This is the second roll shot with the Hasselblad during the outing to Mc Pherson area. The Lego buildings at this point were behind us, so not too many shots of the “Mondrian” colorful pattern here.
Shots are done with the faithful Hasselblad 500cm, with 80mmF2.8 and I used a more than 2 years expired roll of Rollei CR200 .
When I collected the slides from the shop I watched them on light box there and they really looked brilliant. Once scanned I must say I am a bit disappointed, maybe not trying hard enough.
I think the high contrast of the slides make it difficult to scan.
Also the weather started to turn a bit more cloudy and the colors less saturated.
This type of shots may benefit from using a tripos as well.
Being a slow shooter I did not finished the film that day so I carried the Hassie in Lavender area the following week and walked from there to my fav lab t bring the roll
I love this area, I used to hang around there weekly until two years ago, it goes under a slow gentrification, but still very interesting with its workshops, warehouses, small shops, bars, coffee shops…
I don’t like the rendering of the next two shots, but sure they look vintage enough.
All in all a nice set, but not as nice as the Portra roll of McPherson “Lego”buildings . It does not seem the film has suffered from being expired, but it was kept in the fridge most of the time.
I read this brilliant idea last week, but I I cannot remember where nor who to credit, so my apologies to the original writer. So here it is, Sunday was father’s day and what nicer tribute to my dad that to shoot with his camera?
So I loaded his Agfa Isolette III with a roll of Bergger Panchro 400 and went for the usual family stroll in the city center.
The Leica User Group Singapore (LUGS) organized an outing last week (7 April 2008) to the Kebun Baru Birdsinging Club.
The Hassie came to the party loaded with a roll of Cinestill 50D. Here is the result. The Kebun Baru Birdsinging Club is place in Amg Mo Kio, central Singapore, where bird lovers have their pets compete. In both singing and look competition.
It is a beutiful places with both shadow areas with low hanging bird cages but also a wide open space with high poles were cages are hoisted by a pulley system.
(The above rectangular shot is due to an issue with the Hassie back frame spacing)
On competition days judges are walking between the birds and give notes.
Forget about everything serious and let’s be silly. If you spend too much time on the internet you probably already came across something similar : people shooting 35 mm film with their Hasselblad. Even worse you find people trying to find out how to do it…
I will cut the chase short : I think there is absolutely no reasons to do it except the two following:
you want to scan the sprockets
you want to use film that is not available in 120 format
Apart from the general quirkiness of setting this up, please consider the following issues:
the automatic back of your Hassie is set to 12 frames, so there is just so much you can get of your 35mm roll, I would say that 24 shots rolls are ok, but you will loose a fair bit of film. Unless you roll them from bulk yourself, in which case I think with the technique exposed here you can probably use a 20 shots roll. I also read you can use a A24 back to shoot 20 shots out of a 36 roll.
the film moves upward in the hassie which does not make a difference in 120 format as it is square, but your “paronama” will by default be vertical, so to shoot landscape you have to turn your Hasselblad on the side, no so easy to frame after that. It is then recommended to use a 90 degree prism (I don’t own one)
finally framing is not easy unless you have a mask, but I did not find any template
Frankly I generally find panorama useless, as it is very difficult to see them on screen or printed, unless they are printed very large or they highlight very special shapes.
But last week a friend gave me some spacers that he 3D printed and I decided to give them a try. I had at hand a freshly hand rolled canister with 17 shots of Polypan (the end of the bulk) so why not kill two birds with one stone.
Note that on the re-enactment above the white canister is the take-up side, the Fuji is the film I will shoot. This is a very neat set-up. Note that I would normally cut the start of the Fuji film to have better adherence to the take up lead. Also I had no problem (it seems) with keeping the film flat on the pressure plate, but I saw some guys are adding some holders to keep the film flat.
To resolve the take up side of the issue I used another 35mm canister that I taped to the start of my roll and used the spacers on both side. I checked a couple of times to make sure the film was on the correct side. Closed the back and cracked until all was ready.
I thereafter happily shots my 12 pictures.
My roll was too short so the last picture was partially exposed to the light when I opened the back. Also I think this caused some spacing issues towards the end of the roll.
I will give this another try (in color), but I think it is really just good for fun. I thought about trying with the Agfa Isolette, but the winding not being automatic, guessing how much to wind will be quite challenging.
Last week I went out with fellow members of the “Lets shoot film SG” group, in the area of Arab Street in Singapore. The intent was to shoot the crowd : this has became a very popular spot now and there are many opportunities for candid shots.
I loaded the Agfa Isolette III with my second roll (on 3) or Pancro 400, to see how it fares with a slightly better camera. I must say this was not some precision work, the uncoupled rangefinder is not working so the distances are guestimated and I preset the exposition most of the time. I put the original yellow filter (probably 1/2 stop) in front of the Apotar 80mmF4.5 lens as well as the aluminium hood for good order.
The film was processed at the same lab as the first one, I was not told the film need pushing this time, so maybe they worked out how to process it “normally”, go figure!
The results : as the first film, this one came fairly flat from the lab and was easy to scan. A bit of tweaking in Lightroom, et voila!
Is it the conjunction of the small aperture used and / or the yellow filter? The results surely have more contrast that my first roll but still shows pretty smooth tones, and no hard contrasts. Highlights were easily recuperated, underlining the claim to large latitude.
Something keep on surprising me ( as I also just scanned my first roll in 35mm format) it is that this film manage to be quite grainy and still preserves an impressive amount of details even in under or over exposed shots (no shown here) or areas.
I will shot the last 120 roll with the Hassie; maybe I’ll try to do some portraits to see if in a more controlled environment something else is revealed.
The French company Bergger released earlier this year the Pancro400 film in 120 roll film & 35mm. Without getting too much in the technical details that you can find here, this is a film with high speed, fine grain and wide exposure latitude (from ISO 100 to 1600). As per Wikipedia, a panchromatic emulsion produces a realistic reproduction of a scene as it appears to the human eye, which is what most modern films are tending to (except the ones labelled as orthochromatic films) so nothing special to expect. Some of my friends think the film will have a tendency to highlight skins and darken greens / blues.
Recently during my last fridge replenishing order, I bought 3 rolls of this film in both 120 and 35mm.
I shot the first roll with the Dacora Digna, a 1950’s German 6×6 camera with a collapsible 80mm lens, a fixed speed of roughly 1/50 seconds and a choice of aperture of f8 or f11. This is not a perfect camera for testing a new film but the Hassie was 10000 KM away.
The film was processed at my usual lab; when I collected I was told it was pushed; the only explanation I had was that the guy from the lab knows the film need to be pushed. The result is ok-ish anyway, but the negative did not look too contrasty; I expected it to be overexposed a bit by sunny sixteen rule.
On a practical note the markings on the back of the film are very faint so it is difficult to read the frame number though the red window when you advance the film.
The pictures were taken during a walk to the Lac d’Allos one of biggest high altitude (2230m ) lakes in Europe.
Roll number two is at the lab at the moment, street shots from yesterday walk with the more reliable Agfa Isolette III, the last roll I’ll definitely keep for the Hassie.
I joined Bernard Goh’s Singapore Photo Walk outing of March with my son.
Rochor Centre is group of buildings built by the Housing and Development Board of Singapore. It was built and completed in 1977 and consists of 4 blocks painted in vivid colors yellow, green, red and blue.
This is an iconic building in the east side on Singapore center that can be seen by tourists going to Arab Street or Little India.
The buildings comprise habitations, shops and hawkers ( food stalls). On the ground floor you still can find some religious artefacts.
The center has started closing as later this year it will be torn down to give way to a motorway joining the north to the south of the island. A lot of the shops have already relocated, but some are still open. The habitations seems to still be occupied if I can judge by the drying laundry.
The void desk is a classical feature of the HDB blocks, an open area for inhabitants to congregate and do activities.
Our friend Long Siew Leng aka Jumping girl.
Pictures 1 and 2 : Hasselblad 500cm+80mmF2.8, Rollei CR 200 slide film