Thaipusam 2020 on film

Another long post, but I don’t fill like splitting this story up, hey that’s my third post about Thaipusam this year.

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The first Kavadi bearer

On arriving at Farrer park MRT, we met our first Kavadi bearer.

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Pots bearers

And then more devotees waiting for the traffic light.

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The little devotees

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And the older ones

Then when moving inside the temple the devotees are assembling the Kavadis

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or prepare their offerings

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While others use their phones to snap their friends.

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Looking proud
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Family and friends accompany the devotees.

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The drummer
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A member of a Chinese groups of devotees (and a friend of a friend)
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This one goes into a trance.

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Pictures above are taken Ilford HP5 shot at box speed, I used not to be a big fan of this film, but actually I am very satisfied with these results. The pictures after are done with the Kodak TMY 400, not exactly my usual Tri-X, but i generally quite like it.

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Actually I don’t see any difference, so I may shoot more of the cheaper HP5 going forward.

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Still osculating but looking more steady.

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Holly smoke

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One of the priests of the temple

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Preparation is everything

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All shots with Leica M6 Classic and most of them with the Summicron 35mm F2 AsphvII (the last version), processed at the usual lab (well dropped at Ruby and they get the usual guy do the work) and scanned at home with the Epson v800.

Thaipusam 2020 on film

THAIPUSAM 2020

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As per my recent post Saturday was Thaipusam ; Thaipusam is a Hindu ceremony to honor the lord Ram. In Singapore devotee carry burdens and pierce their flesh and walk a 4 km  procession to thank the god or ask for a wish to be granted. Most devotees do it every year.L1009781I was loosely leading a small group of buddy photographers this year as Thaipusam is a great photography opportunity. Participants are very open, there are colors, action and emotions.

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The procession has started at 7pm last night, and when we get at Farrer park MRT devotees are already walking along Sernagoon road, pulling or carrying their burden.L1009816

The most interesting part for me is getting inside the temple and assisting to the preparations. L1009828

The devotee above will carry a Kavadi.

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The preparation starts with offerings as above.

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Kavadi carriers often have chains or pots attached to their flesh , or spears as below.

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Other devotees like the group below are carrying posts of milk along the pilgrimage road,

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This guys is fainting of having trance.

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This is the second year I see the man below.

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After the Kavadi is set-up the cheeks and tong are pierced.

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Under a shower of flowers he is ready to go

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You can see fire, smoke and photographers (my friend Matte above)

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Pain

Each devotee is accompanied by friends and family, giving a warm atmosphere of community, support, friendship.

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Pots of milk
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Prayer
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A prayer to the gods before stepping our for the procession
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The god

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On the way out many of the Kavadi bearers will dance before leaving the temple. This is a very impressive feat, I tried to capture this using a slow shutter speed.

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Young Kavadi bearer …
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With Monkey God effigy. In multicultural Singapore the Monkey God and Hanuman are often associated.

The group below is one of the two groups of Chinese devotees I met over the years.

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I was able to show them a picture of 2013.

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Below is the other Chinese Kavadi bearer.L1000148

Thaipusam is a great opportunity to take pictures of members of the public as below.L1009922

Finally I got to Tank road temple for a few last picture. This is a great place to see the devotees getting rid of their Kavadi and piercings.

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And for a final picture this man finally arrived looking grateful to his big friend (very big) who is taking care of him.

All these shots with Leica M262 and either Summilux 50mm v2, Summicron 35mm Asph v2, Elmarit 90mm F2.8 Oh I also had the M6 body and shot 2 rolls ; be ready for another post next week.

THAIPUSAM 2020

Thaipusam 2020 – What to expect

2019-05-M6-05-33I am by no means a specialist of Hindu religion, so please forgive any mistakes, I am happy to be corrected. This is a a small guide for fellow shutterbugs on what to expect on next Thaipusan day.

This year Thaipusam falls on 8th of February, it is a Saturday so there is no excuse for not going out and shoot ; and Thaipusam offers many different photo opportunities.

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The Chariot at Sri Thendayuthapani Temple (2013 Nikon D700)

The eve of Thaipusam, on the Friday, the Chariot of the temple will take Lord Murugan for a day’s visit to his brother Lord Vinayagar at Layan Sithi Vinayagar Temple on Keong Saik Road. Along the route, he stops at several places, including Sri Mariamman temple on South Bridge Road (Singapore’s oldest Hindu temple), to greet the goddess within, a manifestation of his mother. He then continues on to see his brother.

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On Clemenceau Avenue (2009 Nikon F4)

The Chariot leaves around 6pm and comes back around 9pm ; then it is parked in front of Tank road temple and visited by many devotees. Later in the night starts the Thaipusam procession : devotees start from Sri Srinivasa Perumal Temple (Serangoon Road aka SSPT) at 11.30pm.

Inside Sri Thendayuthapani Temple (2016 Leica M4 Cinestill 800)

Doors at Sri Thendayuthapani Temple (Tank Road aka STT) will open at 12.01am on 08/02/2020. You can enter the back of the temple and watch the priests opening the inner shrine, and then let the devotees came in and receive their blessings. The activity is quite low around that time but it gets busier around 2am.

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2019 inside STT (Leica M6 Ilford Delta 3200)

Devotees will keep on leaving the Serangoon Garden temple until midnight on Saturday. My usual routine is to reach Serangoon Road temple before 8am. The sun is still very low and and the light inside the temple is dim. The temple and the nearby parking area are used to set-up the kavadis of the devotees and prepare themselves for the procession. Groups are constantly setting up, so no pressure to shoot. All of this happens under canopies to the light can be tricky.

2011 Inside SSPT (Nikon D700)

You can follow one group all the way to Tank Road, or walk a bit faster and move from group to group. Beware, when you reach Clemenceau Avenue, the only way to get inside the temple is to queue with the devotees until you reach the temple. I never did it 10 years, but if you do you will be able to enter the temple by the front door.

2013 Ready to go (Hasselblad 500CM)

If you are not that brave enough, you can walk along the queue of the devotees and arrive at the back of the temple. Where you can see devotees exiting the temple then arriving at the rest are and disassembling the Kavadis. Moments of rest and relief.

2013 After the procession (Nikon F3)

Finally if you go on the path of the procession at night you will see lighted-up kavadis!

I have no idea of what happens at both temples after the last devotee leaves or arrives

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2018 – Leica M262 – 35mm Summicron asph v2 

So plan for a great day : you can shoot from Friday 6pm to Midnight on Saturday.

A few advises:

  • The Chariot procession can be fun, especially if you spot it in town or upon its return to Tank Road. But chasing it may be complicated.
  • The evening when the temple at Tank road open is interesting, I have been two or three time, I may skip it this year
  • During the day I prefer going the morning like getting ready to shoot at 8am for a couple of hours
  • You can spent another hour at the disassembly area

Practical: the places will be busy, many visitors attend all stages of the event, and many buddy photographers, hot (but I never felt the need to bring water), and yo have to leave your shoes outside of the temples (I don’t mind, but you can also bring flip flops and put them in your bag)

Technical stuff: I shot with DSLR (from 17 to 200 mm), SLR, Leica film and digital and the Hasselblad. This is a busy event, so you don’t have much time to fiddle around. Last year I shot only with 35 and 50mm, with a couple of shots on 28. With 28 and 35 you get a lot of “noise”  in the frame, maybe something around 80mm would be nice if you want to shoot portrait or the actual  moment piercings are performed (I am a bit less interested in this now). People are super friendly but I avoid to be too a nuisance and to thrust your camera in people face, show some respect.

For film: I used 400 ISO for B&W in the temple in the morning , for the night events I used 3200 Kodak TMZ or Ilford Delta and Cinestill 800.

For more information you can visit the Hindu Endowments Board website https://heb.org.sg/

You can see some of my past posts on Thaipusam here.

Thaipusam 2020 – What to expect

Anandpur Sahib

The city is one of the most sacred places in Sikhism, it is a big hour drive from Chandigarh.

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The main Gurudwara is situated on a hill, you walk up from the parking.

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It is quite beautiful and offers a great view on the surrounding area.

This place receives a lot of pilgrims as it is the place where the last two Sikh Gurus lived, so it is quite interesting to see the infrastructure. Below a hall were pilgrims can rest.

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And below a young Sikh guarding the guesthouse for pilgrims (we unfortunately could not visit one).

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The communal kitchen of this Gurudwara is also hudge. They have big pots.L1000515

In the kitchen he lady below started singing while making chapatis.

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Finally a good shot of the chapati making machine:L1000527

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Next we walked to a nearby temple with a sacred well a hundred stairs below ground.

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From the outside there is a beautiful view on the Virasat-e-Khalsa, the museum of Punjab and Sikhism.L1000561

This museum is very well done, interesting and didactic, although it may sound a bit propagandist or proselyte , it gives a lot of information on the history of Punjab and Sikhism. I think it is a must do, to help memorize or clarify the things we learned through our trip.

Anandpur Sahib

Thaipusam 2013

The wheel of time made another full circle and the Hindu festival of Thaipusam is back again. as it is based on the lunar calendar it falls on a Sunday this year which is just great for having a look and taking pictures.

I wrote in the past about Thaipusam and you can find on Wikipedia some information about the meaning of the the celebration. Let’s just say that in Singapore it is a 4 km pilgrimage between Serangoon Road (in little India) to Tank Road, that devotees walk to thank the gods or to ask them for a favor (and then they will do it the following years to thank them). Pilgrims generally carry burdens, from simple pots of milks to heavy Kavadis. The most spectacular aspect of Thaipusam is that the Kavadis often pierce into the bearer’s flesh, but also some other piercing rituals are performed.

Beyond this, Thaipusam is a great opportunity to actually see faith in action. Apart from photography I am looking forward to this event for its atmosphere and just being there. A lot of spectators attend the event, and in Singapore it is a big photography circus.

The event follows generally this schedule:
– the day before, the Silver Chariot carrying a statue of the god, is traveled in town and comes back in the Tank Road temple, where people gather to pray.
– very early in the day itself, devotees go to the Serangoon road temple where they prepare themselves before the pilgrimage, involving the complex construction of Kavadis
– the pilgrimage itself is a 4 km walk to tank Road, Kavadi bearer dance to the sound of music and are supported by relatives
– In Tank Road, pilgrims go inside the temple to ge the blessing
– outside the temple is the area where Kavadis are disassembles and pikes removed from chicks, tongues, and other body part.

This year i was lucky enough to be able to go to Tank Road on the Saturday, then in the Sunday morning to see the first Kavadis being disassembled, then to Serangoon Road and then back to Tank road in the afternoon.

Serangoon road, between 8 and 10 AM is the best spot for me. Nicer atmosphere, enough light, same photographers I see every year.

This year I brought the Hasselblad and these are the Hassie shots you see with this post. It’s not so easy to shot moving people, but I think the keeper ratio for the 2 rolls is fantastic. I used some Rollei RPX 400 ASA film which I find also just great, the grain is so thin.

I also carried the D700 with a couple of lenses, that will be for the next post.

Camera: Hasselblad 500cm
Lens: 80mm F2.8 Planar
Film: Rollei RPX 400 Pan
Digifilm: Epson v500+Adobe Lightroom 3.6

Thaipusam 2013