I enjoy browsing back the not so used scans and these are from one roll of November / December 2022. Unlike the most recent roll I posted, this one is shot entirely in London, it is the penultimate of my bulk roll of Ilford HP 5 bought in Singapore from Ruby Photo back in early 2021.
No surprise, the roll was shot with the Leica M6 classic and probably most of the shots were done with the Summicron 35mm Asph v2. The two shots above, early in the roll were taken around Spitalfields Market near my office and they were probably shot on my way to the lab to drop or collect one roll ( ANALOGUE FILMShttps://www.analoguefilms.co.uk/)
Because I am a slow shooter I carried the film around London for a couple of weeks,
The highlight of the roll was bringing some dear friends to Spitalfields and Brick Lane, quite an interesting area for visitors.
But first to Liverpool street station
Then through the street towards the market.
Finally to Brick lane
Hope you enjoyed the walk, this was roll #24 of 2022.
Well actually this roll was shot between mid December and the first week of January. It travelled around a bit as it started from London (Spitalfields market on the first three shots)
Then came Xmas holidays and a trip to see the family in Cannes on the French Riviera, and the long awaited trip to Lapland (Guess which shot). I will try to talk about my (limited ) experience shooting in Lapland but maybe another time.
We were back from Lapland in Paris the 1st of Jan
Then finally back in London (one have to work)
Then back to Cannes and Nice again.
and finally back to London where I have to go to Brick lane to drop this roll.
Ok so these two months were not very good for my carbon footprint and I feel a bit ashamed, although some of the trips were done by train. This also mean this roll of Kodak TMY-400 travelled quite a bit and went through at least 6 scans, and is still faring pretty well. I still have a TMZ 3200 that I bought for Lapland and did not shot, so it will also have a bit of mileage and it will be interesting to see how it turns out.
All shots were done with a Leica M6 classic and a Summicron50mm v5 or 35mmAsph v2.
It has been super long since I last posed anything so here is my first post of 2023, even though these are pics of 2022. These are picture of the Italian Market that happens once a month, the first week end of the month, in Cagnes sur mer, near Nice, on the French Riviera.
Very colourful, even in black and white. Excellent cold cuts and cheese, pretty good value for money.
Genuine food sellers coming from nearby italy.
Shots were done with Leica M262+Summicron 50 and Leica M6 with Summicron 35mm Asph v2 on Kodak TMY (400Iso)
“Paris est une fête” as goes the say (Paris is a party) ; I am not 100% sure about it but Paris in summer surely put me in a great mood, and I enjoy shooting in the streets that I am rediscovering after so many years.
— Asian tourist checking a Korean restaurant —
This is summer 2022, probably my 5th or 6th trip in a year, carrying the M6 (The old one) and the Summicron 50v5 and a roll of Kodak TMA100, my favourite film very appropriate (I think) to the summer time. This is my 16th film of the year, so I am now far from my past One-roll-a-week diet, but ok this is not a competition.
Summer holidays are just a memory now and after much procrastination, here is one of the rolls shot in this happy time (12th Roll of the year)
This is a roll of Polypan 50 shot at 100 ISO with the faithful M6 Classic and some Cron or another but most probably the 50mm v5. I have asked the lab to push one stop as this roll was given to me quite a few years back now by a friend in Singapore.
The street scenes are shot in Ai- en-Provence where I spend a couple of days with my family in August. The sun was hitting pretty hard which is quite ok for a low speed film.
You already know I am not too technical, but here we go for the techie moment: The Polypan 50 lacks a anti-halation layer ( I think it means no protection from the light bouncing from the back of the camera); this makes it glow in some areas, making the images a bit old time and dreamy. I also quite like the rather profound blacks, although not as much as in the Rollei retro 80s.
Aix is quite picturesque, but the next day we went to Chateau Lacoste, a magnificent estate 40 minutes drive from Aix, with Michelin starred chef restaurants, a vineyard, an entrance building made by Tadao Ando and dozens of art works spread in the garden.
Oh no that’s just a barrel.
Really worth visiting, I ll post more shots in the next posts.
Oh I lost track of the Polypan roll, well I think it aged a bit it seems there are marks here and there that are not common to processing issues, so I guess this is a bit of an experimental roll. For such a slow speed film it is a bit grainy, but all in all I really like it.
I still keep track of my rolls and sort them by date and year and enrich in Lightroom, the camera, film and lens ( Often an estimate). But when I used to boast of my one roll a week productivity, I must say I have now fell below one roll every second week.
I would like to shoot more but I don’t have time and may lack enthusiasm / drive / inspiration. This roll was shot in June 2022, with the Leica M6 classic, over a week end in Paris and the next one back in London.
This is a roll of Kodak TMAX 100, a film I really love for its high contrast in sunny weather, I bought a couple of rolls from Analogue Labs a few weeks before.
Most of the shots were taken with the Summicron 35mm Asph v2, really my go to lens. I love it for the perspective, but the 35 makes the pictures a bit too wide for me, my subject is always a bit lost in the frame, as I tend to avoid confrontation when I snap in the street with my wife/family.
On the other hand I frame my shots with just a couple of different styles, I think I manage to build a consistency in my flickr photo stream. I like my subject centred most of it.
We are so much into candid and street photography nowadays that sometimes I find it difficult to shoot non human subjects. They form a big part of urban poetry nonetheless.
Back in London it was Wimbledon and Mayfair offered public screening, with desk lounge chairs and drinks (of course)
Above shot is a bit missed, I thought the shadow would be more obviously funny/interesting, maybe I should reframe, but I rarely do too radical reframing just put upright a bit.
Heading to Soho always gives some opportunities, I met an American photog when shooting the above also carrying a M6 and a TLR.
Soho I said is always offering some opportunities.
As the light was going down, with 100 ISO the shutter speed had to go below 1/30’s hence the slight blur above.
So this is the second part of my second roll of Cinestill XX I started in Biarritz. I was not super satisfied with the scanning so I plugged the old Epson v800 and rescan the whole film. I did not like the scan for two reasons, first I forgot to ask for high res, and I though the pictures were a bit small. Second I thought it was too grainy and had too much contrast.
I quite liked the result of the Epson, if I recon correctly I scanned in 2400 dpi, saved as B&W JPG using the standard holders. The result is a bit smooth, that you may assimilate to lack of sharpness.
I think there is a bit on compromise between sharpness, grain and details. Well anyway I am not very technical, I like these scans better.
These shot are still part of the same trip so I think the lens is either the Summicron 50mm v5, either the Summicron 35mmF2 Asph v2, attached to the Leica M6 classic
After the second roll, its a bit difficult to make an opinion on the Cinestill XX, as I am not sure how properly my lab process it. As I said before a bit too much grain for my taste (remember my favourite film is the Rollei Retro 80), but maybe there is a ratio between the distance to the subject and the grain that makes it less suitable to my may of shooting (I usually do streets shots between 5 and 10 meters) ? Did anybody consider that?
Enough of the technical bit, Paris in the spring is a beautiful place to be. That’s a first for me in about 15 years so I was under the spell, and I thing that will be the same for the seasons to come.
Paris is not as eccentric as London, but there is a good mix of old and new, tourists and locals, fake and authentic, making you raising your camera every 5 minutes. Ok I am a slow shooter so that will be once every thirty minutes.
One last technical thing: I can see on forums the never ending question of bringing films through airports: remember that there are x-ray machines as well when you take the Eurostar. I never cared being worried about X-ray machines damage to film. I think if you are an amateur this is irrelevant. If you are a pro that’s different, but then you can always buy and process locally if its so important.
Thanks for reading.
All shots Leica M6 Classic, Summicron 35 or 50, Cinestill XX shot at 200 ISO, I put an indication of where the pictures were shot so you can plan a tour. This roll is older that the one displayed in My last roll of Ektachrome.
No worries : this is only the last roll of Ektachrome in my box. It expired sometime in early 2021 and travelled in a container from Singapore to London, and probably made a couple back and forth on airplanes without being shot.
It all started by the Secret Gardens open days in London, where I loaded the M6 Classic with the said roll, and attached the Voigtlander Color Skopar 21mmF4 and the famous 21-25 viewfinder. It was a very lovely day and we headed first to the Tower of London where we visited the garden of All Hallows By The Towergarden, where Nic the gardener grows plants he saves from the streets.
We walked back along the Thames , for the very touristic shot above, we also visited the Nomura building with its rooftop garden but I managed to screw-up the shots.
A bit of panning on passing vehicles is never lost, above on Lower Thames street.
Catching up with the city, we visited the Lincoln’s Inn, as they put on their website a “thriving society of barrister”, I am totally ignorant of this, but there were beautiful grounds and I could shot a few birds. Getting there we crossed the London’s Naked Ride, for which I made a couple of shots but not so funny with 21mm, so I’ll pass. Use google if you have no idea what I am talking about.
We continued the game the next day, spotted the nice vintage vehicle above.
We finished sometime Sunday afternoon around Notting Hill visiting some private gardens.
As I am a slow shooter, I finished the second half of the roll in Paris. Which I find very inspiring since my return to Europe. By then I had changed the lens to the vintage 35mmF3.5 Summitar LTM.
In Saint Sulpice church, a German Choir was practicing, the light was wonderful and I regretted not having a better set-up, but I think the above shot gives an idea of what was going on.
This was my first E6 roll processed and scanned by Analogue Films. Good job as usual and I was nicely surprised they were able to do it in the same one week period as they do for C41 or black and white.