I am trying to stay true to my promise to de-clutter the film box in the fridge and shoot some 120 film that sometime is expired for more than two years.
So I recently shot a not expired roll of Ilford FP4+ expiring in 2020 over a couple of Sundays walking around Singapore.
On this second shot, a happy groom on his stag day, it is obvious there are some white dots all over the picture. After discussion in the Facebook group “Lets Shoot film SG”. It appears this may be a problem caused by the backing paper of the film after being taken in and out of the fridge. Frankly I am a slow shooter so I am guilty of taking from the fridge more than I can chew and putting it back afterwards, but I cannot remember having seen this problem before.
I kind of understand this is more common with Ilford which I rarely shoot, that is not encouraging me to do more (I still have a roll in the fridge, damn )
Pearl Bank Apartments is an iconic housing block in Singapore cityscape, built in 1976, it what is referred as brutalist style (Although Landmark tower nearby is more pure brutalist), it has now been sold and is empty since the end of April 2019.
It will be demolished and the plot redeveloped ; this is the traditional buildings life-cycle in Singapore.
The white dot issue is also quite prominent on this shot
The friendly waiter was shot wide open at 1/60th handheld, explaining the slightly off focus.
All done with Hasselblad 500CM and Planar 80mmF2.8
I realized when doing the math at the end of the year that in 2018 I did not shoot much medium format film. I must say that my only working condition camera is the Hasselblad 500 CM which is not so easy to grad around for my casual shots.
One of the consequences is that my film box contains now mostly 120 film, some starting to be expired for more than two years. Not that I think that the are going to be wasted, but it is never a good sign.
So I have now decided to bring the Hassie along for casual shooting. There will probably be less people in the coming rolls as it is not greatly suited for “street” shots, but probably more city views from a local tourist.
Hong Lim park
I think this is my last roll of the Cinestill 50D, part of the Kickstarter package. I quite like this film in the end as per my last post, it s quite punchy, is easy to scan. And slow speed is fine in good weather and daylight. I am not sure I ever shot many films with the Hassie at night or dusk.
One thing the lead of the film is gooey so when you remove the lead you will often end up with some parts of the back that take up the film being sticky, and some goo ending up on the roll as in the first Hong Lim shot.
A couple years back I participate in the kick starter campaign for the launch o the CineStill 800 medium format film. I ended up (with a slight delay) with a nice T shirt ( (I spare you the picture for the time being) and a few rolls old the said film.
I have already shot a few rolls and I must think of going through the reminder before they expire. The Hassie also did not get much action this year so I loaded a roll when I went to the Leica User Group Singapore outing to the Red Hill market area.
Above is the best shot of the roll. This lady sing sings the market for the greatest pleasure of the people around. The film was rated at 640 ISO, the day was a bit overcast but most shots were done about F11 1/250.
This is the seventh month of the Chinese year and it is the time were the dead visit the world of the livings and displays of religious artifacts as above are common over Singapore, to please them and let them go back in peace.
We also took a tour of the Red Hill close estate, a public housing estate set for redevelopment.
I did not manage to shot the whole 12 frames in the morning, so I went last week in Chinatown to finish the roll on the lantern festival. I shot the remaining frames at F4 1/60s.
The above is quite OK, the below is not. It is seems a bit difficult for me to measure the light for this kind of scene.
Shot with Hasselblad 500CM, Planar 80mmF2.8 lens, and a tripod fr the last two shots.
The film was scanned with Silverfast and Epson v800, with bit of white balance and contrast and exposure adjustment in Lightroom.