And here is the second roll shot with the Hassie in London last month. Kodak Ektar 100 shot at 100, with Hassie 500CM.
Friendly climate activist (Aren’t they all?)
I use a handled Sekonic L-308X, that is overkill for the job, but I had to change my last one after 10 years of service, some soldering broke, and I though about finding it a new home and treating me to a new meter.
I am impressed by the 3D pop on this shot. The hassie is a great ice breaker. I really like these first two shots.
A bit of Easter spirit was still hanging around.
We bumped into Malaysian students around Borough Market, chit chat about Singapore and Malaysia and took a few pics and weefy.
I was quite intrigues when I arrive din London to see these street shops selling food for cabbies and probably the general public also. I never tried though.
A colourful block near Victoria station
Film processed and scanned by Analogue Lab in Shoreditch.
So the good news is that yes the Hassie made it to London. It looks a bit more used than I remember, from when I used it last in Singapore, last year un June. A different time a different place.
For those who picked this blog recently , my Hassie is a 500 CM with the classic 80mmF2.8 lens. I am lucky enough to own the hood for this lens, but also an original strap 9or a knock off) and a second back plus a couple of filters.
I picked up the Hassie probably 8 years ago when I wanted a bit better medium format that my usual folding Agfa. I used the Hassie quite nicely and carried it quite a bit around the world : France, Italy, India, Sri Lanka and more.
The Hassie is a great camera but I kind of fail out of live with her. Well first I invested so much in the Leica system that I have to justify spending the money. But also as I was warned the Hassie is a big, heavy beast, not super fast to use when you are walking around.
I think its pretty good for an outing with photog friend or a photo-walk on your own, definitely not a carry around camera when walking 15K a day on weekends with my wife.
Anyway… this is however a great camera, I I still enjoy using it, and also I shave a few films around, particularly a box of Ektar 100 that I bought before leaving Singapore.
I like the particularly vibrant colours of this roll (and the next). Processing was done by Analogue Lab in Shoreditch once again.
One thing the Hassie is for sure is a conversation starter.
So after Roll15, here is Roll14. This one is a bit late as I had to bring it to the lab and it took me the whole week to do it. Well so here is a beautiful roll of Kodak Ektar, processed and scanned by Whampoa color. The roll was shot with the Hasselblad 500CM with the kit lens (Planar 80mmF2.8), as last Sunday I stick to the rule, one camera one lens.
So these are 12 shots done when I met Ez in Joo Chiat, you can see him in one of the shots.
It was a beautiful morning, with a lot of light (and very hot), I shot the Ektar at 100 measure with the Sekonic 308x. As usual there was not a single AA battery in sight at home, so I started my photowalk by scouting for batteries.
So when I brought my last roll of Portra to the lab the uncle coaxed me into buying some Ektar 100, not wanting to look mean I bought not a roll but a box of 5 rolls. I must say this is a decent deal as it comes with five coupons of one dollar to be rebated of their processing. If I remember correctly this is 52 dollars for the 5 rolls and they do processing + super decent scanning at 11 dollars (Singapore Dollars).
I shot Ektar before, but mostly in 35mm, I must say it pays credit to the claim that it is the finest grain film. So I loaded the good old Hassie 500 CM with my first roll and hit the road to give it a try.
12 shots on a 120 roll is not much, but walking through overshot areas on a Sunday afternoon, it can be quite a challenge to finish a full roll.
We walked from home to Tiong Bahru, then headed to Chinatown. The Straight Clan is where the Majestic hotel used to be. I spent 5 weeks in this hotel in 2006 and have some interesting shots from the construction site period, when it was converted. Maybe I’ll share this some time.
We moved to the Buddha tooth relic temple where I notice the Buddhist flags which where not there last week ( you can check the post) and I though it was a nice opportunity for color sampling and smooth grain demonstration.
In Chinatown every year temporary stands selling goods for the occasion the Chinese New Year appear and disappear in a mater of a few weeks. Generally they close late on the eve of the New Year day. This year everybody was masked, there were less stands as the people coming from other countries could not enter Singapore. If you want to ne picky, the focus is on the cage bars, not the seller.
Exiting Chinatown, I took this shot of the Ox silk paper statue. This is not the best angle as it is quite busy with the traffic lights posts and cars. The best angle is diametrically opposite I think. But you can see here how nice and bright the colors are.
Nice mural on Substation, an art center on Armenian Street, close to the Peranakan museum. Substation used to host gigs and has a broad program, with what seems to be a focus on the street / youth culture.
The last shot in order to finish the roll : a mundane view of the Rendez-Vous Hotel at the bottom of Orchard Road. Totally uninteresting but very nice blues.
Hello, here is the first post of the new year. So let me whish you a happy and prosperous new year, happy 2021 everybody, lets hope the situation will improve and I won’t spend the next 52 weeks shooting the same parts of Singapore again and again. And of course the same goes for everybody (Of course a lot more serious things need to be fixed first before our hobbies can be considered).
So these are pictures from roll #51 of the year 2020, another trip with Geylang Lorong 3 with the Hasselblad 500CM loaded with a roll of slightly expired Portra 400. The Roll was shot at 320 ISO, processed and scanned at Whampoa color center and slightly adjusted in Lightroom.
The sky was cloudy that morning, but colors are quite vivid. I forgot to bring a light meter so I used the Keks EM01 light meter that was on the Leica M4 and changed the ISO when switching Camera. It looks that I managed not to f*ck up any shots.
The last shot has a defect as I think thing the back has an issue with the spacing of the frames, so part of this shot went over the end of the film.
The blog got 4000 views n 2020: 2.5 tomes more that last year : thanks to all the readers for stopping by. Also on days to come, I have a nice roll shot with he M4 on the same location, and of course as every year the summary of what I shoot with which camera and some other silly stats.
The cemetery is home to about 3000 graves, below which urns of ashes are buried. Unlucky for me the place was closed when I reached there after a 40 minutes bus ride. I could still make a few shots, but there seems to be some very interesting views to catch so I will try to go back at a better time.
Today’s pictures where taken on Ilford Pan F 50ISO film with the Hasselblad 500cm and 80mm F2.8. They were processed soon after in Caffenol using the batch I prepared last week, then scanned with the Epson v800. I had 3 shots left when leaving the cemetery, so I head back in town. I made a first stop at Tiong Bahru at QiTian Gong temple. It s the 100’s birthday of the temple this year and it has been renovated, but due to the Covid there are no celebrations this year. You can find pictures of past ceremonies there :
After this I head to the old railway station which is under work (no idea what is suppose to happen to it in the future) and finally to the small Hock Teck See Temple, a small Taoist temple surrounded by construction sites.
Yes this is a about Caffenol again: after a few rolls ranging from total failure to barely acceptable, I finally got two rolls who turned out pretty good yesterday. I must say that I finally received the pure vitamin C powder so this brew is more deterministic that the others. I also stick to reducing the ingredients by 1/4th as I use a .75L bottle to store it. I used the times derived from past experiences and the Massiv Dev Charts site. So for this Rollei 80s I used the mix at room temps ( about 28/29 Degrees) and 5’25” from when I started pouring to the time I poured out.
The result is pretty good, contrast is fine, there is little dust on the negatives and scanning goes without problem.
I ll keep doing this a few time before maybe trying to cool the mix a little in order to have more leeway in playing with the dev time.
All shots with Agfa Isolette III on Rollei Retro 80s. Oh it is noticeable on some shots that markings from the film backing paper can be seen, but this roll (I have 2 more) are 2 years expired are spent the last few years in the humid climate of Singapore so it may explain why.
… and some friends from the HUGS (Hasselblad User Group Singapore), just before we could not hug anymore. A very small mid week post, 10 shot of a Rollei Superpan 200.
This is taken with a Hasselblad 500 CM with the Planar 80mm F2.8 CF, processed at my usual lab and scanned at home with the Epson v800, and edited in Lightroom. I don’t particularly like the Superpan, but I must admit it was OK on this occasion.
Saturday Low Che Ng, the man behind the facebook group “Lets shoot Film SG” organized an outing in Toa Payoh area in central Singapore ; mostly visiting two markets (apparently there are more around there)
I packed a bit too much gear, but mostly for this post, I shot two rolls of Cinestill 800 with the Hasselblad 500cm and 80mmF2.8. The films were processed in express by one of the labs we still have here : Konota. They were scanned at home on the Epson v800 and Silverfast, using the Portra 400 VC 6×6 profile.
I never really managed to get perfect exposure with the 800T, but generally I shoot them at 640 and process at box speed, giving it a bit of over exposure. The markets were very nicely lit and indoor and shots were generally done at 1/125 F4.
The first market has a first floor hosting a few stalls and giving a nice view of the ground level.
The reluctant model (I will print and bring her the picture in order to appease her)
For outdoors shot I did not use any filters. Just a bit of post processing in Lightroom ; it looks like the color rendering is quite OK.
These two rolls are dating back from the kick-starter project of the Cinetstill 120 format, it appears they survived nicely in the fridge (there are 3 more there).
The second market (Toa Payoh Lor 7 Market I think) is a bit smaller in term of food but the hawker center was quite busy and nobody seemed too bothered by six photographer hanging around.
The amount of detail in the shots is amazing despite of the grain, in the shot above at full size, you can see the cigarette butt glowing.
A lot of sitting and waiting it seems.
And playing with phones
At the back was a small shrine attended by the lady with the green hat.
And finally a stall selling the king of fruits : Durian.
As for every activity in Singapore we have a fodd break, tasting an amazing carrot cake at xin ji fried carrot cake (for non Singaporeans you have to google to check what this is, and come around to try it) .
I also did two half rolls of B&W in 35mm so maybe you will hear more about the Toa Payoh markets soon.
Last week I went out with fellow members of the “Lets shoot film SG” group, in the area of Arab Street in Singapore. The intent was to shoot the crowd : this has became a very popular spot now and there are many opportunities for candid shots.
I loaded the Agfa Isolette III with my second roll (on 3) or Pancro 400, to see how it fares with a slightly better camera. I must say this was not some precision work, the uncoupled rangefinder is not working so the distances are guestimated and I preset the exposition most of the time. I put the original yellow filter (probably 1/2 stop) in front of the Apotar 80mmF4.5 lens as well as the aluminium hood for good order.
The film was processed at the same lab as the first one, I was not told the film need pushing this time, so maybe they worked out how to process it “normally”, go figure!
The results : as the first film, this one came fairly flat from the lab and was easy to scan. A bit of tweaking in Lightroom, et voila!
Is it the conjunction of the small aperture used and / or the yellow filter? The results surely have more contrast that my first roll but still shows pretty smooth tones, and no hard contrasts. Highlights were easily recuperated, underlining the claim to large latitude.
Something keep on surprising me ( as I also just scanned my first roll in 35mm format) it is that this film manage to be quite grainy and still preserves an impressive amount of details even in under or over exposed shots (no shown here) or areas.
I will shot the last 120 roll with the Hassie; maybe I’ll try to do some portraits to see if in a more controlled environment something else is revealed.