What took me so long to write the next post? Frankly no idea. I probably said that I have a few other projects, like running a half marathon in June and also keeping an eye on the counter of the bike so I beat my mileage of last year. Plus a couple of family, friends and (yes) work related things adding up.
Nonetheless I keep shooting, so here are the digital shots of the week end before Chinese new year. These are shots with the now familiar Leica M262 and the not so faithful Summilux 50mmv2.
The Summilux is back focusing a bit but I think I manage to compensate for it now.
Traditional CNY outing is in Chinatown, where you can find a lot of stall selling food.
And a lot of people hanging around, shopping or not.
Amazing enough this year is the year of the Pig again, meaning I arrived in Singapore 12 years ago and completed the cycle of the Chinese zodiac.
The 50mm is a bit tight sometimes as below; I must say I am a recent convert to the 35 focal length.
Below one of the many murals in town inspired by local life as it was a few decades back.
The Leica User Group Singapore (LUGS) organized an outing last week (7 April 2008) to the Kebun Baru Birdsinging Club.
The Hassie came to the party loaded with a roll of Cinestill 50D. Here is the result. The Kebun Baru Birdsinging Club is place in Amg Mo Kio, central Singapore, where bird lovers have their pets compete. In both singing and look competition.
It is a beutiful places with both shadow areas with low hanging bird cages but also a wide open space with high poles were cages are hoisted by a pulley system.
(The above rectangular shot is due to an issue with the Hassie back frame spacing)
On competition days judges are walking between the birds and give notes.
The title is a bit pedantic, but actually it came from something very down to earth. I recently reviewed 30 years on pictures for a small personal project and the experience was both fun and sad. The fun side came from the obvious pleasure of looking at them : the reason why we like photography. The sadness was brought in by the shots I did not take: these long lost friends I have no portraits off, this great week end, that awesome holidays; my first car, but also for the lack of quality of some shots, making them unusable for my project, and just plain depressing : how could have I done that?.
This lead me to reflect (quickly) on the quality of the many shots I take, and my overall photographic journey. A bit further in my thinking came the idea of sharing how I select my shots maybe for a rolls or two.
I just collected today a roll of Ilford Delta 100 from the lab, it was shot with the Leica IIIc and the Summaron 35mmF3.5, over two weeks of relatively no inspiration and crap weather. So maybe this roll is a bit more lame than usual, but let’s see.
During my trip to Melbourne where I discover the FilmNeverDie shop, I bought a couple of rolls of their SHIROKURO but also one roll of JCH StreetPan 400 film (why only one?)! I am always looking forward to try new or uncommon films, this is part of the magic of chemistry of film photography, to make me expected something new and exciting that does not depend on my technical skills (if I have any) to happen on the roll.
You can find the announcement of the film and read more about it there.
This does not look to be a re-branded film as the negs have the mention JCH.
This is not a technical review, I am by noway an expert, I understand that pan chromatic does not mean much other than a reproduction similar to human eye. Not sure what this means for black and white. This film is supposed to have a higher sensibility to red and a low grain.
I loaded the roll in the newly repaired Leica IIIc, and the following shots are done during Chinese new year in Singapore using a Summitar 50mmf2 lens. The Summitar is a bit back focusing so this is probably not a proper set-up to judge the quality of the film, but I have a soft spot for the IIIc.
Exposure is measured with a handheld Sekonic 308s lighmeter.
This picture is shot under a red tent and gives for interesting palette of grey, probably due to the sensitivity to red.
For those who wonder, this was processed by the usual lab used by Ruby photo, no idea what chemical they use.
The grain is actually quite controlled, and the sharpness, if you keep in mind this is shot with a vintage soft lens, is quite good. I am not a big fan of high grain film like the TriX (although I use it a lot), and always preferred the soft TMAX100 or Fuji Acros
Actually the contrast is quite smooth, unlike the Rollei Retro 400s I used recently, so for higher contrast scenes it gives nice gradation of grey.
Even this night shot with back-light could be salvaged and give a nice rendering.
All in all this is quite a satisfying experience, if I manage to get more rolls they’l deserve to be shot with a better camera like the M6 or the “never-fail” EOS 1N.
JCH has sold all his stock, so only retailers will have some rolls now, until more are produced. I don’t think anybody has some in Singapore but you can find a list of suppliers on the JCH web-site.
On the second day or the mourning, the body is mister Lee was visible in the Parliament house. A large crowd attended the transfer itself early in the morning. From then the body of mister Lee was visible for the public inside the parliament.
A large queue started to form and when I stepped outside of home and head to the river, by 3pm the queue was zig zagging along more than 6km to end up around Clark Quay.
People with flowers were trying to reach the start of the queue
The queue was turning along new bridge road up to Hong Lim park. Luckily there was shade for most of this stretch.
Not so lucky were the people still on the bridge.
The police organized the queue, but everybody was polite and patient it seemed. No the policeman is not pointing at me.
Some more far-sighted people have brought umbrellas and seats.
Staff from Song Fa Bak Kut Teh shop were distributing water to people in the queue passing by their shop.
I made it to Canvenagh bridge in 30 minutes, probably it will be 4 hours minimum for the people in the queue and from here a good one to two hours extra to get the parliament. I could not cross so I walked back along the queue.
Opposite the Fullerton hotel, some guys were distributing water.
Another refreshment point in front of Maybank
The queue passed with Marina Bay Sands in the background, the latest Icon of the capital city.
I really hope this woman did not have to go back all the way to Clarke Quay to queue. People I met at this point had no idea how far the start of the queue was.
Today’s walk from the back of the queue up to Cavenagh bridge, took me a good hour.
So the last week-end before the start of the year of the goat I went with the family in Chinatown. I brought the Leica IIIc and a couple of lenses actually 3.
Most of the shots below are done with the infamous back focusing Jupiter 8, 50mm f2.
Quite fun anyway.
Chinatown is very busy around this time. People shop for food, decoration, or just stroll around.
These two guys selling chestnuts are here all year round
But other stalls are just temporary,
Just selling nuts
or fruits in the side of the street
Some of the sellers are coming from China just for the event, or so have I been told.
Sausages and cured meat stall.
This was the first time I use Kentmere 100 ISO film; reasonably cheap, I understand it is manufactured by Ilford now. As I rarely use Ilford product (except fro Pan 50 and Pan 400) I cannot really tel how it compares to FP4 for instance. Nothing to rave about, I’ll probably finish my stock and go back to Tmax or Rollei RPX 100.
All the rituals are starting again with the new year and the “Singapore Photo Walks” organized by Bernard Goh are part of them.
My son loves them because of the lunch that follows in local eateries; they are quite informal and Bernard makes his best to bring us to interesting places of Singapore; we go some new places and we also revisit some. This is not very technical outing, but discussing gear and techniques is always part of the outing. I realized I am no more the only film shooter ; some ladies came last summer with some Canon or Olympus SLR and last month Mano turned up with a Leica M4-P.
So January was time to go back to Pulau Ubin; Ubin is small island at the north east of Singapore, 10 minutes from the cost, in the middle of the straight between Singapore and Malaysia. This is my 3rd or 4th time there but the first with the group. Taking the boat is already an adventure, they are some oldish style motor boats that take a dozen people for the ride from Changi Village.
The walk was actually a ride, as Ubin is known as a cycling place among Singaporeans, there is not traffic apart from a couple of local cars and taxis; the island is flat. This is the first time I cycle there, I normally prefer to walk.
Cycling implied that the gear is kept to a minimum. My son took his Nikon p7100, I took the folding Agfa loaded with TMAX100 and the Leica M4 with some Rollei Slide film.
The discovery of the day was the Wei Tuo Fa Gong Temple ;it really made us feel like being on holidays in one of the surrounding countries.
The kitchen inside a village (Kampong) house on the island of Pulau Ubin. The man leaving there is selling drinks to tourists cycling by; I think he cooks just for himself.
Singapore is so small we also managed to bump into some friends I have not seen for a while; we dropped out of the group for lunch back at Changi Village and had some Ipoh hor fun (noodles with chicken) at the hawker center.
The rangefinder of the Agfa is not fixed nor is the winding knob, but the guessometer works just fine thank you.
Second part to follow with the slides soon as they take a good two weeks to process and this week most business were closed for Chinese new year.