Yes another roll of Cinestill 800T (35mm)

I shot the last of my Cinestill 800T 35mm rolls during the last holidays in Japan. This is the last roll from the batch I ordered from UK a few years back when it was first released. I must say that I am quite satisfied with this one.

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The roll was kept a couple of years in the fridge but had also traveled by plane in many occasions, because it is not so easy to make up your mind to shoot a 18$ roll of film rates at 800 Iso and specified for Tungsten light.

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The roll was shot with a Leica M6 camera and one my Summicron lenses, 35, 28 or 50mm.

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Based on my former experiences I rated the film at 640 ISO on the M6 ISO dial and off we go lets shoot happily.

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The first few shots are taken at night in the popular area of Dotombori in Osaka. Neon lights, restaurants and people, that works great for the 800T.

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When shooting at night the M6 meter, which does center averaged measure, will have a tendency to overexpose : your subject is bright surrounded by a lot of darkness, so the reading will tend to overexpose. I generally underexposed by a step of diaphragm or the next speed to get the balance right.

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On the next day we were off to Nara to visit its park and temples and the 800T was still not finished. The following shots were done without filter.

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The above shot has tints that reminds of Portra 400, so it is not that bad. I tried to shot as open as possible which explains the softness. The M6 speed is limited to 1/1000 second so shooting in daylight with a 640 ISO film does not always give you a lot of latitude in term of aperture.

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But shots taken in the shade allows a wider aperture and to play with out of focus.

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The next few shots are taken in restaurant in Takamatsu the main city in Kagawa prefecture.

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The south most part of our trip was Hiroshima where we visited the peace memorial.

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At this point I played it old school and rewind the film which was about 28 shots and store it aside. I loaded a roll of Rollei CR200 slide film and when back in Osaka, I loaded the Cinetsill back again, put the cap, turn the aperture rint to on F22, set the speed to 1/1000 and fires 29 shots to find more or less the point where I was last and use my last 8 frames below:

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Yes another roll of Cinestill 800T (35mm)

First try of Cinestill 800T

My sson Noé in Shanghart gallery, lightened by Tungsten bulb

Cinestill  produces a tungsten film (the 800T) based on motion picture cinema film; they pre-process and package the film so it can be used in 35mm cameras and processed in any C41 capable lab.  Cinestill also had a daylight film and planed to offer a 120 format film, but if I believe their web site (http://cinestillfilm.com/) all products are sold out at the moment and the kick-starter project for the 120 format did not get off the ground.

“Lock Road” sign in Gilmore Barracks , overcast daylight

You can however still buy some film in some online re-sellers or in brick and mortar shops. I have 5 in my house in France waiting for me that I ordered from Firstcall Photographic Ltd in the UK and I bought this one in the Lomo shop in Chinatown in Singapore. This is quite a costly film, Lomo sold it around 16 SGD and Firstcall 13 (so around 8 EUR or 10 USD). Processing is standard price so around 8 SGD here. All in all this is quite expensive for casual shooting.

Lavender Food Square, probably accounts as daylight (dimmed)

Picking the camera to try a new or special film is a bit tricky, I do not want to blame the gear for missing shots or bad exposure, so I decided to remove the dust from the F4s. Unfortunately it appeared (once all loaded) that the auto-focus was not working any more. Well we have a say in France that for every bad thing there is a good one coming. So with no AF working I was allowed to pick up a manual lens; that was the small and sturdy 50mm F1.4 AIS. But I must admit it feels silly to carry such a big beast of a camera with no AF.

My friend Oliver aka the Walrus, artificial light but I cannot say it’s tungsten

After google-ing a bit I decided to overexpose the film a bit and shot it at 640 ISO and processed at 800. This is a Tungsten film, for those who do not know it is to be shot in scenes lightened by tungsten bulbs. Daylight shots should be done with a 85B color filter; I have done none of this and tried to manage the white balance in Lightroom, but I think I’ll get the proper filter next time (quite inexpensive).

My friend Fei, artificial light but I cannot say it’s tungsten
Many Heineken bottles, artificial light but I cannot say it’s tungsten
“Fat leo’s” team; artificial light but I cannot say it’s tungsten

Camera:Nikon F4s
Lens:Nikkor 50mmF1.4 AIS
Film:Cinestill 800T

First try of Cinestill 800T