Last Sunday Mini Cooper sponsored a “street art” event in Joo Chiat area in East Singapore. I thought it was a good opportunity to go and burn some film.
I did not really read what it was about, but let s say that it brought some art in the streets and back alleys of Joo Chiat.
Windows of pastry shops got all rainbowed.
Best work in my opinion was the above by AikBeng Chia, a local photographer. Streets shots of the area print on T shirts set on the local version of drying lines.
The set-up of back alley sized sports facilities was also quite interesting.
While the lady above is responsible for the discreet weeds growing from the concrete pillars.
Finally the giant hopscotch above seemed to have been quite popular. I ran out of film when I got to the Tea bar. But I shot some 35mm with the M6, so it will be on a next post.
Joo Chiat is extraordinary even without Mini, an easy place to burn film
One roll of Cinestill 50D, shot at 50 ISO with Hasselblad 500Cm and Planar 80mm F2.8. I managed to get only 11 shots my Hassie back has a spacing problem.
The 50D is quite nice, fine grain, can pack a bit of punch even in this overcast weather. I used my old Gossen Bisix 2 meter (bought in 1989) which proved to still work quite well. Scanner is the Epson v800.
A couple years back I participate in the kick starter campaign for the launch o the CineStill 800 medium format film. I ended up (with a slight delay) with a nice T shirt ( (I spare you the picture for the time being) and a few rolls old the said film.
I have already shot a few rolls and I must think of going through the reminder before they expire. The Hassie also did not get much action this year so I loaded a roll when I went to the Leica User Group Singapore outing to the Red Hill market area.
Above is the best shot of the roll. This lady sing sings the market for the greatest pleasure of the people around. The film was rated at 640 ISO, the day was a bit overcast but most shots were done about F11 1/250.
This is the seventh month of the Chinese year and it is the time were the dead visit the world of the livings and displays of religious artifacts as above are common over Singapore, to please them and let them go back in peace.
We also took a tour of the Red Hill close estate, a public housing estate set for redevelopment.
I did not manage to shot the whole 12 frames in the morning, so I went last week in Chinatown to finish the roll on the lantern festival. I shot the remaining frames at F4 1/60s.
The above is quite OK, the below is not. It is seems a bit difficult for me to measure the light for this kind of scene.
Shot with Hasselblad 500CM, Planar 80mmF2.8 lens, and a tripod fr the last two shots.
The film was scanned with Silverfast and Epson v800, with bit of white balance and contrast and exposure adjustment in Lightroom.
The first outing of 2016 of the Singapore Photowalkers(SGPW) organized by Bernard Goh was at the newly opened National Gallery. An opportunity to bring out the Hasselblad and a roll of Rollei RPX 25Iso that I imagined well suited for Architecture.
The National Gallery is a museum displaying local collections, in a new building mixing contemporary architecture and two buildings form the colonial Area: the city hall an dthe high court.
Inside and outside the mix of the two style is visible.
Tripods are not allowed inside so all shots are handheld around 1/60s at F4. The film is very easy to scan with the old Epson V500 and the lab did not do a bad job with it.
I can let you judge the results.
I also shot a roll of Rollei Retro 400s which turned out to be so badly underexposed it is unusable. If is the second roll now, shall I blame the lab or the film? Actually I also manage to screw up another roll of 400s in the EOS1N, but I pushed that one by 1 stop. In doubt I’ll stay away from if from now on.
Last month I went to the “Carnaval de Nice” with the Hassie and the second roll of Rollei Digibase CR200.
Nice is just 30 km from my hometown of Cannes, but this is just the second time in my life (about 48 years) that I go there. I have an excuse because I have been away since 1985. I went with my son Noé who also made some nice pics with his Coolpix.
Not so easy to catch action with the Hasselblad, I was also not very well positioned so there is a bit of back-light. I still think this film is great; the colors are very realistic and it is quite relaxed regarding exposition.
Little monks in the Thien Mu Pagoda – Hué – Vietnam
I realize it’s been a long break; my last post dates back from the end of September! Like many other people I have been busy; nearly two seeks in Vietnam, kid going back to school, seeing friends, walking around with a camera and a bit of work, in a word: life.
So Vietnam was our last destination, we spent 10 days in the the middle and south part between Hué and Ho Chi Minh city aka Saigon. Weather at this time of the year is not great and actually it is the start of the bad season. We had a lot of rain in Hué, but we were quite lucky in other places.
Camera wise I slightly modified my usual kit and brought along the Angenieux 70-210 F3.5 AI lens instead of the Nikkor 80-210 F2.8 AF. The reason is that I wanted a lighter kit that fits in a back-pack I borrowed from a friend. Yes I was again wondering about a new bag bt could not make up my mind so I decided to try a back-pack instead of taking along the Crumpler 8Mio back (which is no longer produced it seems). I could fit in the bag:
– the Hasselblad 500M with an extra back
– the D700
– the 50mmF1.8D
– the 17-35mmF2.8AF
– the Angenieux zoom
There is enough room left for the lonely planet,the light-meter, a couple of films. The rest of the accessories goes in the checked luggage, including spare film.
As we traveled “free and easy” (meaning we did not have our own car and driver all the time) I enjoyed the back-pack very much as it enabled me to carry all my stuff around all the time. On the down side, even if this one (Lowepro 200 something) has a kind of “Sling” feature, it is not as practical as a shoulder bag. So I think I will have more crisis of looking for the perfect bag in the future again.
Oh the picture, this is one of the first of the film shots, these kids are little monks in the Thien Mu Pagoda in Hué. This pagoda is famous for its 7 levels tower, but also for the monk who drove from there to Saigon to set himself in fire in 1963 in protest against the government.