ROLL 2021#11 The Nikon F3 was back

Marina Bay Sands (who said “again?”)

This is bit back to the future as I already posted about rolls 12,13, and 15, but rest assured roll 10 will come in due time. I was complaining last week about life in Singapore being less photogenic since the Covid started last year. Man I did not knew what was coming.

Stands of the floating stadium

For one week now we are in Heightened alert mode, basically we are back in a quite strict mode, mostly : non essential workers are asked to stay home, it is not possible to eat or drink outside (eateries can thankfully to take away), quarantine form most countries are extended to 3 weeks in selected hotels and coming into Singapore is quite difficult (even for residents).

The Padang

Having enjoyed a lot more freedom than most countries since last July, we feel taken a bit aback by this new deal. So my color roll shot a couple of weeks before this soft lockdown 2.0 seems quite joyful and interesting for the place in time where I write from.

Tan Si Chong Su Temple

We were discussing our last holidays abroad, which were in March 2020, when we could still fly (in half empty planes though) and I remembered that I brought the Nikon F3 to Thailand and shot only two or three rolls before putting it back in the box. So it was time to pick it up again and give it another go.

Lonely smoker

I will explain a bit later this month but I am downsizing a few things, so I am shooting what’s left in the fridge rather than go and by fresh film. So I picked up my last roll of Portra 400, which is a bit overkill for just walking around, but ok I an clearing my fridge. The roll was shot over two days around Singapore.

Drink stop

I put the 50mmF1.4 on the F3, because my other lenses are too big for just walking around. I must say I have always been a big proponent of the 50mm, claiming the 28 / 50/ 135 were the trinity of my generation, and only young punks would walk around with a 35 as their normal lens. But I think I have moved my point of view a little bit…

The yellow Burmese girl

I have used many 35mm on the Leica system (film or digital) and I finally came quite used to it (I own 3 ūüė¶ ). The versatility of the 35mm, with a field of view larger by more than 30% is quite impressive and I think I really appreciate it on the Leica’s to the point that I find the 50mm narrow. Off course you have to step closer to your subject, but that’s not so much or a problem with a small rangefinder.

Sunday silliness

Getting closer with a SLR, even a small old fellow as the F3 is a bit less easy. Also (I am happy to be corrected) it seems the offer in term of 35mm (Vintage of course) is a bit lesser that the offer in 50mm, where Nikon has a few outstanding lenses.

Sunday Party – Tik Tok style

So ok I feel now that the 50 is a bit narrow but at the same I don’t think I will invest in a new (even a new old) lens for the Nikon at this point) (And remember I am decluttering).

Fishy business

The roll was processed at Whampoa Colours, scanned by their good services, and shared on the web. Damn I still have not collected my negs. The combo F3 + 50mmF1.4 AIS + Porta did a fairly good job. I shot most of the time in Auto mode, meaning the speed is controlled automatically by the aperture I selected, quite easy with a 400 ISO film (shot at 320).

Thian Hock Keng Temple (Really tight shot)

It seems the focusing of the F3 with the 50 is quite ok, I would need to try with the original 35-70 F3.5 AI Pro see if I have any problems. But that’s a heavy lens, not for casual walks.

A well deserved treat.

A final though for the road, a lot of my pictures from 25-30 years suck, I feel very bad, because souvenirs from this time are scarce, but on the upside It looks like my photography has progressed.

Hope you enjoyed the reading, stay safe.

ROLL 2021#11 The Nikon F3 was back

ROLL 2021#13 TEKKA MARKET And More

The Umbrella Hat

As my Ilford roll only had 22 shots, I loaded my last roll of Tri-X into the Nikon F3 while we were still in Tekka Market. I could not resist running after the guy with the umbrella hat, even I did not really got a really good shot.

316

316 on the bowl is probably the number of the stall so the staff attending to the hawker center know where to bring it back after picking up and cleaning. I felt really hungry at that time, but it was way too early to get a second breakfast.

Me time

It was still raining outside and this guy was playing with his phone inside a wheelbarrow.

The mini mart opposite Tekka market

At that point we had stepped in the street, and faced the last few drops of rain. I have a hood on my 50 which does a good job at protecting him from small rain (although that’s a metal hood for a 28mm)

Ez was still with me of course. At this point you would have realized that the pictures are not as sharp as usually, for instance compared to the last post. I have several options to explain this.

Action shot, Stef on his Oxley bike

First option is that the Tri-X is notoriously difficult to process in Caffenol. I have used my usual Delta recipe scaled for 500ml. BUT because I think my films are usually over processed I have decided once again to try to lower the temperature.

The throw

I feel that usually the time for processing is 4’40” and that does not give much leeway for control (I may be wrong), so I decided to keep the same time but cool a little bit the mix by using 10% of water from the fridge (probably 3 degrees) and 90% of tap water (29 degrees) to get a mix around 26 to 27 degrees.

The Corgi’s umbrella

Of course I have no thermometer and the reason you have not seen roll 2001#11 yet is because I quite screwed up by making the mix too cold back wen I processed it. But I must say that this time, looking at the film drying it has gone in the correct direction, showing more contrast than my usual processing’s.

1,2,3, go!

So what could have gone wrong ? Err not sure, could the difference of 3 or 4 degrees between the developer and the rinsing water caused an effect similar to reticulation?

Surprised in selfie action

.. or shall I just blame the Tri-X and look for another recipe for this film the next time?

I could simply finish my bulk roll of HP5plus and keep things simple what do you think? It’s a pity as I was quite happy with the content of the film ; that will teach me to try experimenting. This is also probably the last roll of the F3 for a little while.

The correct usage of the mask

The little fellow made 3 turns ( understand rolls ) and will now go back to the box. Yielding a SLR, even the not so bulky F3 with a 50mm, to the face of people is a bit gross. I’ll go back to the rangefinders for a little while

What’s up doc

I realized this Saturday that these old folks are hanging around in that place because the are polls nearby ; you can expect more shots of this place soon.

Waiting for the cobbler to finish his job.

All these shots were done in Aperture Auto mode with the F3, very convenient. A facility I don’t have on the M6. It looks the shots were properly exposed, I had some difficulties as I thought that holding the shutter button would store the speed. I may get it wrong by 20 years or so. I think after these 3 rolls and the two ones form last year, I can happily conclude that the F3 focuses properly. With the 50mm at least, I did not bother trying other lenses.

ROLL 2021#13 TEKKA MARKET And More

Roll 2021#12 Tekka Market

The man who took me out of bed on that rainy day

Rainy day Saturday, when I left home to meet my fried Ez at Tekka Market, in Little India. The weather was quite bad so I left the Hassie home (Ez is the man behind HUGS the Hasselblad User Group Singapore) and only put the Nikon F3 loaded with a hand rolled roll of HP5+ (and a spare roll of TriX).

C est le pied.

I was soaked when getting to the MRT. I have not seen my friend for a while so we spent a certain time in front of a coffee and shot randomly what happened within range.

Grosse fatigue / tiredness

I set the F3 to ISO 320, to overexpose my film a little bit as recommended for Caffenol for medium speed film. My best lens for the F3 is the 50mmF1.4AIS so the combo enabled to shoot decently in the dimmed lighted market (also given the very gloomy external light).

Curry Puff stall

I came quite a few times in Tekka market but that’s not my favorite : I find it a bit too dark, and alleys are on the narrow side so you often find yourself in the middle of somebody else’s path. I generally feel a bit more at ease in Tiong Bahru or Chinatown Complex, but that Saturday was very nice and friendly.

The art of choosing the crab

Once home I quickly processed the film with the Caffenol Delta Recipe, adjusted for 500ml of water. At current temperature ( more or less 30 degrees), processing time is 4’40”. I use the Ilford rinsing method and Ilford fixer after that.

The smile of the butcher

Scanning was a breeze, the film is quite flat and after processing shows very little dust. The roll only had 20 full shoots and 2 half shots at start and end. 22 frames rolls are nice because I can hand them to dry in the shower without having to cut it in two.

Balance is everything

Loosing half a frame at the start is a bit obvious but why at the end? I remember now that when loading from a bulk roll the first part of the roll, which will be the last frame is partially exposed, only enabling for half a shot. It is very difficult to know when you last shot will be, maybe I should try to quickly load a new roll and retake the last shot?

Self Service

I still struggle focusing with the F3, but I think this roll is ok from that point of view. I have included a few more pictures below, I hope you enjoyed the reading

A really wet day
Roll 2021#12 Tekka Market

So long old friend

Or how I parted from my Nikon D700.

My beloved and trustworthy D700 on his the day of his departure

Finally after 11years of a fulfilling relationship I am letting him go. If you read this blog regularly you probably wonder where this camera has been all that time because I don’t think it appears in a single post over the last 4 or 5 years. Actually checking my papers, I realized I had it service 5 years ago and did not used it much since.

Kolkata (50mmF1.8D)

I have carried this guy all over Asia and took so many pictures that it is difficult to pic some to illustrate what looks like a eulogy. Mind you with 42000 actuations, it has not been abused and his new owner can make a few shots with it.

How An (Angenieux 70-210 )

The D700 has been a beast of its own kind, the first and last, prosumer camera, which could handle most of Nikon lenses. It supported the road well and gives confidence that whenever you press the shutter something at least acceptable will go out.

Seoul (17-35 F2.8)

Of course I lugged around big amounts of heavy glass, this is what you get using a DSLR, and spare battery and multiple cards.

Singapore (Angenieux 75-210)

The D700 was quickly outdated though, the usable ISO range was limited to 3200, which by today’s standard is pretty low and the noise or banding in low light was not always nice. Hence the purchase of fast glass, 50mmF1.8, 85mmF1.8, and so on. Ok I must say my current digital camera has the same max ISO so that criteria has not worked much for me.

Varanassi (80-200F2.8)

So why did I stop using such a nice camera? Well first I have started shooting more film over the years, and falling in the rangefinder trap, I purchased a digital M 5 years ago and here we are. I must say I do not shoot that much with the digital M outside of travels, events or parties (so not much recently). I generally shoot film for my casual street photography. The M is in no way technically superior to the D700, they are from the same technological generation, but if you are not a pro the experience and the results are more fulfilling.

Nepal (80-200 F2.8)

So over the last period the D700 has been used only to shoot events which now are becoming fewer and fewer so I came to a point where I had the choice to let it rot in the its box or part from it.

Burma (50mmF1.8D)

So I managed to find the original box with all the cables doc and everything and even the original bag from the shop, and here in the beautiful gold box goes the D700, 2 batteries, 7 card, and the 50F1.8D in its own gold box. I have already sold last year the 80-200F1.8D, the 17-35F2.8D and the 85F1.8D, all boxed. I only have 2 gold boxes left, one for SB600 flash, that is compatible with the M and one for the 50mmF1.4AIS that I use on the Nikon F3. Don’t worry I also have some AI lenses around a F3 and F bodies, so I did not let Nikon go completely.

Udaipur Rajastan
Sri Lanka (80-200F2.8D)
So long old friend

2020 a year in film

The weather has been very bad in Singapore recently so I did not shoot anything since the first of Jan. Good opportunity for my usual reflective post on 2020. The COVID has of course reduced the photo opportunities this year, no travels since February, less local events. Anyway, I still managed to spend some time on my hobby : burn some film.

Camera #1 : Chau Long Market Hanoi one year ago

Below is a breakdown of my 52 roll in film types:

Row LabelsCount of Film No
Fuji Across8
Ilford HP5 Plus6
Rollei Retro 80s6
Kodak TRI X5
Ilford Delta 4004
Cinestill 800T3
Shanghai GP32
Ultrafine Xtreme 4002
Kodak TMY 4002
Polypan 502
Ilford hp52
Kodak Portra 4002
Kodak Ultramax1
Kodak Colorplus1
Ilford Delta 32001
Kodak Pro Image1
Kentmere 400 pan1
Fuji Neopan 4001
Ilford Pan F1
Rollei Superpan 2001
Film brandRolls
Ilford14
Kodak12
Fuji9
Rollei7
Cinestill3
Shanghai2
Ultrafine2
Polypan2
Kentmere1
Grand Total52

I mostly shot black and white again. Mostly because I converted to Caffenol in the middle of the year, and have now processed around 20 rolls using this method. I lost 4 rolls more of less in the process, but I have a good standard procedure now. I also bought a roll of HP5+. Both steps make me shot black and white film for a lot cheaper.

Camera #2 LeicaIIIc Arab Street Singapore

Ilford in getting to the top of the list this year, surpassing the usual Kodak. I think Kodak is very close only because of the color films. In term of black and white, Fuji is this year in front of Kodak. I bought some expired Acros 100 which gives super good results in Caffenol.

Below is the breakdown of cameras I used:

CamerasRolls
Leica M618
Leica IIIc10
Hasselblad 500CM7
Leica M46
Agfa Isolette III4
Nikon F34
Nikon F1
Heineken1
Minolta Himatic 7s1

No surprise the 3 Leica bodies and the Hasselblad are still trusting the top of the list. The M6 is really a picture making machine, actually I just had the joints redone and the crank fixed.

Camera #3 Hasselbad 500CM

I did not buy any new cameras this year still I made some nice additions to my kit. I bought a new Sekonic 308-X meter as the old one died, a friend offered me a Keks EM01 light meter, which fits on the cold shoe o fthe M4 or IIIc, a very nice add on.

Camera #4: Leica M4

I tried to fix the rangefinder of the Isolette III and managed to shot a few rolls with it, making it climb to the fifth rank.

Camera #5: Agfa Isolette III

Actually I bought a second body for parts which has a few issues, so I may play to fix it or send it for service.

Curiously I digged the Nikon F3 from the Nikon box (I have a Leica box, a Nikon box and a various box). I gad very pleasant results mostly with the 50mm F1.4AIS.

Camera #6: Nikon F3

Lugging a SLR around is not longer a pleasure and this guy is so beaten up that I am a bit ashamed to carry it in the streets, but amazing results this year.

Camera #6 : Nikon F Photomnic

I only shot one roll with the Nikon F, with the 50mmF1.4 Non AI, on Polypan 50. My two photomnic meters are no longer metering or I can t be bothered to buy new batteries to use them. Using the Sekonic is just as good.

Finally two rolls with the Minolta 7S, great performer, still flimsy and the underwater Heineken Camera whose housing is leaving his last days.

Also the nice discovery of the year is the Whampoa Color photo lab which does a great job for processing and scanning color films.

The first shot of the last roll of the week (Kodak Portra 160 slightly expired shot with Leica IIIc and Elmar 50F3.5)

2020 a year in film

Ultrafine Xtreme 400 in Caffenol Delta

Passer by with phone (Roll 43)

Brace yourself for a long post today, with many pics selected form two rolls of Ultrafine Xtreme 400. If you look through this blog, you will find out that in 2018, I shot an entire 30m roll of Ultrafine Xtreme 400. I quite like this film and my usual lab was doing a good job processing it.

The ubiquitous delivery man (Roll 43)

This year is another game as my friend Ray Toei, the serial shooter who introduced me to this film, offered me two of his hand rolled film, with 24 shots each, and this year as you may know is the year of Caffenol.

Teo Hin Tyres (Roll 43)

The are not many resources on the web about processing this film in Caffenol, or maybe I was not able to find hem, so I decided to start with the Delta Recipe which is now my go to recipe for Ilford Delta and HP5+.

Hang them high (Roll 43)

The first film (Roll 43) was processed for 4’40” at 28 Celsius, time from pouring in the mix, to pouring it out (I start pouring out at 4’35” ). The resulting negative is quite thick, meaning over processed. I cut the time down to 4’15” for the second film (Roll 44) and the result is much much better, maybe I can try to cut down few more seconds.

Wrap me some of those, uncle (Roll 43)

I had another problem with the first film : I did somehow manage to not load it properly on the spool, so some areas were not properly processed, giving some vast white areas in the pictures (black on the negs). Ths is very clear on the first shot of this post. That’s a lesson learned : when the spooling does not sound right it is not right.

Deepavali shopping (Roll 43)

To make this a bit more difficult I have shoot these two rolls with my antique Nikon F3 and 50mmF1.4 AIS. I have dug the F3 out of the dry box for my last travel in February where I shot a quite nice roll of HP5, and I though he deserved a second round this year.

Framed (Roll 44)

I bought the F3 in 1992 already pretty battered, and I was never totally satisfied with it. But I long so much for this little fellow that I cannot drop it totally.

Catwoman (Roll 44)

I never have so many out of focus focus pictures with any of the Leica’s. I have changed the micro prism focusing screen for a vertical split screen in 2008 but it did not bring much improvements. I am happy to blame my eyesight of my technique.

A fish stall at Whampoa market (Roll 44)

This said, the pictures that are technically ok have a different quality to them than those taken wit the Leica. Not better (impossible ūüôā ) , just different, and its quite appreciable.

Saving the planet one tree at a time Whampoa (Roll 44)

For those interested, I carried last week both the F3 combo and the Leica M6 with the 35 Cron Asph v2, and the Leica is about 200 grams lighter, the F3 being just short of 1 KG. Still it is not big camera and discounting the fact I miss-focused 6 images at least on these rolls, it is a pleasure to use.

The newspapers stand – Whampoa market (Roll 44)

I went to Whampoa to bring a roll of color film to the lab there, not remembering that Saturday was a public holiday (Deepavali), so being confronted with the closed shop I walked to Whampoa market.

Family visit to the temple (Roll 44)

A few kilometers away, on Serangoon road, Hindu’s were visiting the temple, like this young family with a baby. I walk close the 11 km Saturday.

Chinatown Kueh Stoll (Roll 44)

Aperol Spritz (Roll 44)

My Delta recipe is as follows:

Caffenol C-MDelta
Water0.75
Washing Soda18
vitamin-C15
coffee32

I kept last week Caffenol, but decide not to use it, let’s brew some fresh stuff for the moment. For those interested in stats I shot 44 rolls sofa this tear, and 24 processed in Caffenol (probably 4 can be considered as having been sacrificed on the path to knowledge).

I hope you enjoyed the reading.

Ultrafine Xtreme 400 in Caffenol Delta

THE NIKON F3 : DOES IT FOCUS OR NOT

2020-11-F3-2-6
The Big Buddha is a work in progress

Before moving to the focusing bit, lets start by a few shots from Phuket. My eyesight for short distances is becoming quite bad so I cannot read the markings on the camera, so when I loaded this roll of Kodak Pro image 100 I put the speed selector to 1600 instead of 100. 2020-11-F3-2-4

So the pictures from Phuket are underexposed by 4 stops, but end up being quite exploitable , the colors are still pleasant. Nice job Kodak.

2020-11-F3-2-3
Inside the shrine

 

2020-11-F3-2-12
Karon football stadium

2020-11-F3-2-13
Karon football stadium

2020-11-F3-2-14
A resort in Karon

2020-11-F3-2-15
Karon beach scene

2020-11-F3-2-19
Phuket airport

I realized my mistake at Phuket airport and changes the speed. Above the colorful planes at the airport terminal; I quite like the colors of this film.

2020-11-F3-2-22
Apples in Chinatown

Back in Singapore, I had my black and white film processed and as the results were OK (See last post), so I decided to finish this roll with the F3. I changed the screen to the Split screen model K as its easier to focus, so it will give a better indication of the accuracy of the camera focusing.

2020-11-F3-2-23
Lost in Chinatown

Of course the shot above is a hip shot where distance has been guesstimated, so it does not prove much.

2020-11-F3-2-24
Taoist ceremony in Chinatown

The two following shots are related to a Taoist ceremony in the center of town, the afternoon weather was quite bright so the shots were done with a small aperture, balancing potential focusing problems.

2020-11-F3-2-25
Flags in Chinatown

I think this ceremony is held by one of temples situated in the nearby habitation block. The place were the tent is set, often hosts funeral wakes, and even a medium ceremony after Chinese new year.

2020-11-F3-2-26
Inside TWG tea shop

In TWG tea shop at raffles hotel, the lens was nearly wide open and the focusing on the letters quite easy, it looks the picture is in focus.

2020-11-F3-2-27
Yellow throat lizard

The lizard also is is focus, though small.

2020-11-F3-2-302020-11-F3-2-31

2020-11-F3-2-32
Tiong Bahru Monkey God temple

The shot above  was done probably at F4 and quite close, looks reasonably in focus as well, I really love the warn tones or the film.

2020-11-F3-2-35
Next table

So far so good until the last shot, wide open (F1.4) , the light was a bit dim, I focused on the glass at the front where it seems the actual focus is on the middle of the table (or the Asahi beer logo), so 10 to 15 cm back. So this is not very conclusive then.

  • Nikon F3
  • Nikkor AI-S 50mm F1.4
  • Kodak Pro Image 100ISO
  • Epson v800

 

THE NIKON F3 : DOES IT FOCUS OR NOT

The Nikon F3 gets out the closet

It seems to be a tradition to write about the F3 magically getting out for a spin (You can read the 2012 post ANOTHER OLD FELLOW BACK FROM THE MAGIC CUPBOAD ‚Äď NIKON F3 ) the last picture I put on Flickr with this old fellow dates back from 2015 so it had time to gather dust inside the magic box. When I took it out the mirror foam was all gone but I have some spare foam, maybe a bit thick, so I replaced it in a 5 minutes. The 5 years old batteries were dead (not stored inside the camera), but I found some for 4$ at the convenience store of my condo. I fiddled a bit to find the correct direction for the batteries and of we go! The meter is metering and shutter is shutting. Attach the 50mm F1.4 AI-S, load a roll of H5 and lets roll.

2020-11-F3-1-7

I will start with my favorite images, above two tourists wondering the streets of Chinatown, a rare hip-shot, I have not used a SLR for years i am not sure about using it for street shots.

2020-11-F3-1-31

A friendly man in Karon (Phuket Thailand) building a new extension to the local temple (Wat Karon), he is molding cement Buddhist wheels to decorate the wall outside the building.

2020-11-F3-1-36

Russian lady with a tambourine humming to Buddha while fiddling with her instrument I say : she a Shaman.

Okay so appart from these 3 shots that I really like, the rest of the roll is pretty good as you can see there after  (I spared you those of my family by the pool)

2020-11-F3-1-1

First stop was in Singapore Chinatown, a few days before flying to Phuket, one of the reasons why I stopped using the F3 was because I keep on thinking it is not focusing properly. Indeed the distance on the lens always looks off compared to the actual distance. But the shots of this roll seems to prove otherwise.

2020-11-F3-1-2

I used the original B screen (micro-prism) which is more difficult to focus than the split screen (model K  on top of my head).2020-11-F3-1-8

I have loaded a second roll now and will try to split screen on the second half of it just t try to assert where the issue is.

2020-11-F3-1-9

Also I used the A mode for aperture, so the speed adjust automatically to the aperture you select. I never use it on the Leica, as I always found the speed to be too low and result in camera shake, but again it proved to work nicely here.

2020-11-F3-1-10

Then we flew to Thailand for the week-end, which was the reason to resurrect the F3 ; I did not want to bring the M6 or the M262 to the beach. Oh but I did in Australia last year. Well OK, that’s just how it is.

2020-11-F3-1-13

A rickshaw in front of our hotel, close focusing seems to work, I am not sure I actually focused on the horn, but that sounds (ha ha) realistic.

And off to the beach .

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Back light as the sunset if approaching the metering works great.

2020-11-F3-1-22

Street / beach scene, another nice action by the F3 meter.

2020-11-F3-1-16
Speeding in speedos.

 

2020-11-F3-1-15
Back to USSR

On the next day we walk from our hotel to Katong center town, very bright light. All shots were done at F11 with 1/1000th. The shutter of the F3 is limited to 1/2000th so I could not use wider apertures with a 400 ISO film.

2020-11-F3-1-23
Asoline ?

And we reach Wat Karon the local temple.

2020-11-F3-1-242020-11-F3-1-252020-11-F3-1-332020-11-F3-1-34

Inside the temple we just missed the lunch of the monks , normally no later than 11am. Pity.2020-11-F3-1-262020-11-F3-1-32

From the seaside at Karon we took a taxi to visit Phuket Big Buddha,  a seated Maravija Buddha.

2020-11-F3-1-27

It is big indeed, like 40 meters high.

2020-11-F3-1-28

Here as well the light was very powerful, so maximum shutter speed and min apperture.

2020-11-F3-1-30
Family praying the Big Buddha

2020-11-F3-1-35
Another quite big statue at he back of the main one

I  spent 30 minutes at the shot yesterday discussing with other photogs of the potential focusing issue of my body. This roll seems to prove me wrong, but on the other hand most shots were done at very small apertures, so the focusing may not matter much.

A quick comparison with the M6 ? The F3 is slightly bigger, but just a sexy, the weight is probably very close, actually the M6 is 200 grams heavier. Both cameras have an integrated meter, but with slightly different methods, teh F3 is 80% center weighted the M6 is roughly spot metering, I actually quite like the exposure of the shots above.

The Nikon F3 gets out the closet

FilmNeverDie.com – Shirokuro 400 film

Give me a hand – Wide Open, a bit OOF, quite smooth

One of the pleasures of shooting film is trying different films when you come across some. When I was last in Melbourne, I stumbled by complete chance upon the shop / gallery of FilmNeverDie.com.

Thai Smile – very grainy probably under exposed

These are die shard film fans, with a collection of vintage cams on display, a fridge well stocked with various emulsions but I was also told by Gary, who looks to be the guy in charge, that they will soon launch their own film. Soon being very soon, Gary sold me two rolls and here are the results of the first one. I also bough a JapanCameraHunter JCH StreetPan roll, that will be for another day.

Sungei Road Golden hour

 

Apart from the label saying C41 and the indication “made in Belgium” the label of the lab and myself were not able to decipher what film it is. I am not aware of C41 films made by Agfa, the only Belgium factory, so this is news for me. But I am just an amateur so who knows.

Stacking up – Sungei Road

The film turns out quite grainy and the negatives show low contrast (I mean there are no white areas, the lighter areas being 30% grey), the scans are looking quite ok though and maybe the exposition was not so great. I used the Nikon F with one of my prisms that does not meter and an old Goosen meter. I will shot my second film more carefully.

Standard Ti Shaw

Trishaw handle bar close up. Grainy but quite pleasing

The result is quite interesting and will probably appeal to the crowd of street photographers that ¬†like grain and “gritty” look.

IAmCeno2 mural on Funan destruction site. Nice rendering to my taste

shirokuro

Shirokuro 400 – Black and White chromogenic film c-41 process 35mm 27 exposure film

FilmneverDie.com: 2/640 Bourke Street, Melbourne CBD, 3000

FilmNeverDie.com – Shirokuro 400 film

2015 a year of film

Agfa Isolette III in Easter Island

Here is the new year; so first happy new year to all the readers of this blog, and happy shooting. This is the time for a bit of retrospective, and I won’t miss the opportunity. 2015 was another good (in term of fun) year of film shooting. I managed to break the psychological barrier of one film a week, actually getting to 55 films (this is a roughly total of 1500 pics)

Leica M6 + Summaron : A Compression by artist Cesar

I have been shooting both travels and city (or street) , black and white, slides and color print films, both in 120 and 35mm formats, with a total of 12 different cameras.

Leica M4 + Summilux 50mm F1.4 : Lee Kuan Yew Funerals

Camera Films
Leica M6 15
Leica M4 10
Hassie 8
Agfa isolette III 4
EOS 1N 4
Leica iiiC 4
Kiev IV 3
Heineken Toy Camera 2
Nikon F3 2
Dacora 1
Fuji disposable 1
Nikon F 1

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Haselblad 500Cm +80mmF2.8 : Artist Mlle Maurice

I had been quite good GAS wise this year, my collection increased “only” by two additions:

  • the EOS 1N, with 50mm 1.8MKII, the body was given by a friend and I purchased a 80$ lens, so hardly any GAS here
  • finally I made the¬†acquisition of a Leica M6 classic, and a 35mmF2.8 Summaron to accompany it. This is a long awaited¬†purchase and the table above shows how much I am happy with it

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Canon EOS 1N + 50mm 1.8 MKII : my friend Herman

The Leicas are on top of the list as I have now more lenses to pay with. Pity the Nikon F did not get out of the cupboard more¬†I’ll try to do better this year. Some cameras did not get a chance: the F4, the Kodak Autographic, the Canonet, the Minolta Himatic, the Zorki but frankly this last one¬†is not¬†worth using. The Nikon F3, is definitely showing some focusing issue.

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Leica IIIC + Summitar 50mmF2 : Young fisherman

Plans for the year: do as well next year, maybe some film only trips. Gear wise I promise to be a good boy: maybe upgrade my scanner or do some processing at home.

Kiev IV + Jupiter 35mmF2.8 : Happy Birthday Singapore

Next article I will try to do a small overview of the films  I tried this year.

Dacora Digna : Cannes French Riviera

2015 a year of film