This is a set of pictures of the colorful public housing blocs situated on Circuit Road in Singapore.
Circuit road is accessible via Mc Pherson MRT, and is located in the east part of town, 20 minutes ride from Orchard Road.
This estate dates back from the early 1970’s and has recently received a face-lift, becoming the Lego or Mondrian estate. Apparently the “upgrade” as we say here was not only cosmetical as the area used to be a bit shabby from what I gathered.
The outing was organized by Low Che Eng from the “Lets Shoot Film SG” Facebook group. We were nearly a dozen freaks walking around the estate, with cameras ranging from various Leicas and medium formats to a view camera (Chamonix ?).
I carried around the Hasselblad 500CM and 80mmF2.8 loaded with a slightly expired roll of Portra 160vc (nearly two years I think) shot at 200iso and the Leica IIIc with the Voigtländer 21mmF4 loaded with a roll of Rollei retro 80s.
The film was processed at the usual lab and scanned at home with the Epson v800.
I did a bit of post processing in light room but even without it the film turned out quite well.
Finally meet a resident, this gentleman used to a be a guitarist at the raffles hotel back in the days where hotels had musicians and is now keeping fit in his old age. This is the last shot of the roll hence the slight issue on the top of the frame.
The hassie keep on having problems shooting 12 complete frames, but this time I got lucky.
I am trying to stay true to my promise to de-clutter the film box in the fridge and shoot some 120 film that sometime is expired for more than two years.
So I recently shot a not expired roll of Ilford FP4+ expiring in 2020 over a couple of Sundays walking around Singapore.
On this second shot, a happy groom on his stag day, it is obvious there are some white dots all over the picture. After discussion in the Facebook group “Lets Shoot film SG”. It appears this may be a problem caused by the backing paper of the film after being taken in and out of the fridge. Frankly I am a slow shooter so I am guilty of taking from the fridge more than I can chew and putting it back afterwards, but I cannot remember having seen this problem before.
I kind of understand this is more common with Ilford which I rarely shoot, that is not encouraging me to do more (I still have a roll in the fridge, damn )
Pearl Bank Apartments is an iconic housing block in Singapore cityscape, built in 1976, it what is referred as brutalist style (Although Landmark tower nearby is more pure brutalist), it has now been sold and is empty since the end of April 2019.
It will be demolished and the plot redeveloped ; this is the traditional buildings life-cycle in Singapore.
The white dot issue is also quite prominent on this shot
The friendly waiter was shot wide open at 1/60th handheld, explaining the slightly off focus.
All done with Hasselblad 500CM and Planar 80mmF2.8
I realized when doing the math at the end of the year that in 2018 I did not shoot much medium format film. I must say that my only working condition camera is the Hasselblad 500 CM which is not so easy to grad around for my casual shots.
One of the consequences is that my film box contains now mostly 120 film, some starting to be expired for more than two years. Not that I think that the are going to be wasted, but it is never a good sign.
So I have now decided to bring the Hassie along for casual shooting. There will probably be less people in the coming rolls as it is not greatly suited for “street” shots, but probably more city views from a local tourist.
Hong Lim park
I think this is my last roll of the Cinestill 50D, part of the Kickstarter package. I quite like this film in the end as per my last post, it s quite punchy, is easy to scan. And slow speed is fine in good weather and daylight. I am not sure I ever shot many films with the Hassie at night or dusk.
One thing the lead of the film is gooey so when you remove the lead you will often end up with some parts of the back that take up the film being sticky, and some goo ending up on the roll as in the first Hong Lim shot.
What took me so long to write the next post? Frankly no idea. I probably said that I have a few other projects, like running a half marathon in June and also keeping an eye on the counter of the bike so I beat my mileage of last year. Plus a couple of family, friends and (yes) work related things adding up.
Nonetheless I keep shooting, so here are the digital shots of the week end before Chinese new year. These are shots with the now familiar Leica M262 and the not so faithful Summilux 50mmv2.
The Summilux is back focusing a bit but I think I manage to compensate for it now.
Traditional CNY outing is in Chinatown, where you can find a lot of stall selling food.
And a lot of people hanging around, shopping or not.
Amazing enough this year is the year of the Pig again, meaning I arrived in Singapore 12 years ago and completed the cycle of the Chinese zodiac.
The 50mm is a bit tight sometimes as below; I must say I am a recent convert to the 35 focal length.
Below one of the many murals in town inspired by local life as it was a few decades back.
So here we go, back from Ruby here are some shots of the last roll of the year shot exclusively on the last day of the year. This was an initiative of Low Che Ng from the FB group Lets Shoot film SG.
I loaded a roll of Kodak Colorplus 200 in the Leica IIIc and Summaron 35mm F3.5. This has been my walkabout set for 2018 so it was justice that I used it for the last day of the year.
I am not posting all of the 38 shots of the roll; shooting a full roll on a single day on my own was a bit challenging, but good fun.( I did four shots of the view from my flat to finish the roll). So given the constraints here is my (wide) selection, not art mind you.
A couple years back I participate in the kick starter campaign for the launch o the CineStill 800 medium format film. I ended up (with a slight delay) with a nice T shirt ( (I spare you the picture for the time being) and a few rolls old the said film.
I have already shot a few rolls and I must think of going through the reminder before they expire. The Hassie also did not get much action this year so I loaded a roll when I went to the Leica User Group Singapore outing to the Red Hill market area.
Above is the best shot of the roll. This lady sing sings the market for the greatest pleasure of the people around. The film was rated at 640 ISO, the day was a bit overcast but most shots were done about F11 1/250.
This is the seventh month of the Chinese year and it is the time were the dead visit the world of the livings and displays of religious artifacts as above are common over Singapore, to please them and let them go back in peace.
We also took a tour of the Red Hill close estate, a public housing estate set for redevelopment.
I did not manage to shot the whole 12 frames in the morning, so I went last week in Chinatown to finish the roll on the lantern festival. I shot the remaining frames at F4 1/60s.
The above is quite OK, the below is not. It is seems a bit difficult for me to measure the light for this kind of scene.
Shot with Hasselblad 500CM, Planar 80mmF2.8 lens, and a tripod fr the last two shots.
The film was scanned with Silverfast and Epson v800, with bit of white balance and contrast and exposure adjustment in Lightroom.
These are pictures taken during the LUGS (Leica User Group Singapore) outing in August to the area of Redhill in Singapore. Redhill area is accessible by MRT. Places of interest are the newly renovated market (dried goods, meat and veggies, but also religious artifacts) and the soon to be demolished Redhill close estate.
Picture were taken with the Leica M6 classic (mine is black but that does not affect the pictures) and my new, Summicron 35mm Asph v2. In my opinion this particular version has not a big added value on film, but it seriously kick ass on digital.
I used the two rolls of Ultrafine Xtreme 400 film. This is the first time I hand roll film myself (I bought a 100ft roll and a bulk loader, for 100$, this is about 18 roll of 36 shots for roughly 5.5$ a piece). I shot 14 rolls of it so far this year, this is quite a good film, with fine grain and good contrast. I don’t develop myself, but my local lab does a good job with it.