Haw Par Villa on Film – Singapore

Back to Haw Par Villa after exactly 6 years. Nothing changed much, appart we all grew older; well and there is also a MRT that goes there now.

 

 

Different gear though bye bye the Nikon D80 Dslr.

The Leica IIIC back from the second turn to the repair shop; it looks like it’s working ok now.

Summitar 50mm f2.0 or Voighlander 21mmF4

Film: Kodak Ektar 100ISO

 

 

Haw Par Villa on Film – Singapore

The Leica IIIc is back from the shop

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The Leica IIIC has shown some defects in the summer after 6 or  rolls shot. One of rolls was showing a white line 3/4 horizontally and one roll from Taiwan was half black. Both defec

ts were characterized by the web and the repair man as issues with the curtains. The repair man was quite frank and told me that well this was a nice camera, but not as much though after as a IIIf, so I may consider if I want to repair it or not. But after much thoughts and a bit of walking into various shops I finally decided to have it done.

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I am not sure I would dare give the price of the repair; but let’s say that it is more than what I paid for the body. 2 long weeks to wait (Time ) and here is the beast. The old curtain sure shows some holes and the new one looks …. like new. The body is uber clean and the guy has cleaned the rangefinder and the viewfinder and it’s a pleasure to peep through them.

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Now for the story I went to my lab next door and bought a roll for test (Kodak trix, what else) but when I started asking for a pair of scissor to proceed with cutting the lead, one “specialist” showed me the proper way to load the film without cutting … 2 hours and 36 shots later I realized the operation failed ! Damn’it

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Also after 36 missed shot and two films (including these pictures) the trigger is locked in depressed position and I have to bring it back to the shop (still waiting for the verdict, but I suspect this may be either something that went wrong during the repair or related to the savage loading).

Anyway, I did a bit of way around with the Summitar 50mm F2 for the first roll and here are some shots.I really like this small camera, but I hope I will get it in a better shape soon.

Below taken wide open at dusk, probably 1/60s F2.2

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First picture in Chinese Thanks Giving on orchard road in Singapore

Three next are taken during the night at a restaurant in Chinatown Singapore

The Leica IIIc is back from the shop

14 Juillet 2013 – Cannes – France

So actually on the french national day I was going to the market and I came across a guy in traditional dress holding a drum so just followed and realized he was going to the local celebration of the national day. I took a few shots with the Dacora Digna, my beloved holiday camera, and with the LeicaIII that I brought with me for the summer holidays back home.

French National Day
French National Day

The Leica shots are done with the Summitar 50mmF2 on a Rollei RPX 100 Film and I managed to ruin the shots by trying to process the film at home using the Caffenol method. The film was not well developed and very difficult to scan, hence the grain. I’ll come back on the Caffenol story later.

 

I like the shot I called “The photographers”, the Asian tourist with her phone on the foreground and the official photog in the background.

14 Juillet 2013 – Cannes – France

The Leica IIIC

The Leica IIIC and Summitar 50mmF2

So this is my latest acquisition, a vintage Leica IIIC, built soon after World Word III (1949 if you believe the literature) and the associated 50mm, a Summitar F2, which himself was probably made during  war (1940 if you believe …).

Hold of your horses, I did not break the piggy bank to get this little fellow, the body was around 200 USD and the lens on the top 300, all postage included.  So I could respond to my Leica envy without getting into any argument at home (nearly no argument).

This is a very nice piece of kit to handle, and since May I already did a few film with it.

The only annoying thing I would say are the separate windows for focusing and framing; but I’m getting used to it. The other specifics, like cutting the film trailer for loading or the rewind knob are easy to get used to. There is also a little lever on the top left of the body that acts like a dioptric adjustment and which I welcome very much.

The LeicaIII was part of the film only trip to Taiwan, and came with me in France, but that’s another story.

Sharp Dressed Man : From the first film with the Industar 50mm F3.5

Ice Man: This time with the Voigtländer Color Skopar 21mmF4

Keong Saik Road: With the Summitar 50mmF2.0

The Leica IIIC