It has been super long since I last posed anything so here is my first post of 2023, even though these are pics of 2022. These are picture of the Italian Market that happens once a month, the first week end of the month, in Cagnes sur mer, near Nice, on the French Riviera.
Very colourful, even in black and white. Excellent cold cuts and cheese, pretty good value for money.
Genuine food sellers coming from nearby italy.
Shots were done with Leica M262+Summicron 50 and Leica M6 with Summicron 35mm Asph v2 on Kodak TMY (400Iso)
So this is the second part of my second roll of Cinestill XX I started in Biarritz. I was not super satisfied with the scanning so I plugged the old Epson v800 and rescan the whole film. I did not like the scan for two reasons, first I forgot to ask for high res, and I though the pictures were a bit small. Second I thought it was too grainy and had too much contrast.
I quite liked the result of the Epson, if I recon correctly I scanned in 2400 dpi, saved as B&W JPG using the standard holders. The result is a bit smooth, that you may assimilate to lack of sharpness.
I think there is a bit on compromise between sharpness, grain and details. Well anyway I am not very technical, I like these scans better.
These shot are still part of the same trip so I think the lens is either the Summicron 50mm v5, either the Summicron 35mmF2 Asph v2, attached to the Leica M6 classic
After the second roll, its a bit difficult to make an opinion on the Cinestill XX, as I am not sure how properly my lab process it. As I said before a bit too much grain for my taste (remember my favourite film is the Rollei Retro 80), but maybe there is a ratio between the distance to the subject and the grain that makes it less suitable to my may of shooting (I usually do streets shots between 5 and 10 meters) ? Did anybody consider that?
Enough of the technical bit, Paris in the spring is a beautiful place to be. That’s a first for me in about 15 years so I was under the spell, and I thing that will be the same for the seasons to come.
Paris is not as eccentric as London, but there is a good mix of old and new, tourists and locals, fake and authentic, making you raising your camera every 5 minutes. Ok I am a slow shooter so that will be once every thirty minutes.
One last technical thing: I can see on forums the never ending question of bringing films through airports: remember that there are x-ray machines as well when you take the Eurostar. I never cared being worried about X-ray machines damage to film. I think if you are an amateur this is irrelevant. If you are a pro that’s different, but then you can always buy and process locally if its so important.
Thanks for reading.
All shots Leica M6 Classic, Summicron 35 or 50, Cinestill XX shot at 200 ISO, I put an indication of where the pictures were shot so you can plan a tour. This roll is older that the one displayed in My last roll of Ektachrome.
Last week end (2nd to 5th of June) was the Queen’s Platinum Jubilee, a celebration giving some picture opportunities.
Friday, all started by the air parade shot from my window with the crappy Canon Serenar 135F4 mounted on the Leica M262. The lens was already mounted on the camera, I was just playing around last week.
The city was generally dressed up in national colours and royal memorabilia’s. Here the newspaper kiosk on Sloane Square, shot with the Summaron 35mmF2.8, the M version with goggles. I really went al vintage lenses this week,
Friday a steel band was playing on Kings Road, a couple of ladies made their best to warm up the atmosphere.
But they were not alone.
Even the Chelsea Pensioners were out.
Some people were rushing to parties in the hood.
The party went on until Sunday.
People rushed to the Mall on Sunday morning to see the parade.
and actually walking against the flow, we reached Hyde Park Corner and met the parade, with no crowd at all.
Sunday I changed the lens for the Summaron 35mmF3.5 ltm, a better choice as it is easier to focus without the goggles.
After watching so many horses, we moved to the Belgravia street party on Elizabeth street (the well named).
And all finished with a bit of music (and beer)
If you are not bored by now, I will have some film shots from Saturday to post as well.
All shots with Leica M262, with in order the Canon Serenar 135mmF4 ltm, the Summaron 35mmF2.8 M, the Summaron 35mmF3.5 ltm
A bit more than a month back I bought two rolls of Cinestill XX in the Aperture UK shop in London. I have read about this film, but its the first time I saw some available for purchase, so I picked two rolls to see what it is like, keeping in mind that I will have a road trip in France a few weeks down the line.
I loaded the first roll soon after and started shooting in London over a couple of very sunny week-ends we had in late April.
The XX box claim to be a variable speed motion picture, but on a conservative move, I set the M6 speed dial to 200, and put a 50mm lens in front of it, most likely the Summicron v5 or the Summilux v2 with a yellow filer.
It is very difficult to tell which one I used from the pictures.
So a good first part of the roll was shot in London, the weather was nice and my brain clicked in shooting mode.
When holidays started, I spent a day in Paris, with not much shooting action, then drove to the Loire valley, where frankly I felt more compelled to use the digital M and 28 mm cron.
But here are three shots of the park of the Chenonceau castle.
At this point we drove to Bordeaux witch I never visited before and seems to be a good place for street photography, just enough people, and specific places.
Worth visiting for modern architecture buffs : the cité frugès built by Le Corbusier, one house is a museum and can be visited upon appointment.
The film was processed by my usual lab here in London : Analogue Films in Shoreditch, it seems they were not very familiar with the film at first. They managed to do their usual good job as processing and scanning.
The last part we moved to Biarritz in the Basque Country, capital of surfing in France.
I always found very odd to shoot sea side in black and white, but hey why not, my parents did this ages ago.
I found the XX a bit too grainy for my taste, maybe blame the processing, who knows? Lets see how the second roll turns out.
Oh yes, the cost. The film was 11£ a roll ( almost 13 Euros, 14 USD, 19 SGD), mmm I think I still have some HP5+ in my 100ft roll. And Analogue Films charge about 8£ for process and scan.
This is bit back to the future as I already posted about rolls 12,13, and 15, but rest assured roll 10 will come in due time. I was complaining last week about life in Singapore being less photogenic since the Covid started last year. Man I did not knew what was coming.
For one week now we are in Heightened alert mode, basically we are back in a quite strict mode, mostly : non essential workers are asked to stay home, it is not possible to eat or drink outside (eateries can thankfully to take away), quarantine form most countries are extended to 3 weeks in selected hotels and coming into Singapore is quite difficult (even for residents).
Having enjoyed a lot more freedom than most countries since last July, we feel taken a bit aback by this new deal. So my color roll shot a couple of weeks before this soft lockdown 2.0 seems quite joyful and interesting for the place in time where I write from.
We were discussing our last holidays abroad, which were in March 2020, when we could still fly (in half empty planes though) and I remembered that I brought the Nikon F3 to Thailand and shot only two or three rolls before putting it back in the box. So it was time to pick it up again and give it another go.
I will explain a bit later this month but I am downsizing a few things, so I am shooting what’s left in the fridge rather than go and by fresh film. So I picked up my last roll of Portra 400, which is a bit overkill for just walking around, but ok I an clearing my fridge. The roll was shot over two days around Singapore.
I put the 50mmF1.4 on the F3, because my other lenses are too big for just walking around. I must say I have always been a big proponent of the 50mm, claiming the 28 / 50/ 135 were the trinity of my generation, and only young punks would walk around with a 35 as their normal lens. But I think I have moved my point of view a little bit…
The yellow Burmese girl
I have used many 35mm on the Leica system (film or digital) and I finally came quite used to it (I own 3 😦 ). The versatility of the 35mm, with a field of view larger by more than 30% is quite impressive and I think I really appreciate it on the Leica’s to the point that I find the 50mm narrow. Off course you have to step closer to your subject, but that’s not so much or a problem with a small rangefinder.
Getting closer with a SLR, even a small old fellow as the F3 is a bit less easy. Also (I am happy to be corrected) it seems the offer in term of 35mm (Vintage of course) is a bit lesser that the offer in 50mm, where Nikon has a few outstanding lenses.
So ok I feel now that the 50 is a bit narrow but at the same I don’t think I will invest in a new (even a new old) lens for the Nikon at this point) (And remember I am decluttering).
The roll was processed at Whampoa Colours, scanned by their good services, and shared on the web. Damn I still have not collected my negs. The combo F3 + 50mmF1.4 AIS + Porta did a fairly good job. I shot most of the time in Auto mode, meaning the speed is controlled automatically by the aperture I selected, quite easy with a 400 ISO film (shot at 320).
It seems the focusing of the F3 with the 50 is quite ok, I would need to try with the original 35-70 F3.5 AI Pro see if I have any problems. But that’s a heavy lens, not for casual walks.
A well deserved treat.
A final though for the road, a lot of my pictures from 25-30 years suck, I feel very bad, because souvenirs from this time are scarce, but on the upside It looks like my photography has progressed.
As my Ilford roll only had 22 shots, I loaded my last roll of Tri-X into the Nikon F3 while we were still in Tekka Market. I could not resist running after the guy with the umbrella hat, even I did not really got a really good shot.
316 on the bowl is probably the number of the stall so the staff attending to the hawker center know where to bring it back after picking up and cleaning. I felt really hungry at that time, but it was way too early to get a second breakfast.
It was still raining outside and this guy was playing with his phone inside a wheelbarrow.
At that point we had stepped in the street, and faced the last few drops of rain. I have a hood on my 50 which does a good job at protecting him from small rain (although that’s a metal hood for a 28mm)
Ez was still with me of course. At this point you would have realized that the pictures are not as sharp as usually, for instance compared to the last post. I have several options to explain this.
First option is that the Tri-X is notoriously difficult to process in Caffenol. I have used my usual Delta recipe scaled for 500ml. BUT because I think my films are usually over processed I have decided once again to try to lower the temperature.
I feel that usually the time for processing is 4’40” and that does not give much leeway for control (I may be wrong), so I decided to keep the same time but cool a little bit the mix by using 10% of water from the fridge (probably 3 degrees) and 90% of tap water (29 degrees) to get a mix around 26 to 27 degrees.
Of course I have no thermometer and the reason you have not seen roll 2001#11 yet is because I quite screwed up by making the mix too cold back wen I processed it. But I must say that this time, looking at the film drying it has gone in the correct direction, showing more contrast than my usual processing’s.
So what could have gone wrong ? Err not sure, could the difference of 3 or 4 degrees between the developer and the rinsing water caused an effect similar to reticulation?
.. or shall I just blame the Tri-X and look for another recipe for this film the next time?
I could simply finish my bulk roll of HP5plus and keep things simple what do you think? It’s a pity as I was quite happy with the content of the film ; that will teach me to try experimenting. This is also probably the last roll of the F3 for a little while.
The little fellow made 3 turns ( understand rolls ) and will now go back to the box. Yielding a SLR, even the not so bulky F3 with a 50mm, to the face of people is a bit gross. I’ll go back to the rangefinders for a little while
I realized this Saturday that these old folks are hanging around in that place because the are polls nearby ; you can expect more shots of this place soon.
All these shots were done in Aperture Auto mode with the F3, very convenient. A facility I don’t have on the M6. It looks the shots were properly exposed, I had some difficulties as I thought that holding the shutter button would store the speed. I may get it wrong by 20 years or so. I think after these 3 rolls and the two ones form last year, I can happily conclude that the F3 focuses properly. With the 50mm at least, I did not bother trying other lenses.
Today I am posting a few shots salvaged from a friendly “reportage” we did with a group of friends last week for The Social Kitchen at Orchard YMCA, in Singapore.
The Social Kitchen, is the Cafe located on 4th floor of the YMCA. It is a social enterprise that provides employment to disadvantaged individuals. The intention was to give them a few pictures to put on their website.
I must say I did not perform very well, and I am bit ashamed of it. I pleased myself in my choice of gear, but the result is not really usable by our friends at Social Kitchen. Luckily some more conscientious photogs were there.
I brought the Leica M6 with Summilux 50 v2 loaded with Ilford Delta 400. Above are the shots processed in Caffenol, my eights roll and the worst so far I must say. Very nice opportunity to shoot in a kitchen, but also quite difficult as the place is small and was packed with 3 staff and 4 photogs.
I also carried the Hasselblad 500CM loaded with Cinestill 500. There are only 3 “good” shots on 12, I don’t use the blad so often these days, so I mixed up mix and max aperture, and the first 6 shots were blank. The Cinestill roll was shot at ISO640 as usual, and all shots were done at 1/60 F2.8.
It’s nice to have fun, delivering good and usable pictures is another matter.
I collected yesterday my first roll in a long time. It was probably finished the first week of the lock-down in Singapore which was on 5th of April.
This is an expired roll of Fuji Across shot with the Leica M6 and probably a mix of Summaron 35 and Summicron 28.
The roll is so so , maybe the roll is too expired maybe sitting on my drawer for 3 month was not a good idea, maybe I just mucked up the metering. Well there is a couple of fun shots. I put them as a slide show just to try.