The French Parish of Notre Dame de France in London is strategically located in Soho, just around Leicester square. I came across Palms Sunday celebration last year and saw they have a very colour procession around the square as part of the celebration.
I made sure to go back this year, working on my soul but also bringing two camera’s.
There is a certain contrast with between entertainment character of the area and a religious celebration, but well, God is everywhere.
A part from the parish members are from African origins and they bring a certain quality of joy and energy in the procession.
Once again the strong contrast between sacred and profane.
Red lanterns in sight
Going back to the church we can see Chinatown, this is really a celebration of diversity.
It is messy when everybody goes back into the church at the same time.The choir leader.
All shots with Leica M262 and Summicron 35mm Asph vII, except the last shot with Summicron 50mm v5.
For those into music like me, the Sex Pistols played in the Church hall in 1976 and even a second time in 1977, for what I read was the first concert of Sid Vicious.
But also The Clash apparently played there in 1979:
Another long post, but I don’t fill like splitting this story up, hey that’s my third post about Thaipusam this year.
The first Kavadi bearer
On arriving at Farrer park MRT, we met our first Kavadi bearer.
Pots bearers
And then more devotees waiting for the traffic light.
The little devotees
And the older ones
Then when moving inside the temple the devotees are assembling the Kavadis
or prepare their offerings
While others use their phones to snap their friends.
Looking proud
Family and friends accompany the devotees.
The drummer
A member of a Chinese groups of devotees (and a friend of a friend)
This one goes into a trance.
Pictures above are taken Ilford HP5 shot at box speed, I used not to be a big fan of this film, but actually I am very satisfied with these results. The pictures after are done with the Kodak TMY 400, not exactly my usual Tri-X, but i generally quite like it.
Actually I don’t see any difference, so I may shoot more of the cheaper HP5 going forward.
Still osculating but looking more steady.
Holly smoke
One of the priests of the temple
Preparation is everything
All shots with Leica M6 Classic and most of them with the Summicron 35mm F2 AsphvII (the last version), processed at the usual lab (well dropped at Ruby and they get the usual guy do the work) and scanned at home with the Epson v800.
As per my recent post Saturday was Thaipusam ; Thaipusam is a Hindu ceremony to honor the lord Ram. In Singapore devotee carry burdens and pierce their flesh and walk a 4 km procession to thank the god or ask for a wish to be granted. Most devotees do it every year.I was loosely leading a small group of buddy photographers this year as Thaipusam is a great photography opportunity. Participants are very open, there are colors, action and emotions.
The procession has started at 7pm last night, and when we get at Farrer park MRT devotees are already walking along Sernagoon road, pulling or carrying their burden.
The most interesting part for me is getting inside the temple and assisting to the preparations.
The devotee above will carry a Kavadi.
The preparation starts with offerings as above.
Kavadi carriers often have chains or pots attached to their flesh , or spears as below.
Other devotees like the group below are carrying posts of milk along the pilgrimage road,
This guys is fainting of having trance.
This is the second year I see the man below.
After the Kavadi is set-up the cheeks and tong are pierced.
Under a shower of flowers he is ready to go
You can see fire, smoke and photographers (my friend Matte above)
Pain
Each devotee is accompanied by friends and family, giving a warm atmosphere of community, support, friendship.
Pots of milk
Prayer
A prayer to the gods before stepping our for the procession
The god
On the way out many of the Kavadi bearers will dance before leaving the temple. This is a very impressive feat, I tried to capture this using a slow shutter speed.
Young Kavadi bearer …
With Monkey God effigy. In multicultural Singapore the Monkey God and Hanuman are often associated.
The group below is one of the two groups of Chinese devotees I met over the years.
I was able to show them a picture of 2013.
Below is the other Chinese Kavadi bearer.
Thaipusam is a great opportunity to take pictures of members of the public as below.
Finally I got to Tank road temple for a few last picture. This is a great place to see the devotees getting rid of their Kavadi and piercings.
And for a final picture this man finally arrived looking grateful to his big friend (very big) who is taking care of him.
All these shots with Leica M262 and either Summilux 50mm v2, Summicron 35mm Asph v2, Elmarit 90mm F2.8 Oh I also had the M6 body and shot 2 rolls ; be ready for another post next week.
I am by no means a specialist of Hindu religion, so please forgive any mistakes, I am happy to be corrected. This is a a small guide for fellow shutterbugs on what to expect on next Thaipusan day.
This year Thaipusam falls on 8th of February, it is a Saturday so there is no excuse for not going out and shoot ; and Thaipusam offers many different photo opportunities.
The Chariot at Sri Thendayuthapani Temple (2013 Nikon D700)
The eve of Thaipusam, on the Friday, the Chariot of the temple will take Lord Murugan for a day’s visit to his brother Lord Vinayagar at Layan Sithi Vinayagar Temple on Keong Saik Road. Along the route, he stops at several places, including Sri Mariamman temple on South Bridge Road (Singapore’s oldest Hindu temple), to greet the goddess within, a manifestation of his mother. He then continues on to see his brother.
On Clemenceau Avenue (2009 Nikon F4)
The Chariot leaves around 6pm and comes back around 9pm ; then it is parked in front of Tank road temple and visited by many devotees. Later in the night starts the Thaipusam procession : devotees start from Sri Srinivasa Perumal Temple (Serangoon Road aka SSPT) at 11.30pm.
Inside Sri Thendayuthapani Temple (2016 Leica M4 Cinestill 800)
Doors at Sri Thendayuthapani Temple (Tank Road aka STT) will open at 12.01am on 08/02/2020. You can enter the back of the temple and watch the priests opening the inner shrine, and then let the devotees came in and receive their blessings. The activity is quite low around that time but it gets busier around 2am.
2019 inside STT (Leica M6 Ilford Delta 3200)
Devotees will keep on leaving the Serangoon Garden temple until midnight on Saturday. My usual routine is to reach Serangoon Road temple before 8am. The sun is still very low and and the light inside the temple is dim. The temple and the nearby parking area are used to set-up the kavadis of the devotees and prepare themselves for the procession. Groups are constantly setting up, so no pressure to shoot. All of this happens under canopies to the light can be tricky.
2011 Inside SSPT (Nikon D700)
You can follow one group all the way to Tank Road, or walk a bit faster and move from group to group. Beware, when you reach Clemenceau Avenue, the only way to get inside the temple is to queue with the devotees until you reach the temple. I never did it 10 years, but if you do you will be able to enter the temple by the front door.
2013 Ready to go (Hasselblad 500CM)
If you are not that brave enough, you can walk along the queue of the devotees and arrive at the back of the temple. Where you can see devotees exiting the temple then arriving at the rest are and disassembling the Kavadis. Moments of rest and relief.
2013 After the procession (Nikon F3)
Finally if you go on the path of the procession at night you will see lighted-up kavadis!
I have no idea of what happens at both temples after the last devotee leaves or arrives
2018 – Leica M262 – 35mm Summicron asph v2
So plan for a great day : you can shoot from Friday 6pm to Midnight on Saturday.
A few advises:
The Chariot procession can be fun, especially if you spot it in town or upon its return to Tank Road. But chasing it may be complicated.
The evening when the temple at Tank road open is interesting, I have been two or three time, I may skip it this year
During the day I prefer going the morning like getting ready to shoot at 8am for a couple of hours
You can spent another hour at the disassembly area
Practical: the places will be busy, many visitors attend all stages of the event, and many buddy photographers, hot (but I never felt the need to bring water), and yo have to leave your shoes outside of the temples (I don’t mind, but you can also bring flip flops and put them in your bag)
Technical stuff:I shot with DSLR (from 17 to 200 mm), SLR, Leica film and digital and the Hasselblad. This is a busy event, so you don’t have much time to fiddle around. Last year I shot only with 35 and 50mm, with a couple of shots on 28. With 28 and 35 you get a lot of “noise” in the frame, maybe something around 80mm would be nice if you want to shoot portrait or the actual moment piercings are performed (I am a bit less interested in this now). People are super friendly but I avoid to be too a nuisance and to thrust your camera in people face, show some respect.
For film:I used 400 ISO for B&W in the temple in the morning , for the night events I used 3200 Kodak TMZ or Ilford Delta and Cinestill 800.
For more information you can visit the Hindu Endowments Board website https://heb.org.sg/
You can see some of my past posts on Thaipusam here.
Nearly one year ago, in January, I went to Tank road in the middle of the night to shoot a roll of Ilford Delta 3200 at the Sri Thendayuthapani Temple for the Thaipusam ceremony.
The orchestra
Thaipusam is a Tamil Hindu ceremony where devotees walk from Sri Srinivasa Perumal Temple in Little India to the temple in Tank road.
The priests
It is interesting to shoot the ceremony at both temples ; at Little India where they start the pilgrimage or here where they finish it.
I favor the little India location early in the morning ; it is already very busy, but manageable. But for a couple of years I go to Tank Road in the evening before ; it is general quiet, the action (if I can say so) is more subdued. Pilgrims flow through the temple, receive blessings and walk out.
At the back of the temple is a resting aera and pilgrim receive tea and nibbles.
A Chinese Hindu devotee
This year I tried a roll of Ilford Delta 3200 with the Leica M6 and the Summicron 50mm version 5. The result is quite nice, the M6 does a good job once again, the light meter is working very well once again.
Giving offerings
I rarely shot the Ilford 3200, but must say the result is quite good. The grain is nice but controlled, the contrast is good. As I said somewhere else I think high ISO film give good results if you scene has a minimum of contrast.
Collecting ashes
These were shot around 11pm, on the first evening, it is very quite just when the priest open the inner sanctum of the temple. Alternatively, you can come around on the next day and take pictures from pilgrims disassembling their Kavadis.
–
The inside on the temple of the day itself is over crowed and their is no shortcut, you have to follow the devotees from Penang road, I am not sure how long it will take. Surely a great experience, but you will need a good couple of hours.
The friendly volunteer
04790
Get ready I have 2 or 3 rolls of TRIX that I shoot the next day.
Walking out of the temple
Get ready, this year the Thaipusam procession is expected to start from SSPT on 07/02/2020 from 11.30pm.
You can read more about the Fire Walking Ceremony in my post from 2014 (here). In short it is a Indian festival honoring the Hindu goddess Sri Draupadi, who is the wife of the five Pandava brothers who walked on hot coals to prove her purity.
Devotees waiting outside the temple
Devotees go through a purification period and on the day of the festival they walk from Little India where they get blessing and protective amulets to the SRI MARIAMMAN TEMPLE in Chinatown where they walk through the coals of the fire pit. After this they go at the back of the temple where they discard they protection and offer to the god the beads necklace they wear since the beginning of the cleansing period.
Devotee entering the temple
This is the 3rd time I am going to the festival. As I mentioned in my last post, total respect to the devotees. I went in the evening as usual with my friend Matte Lim.
Devotee entering the temple
This is my second or third roll of this film. The first attempt was so so. This is supposedly a new film, replacing the old TMZ 3200 discontinued in 2012. I think the film works well for scenes with good contrast and some lighted parts ; if your scene is grayish you wont get much on the picture.
Devotee entering the temple
It was night when I attend the fire-walk festival but both places where I was had some heavy lights on parts of the scene.
Devotee entering the temple
The M6 is great for focusing in the night, even with my ageing eyes, also the metering is quite ok.
The fire pit (Heavy back-light fooled the meter)
Most shots are done with 50mm Cron (v 5), maybe some with the 35mm Cron (Asph v2), as I swapped the lens between teh M6 and M262 at some point.
Devotee removing his beads necklace
Offering the beads necklace
Processing was done by the usual lab and scanning at home with the Epson v800 , scanning is easy.
I like the grain, which is quite limited and pleasant imo (but my wife does not).
This is a follow up of my last port about the Monkey God temple birthday in Tiong Bahru. These pictures were taken with a roll of Provia 400F given to me by KC Eng. It is expired since 2008, but I did not check at the time and shot it at 400 with Leica M6 and Summicron 50.
The Lion dance
Ths shots were processed at Analog Lab and scanned at home ; they turned out quite okay. Maybe the overcast weather did not allow for a more reach color palette.
Birthdays have the habit of coming back every year, so for the third time I think I find myself at the TIONG BAHRU QI TIAN GONG temple in the area of Singapore called Tiong Bahru for the birthday of the temple. One of my friends reminded me of the event and I was super happy it was at a time where I could attend.
This is a Taoist temple, a popular faith in Singapore among the Chinese population. I still don’t know much about the Taoist faith and practice, so i won’t try to explain it here. The spirits and gods have a great place in the faith and they are honored through offerings like Chinese Opera, joss paper bonfires, ..
The celebration involved lions dances, a dragon dance troop, musicians, as above and below. Singaporeans say that Taoist are noisy. I think I have some old shots of the gentleman below.
The person that looks to be the man in charge posing with the lions and some banners.
Meanwhile across the street, the porters of the gods sedan chairs are taking some rest.
I shot 2 rolls of Tri-x (one above, one below this paragraph), one roll or Provia 400H (in between) and hundreds of digital pictures using the magic combo, Leica M6 for film and the M262 for digital; for lenses I brought the 50 cron, mostly on the M6, the 35cron mostly the M262 then. I also brought along the 90mm Elmarit for a few digital portraits.
At that moment the gods starts to be carried in 3 sedan chairs to the place where the bonfire will be lit.
Below some of the carriers of the three sedan chairs.
I don’t know if they are really heavy but the guys are relaying each others regularly.
This write up is about the film shots and should be called “You are all my favorites”. It found very difficult to select between the shots. I have included the shots of the two Tri-x rolls, I will do another small article about the Provia roll which has its own story.
We now arrived at the field where the bonfire will be lit, a small crowed is gathered. Led the the Taoist priests.
One of the gods chair with the idol in the middle.
I was very lucky last march in Taipei to stumble upon this Taoist ceremony while visiting the Dihua street area with my family and local friends.
I must admit my ignorance of Taoism, so I will not comment much here. Teh following blog post contains quite interesting information on Taoism in Singapore :
Various groups are parading their idols or images of gods around the area of Taipei Xiahai City God Temple.
Most of the groups as below have musicians, Taoism is noisy and colorful, I learned this a long time ago when I arrived in Singapore.
This group has gods puppets dance in front of the temple.
Another group was composed of young people dressed as what looks lie warriors.
This group traditionally rock the sedan chair when the image of the god is carried, portraying their struggle with the superhuman force possessing the chair once the god has come to posses its image.
Taipei Xiahai City God Temple
All shots with Leica M262 and Summicron 50v4 or 35Asphv2