Saturday Low Che Ng, the man behind the facebook group “Lets shoot Film SG” organized an outing in Toa Payoh area in central Singapore ; mostly visiting two markets (apparently there are more around there)
I packed a bit too much gear, but mostly for this post, I shot two rolls of Cinestill 800 with the Hasselblad 500cm and 80mmF2.8. The films were processed in express by one of the labs we still have here : Konota. They were scanned at home on the Epson v800 and Silverfast, using the Portra 400 VC 6×6 profile.
I never really managed to get perfect exposure with the 800T, but generally I shoot them at 640 and process at box speed, giving it a bit of over exposure. The markets were very nicely lit and indoor and shots were generally done at 1/125 F4.
The first market has a first floor hosting a few stalls and giving a nice view of the ground level.
The reluctant model (I will print and bring her the picture in order to appease her)
For outdoors shot I did not use any filters. Just a bit of post processing in Lightroom ; it looks like the color rendering is quite OK.
These two rolls are dating back from the kick-starter project of the Cinetstill 120 format, it appears they survived nicely in the fridge (there are 3 more there).
The second market (Toa Payoh Lor 7 Market I think) is a bit smaller in term of food but the hawker center was quite busy and nobody seemed too bothered by six photographer hanging around.
The amount of detail in the shots is amazing despite of the grain, in the shot above at full size, you can see the cigarette butt glowing.
A lot of sitting and waiting it seems.
And playing with phones
At the back was a small shrine attended by the lady with the green hat.
And finally a stall selling the king of fruits : Durian.
As for every activity in Singapore we have a fodd break, tasting an amazing carrot cake at xin ji fried carrot cake (for non Singaporeans you have to google to check what this is, and come around to try it) .
I also did two half rolls of B&W in 35mm so maybe you will hear more about the Toa Payoh markets soon.
I spent a week in London recently with my family and brought the usual travel kit (Leica M, M262 and the Summicrons 28mm Asp, 35 Asph v2 and 50mmv5), I brought a nice set of films but in the end I did not shoot much, only a roll of TriX and half a roll of Portra 400. And on digital as we are here I took a mere 300 shots.
Looking at the TriX shots I am quite pleased; as usually they have been dropped for processing at Ruby photo in Singapore and scanned at home ; but when I was there I was a bit puzzled about what or who to shoot.
On one hand I am so used to travel in Asia that I am a bit lost in European cities, I am not sure about people reactions to the camera (I like candid shots), but also I think the whole way the big city works need so getting used to. So a bit of frustration. Maybe also my expectations were a bit too high, who knows.
London as changed a lot since I was last there 14 years ago. The south bank area is so lively now, also packed with tourists and street performers.
Asian tourists selfy-ing themselves are everywhere, but that’s the same all over the planet. Here at the Borough Market, a place that I never saw before, this is definitely a good area to shoot.
There are many food stalls there.
Some attractions on South Bank are using old lorries that are worth a shot imo. I only realized today that the London eye was reflecting on the bonnet of the lorry, I would have framed it better if I have known.
A morning stroll in SOHO, is also a nice opportunity for people shooting.
Or just window shopping.
In the places I never visited before was Ealing Broadway, home of the Ealing Studios who produce(s/d) cinema and television shows.
Finally another happy discovery was Old Spitalfields Market that I visited the day of the vintage records market.
I always found the mix of photography and beach repulsive, the salty breeze, the sand that gets everywhere, hands oily with sunscreen, splashes and the odds of falling into the water,… so much things happening that you don;t want a camera, let alone your precious Leica mixed into.
Well I must say I am a bit fantasizing here, as an adult the experience of the beach is not necessarily the one I had when I grew up along the shore of the french riviera. A stroll along the water not involving leaving the camera on a beach towel or in a bag in the sun is now more common that is use to be, and if it is a day I intend to go for dip, I generally take a lesser camera (read MEDIUM FORMAT ON THE BEACH : “LE CABANON DE LA PLAGE” AND MORE)
The sea side always offer a special quality of light, that works particularly well in black and white.
Also it is an endless opportunity of activities, landscapes and man made constructions.
All shots with Leica M6 on Kodak TMAX400 (The shop ran out of TriX), the first three were taken with the Summicron 50 v5, the rest with the Summicron 28mm Asph v1. Shooting at 400 on this very bright morning means the lenses are completely stopped down and the shutter speed at 1/500s or 1/1000s, which may not be idea technically. My favorite film the TMAX100 would surely have been better, but…
As I am here, on the same roll of film were also some street shots taken in Bangkok on the say back from Hua Hin.
A young film photog with his Olympus pen, he also shoots medium format.
Below are four shots of the food hawkers around our hotel near Lumpini park.
A friendly and muscular worker along the Chao Phraya river near the Grand Palace
Finally below are two shots of worshipers inside the Grand Palace i think.
These are pictures taken during the LUGS (Leica User Group Singapore) outing in August to the area of Redhill in Singapore. Redhill area is accessible by MRT. Places of interest are the newly renovated market (dried goods, meat and veggies, but also religious artifacts) and the soon to be demolished Redhill close estate.
Picture were taken with the Leica M6 classic (mine is black but that does not affect the pictures) and my new, Summicron 35mm Asph v2. In my opinion this particular version has not a big added value on film, but it seriously kick ass on digital.
I used the two rolls of Ultrafine Xtreme 400 film. This is the first time I hand roll film myself (I bought a 100ft roll and a bulk loader, for 100$, this is about 18 roll of 36 shots for roughly 5.5$ a piece). I shot 14 rolls of it so far this year, this is quite a good film, with fine grain and good contrast. I don’t develop myself, but my local lab does a good job with it.
I had a couple of events recently and thought about trying the new Kodak TMax 3200. This is supposedly a new film, replacing the old TMZ 3200 discontinued in 2012.
I loaded the Leica M6 and used my brand new Summicron 35mm Asph v2. The M6 meter is basic but consistent.
The result is quite disappointing, chances are that can be some issue with the processing as the lab may not get used to this film yet (but they have been quite reliable so far).
What is so disappointing? Mainly the high level of grain. I shot a roll of Ilford 3200 last year and it was far lot better. Ok the lighting conditions vary, last year was a concert where the band was quite lighten up on a dark background.
On this roll there are different scenes with various lighting conditions. The first shot isoutdoor, late afternoon light. The next two ones are a show for kids, one make up session lighten through a bright large window, the second a little girl during the show.
Shots 4 and 5 are taken during the preparation of the Charity day in my office. Light on shot 4 is challenging, as it’s shot through glass. But 5 is standard office neon light.
The last 6 shots were taken during the opening party of Merci Marcel restaurant in Singapore (thank you guys this was a nice party). The pictures are quite moody, and the 35 mm is a great party lens. Maybe I should have overexposed a bit?
A follow up of the last post , I showed pictured made with the Hassie 500 CM on Cinestill 50D, but that was the Leica User Group Singapore outing after all, so I carried along a Leica M4 for film shots (here) and a M262 for Digital.
On the recommendation of fellow members of the group I brought my longer lenses, the 90mm Elmarit and a Canon Serenar 135mmF4 (the bad version). I did not use the Serenar on the M4, it is too unpredictable no use to throw away valuable shots.
It is easy to see here what shots are taken with the 90mm and whose with the 50mm.
Shooting with the 90mm is very unusual for me, specially on film. The Elmarit often comes with me on holidays but only for a couple of digital shots. The results are quite pleasing, it offers very different point of view.
The film is another roll of my bulk Ultrafine Extreme 400 hand-rolled. The processing from the lab was a bit below the usual quality, that’s life.
You see mostly men in these pictures, but there were many women as well, they just did not come on the frame at the right time.