A Royal Affair ( 2023 Roll 09)

As most of the planet knows 6th of May 2023 was the coronation of King Charles III of Britain. Being in London it was another good occasion to go out and burn some film.

That was a particularly wet Saturday even for London, so I had a bit of hesitation on the weapon of choice.

I finally settled for the infamous duo : the Leica M6 for film, the Leica M262 for digital. This is the roll of Kodak TMY400 shot on the M6 with the 50mm v5 Summicron.

I did not want to carry too much gear, so I just put the 35mm Asphv2 on the M262 and put the Elmarit 90mmF2.8 in my Wotancraft bag (I cannot remember the model), which usually makes a pretty good job keeping the gear dry in wet weather.

The first set of pictures was shot in Hyde Park after a cumbersome walk around Hyde Park Corner then nearly up to Exhibition road where the park could be entered.

We hang around the giant screens with my friend L. an avid Sony shooter.

Cool crowd, good but not outrageous quantity of drinks ( well ok that was 10h30 am), a bit of silliness and dressing up in a festive mood.

Most everybody was happy to be snapped.

My roll ended up a bit dark, but what do you expect with such a weather.

Finding the exit of the park was just as complicated as getting in but we head out, looking for greener pastures. Through Mayfair and Regents street we made our way to the “Little Republic of Trafalgar Square” where Republicans were demonstrating their opinions on the affair of the day.

Also in good and cheerful atmosphere.

I swapped the lens for the Voigtander 21mmF4, time for a horizontal et a vertical snaps.

These pictures are a bit less descriptive but quite dynamic.

Finally a last supporter of the the King met on the way back, in full attire.

A bit later it was time for the maintenance team to regroup and head back home.

A Royal Affair ( 2023 Roll 09)

2023 ROLL#05 – PARIS IN THE SPRING (2)

Sunday newspapers sold at the corner of the street

As the proverb says “errare humanum est perseverare diabolicum“, so here my second post with the second roll shot in Paris ( in the spring) with the Leica IIIC and its curtain problem

A bright jazz band

Of course I did no knew at the time that the infamous back curtain was lazy and that my pictures would be overexposed on the left and underexposed on the right.

Meanwhile Kuzama was painting a vertical line

I was so happy shooting away because as per my last post ( 2023 ROLL#04 – PARIS IN THE SPRING ) Paris and Leica III make for happy shooting. Particularly when a jazz band is playing at the foot of a giant Kuzama painting in the sky ( courtesy of LVMH advertising) .

Canal Saint Martin

We made a particularly long walk that day from the Seine to the Canal Saint Martin, aiming to reach la Villette ( we stopped before and turned back, that was already a 10 km plus walk).

Silence Kills

When I lived in Paris, I rarely ventures in this area, I probably did not set foot there in 20 years. For the cinema aficionados along the canal is the famous “Hotel Du Nord” from eponymous movie by Marcel Carné with Arletty.

Walk your plants

The canal seems to have become a fashionable leisure area where the young and the less young go for a stroll, a ciggie or a drink on a beautiful Sunday afternoon. Particularly if the sun is out.

Rediscovering comics

.. playing pétanque, reading, lounging, studying, making music, drinking again, sunbathing, all typeof activities seems to fit along this calm water piece.

Unwilling victim of my camera

Our road ended at the “base nautique de la Villette”, visiting the park of la Vilette will be for another time.

A Vintage Citroen DS, with its vintage driver, shot with a vintage camera.
In 2023 we bring our empty bottles for recycling

The country of food (like any other country)

Next day was the last day in Paris, time for a couple of snaps like the creperie above of the other jazz band below.

A young fan

Ok I did not emphasize too much but the all the shots show signs of the curtain problem, at various level, depending on the speed of the shutter. I played a bit with Lightroom trying to balance highlights and underexposed areas, but I think as the scanner was fooled by the problem, there is just that much I can do. I think I can try to rescan some shots twice and blend… not sure there as any worthy of such work, maybe the next one…

Hyde Park Corner, London

Back in London I still had a few shots in the roll. I changed the lens for the Voigtlander Color Skopar 21mmF4 and shoot away on a Saturday stroll. The mounted police above is quite nice, very dynamic, the 21 has some charm.

Vintage on vintage again

This roll was shot on Kodak Tri-X (ROll 04 was TMY 400).

So the Leica IIIC went to Aperture UK for a CLA and they called me after a little more than a week to announce it was ready. I went to collect it yesterday and put a roll on it so I am checking that its definitely ok. The CLA cost 240 GBP, already the cleaning of the rangefinder is awesome, even if the window is small, it is super bright, focusing is a bliss. It looks like I have anew curtain also.

Tottenham court road – London

Is it worth it? Well how long is a piece of string? The gentleman from the shop told me a IIIC is about 250 GBP, so I could buy a new non CLA’d one instead of fixing mine : that’s an easy answer. Now on the other hand this starts to be an expensive camera. I bought it for about 200£ 10 years ago, had an initial service of about 200£ and now an 240, that’s a 640£ body. On the plus side its newly CLA’d, is in good condition. I shot something north of 40 rolls over 10 years, you can try to make some maths see how much vintage shooting costs.

Lets see how the new roll turns up…

2023 ROLL#05 – PARIS IN THE SPRING (2)

2023 ROLL#04 – Paris in the spring

Munching in the sun

“Are you feeling lucky punk?”, the famous line of Clint Eastwood in Dirty Harry was probably a warning. How lucky was I feeling picking up the Leica IIIc for a week end in Paris?

Girls in Uniform

I had not used my oldest Leica for a good year, so it was time for a walk outside the cupboard. I attached the Elmar 50mm3.5 and took a couple of rolls of Kodak film. One TMY 400 (this one), one Tri-X (the next one).

Everything that shines…

I also packed the Sekonik 308x light meter, as I cannot guesstimate and I found it easier to use than the flash shoe one I use from time to time.

A movie character

The IIIC is charm to use, and shooting with it you really feel lucky (I do). The Elmar itself is another story, the aperture setting at the front of the lens is not very user friendly, and it puts me in a mode where I set my speed and aperture only every few shots.

Pass me the lotion

So far so good, and I can add, probably for the 10th time, that the camera is quiet small and funky so it is quite appropriate for street photography ( I don’t like the term cause I am a bit snobbish, but that’s what I kind of do).

Another kind of street artist

So where does it go wrong? As usual with film photography it goes wrong when you get home, wait a week for the lab to process your film and you discover that the film has not turned out quiet as expected.

But the band played on

With some reframing and photoshopping I managed to minimized it, but on that beautiful week-end where most of the shots were done at high speed ( for the IIIC that means 1/100, 2/100 or 1/500, I never trust the 1/1000) the left of the pictures is constantly overexposed and the right underexposed.

Ciggie break

It is more noticeable in the scenes which are brightly lit, like those at the market, not at all in the one below shot in dim light. This is due in my experience to the back curtain being lazy.

Sketching in St Eustache
Lost
The painter

The two pictures above were actually shot in landscape and resized, as half the frame is black.

The harder rat will last (I can’t translate the French wordplay)

So what happens next? Well first thing I shot a second roll because I did not knew, and you will see it in a couple of days.

Then last week I brought the camera to Aperture UK in London to have it serviced. For the second time this little fellow will cost me more than I paid for it in the first place (230 USD back in 2013). Ok I realised that this is 10 years back! I can’t believe it. I think I shot about 35 rolls with it, so we’ll probably say that each roll cost me 20$ of camera usage, not counting the lenses. Film is definitely not cheap.

A popular Japanese place

I hope you enjoyed the reading, be patient, next roll is coming

2023 ROLL#04 – Paris in the spring

Ai Weiwei: Making Sense

Study of Perspective

These are shots done during a visit to the exhibition Ai Weiwei: Making Sense in London’s Design Museum. All pictures were done with my Leica M262 and a WWII area Summitar 50mmF2.

Ai, as he is referred to through the exhibition, is a well known global artist, advocate for freedom of speech whose constant conflict with his home country makes the background of his work.

Untitled (hand made cannon balls made of Porcelain)

The change from hand craft to mass production, the speed of changes in China over the last 30 years, the rush to modernisation are all themes that are exploited in his work.

Lego and vintage Chinese woodworks
Glass helmet

A lot of the work exposed are challenging the perspective between the actual way they were made and what hey represent. The construction site protective helmet is made of glass, the cushion of which it rests is in marble not foam.

The iron reinforcing concrete made of marble, the Iphone of cut-out jade.

Some pieces refers to recent events that happened in China, the rod to the collapse of badly build buildings, the snakes made of schoolbags to lives lost in the 2008 Sichuan earthquake.

Some pieces like the glass, wood or metal seems to be realised in a very detailed and technical manner. Some others are closer to ready made like the broken porcelain tea pots and ceramics below.

250,000 porcelain spouts

Pieces of broken pottery salvaged from the destruction of Ai’s studio by the Chinese authorities in 2018

And one of the big pieces is an arrangements of Palaeolithic tools picked up on markets ( likely a single big market).

Below , the same shot with the Summitar wide open, showing the effect of selective focus.

If my memory serves me well, three selections of pictures are completing the exhibition, some of earlier works in Ai Wei Wei first atelier, some of the construction of the Nest for Beijing Olympics (Ai participated before withdrawing from the project), them a series about transforming landscape in Beijing Hutongs.

Nice show, but a bit short, worth visiting nonetheless.

Ai Weiwei: Making Sense