First Roll of Kodak TMAX P3200

I had a couple of events recently and thought about trying the new Kodak TMax 3200. This is supposedly a new film, replacing the old TMZ 3200 discontinued in 2012.

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1. Singapore CDB late afternoon

I loaded the Leica M6 and used my brand new Summicron 35mm Asph v2. The M6 meter is basic but consistent.

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2. Make up session

The result is quite disappointing, chances are that can be some issue with the processing as the lab may not get used to this film yet (but they have been quite reliable so far).

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3. The show

What is so disappointing?  Mainly the high level of grain. I shot a roll of Ilford 3200 last year and it was far lot better. Ok the lighting conditions vary, last year was a concert where the band was quite lighten up on a dark background.

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4. Office decoration

On this roll there are different scenes with various lighting conditions. The first shot isoutdoor, late afternoon light. The next two ones are a show for kids, one make up session lighten through a bright large window, the second a  little girl during the show.

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5. Office decoration

Shots 4 and 5 are taken during the preparation of the Charity day in my office. Light on shot 4 is challenging, as it’s shot  through glass. But 5 is standard office neon light.

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6. Merci Marcel

The last 6 shots were taken during the opening party of Merci Marcel  restaurant in Singapore (thank you guys this was a nice party). The pictures are quite moody, and the 35 mm is a great party lens. Maybe I should have overexposed a bit?

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7. Merci MarcelThe
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8. Merci Marcel
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9. Merci Marcel

 

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10. Just a small one
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11. A refill?

 

 

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First Roll of Kodak TMAX P3200

A wet day in chinatown

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A small write up today, and I will avoid the temptation to make another complete roll review (although in fairness I was tempted).

The flea market that use to seat in Sungei Road east of the city center has been closed for building a MRT (the local term for underground). What used to be coined as the “thieves market” has slowly moved to Chinatown in the heard of the city.

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I am not sure what the authorities think of it, but here is another attraction in one of the tourist hubs of the Lion-city. These guys sell mostly old junk, and it’s rare you will find anything you might want to bargain for … actually as odd as it seems I bought for 2$ a record of Industrial Music, and one of the sellers (not sure how to call them) actually has a few interesting cameras.

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You will find old watches and Buddhist artifacts and amulets, and for the rest … you’ll see for yourself.

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Sure this will come a popular spot for street photography.

The 4 shots above were taken in a rainy afternoon,  with Ultrafine Xtreme 400 iso with the Leica IIIc and the Summaron 35mmF3.5, probably 1/60 second and f3.5.

As I am here I also add as a bonus three earlier shots done on the same film with the Leica M4 and teh modern Summicron 50mm v5.

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I hope you enjoyed the visit

A wet day in chinatown

KEBUN BARU BIRDSINGING CLUB (The Leica M4 SHOTS)

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A follow up of the last post , I showed pictured made with the Hassie 500 CM on Cinestill 50D, but that was the Leica User Group Singapore outing after all, so I carried along a Leica M4 for film shots (here) and a M262 for Digital.

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On the recommendation of fellow members of the group I brought my longer lenses, the 90mm Elmarit and a Canon Serenar 135mmF4  (the bad version). I did not use the Serenar on the M4, it is too unpredictable no use to throw away valuable shots.

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It is easy to see here what shots are taken with the 90mm and whose with the 50mm.

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Shooting with the 90mm is very unusual for me, specially on film. The Elmarit often comes with me on holidays but only for a couple of digital shots. The results are quite pleasing, it offers very different point of view.

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The film is another roll of my bulk Ultrafine Extreme 400 hand-rolled. The processing from the lab was a bit below the usual quality, that’s life.

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You see mostly men in these pictures, but there were many women as well, they just did not come on the frame at the right time.

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KEBUN BARU BIRDSINGING CLUB (The Leica M4 SHOTS)

ZHOUJIA QINGMING – Part 2

A small follow up to y last post about this celebration

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Above is mister Lee Kum Yuen, he is the current master and son of the master who brought this Kung Fu / Lion Dance style in Singapore. There is a very interesting video here https://youtu.be/kZq6iGxfWUo.

I shot a couple of rolls with the Leica M4 and either the Summaron 35mm F2.8 (the one with Goggles) or a Summicron 50mm v5.

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Above is the typical Lion Dance troupe transport, a lorry used the rest of the week for hardware work.

Below the troupes gathering before climbing up the slope to the part of the temple where the celebration takes place. (Did I mention if the other post the temple is massive?)

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The slope is tough, the sun is hot, and yes they drum up-hill

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Below starts the celebration directed by a monk,

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below the final parade and one minute drumming of all the troops together.

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The color shots are Kodak Portra 400, the black and white are Ultrafine Extreme 400, hand-rolled.

Oh yes if you want to see more, come back soon, I also did  a certain number of digital shots as well.

ZHOUJIA QINGMING – Part 2

Kebun Baru Birdsinging Club (The Hasselblad shots)

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2018-19-Hassie-010082018-19-Hassie-01007The Leica User Group Singapore (LUGS) organized an outing last week (7 April 2008) to the Kebun Baru Birdsinging Club.

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The Hassie came to the party loaded with a roll of Cinestill 50D. Here is the result. The Kebun Baru Birdsinging Club is  place in Amg Mo Kio, central Singapore, where bird lovers have their pets compete. In both singing and look competition.

It is a beutiful places with both shadow areas with low hanging bird cages but also a wide open space with high poles were cages are hoisted by a pulley system.

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(The above rectangular shot is due to an issue with the Hassie back frame spacing)

On competition days judges are walking between the birds and give notes.

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Read more at https://kebunbarubirdsingingclub.weebly.com/about-us.html

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Also a nice opportunity for people watching.

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Kebun Baru Birdsinging Club (The Hasselblad shots)

Around city center with a 1970’s Minolta Himatic 7s

The Himatic 7s

Beginning of the year and excitement to try the Ultrafine Xtreme 400 that I am bulk loading, I am taking the odd camera from the treasure box.

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The painter (who is also a photographer)
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Major checker competition
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Back alley

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A couple of weeks back it was the turn of the 1970’s Minolta Himatic 7s. Actually the 7s was released in 1966 same year as me. The Himatic is a rangefinder camera with a sharp, fast 45mm F1.8 lens, and in-camera metering.

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Ok I don’t quite like the the Himatic too much : it is heavy feels clunky compare to the German rangefinders; it is not that fast to operate, and also the metering died on mide during a bike tour.

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I also the viewfinder to be not that bright and having too many signs inside; there are just three visible sides of the frame, so I always wonder how to frame the fourth.

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Shoe locker outside Mustapha

BUT when I got the roll from the shop I must say that I am impressed by the result, the lens is fast and sharp and the 45mm give a bit of air to the shots.

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This is my 3rd roll of the Ultrafine Xtreme 400 bulk and I quite like it. I am new to handrolling, the picture below is the last of the roll, so the first from the bulk that I attached to the canister and I think it was exposed to light. Pitty I like this shot.

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Upside down nap

I think I like the film, it is now 3 rolls I shot this year and 2 last years, it is on the contrasty side but nothing too extreme, so it makes a good replacement for TRI-X or TMY 400. The shot below is quite smooth as I like it. Actually tones quality reminds me of a proper wet paper print.

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Mmm also I fell the Epson v800 gives immediately better results that the v500, but this may be just because I paid so much for it.

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There will be no declugging for the Minolta, it belonged to one grand uncle, so that’s a keeper even if it goes out of the box only once a year.

Around city center with a 1970’s Minolta Himatic 7s

A first roll of Polypan F50

Uncles at play. The best shot of the roll.

Polypan F50 is a mysterious beast : it is a film made to copy cinema movies. It has no anti halation layer: it means the light bounces back from the pressure plate of the camera and on highlights produce a “glow” effect (To reduce the glow you can put apply some black backing paper to the pressure plate).

Nice special “glow” and shades or grey

It comes in bulk of various lengths and can be found on auction sites, it looks it was produced until recently.  It can be pushed to 100 or 200 as some friends do, I may try on the next roll.

The girl in Wanzi.

This roll was shot with the Leica M4 + Summilux 50v2, at 50 ISO, hand metered (Sekonic 308S). I processed mine at my local lab which used Kodak D76, I was told the buy pushed it one stop.

Music Head

The result is quite OK to my taste, the grain is quite smooth in some of the shots, more present on others, like a generic 100 ISO film. There is something special on some shots that can be related to the “Glow”.

Egg Business

This is a 50 ISO film, so not so easy for street shooting, but still I think three out of four shots are OK technically. Using the Summilux gives a bit more leeway to play with compare to slower lens, and on a sunny day I could shoult at 1/125, 1/250

At the crossing

The film is moderately curly, scanning did not show any special difficulties. The highlight seems to be a bit blown, bringing them in line needs darkening the pictures a bit too much to my taste, but I cannot deny the palette of grey is interesting.

Edit with highlights “in line”

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Original version
I though it was more interesting to share about this new experience that following up my last post about the art of curating  films. But I can quickly share the following: on the 25 shots of this roll, 5 where not good technically, 4 are of my family, 13 seriously lack of interest or are dupes. So I am left with the 8 shareable shots shown here
Time off

A bit high ratio, but I am a slow shooter, specially with a film of such slow speed, so maybe I paid more attention. The first and last shots are probably a bit above OK. “Music head” with its quirky composition is probably very close to  be an OK. The “Girl in Wanzi” would have been as well if not for some motion shake I think. “Bump”, “Egg Business” and the “Time Off” are on the very low end of the interesting range.

Some fools sell, some fools buy.

You can check the on the web;

 

Thanks for reading.

A first roll of Polypan F50