Thaipusam 2020 on film

Another long post, but I don’t fill like splitting this story up, hey that’s my third post about Thaipusam this year.

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The first Kavadi bearer

On arriving at Farrer park MRT, we met our first Kavadi bearer.

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Pots bearers

And then more devotees waiting for the traffic light.

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The little devotees

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And the older ones

Then when moving inside the temple the devotees are assembling the Kavadis

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or prepare their offerings

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While others use their phones to snap their friends.

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Looking proud
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Family and friends accompany the devotees.

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The drummer
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A member of a Chinese groups of devotees (and a friend of a friend)
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This one goes into a trance.

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Pictures above are taken Ilford HP5 shot at box speed, I used not to be a big fan of this film, but actually I am very satisfied with these results. The pictures after are done with the Kodak TMY 400, not exactly my usual Tri-X, but i generally quite like it.

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Actually I don’t see any difference, so I may shoot more of the cheaper HP5 going forward.

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Still osculating but looking more steady.

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Holly smoke

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One of the priests of the temple

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Preparation is everything

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All shots with Leica M6 Classic and most of them with the Summicron 35mm F2 AsphvII (the last version), processed at the usual lab (well dropped at Ruby and they get the usual guy do the work) and scanned at home with the Epson v800.

Thaipusam 2020 on film

Christmas in Vietnam (Roll 1)

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I think this one  is a great cover.

So off to Vietnam for Xmas 2019, for a bit of chilling time over Christmas. In the bag, the usual kit, M262, M6, 28,35 and 50 crons and of course a couple of Tri-x rolls.

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Hanoi is a great place to shoot. People are friendly and generally not photo  adverse. There are so many pictures to take, that if you cannot take one, just walk to the next.

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As usual, the M6 is most often mounted with the 50 cron, that ensures a reasonable distance for candid shots.

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Street side food vendors and their patrons are still a great subject.

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I was last in Hanoi 10 years ago and the traffic has not changed, crossing the roads still feels like an adventure and motorcycles are omnipresent.

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We arrived late on Christmas eve, so our first outing was a walk to Saint Joseph Cathedral on Christmas day. The mass was already going on when we reached and people were standing outside of the church. 2019-38-M6-23-12

After the service an orchestra was playing outside.

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A good opportunity for selfies.

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We walked down to the Metropole hotel, where the two Citroen below are standing guard. I stayed there 10 years ago, and at that time  they could be sent to fetch you from the airport in style.2019-38-M6-23-17

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Grab delivery men are ubiquitous through the city

We then walk north in direction of Long Bien bridge, going through the old quarter.2019-38-M6-23-21

Among many, I met these local photographers and we took shots of each others.

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Finally we made it to Long Ben bridge.

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Where I met the two young film photographers below.

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Hey this was a long post. Be reassured the next roll is not as good.

Christmas in Vietnam (Roll 1)

Roll 37 of year 2019 – Hanging around Singapore

This is one of the last rolls of 2019, finished on the 31st December morning.

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Hong San See temple celebration

It is a Kodak Portra 400, shot with the Sumaron 35mm F3.5 lens on the Leica IIIc.

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Sri Layan Sithi Vinayagar Temple

As usual I shot the roll over two weeks, I was lucky on the first day to stumble upon a ceremony at Hong San See temple around the corner, where deities coming from China to be worshiped here were sent back home by the lion head lorry. A few moments later I went to Sri Layan Sithi Vinayagar Temple in Chinatown for a the temple consecration ceremony after its renovation.

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Rainbow

December is a wet month in Singapore, umbrellas are out (and colorful).

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Focused

Pre-Christmas the Orchard road shopping area was busy.

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Girls in uniform

At the “wings” watering hole in Clark quay I finally managed a decent picture of girls in uniform. I just printed it for them, to give away next time I walk by. This was shot wide open at 1/60 or 1/30.

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Banana
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To the top

The newly opened Funan mall with its climbing wall is just around the famous Peninsula shopping center with its many cameras shop and my fav lab.

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I like the Portra for many reasons, I think it is very good for shots as above with muted colors.

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Orange is the new black

Christmas is also an opportunity to visit churches for office or to watch the Christmas cribs.

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Off to work
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Burning Angel

Finally on the 31st of Dec, I carried the M4 along, to finish the roll. This was to Chinatown again with a group of photographers. Weather was just great.

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I must say I also love the Portra for its saturated colors.

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All shots, Leica IIIC, with the Summaron 35mmF3.5 LTM lens and assorted 35mm Viewfinder. Kodak Portra 400

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Leica IIIc, Summaron 35mmF3.5 with filter, hood and viewfinder

Scanned at home with Epson v800

Dropped for processing at Ruby Photo (not sure who does the actual processing)

Roll 37 of year 2019 – Hanging around Singapore

Thaipusam 2019 – A roll of Ilford Delta 3200

Nearly one year ago, in January, I went to Tank road in the middle of the night to shoot a roll of Ilford Delta 3200 at the Sri Thendayuthapani Temple for the Thaipusam ceremony.

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The orchestra

Thaipusam is a Tamil Hindu ceremony where devotees walk from Sri Srinivasa Perumal Temple in Little India to the temple in Tank road.

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The priests

It is interesting to shoot the ceremony at both temples ; at Little India where they start the pilgrimage or here where they finish it.

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I favor the little India location early in the morning ; it is already very busy, but manageable. But for a couple of years I go to Tank Road in the evening before ; it is general quiet, the action (if I can say so) is more subdued. Pilgrims flow through the temple, receive blessings and walk out.

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At the back of the temple is a resting aera and pilgrim receive tea and nibbles.

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A Chinese Hindu devotee

This year I tried a roll of Ilford Delta 3200 with the Leica M6 and the Summicron 50mm version 5. The result is quite nice, the M6 does a good job once again, the light meter is working very well once again.

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Giving offerings

I rarely shot the Ilford 3200, but must say the result is quite good. The grain is nice but controlled, the contrast is good. As I said somewhere else I think high ISO film give good results if you scene has a minimum of contrast.

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Collecting ashes

These were shot around 11pm, on the first evening, it is very quite just when the priest open the inner sanctum of the temple. Alternatively, you can come around on the next day and take pictures from pilgrims disassembling their Kavadis.

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The inside on the temple of the day itself is over crowed and their is no shortcut, you have to follow the devotees from Penang road, I am not sure how long it will take. Surely a great experience, but you will need a good couple of hours.

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The friendly volunteer
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04790

Get ready I have 2 or 3 rolls of TRIX that I shoot the next day.

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Walking out of the temple

Get ready, this year the Thaipusam procession is expected to start from SSPT on 07/02/2020 from 11.30pm.

 

Thaipusam 2019 – A roll of Ilford Delta 3200

Kodak Ultramax 400 – Oh no I did it again (Took the M4 and VC 21 on the road again)

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SMU

We are entering the rainy season in Singapore now, and film rolls are not easy to finish. So the roll of Kodak Ultramax 400 I loaded in the Leica M4 took a little time to finish. Particularly with a F4 lens and less light, not all opportunities are good,

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At the crossroad

I very rarely shot the Ultramax before, it is a quite cheap film you can still buy in supermarkets in France. My friend Felix, gave me a roll last time I met him, and he get a quantity of them for the same reason.

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Peninsula shopping center

The Leica M4 has no meter so I used my new Sekonic handheld light meter. All in it is doing quite a good job.

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Coleman street

The Ultramax end up being quite a different beast compare to the Portra 400. The grain is more accentuated, the colors get a bit more pink / green hue, the film I got from the lab was a bit more curly, but I am not sure it affected the scanning (with Epson v800).

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Tiong Bahru

The 21mm gave good results again, thanks to the viewfinder again I think. The vertical shots of cross roads gave what I called “dynamic” in my last post; I think they would benefit in being shot a bit lower, like wait level…

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The party is over

… but OK hand metering, range-finding (or pre-focusing or hyper focusing) and view finding are already a lot of actions for a single shot.

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Bincho
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A choir

With the 21mm the subject is often too far as above, unless you come really close to unsuspected subject …

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Fun for everybody

… for everybody’s fun.

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Carlsberg for free

Or willing models as above.

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The Instax team

Or you meet the Fuji Instax team (I did not enter the discussion about Fuji vs Kodak with them).

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Fancy fair

I also had the opportunity to take a few shots at night in a fancy fair and I must say the result is quite pleasant. A bit Saturated, but it looks the film reacted well to artificial light.

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Fancy fair
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Indonesian model

Interesting story here, aspirant photographer and aspiring make up artists from Indonesia using their friend as a model.

 

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SMU : Looping the loop

A  few weeks after the first shot back  at the SMU (Singapore Management University).

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The culprit! 

In case you directly jumped here: all shots on Kodak Ultramax 400 (not expired), with Voigtlander 21mm F4, VC viewfinder 21-25mm on Leica M4.

Kodak Ultramax 400 – Oh no I did it again (Took the M4 and VC 21 on the road again)

Polypan 50 ISO with Leica IIIc and a slow lens

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Crossing strangers

This is my third post about the Polypan 50 and thanks to my friend Felix who is always eager to feed me some more this is probably the 10th roll I have shot.

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The subtle art of panning and the scratched negative

This roll is a bit old and traveled in and out of the fridge a few time, also Felix warned me about the first two frames to generally better be avoided. Finally the film is quite thin and this may result in a bit of struggle when loading the film on the reel.  so one or two early

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Film shooters unite

So this particular roll I decided to shoot with the Leica IIIc and the Color Skopar 21mm. I am still trying hard to love this lens and the camera looks super good with the VC finder I bought last summer.

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At the skate park

At this point I have small problem because  I am not really able to guesstimate the light and I have relied on my Sekonic 308, that i bought new in 2010 with my first Leica. The little fellow is now more dead than alive, draining batteries like hell and giving random measures. So after the first half of the film I decided to go the the shop and get a new light-meter. To cut it short I bough the same one, lets hope it last as long.

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Do not disturb

So this is a recipe for disaster, a slow film, an old camera, and a slow lens. Luckily last Saturday the weather was nice when I hit Chinatown and came across Felix of course.

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Crossing

I am not a big theoretician, but what i like with the 21mm is the dynamic it gives to (rather mundane) pictures where people are moving like above or below.

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More crossing, but to slow to catch the lady’s face

Chinatown is also the opportunity to catch again and again the old folks playing Chinese checkers or chess. Some slow action going on, so speed can be lessen, perfect for my set-up.

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Another obvious thing with the 21 : you need to be close to your subject. How close is close?  Probably all the pictures in this post are done between 2 and 4 meters ; the one below more like 1 meter.

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Even better, people are rest

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And finally a bit more panning for that young lady.

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You can see my old posts about polypan50 here:

A first roll of Polypan F50

35mm Film in hassy back

Polypan 50 ISO with Leica IIIc and a slow lens

FIRE WALKING CEREMONY – Another roll on Kodak TMZ3200

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Devotees waiting outside the temple

You can read more about the Fire Walking Ceremony in my post from 2014 (here). In short it is a Indian festival honoring the Hindu goddess Sri Draupadi, who is the wife of the five Pandava brothers who walked on hot coals to prove her purity.

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Devotees waiting outside the temple

Devotees go through a purification period and on the day of the festival they walk from Little India where they get blessing and protective amulets to the SRI MARIAMMAN TEMPLE in Chinatown where they walk through the coals of the fire pit. After this they go at the back of the temple where they discard they protection and offer to the god the beads necklace they wear since the beginning of the cleansing period.

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Devotee entering the temple

This is the 3rd time I am going to the festival. As I mentioned in my last post, total respect to the devotees. I went in the evening as usual with my friend Matte Lim.

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Devotee entering the temple

This is my second or third roll of this film. The first attempt was so so. This is supposedly a new film, replacing the old TMZ 3200 discontinued in 2012. I think the film works well for scenes with good contrast and some lighted parts ; if your scene is grayish you wont get much on the picture.

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Devotee entering the temple

It was night when I attend the fire-walk festival but both places where I was had some heavy lights on parts of the scene.

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Devotee entering the temple

The M6 is great for focusing in the night, even with my ageing eyes, also the metering is quite ok. 

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The fire pit (Heavy back-light fooled the meter)

Most shots are done with 50mm Cron (v 5), maybe some with the 35mm Cron (Asph v2), as I swapped the lens between teh M6 and M262 at some point.

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Devotee removing his beads necklace
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Offering the beads necklace

Processing was done by the usual lab and scanning at home with the Epson v800 , scanning is easy.

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I like the grain, which is quite limited and pleasant imo (but my wife does not).

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The 3 next pictures are my favorites.

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FIRE WALKING CEREMONY – Another roll on Kodak TMZ3200