A short post with not many words for the roll 14th of the year 2021. This is a roll of Ilford HP5+ hand-rolled from a bulk roll. I thought I counted 30 frames but it looks It did not count well and could just fire 25 shots.
I dug out the Leica M4 from the box and screw the Voigtländer 21mmF4 Color Skopar in front of it, set the 21-24mm finder, put a battery in my Sekonic light meter and hit the road.
The roll was processed at home in Caffenol Delta. I put a 6th of the water from the fridge to cool down the very hot tap water ( 29 to 30 degrees), and used the usual dev time (4.41 minutes) for the delta recipe. It looks it had a positive effect as the negatives were not as dark as usual.
The film dried overnight and was scanned today. After scanning there are a few dusts specs and white spots, but all in all a pretty successful processing.
A pretty mundane set of pictures : after 15 month without leaving Singapore, I start to be a bit bored. No big celebrations are happenings, it s a bit more of the same every week ends.
I shall not complain too much as the weather was pretty good that day, instead of the usual downpour we get on afternoons these days.
Luckily sometime the unexpected steps into the frame
Or you have lunch with friends
And suddenly when you feel you are finally in the mood, the film ends.
A few weeks back I was in Riceball Photography shop where our friend Leon tempted me with the new Voigtlander 21mmF3.5. This is a beautiful lens, particularly with the metal hood attached. I had a try on my M262 in the corridor of the mall (below) and also a week later on the M6 (above).
I was very enthusiast about the test shots, very sharp, no distortion to my eyes, no color shift on the digital sensor, unlike the test I did of the old Super Angulon F4 a couple weeks before (see below).
At a price of about 800USD, even when adding the hood (100USD) and the finder (200 USD for 21-25 metal finder), this is a steal for a bout a third of the price of the next Leica lens.
VC21mmF4 on M6 with the 21-25 VC finder
At this point I came back to my senses and remembered that I bought a 21mmF4 Color Skopar back in 2013, to fit the Leica IIIc. This lens did not get a lot of love for the following reasons : the plastic finder is shait and was replaced once and repaired twice, the color banding on the digital bodies is awful, more subjectively I have a bit of difficulty with the 21mm : I always end up with skewed perspectives that I don’t like very much and also, yes, 21mm is very wide.
Street shot : VC21mmF4 on M6 with the 21-25 VC finder : 21mm is wide but gives very dynamic shots
So the reasoning was that, as I have a 21mm already, why not try to address the finder issue first and if I still don’t love the 21mm then there is no point getting a new one. Of course that does not address the digital issue, but everything in its own time.
Vertical framing checked, VC21mmF4 on M6 with the 21-25 VC finder
So lets hunt for a 21mm finder. There is a bit of choice on the market : the plastic VC, the metal 21-25 VC, the old Leica in plastic or metal version, the Leica Universal Wide Finder. Ken Rockwell vouches for the plastic version of the Leica, but I ended up with the VC metal version that Riceball provided me in two weeks.
More vertical framing checked, VC21mmF4 on M6 with the 21-25 VC finder
The VC metal finder is a nice piece of kit. It feels very good in the hand, (it better for about 200 USD), fits the cameras (IIIc, M6 and M262) and provide a nice view. I immediately tried it on the digital body and on two rolls of film. and I must say I am pleased with the results.
Horizontal framing checked, VC21mmF4 on M6 with the 21-25 VC finder
More Horizontal framing ( VC21mmF4 on M6 with the 21-25 VC finder)
More vertical and back light( VC21mmF4 on M6 with the 21-25 VC finder)
So now what about the 21mm? Well I will probably have to shoot more before I decide, but already I think going back to my VC 21F4 by buying a new finder was a smart move : shall I love the 21mm and get the new lens, I already have a finder, shall I want to sell it I have a full kit now, or maybe I can just stick with the 21F4 for a while.
The 21 is very (very very) wide, the three street shots in this page were taken at about 2 to 3 meters from the subjects and they feel like I was miles away, so I will really need to step very close for my candid shots.
I generally shoot 28, 35 and 50 Summicrons, so I must say that F4 is not mindblowing, but this is minor. On another hand the 21F4 is very tiny and pleasant to use, so I feel very comfortable when walking around that I look inconspicuous.
On a final note about the color shifting on digital bodies, some of the Leica profiles help correct it, I think one the 28mm F2.8 profile provides better results that others, have try.
Film color shots done on Kodak Portra 160NC with Leica M6 Classic
B&W shots done on Kodak TriX with Leica M6 Classic