Everything is nice in black and white, there was not other choice for pictures a few decades back anyway, nor for motion pictures. And black clothes have a sliming effect (oh I m being carried away, my goth side is speaking now).
That said the seaside is not necessarily associated with black and white photography, the sand and blue skies are far away from the gloom and doom of big cities.
This is part of the second roll of the year, still going through the 30 meters roll of Ilford HP5. It is a bit boring but I used the M6 classic again and all these pictures were taken with the 35mm Summicron Asph v2.
The Fiat 500 is associated to the Dolce Vita, a movie that was host in …
Technicolor black and white.
In winter on the famous Croisette boulevard, not many stars nor sunbathers, but you can see the light is quite good.
On the seaside you can also so some street type shots.
Finally the sea, on this scene backlit by the setting sun (on the left), the old city of Cannes in the far right, hills of Tanneron behind and the Esterel range on the left.
Finally two random shots, trying to see what can be done a bit closer.