That’s it, it did not took me one year to upgrade, or at least expand my Leica toolbox.
I was a bit frustrated last summer when trying the M240 for nearly 4 days. This is of course a wonder of a camera but I found all in all a few issues. Definitely for its price it is not the one fits all camera I am wishing for; it cannot take Circular polarizers, the close range is not so close, older lenses are visibly outdated, for the price you would wish every shot to be a piece of art which actually it is not. Also, having to wear glasses to see things at short distance the back screen and live view is a total loss for me (maybe there is something I have to learn here). Don’t get me wrong I had a lot of fun, and probably I will end up owning one sometime, but really I felt no urge to do so. I concluded my small review saying that instead I would more likely invest in a newer film body in the short term.
I already own a M4 with a Summilux 50mm V2, a Leica IIIc with a Summitar 50mmF2 and a few Ltm lens; most notably a Color Skopar 21mmF4. I was quite interested in getting a body with a meter and a wider lend. I ended up purchasing a boxed M6 Classic black and a Summaron 35mmF2.8, the version with the goggles.
Subodh Gupta – Le Domaine du Muy – France Shot with Fuji Provia 100 ISO, Summilux 50mmF1.4
Both pieces come in excellent condition (but I am not a collector), no dents or scratches, difficult to see how much films they shot.
I have now shot 6 films with the M6 and the Summaron or the Summilux and I must say I am very happy. Both works very smoothly and are very easy to use.
The metering is a lot better that using a handheld meter. Actually this cause a bit of a problem because if I have the M6 and the M4 in the bag, the M4 tends to stay there. Focusing is very easy; the finder is very bright, although I suspect there is a bit of haze in one of the front glass. With the goggles of the Summaron the viewfinder is a bit less luminous, something I would not have though of.
Compression de Porsche – César – Mougins – France TMAX100 – Summaron 35mmF2.8
There is absolutely no difficulties using the M6 if you had another M before; actually I would think that if you played with a few film cameras before it’s difficult to come with a surprise. The only small problem, which Leica solved in the M6TTL is the size of the speed dial. It is quite frustrating to manipulate it when looking at the meter arrows inside the finder.
The Summaron is a nice piece of kit; the infinite lock is particular and easy to handle. The focusing is smooth and does mot require as much course as the Summilux. I think F2.8 is fine for daylight. Some shots have a very nice 3D effect as the lady from the lab puts it.
All in all I am very happy; for the price of a new Elmarit 28mmF2.8 (That I did not found great last year) I have a new kit. I went on my summer holidays with the two bodies, the two lenses and the Color Skopar a very happy combo. All of this fits in a Crumpler 6Mio, with a couple of spare films, wallet, keys, sunglasses and reading glasses.
Church of the black Nazarene – Manila – Philippines – Portra 400 – Color Skopar 21mmF4
Film wise, I had the chance to shoot a mix of :
- Provia 100 slides
- Kodak Tmax 100, my favorite B&W for daylight
- Kodak TriX and Rollei RPX400, different grain but both nice for street shots
- Kodak Portra 400, an excellent film, unfortunately under bad weather
- Cinestill 50, first try, very promising
La Kitchenette – Katong – Singapore – Cinestill 50 – Summaron 35mmF2.8
It is difficult to conclude. Having a better film camera is not replacing having a digital body, none of the shortcomings of the M240 are solved by the M6, but I can do better Leica shots. But I feel I did a good move. I saved a lot of money, I can happily have my new toy around my neck and still agree that the D700 is the best camera I ever had without looking like a fool. Which is important at my age.
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