summaron 35mmF2.8.

Medium format on the Beach : “Le cabanon de la plage” and more