Cho Cau Long market Hanoi

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This is a follow up of the first roll shot in Hanoi (here). On the way back to Sapa, we stopped in the area from Hanoi which is close to the lake for a single night, lucky enough thee was this nice market next door.

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Best shot of the roll was the first one, on the evening of the arrival, this man was barbecuing meet outside of the market.

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Mother and son breakfast before school (I just imagine)

This also is a roll of Tri-X 400 shot with the Leica M6, and the Summicron 50mm v5.

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The market is small but large enough to shop with your moped.

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Toufu stall

The market though small has several entrances making for interesting lights (not that I may have used it).

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Outside the market the area is very lively with street sellers, small shops and all.

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Street fruit seller

 

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Street flower seller

On the fringe of the old quarter this is a nice area to visit, a lot of small hotels, shops, an further out you can walk to the lake are.

 

Cho Cau Long market Hanoi

A NIGHT TRIP TO SENOKO FISHERY PORT (Film version)

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This is  a small follow-up to my former post : A NIGHT TRIP TO SENOKO FISHERY PORT .

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These pictures were shot on Cinestill 800T with a Leica M6 with Summicron 35 Asph v2 or 50mm V5. Processed at the lab around the corner and scanned at home with the Epson v800.

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I shot the roll at 640 ISO, still I found the pictures being under exposed, unlike the roll I shot in Tokyo last year.

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She is the boss.

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A NIGHT TRIP TO SENOKO FISHERY PORT (Film version)

Thaipusam 2019 – A roll of Ilford Delta 3200

Nearly one year ago, in January, I went to Tank road in the middle of the night to shoot a roll of Ilford Delta 3200 at the Sri Thendayuthapani Temple for the Thaipusam ceremony.

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The orchestra

Thaipusam is a Tamil Hindu ceremony where devotees walk from Sri Srinivasa Perumal Temple in Little India to the temple in Tank road.

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The priests

It is interesting to shoot the ceremony at both temples ; at Little India where they start the pilgrimage or here where they finish it.

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I favor the little India location early in the morning ; it is already very busy, but manageable. But for a couple of years I go to Tank Road in the evening before ; it is general quiet, the action (if I can say so) is more subdued. Pilgrims flow through the temple, receive blessings and walk out.

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At the back of the temple is a resting aera and pilgrim receive tea and nibbles.

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A Chinese Hindu devotee

This year I tried a roll of Ilford Delta 3200 with the Leica M6 and the Summicron 50mm version 5. The result is quite nice, the M6 does a good job once again, the light meter is working very well once again.

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Giving offerings

I rarely shot the Ilford 3200, but must say the result is quite good. The grain is nice but controlled, the contrast is good. As I said somewhere else I think high ISO film give good results if you scene has a minimum of contrast.

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Collecting ashes

These were shot around 11pm, on the first evening, it is very quite just when the priest open the inner sanctum of the temple. Alternatively, you can come around on the next day and take pictures from pilgrims disassembling their Kavadis.

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The inside on the temple of the day itself is over crowed and their is no shortcut, you have to follow the devotees from Penang road, I am not sure how long it will take. Surely a great experience, but you will need a good couple of hours.

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The friendly volunteer
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04790

Get ready I have 2 or 3 rolls of TRIX that I shoot the next day.

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Walking out of the temple

Get ready, this year the Thaipusam procession is expected to start from SSPT on 07/02/2020 from 11.30pm.

 

Thaipusam 2019 – A roll of Ilford Delta 3200

FIRE WALKING CEREMONY – Another roll on Kodak TMZ3200

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Devotees waiting outside the temple

You can read more about the Fire Walking Ceremony in my post from 2014 (here). In short it is a Indian festival honoring the Hindu goddess Sri Draupadi, who is the wife of the five Pandava brothers who walked on hot coals to prove her purity.

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Devotees waiting outside the temple

Devotees go through a purification period and on the day of the festival they walk from Little India where they get blessing and protective amulets to the SRI MARIAMMAN TEMPLE in Chinatown where they walk through the coals of the fire pit. After this they go at the back of the temple where they discard they protection and offer to the god the beads necklace they wear since the beginning of the cleansing period.

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Devotee entering the temple

This is the 3rd time I am going to the festival. As I mentioned in my last post, total respect to the devotees. I went in the evening as usual with my friend Matte Lim.

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Devotee entering the temple

This is my second or third roll of this film. The first attempt was so so. This is supposedly a new film, replacing the old TMZ 3200 discontinued in 2012. I think the film works well for scenes with good contrast and some lighted parts ; if your scene is grayish you wont get much on the picture.

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Devotee entering the temple

It was night when I attend the fire-walk festival but both places where I was had some heavy lights on parts of the scene.

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Devotee entering the temple

The M6 is great for focusing in the night, even with my ageing eyes, also the metering is quite ok. 

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The fire pit (Heavy back-light fooled the meter)

Most shots are done with 50mm Cron (v 5), maybe some with the 35mm Cron (Asph v2), as I swapped the lens between teh M6 and M262 at some point.

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Devotee removing his beads necklace
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Offering the beads necklace

Processing was done by the usual lab and scanning at home with the Epson v800 , scanning is easy.

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I like the grain, which is quite limited and pleasant imo (but my wife does not).

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The 3 next pictures are my favorites.

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FIRE WALKING CEREMONY – Another roll on Kodak TMZ3200

BACK TO THE MONKEY GOD TEMPLE – With a roll of slides

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The Sedan chair porter

This is a follow up of my last port about the Monkey God temple birthday  in Tiong Bahru. These pictures were taken with a roll of Provia 400F given to me by KC Eng. It is expired since 2008, but I did not check at the time and shot it at 400 with Leica M6 and Summicron 50.

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The Lion dance

Ths shots were processed at Analog Lab and scanned at home ; they turned out quite okay. Maybe the overcast weather did not allow for a more reach color palette.

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Dragon Dance
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Dragon Dancer
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Dragon Dancer
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The musicians
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The musicians
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The lantern bearers
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The lantern bearers
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The lantern bearers
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The lantern bearers
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The lantern bearers

 

 

 

 

BACK TO THE MONKEY GOD TEMPLE – With a roll of slides

Back to the monkey god temple

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Quality Lion dance that afternoon

Birthdays have the habit of coming back every year, so for the third time I think I find myself at the TIONG BAHRU QI TIAN GONG temple in the area of Singapore called Tiong Bahru for the birthday of the temple. One of my friends reminded me of the event and I was super happy it was at a time where I could attend.

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This is a Taoist temple, a popular faith in Singapore among the Chinese population. I still don’t know much about the Taoist faith and practice, so i won’t try to explain it here. The spirits and gods have  a great place in the faith and they are honored through offerings like Chinese Opera, joss paper bonfires, ..

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The celebration involved lions dances, a dragon dance troop, musicians, as above and below. Singaporeans say that Taoist are noisy. I think I have some old shots of the gentleman below.2019-29-m6-18-40

The person that looks to be the man in charge posing with the lions and some banners.2019-29-m6-18-372019-29-m6-18-35

Meanwhile across the street, the porters of the gods sedan chairs are taking some rest.

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I shot 2 rolls of Tri-x (one above, one below this paragraph), one roll or Provia 400H (in between) and hundreds of digital pictures using the magic combo, Leica M6 for film and the M262 for digital; for lenses I brought the 50 cron, mostly on the M6, the 35cron mostly the M262 then. I also brought along the 90mm Elmarit for a few digital portraits.
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At that moment the gods starts to be carried in 3 sedan chairs to the place where the bonfire will be lit.

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Below some of the carriers of the three sedan chairs.2019-30-m6-20-2

I don’t know if they are really heavy but the guys are relaying each others regularly.

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This write up is about the film shots and should be called “You are all my favorites”. It found very difficult to select between the shots. I have included the shots of the two Tri-x rolls, I will do another small article about the Provia roll which has its own story.2019-30-m6-20-9

We now arrived at the field where the bonfire will be lit, a small crowed is gathered. Led the the Taoist priests.2019-30-m6-20-142019-30-m6-20-15

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One of the gods chair with the idol in the middle.

 

(You can read an oldest post here )

 

 

 

Back to the monkey god temple

STPI Open day and Takashi Murakami: From Superflat to Bubblewrap

This year the STPI in Singapore had its open day during the Takashi Murakami exhibition “From Superflat to Bubblewrap“, this was the opportunity to kill two birds with one stone.

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No need I think to introduce the iconic Japanese artist who uses manga like practice to depict modern Japan. I only had B&W film that day so I did not took many pictures of the art works.

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Open days at the STPI (Former Singapore Tyler Print Institute) are always enjoyable, if you have young children they can discover and experiment various print practices, that also work it seems for  teenagers and young adults alike.

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For guys (or gals) with a camera, it is a nice opportunity to captures willing models engaged in not so common activities.

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The STPI now positions itself as a gallery, aiming to promote the usage of print and paper mediums.

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Artists shown in the gallery often have a collaboration with the print makers.

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The smiling lady at the printing press has been working there for years, she is now an independent architect ; time flies.

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All shots were done with the Leica M6 and Summicron 50mm on Kodak Tri X, at 400 ISO.  genarally shot between F2 and F4 and 1/60s ro 1/12s. The film was processed by Ruby photo (or rather their usual contractor) and scanned at home on Epson v800 with Silverfast.

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I generally convert the images to grey-scale and remove dust spots in Adobe Elements and adjust the contract and brightness in Lightroom.

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The workshop can also be a treasure where odd objects can be found and pictured for eternity.

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One of the DIY items of the week end was an STPI apron.

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You can see picture of the last workshop I went to 4 years ago STPI at that time pictures were shot with Canon EOS 1N and 1.8 Canon lens.

 

STPI Open day and Takashi Murakami: From Superflat to Bubblewrap