Ultrafine Xtreme 400 in Caffenol Delta

Passer by with phone (Roll 43)

Brace yourself for a long post today, with many pics selected form two rolls of Ultrafine Xtreme 400. If you look through this blog, you will find out that in 2018, I shot an entire 30m roll of Ultrafine Xtreme 400. I quite like this film and my usual lab was doing a good job processing it.

The ubiquitous delivery man (Roll 43)

This year is another game as my friend Ray Toei, the serial shooter who introduced me to this film, offered me two of his hand rolled film, with 24 shots each, and this year as you may know is the year of Caffenol.

Teo Hin Tyres (Roll 43)

The are not many resources on the web about processing this film in Caffenol, or maybe I was not able to find hem, so I decided to start with the Delta Recipe which is now my go to recipe for Ilford Delta and HP5+.

Hang them high (Roll 43)

The first film (Roll 43) was processed for 4’40” at 28 Celsius, time from pouring in the mix, to pouring it out (I start pouring out at 4’35” ). The resulting negative is quite thick, meaning over processed. I cut the time down to 4’15” for the second film (Roll 44) and the result is much much better, maybe I can try to cut down few more seconds.

Wrap me some of those, uncle (Roll 43)

I had another problem with the first film : I did somehow manage to not load it properly on the spool, so some areas were not properly processed, giving some vast white areas in the pictures (black on the negs). Ths is very clear on the first shot of this post. That’s a lesson learned : when the spooling does not sound right it is not right.

Deepavali shopping (Roll 43)

To make this a bit more difficult I have shoot these two rolls with my antique Nikon F3 and 50mmF1.4 AIS. I have dug the F3 out of the dry box for my last travel in February where I shot a quite nice roll of HP5, and I though he deserved a second round this year.

Framed (Roll 44)

I bought the F3 in 1992 already pretty battered, and I was never totally satisfied with it. But I long so much for this little fellow that I cannot drop it totally.

Catwoman (Roll 44)

I never have so many out of focus focus pictures with any of the Leica’s. I have changed the micro prism focusing screen for a vertical split screen in 2008 but it did not bring much improvements. I am happy to blame my eyesight of my technique.

A fish stall at Whampoa market (Roll 44)

This said, the pictures that are technically ok have a different quality to them than those taken wit the Leica. Not better (impossible ­čÖé ) , just different, and its quite appreciable.

Saving the planet one tree at a time Whampoa (Roll 44)

For those interested, I carried last week both the F3 combo and the Leica M6 with the 35 Cron Asph v2, and the Leica is about 200 grams lighter, the F3 being just short of 1 KG. Still it is not big camera and discounting the fact I miss-focused 6 images at least on these rolls, it is a pleasure to use.

The newspapers stand – Whampoa market (Roll 44)

I went to Whampoa to bring a roll of color film to the lab there, not remembering that Saturday was a public holiday (Deepavali), so being confronted with the closed shop I walked to Whampoa market.

Family visit to the temple (Roll 44)

A few kilometers away, on Serangoon road, Hindu’s were visiting the temple, like this young family with a baby. I walk close the 11 km Saturday.

Chinatown Kueh Stoll (Roll 44)

Aperol Spritz (Roll 44)

My Delta recipe is as follows:

Caffenol C-MDelta
Water0.75
Washing Soda18
vitamin-C15
coffee32

I kept last week Caffenol, but decide not to use it, let’s brew some fresh stuff for the moment. For those interested in stats I shot 44 rolls sofa this tear, and 24 processed in Caffenol (probably 4 can be considered as having been sacrificed on the path to knowledge).

I hope you enjoyed the reading.

Ultrafine Xtreme 400 in Caffenol Delta

The Alms ceremony – Luang Prabang Laos

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The alms ceremony in Luang Prabang is a unique ritual that makes the charm of this small city. It is a also a well know one and pictures of the monks lining the streets of Luang Prabang at 5am are famous worldwide. I could not attend it the first time I was there 10 years ago, but I made sure to see it this time.

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The little lady above lives on the other side of the street, where I am shooting from. The people on her right on the first picture are tourists (Korean, Thai, Chinese?) renting a stool, and buying alms from the merchants. So this has become a real touristic attraction, many stools are ready for Buddhist tourists or anybody who want to participate, and the non participating are legion.

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I try to keep a safe distance and show respects for the monks but as usual this is not the case for everybody. This is a bit frustrating, but I generally prefer to miss a shot than to fight or be a nuisance. All of this spoils a bit the ceremony for me, but it can be that I am just a tad difficult.

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I may stand corrected but what make it unique is the fact that monks from the 7 or so monasteries in town go out in the street to collect alms in procession, rather that visiting houses of people who will donate food.

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If you are out in the street at 5h30 you can assist roughly to one hour of procession, and i f you follow the rules you can approach the monks up to 3 meters.

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We were sitting on the pavement of the main street and it is quite busy. I think there may be many “spots”, like places┬á where the procession turns who may offer better photo opportunities, same from the exits of the monasteries of the path along the river.

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Outside of the center you will see random people waiting for monks from place to place, which surely would enable a closer encounter with this local customs.

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Regardless of the crowd it is a great experience.

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We enjoyed very much sitting opposite the lady-from-across-the-street as we regarded her devotion more authentic. But this is quite subjective and I don’t want to be judgmental.

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Flash photography is forbidden or course, so high end DSLR will probably have the upper hand here.

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For this lady renting stools and selling alms this is time to ring the end of the show.

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Color shots taken on Leica M262 with 50mm F2 Summicron v5, Black and white taken with Leica M6 classic and Summicron 28mm F2 Asph on Ultrafine Xtreme 400ISO film.

 

The Alms ceremony – Luang Prabang Laos

A wet day in chinatown

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A small write up today, and I will avoid the temptation to make another complete roll review (although in fairness I was tempted).

The flea market that use to seat in Sungei Road east of the city center has been closed for building a MRT (the local term for underground). What used to be coined as the “thieves market” has slowly moved to Chinatown in the heard of the city.

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I am not sure what the authorities think of it, but here is another attraction in one of the tourist hubs of the Lion-city. These guys sell mostly old junk, and it’s rare you will find anything you might want to bargain for … actually as odd as it seems I bought for 2$ a record of Industrial Music, and one of the sellers (not sure how to call them) actually has a few interesting cameras.

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You will find old watches and Buddhist artifacts and amulets, and for the rest … you’ll see for yourself.

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Sure this will come a popular spot for street photography.

The 4 shots above were taken in a rainy afternoon,  with Ultrafine Xtreme 400 iso with the Leica IIIc and the Summaron 35mmF3.5, probably 1/60 second and f3.5.

As I am here I also add as a bonus three earlier shots done on the same film with the Leica M4 and teh modern Summicron 50mm v5.

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I hope you enjoyed the visit

A wet day in chinatown

Around city center with a 1970’s Minolta Himatic 7s

The Himatic 7s

Beginning of the year and excitement to try the Ultrafine Xtreme 400 that I am bulk loading, I am taking the odd camera from the treasure box.

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The painter (who is also a photographer)

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Major checker competition

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Back alley

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A couple of weeks back it was the turn of the 1970’s Minolta┬áHimatic 7s. Actually the 7s was released in 1966 same year as me. The Himatic is a rangefinder camera with a sharp, fast 45mm F1.8 lens, and in-camera metering.

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Ok I don’t quite like the┬áthe Himatic too much : it is heavy feels clunky compare to the German rangefinders; it is not that fast to operate, and also the metering died on mide during a bike tour.

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I also the viewfinder to be not that bright and having too many signs inside; there are just three visible sides of the frame, so I always wonder how to frame the fourth.

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Shoe locker outside Mustapha

BUT when I got the roll from the shop I must say that I am impressed by the result, the lens is fast and sharp and the 45mm give a bit of air to the shots.

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This is my 3rd roll of the Ultrafine Xtreme 400 bulk and I quite like it. I am new to handrolling, the picture below is the last of the roll, so the first from the bulk that I attached to the canister and I think it was exposed to light. Pitty I like this shot.

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Upside down nap

I think I like the film, it is now 3 rolls I shot this year and 2 last years, it is on the contrasty side but nothing too extreme, so it makes a good replacement for TRI-X or TMY 400. The shot below is quite smooth as I like it. Actually tones quality reminds me of a proper wet paper print.

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Mmm also I fell the Epson v800 gives immediately better results that the v500, but this may be just because I paid so much for it.

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There will be no declugging for the Minolta, it belonged to one grand uncle, so that’s a keeper even if it goes out of the box only once a year.

Around city center with a 1970’s Minolta Himatic 7s