Yes this is a about Caffenol again: after a few rolls ranging from total failure to barely acceptable, I finally got two rolls who turned out pretty good yesterday. I must say that I finally received the pure vitamin C powder so this brew is more deterministic that the others. I also stick to reducing the ingredients by 1/4th as I use a .75L bottle to store it. I used the times derived from past experiences and the Massiv Dev Charts site. So for this Rollei 80s I used the mix at room temps ( about 28/29 Degrees) and 5’25” from when I started pouring to the time I poured out.
The result is pretty good, contrast is fine, there is little dust on the negatives and scanning goes without problem.
I ll keep doing this a few time before maybe trying to cool the mix a little in order to have more leeway in playing with the dev time.
All shots with Agfa Isolette III on Rollei Retro 80s. Oh it is noticeable on some shots that markings from the film backing paper can be seen, but this roll (I have 2 more) are 2 years expired are spent the last few years in the humid climate of Singapore so it may explain why.
So a few weeks ago, after the last roll shot with the Agfa Isolette, I decided that something must be done with the rangefinder. My easiest solution was to order a second Agfa from Ebay. But actually when he finally reached home, the camera was in very good condition but the rangefinder was stuck and so was the lens focusing ring. So I took step back and decided to leave it alone (for the moment) and try to fix the rangefinder of my original Agfa.
I think I mentioned earlier this is a family camera bough in 1958 in Germany by my dad who was in the French forces there. It was my first medium format camera, I used it for the first time in 1990 (30 years ago already). I looked at this link and proceeded to fix my rangefinder : The Classic Camera Repair Forum: CLA’ing an Isolette III.
I don’t have much to add to the procedure, this precise camera has other issues so I think I will proceed with repairing the other one soon, or maybe send it to repair, depending on the time I have at hand.
Once again I used a roll of Rollei 80s because I have a few hanging around and because I love it. Shot at 100 Iso, this is a slow film for the weather conditions so some shots were taken at 1/50s F4.5.
I processed the roll in my second batch of Caffenol, so this is my Caffenol roll #7. The results are good I think, but there is a lot of dust or particles compared to the roll#6, I am not sure where it comes from and I am bit disappointed as I took care to filter both the Fixer and the Caffenol before using them. I also added 1 minute to the fixing time, just in case.
It also seems there is some unevenness on the processing. I will have to reach out for some advice.
Ah yes so what about the rangefinder ? Well see for yourself, but it looks to me that it may not be spot on but it surely can focus.
I am pushing my luck by trying the my brew from two weeks ago again this Sunday.
First things first, shooting a bit of film. The weather is not improving and I did not had a chance to shoot much this past week. So this morning I loaded the old Agfa Isolette with a roll of Rollei 80s (my favourite film) and hit the road in direction of Arab street with a detour by Little India to finish the roll of Acros I processed last week.
The Agfa uncouple rangefinder is no longer working so distance are guestimated. I also use the EM-01 KEKS light meter.
For processing I used the two week sold Caffenol stored in a green bottle in the shade at ambient temperature (more or less 28 C). I think it turned out quite well (5 minutes processing at 28 degrees, 30 second inversions then 3 inversions every minute). The negatives are of average thickness, maybe I could have added 30 seconds. The caffenol is now old and this is the 3rd film processed with this batch.
I made a fatal mistake by wiping the film with my kitchen towel, lot of dust I had to clone in Photoshop. I will have to find how to do this properly. The fixer is starting o have some deposit. Maybe it wont last after the next couple of films.
Plans for next roll is to start a new batch of caffenol to see if the process is repeatable.
During the last outings of the Leica User Group Singapore (LUGS) of 2019, I had the good idea to carry the Hasselblad 500CM loaded with my favorite film: the Rollei Retro 80s
I love the range of grays and the profound black that this film can produce. This is not all art but a nice walk with friends at a time when this was possible. I put the full roll, no censorship and some edition in Lightroom. Film was was processed at the usual lab (Ruby Photo) and scanned at home of Epson v800.
… and some friends from the HUGS (Hasselblad User Group Singapore), just before we could not hug anymore. A very small mid week post, 10 shot of a Rollei Superpan 200.
This is taken with a Hasselblad 500 CM with the Planar 80mm F2.8 CF, processed at my usual lab and scanned at home with the Epson v800, and edited in Lightroom. I don’t particularly like the Superpan, but I must admit it was OK on this occasion.
This is the second roll shot with the Hasselblad during the outing to Mc Pherson area. The Lego buildings at this point were behind us, so not too many shots of the “Mondrian” colorful pattern here.
Shots are done with the faithful Hasselblad 500cm, with 80mmF2.8 and I used a more than 2 years expired roll of Rollei CR200 .
When I collected the slides from the shop I watched them on light box there and they really looked brilliant. Once scanned I must say I am a bit disappointed, maybe not trying hard enough.
I think the high contrast of the slides make it difficult to scan.
Also the weather started to turn a bit more cloudy and the colors less saturated.
This type of shots may benefit from using a tripos as well.
Being a slow shooter I did not finished the film that day so I carried the Hassie in Lavender area the following week and walked from there to my fav lab t bring the roll
I love this area, I used to hang around there weekly until two years ago, it goes under a slow gentrification, but still very interesting with its workshops, warehouses, small shops, bars, coffee shops…
I don’t like the rendering of the next two shots, but sure they look vintage enough.
All in all a nice set, but not as nice as the Portra roll of McPherson “Lego”buildings . It does not seem the film has suffered from being expired, but it was kept in the fridge most of the time.
Summer holidays have been over for a few weeks, and it is time to go back to this blog. As usual I did not shoot as much as expected during the holidays. One poor roll of medium format Rollei 80S with the old Kodak Autographic, and with the M6 a roll of Kodak Gold and the present roll of Rollei Vario Chrome.
The Rollei Varichrome is a reversal (slide) film, claimed to have high latitude and can be shot between 200 and 400 ISO, 200 being recommended for scanning. Although introduced in 2017 it seems it is a “new old” stock that will have a limited availability. some reading suggest this is altogether expired material already. Note this film can be cross processed in C41 as well.
My complete roll is a bit over exposed, in particular those of the Atomium, generally the dark areas are not dark enough.
Above shot of the botanical garden in Brussels is very pleasing, the lack of contrast gives a great mood.
The following street shots taken during the FIFA world cup final also work quite ok. The vintage look is overall quite nice, except maybe the picture of the two young ladies, but it may just be the exposure being off on that one.
I like very much the first shot and the one above taken in the vintage café “La Mort Subite”.
All in all this looks too much like an Instagram filter to me, some shots are very satisfactory, but it will become very gimmicky to use. The experience is quite expensive as well, I think the roll was like 18SGD and the processing 13 SGD, so more or less 1SGD a shot. Shooting a roll of Kodak Gold would cost half of this and Instagram filters are free. In conclusion it is worth giving it a try, but then it’s better have a subject on which you will shot your whole film, the gimmick effect being lost in the consistency of the subject. For instance I imagine a wedding photographer may like to shot a roll of this as a special feature. For me I don’t think I’ll use this again.
Finally two shots below on quite different subject :
All shots at 200 ISO with Leica M6 and one Summicron or the other (28, 35, 50) and scanned on Epson v800.
Rollei ATP (Advanced Technical Pan) 1.1 is advertised as an extremely high-resolution black and white fine grain film. This film is characterized by fine grain, high sharpness and variable contrast. It has a nominal sensitivity of ISO 32/16°.
The roll was shot with the Leica M6 and mostly a Summicron 28.
It is a (super) panchromatic film, ie have a sensibility to all the visible wavelength as opposed to orthochromatic which have a specific sensibility to red.
This is the second roll I shot in 35mm and as you can see from the label is has passed the expiration date by 2 years, but was kept in the fridge. As usual my rolls go to the shop (Ruby photo in Singapore) and do not get any special processing.
Back from the shop it is evident the roll is underexposed, blame the 2 years expiry or the failing batteries on the M6? I cannot say. But all in all a bit under.
The first 3 pictures were taken in the afternoon, on a rather sunny day, in Mac Ritchie reservoir in central Singapore. I really like the metallic rendering of these pictures, particularly the second one. The first one has something special in the richness of the grey tones which is very pleasing.
The picture above is very different, under midday sun a family scene a the skate park. Hard sun, not ideal conditions, but the contrast is not as harsh as with the Rollei 25 RPX. Very pleasing.
Same goes for the above; hard light, wide range of grey.
Above the heritage buildings on Petain Court. And below the Summicron wide open on an overcast day. Very nice definition.
Finally the last picture below, and the revelation of why I liked this roll very much : these negative scans (with the now outdated Epson v500) have a rendering close to a wet print. I think it is done to the total range but also something special in the depth of the blacks.
I checked the results of the first roll that I shot 3 years ago with the defunct NikonF4s. The pictures are showing the same smoothness, high resolution and deep darks, and a bit undeexposed. So, with the Rollei Retro 80s this is a very good choice of film for a change. I will order some Medium format rolls to check with the hassie.
Finally, what can you shoot at 32 ISO? On a sunny day with a F2 lens ? Anything. But when the sun goes out you better have another body at hand. So it can be quite frustrating at times.
Oh and where to get some? No idea where you can buy some in Singapore. In France I order mine from http://www.mx2boutique.com/ , there is also https://www.macodirect.de/en/ in Germany.
I had high hopes for my holidays in the alps, so I brought some slides and low speed B&W film, but alas, the weather was, how can I put it politely, not so great.
And over the week I did not took out the film body.
When I hit the french riviera I was still quiet excited, but I could not really convince myself that this was the time for shooting this last roll of Velvia.
Anyway so I loaded the M6 with a roll of Rollei 25, I used a mix of 50 Summiilux V2, the 35 Summaron 2.8 and the newly acquired Summicron 28mm.
Needless to say I still find the M6 is a joy to use with any of these lenses.
In my ignorance, I though that a low speed film would be better used in bright daylight on a great sunny day. Actually this is a very contrasty film and in bright light you end up with very high contrasts. You may like it or not, I am so so.
In subdued light like on the next picture taken on the beach on a cloudy day, the grays are nicer.
On a practical point of view, the film is very flat when coming back from the lab so it’s fairly easy to scan.
There is a very thorough review of this film (and many more) here:
Clearly it is a bit childish to play with these “special” films and bring them to a commercial lab. It looks like their “specialness” need to be handled with care when processing the film, and the character can be managed one way or the other.
Note that I did not use any filters for these pictures
I joined Bernard Goh’s Singapore Photo Walk outing of March with my son.
Rochor Centre is group of buildings built by the Housing and Development Board of Singapore. It was built and completed in 1977 and consists of 4 blocks painted in vivid colors yellow, green, red and blue.
This is an iconic building in the east side on Singapore center that can be seen by tourists going to Arab Street or Little India.
The buildings comprise habitations, shops and hawkers ( food stalls). On the ground floor you still can find some religious artefacts.
The center has started closing as later this year it will be torn down to give way to a motorway joining the north to the south of the island. A lot of the shops have already relocated, but some are still open. The habitations seems to still be occupied if I can judge by the drying laundry.
The void desk is a classical feature of the HDB blocks, an open area for inhabitants to congregate and do activities.
Our friend Long Siew Leng aka Jumping girl.
Pictures 1 and 2 : Hasselblad 500cm+80mmF2.8, Rollei CR 200 slide film