Warorot Market – Chiang Mai – Thailand

Last holidays trip was in Chiang Mai in Northern Thailand. This is my second trip there and I love place. This is the second time I travel with a Leica kit both Film and Digital. I have two bodies a M6 and a M262, a 28 Summicron, a 35 Summaron F2.8, an old Summilux 50 v2 and an Elmarit 90F2.8.

2 Bodies, 4 lens that sounds a lot and actually I packed the big Crumpler 8 Mio dollar bag. It is a bit over-sized, but then I have room for papers, wallet, reading and sun glasses and on the flight I can pack in a book, you can probably pack a tablet as well. I am proud I resisted the urge to buy a new bag.

I shot 4 rolls of film and a few hundred (but less than 1K) digital frames; this first set was done inside the Warorot market with the M6 and mainly the Summilux; film is the Kodak TMY 400.

I like the TMY400 for its low grain and slightly lower contrast that the Tri-x. I think all in all these shots turn out to be quite pleasant.

The Summilux is suffering from back focusing on the M262 but that does not show at all on the film shots.

People in the market are quite friendly, actually it is quite a touristic spot so the view of a tourist with a camera is not news.

I try to follow the advice of pro photographer Bobby Lee : let people know you are here, that you want to take a picture of them or their activity, but once they agree (or ignore you) don’t just snap and run away; as they don’t bother the least you can do is hang around until you have a good shot.

All scanned with the now antique Epson v500

 

Warorot Market – Chiang Mai – Thailand

Japan Camera Hunter – JCH 400 FILM

During my trip to Melbourne where I discover the FilmNeverDie  shop, I bought a couple of rolls of their SHIROKURO but also one roll of JCH StreetPan 400 film (why only one?)! I am always looking forward to try new or uncommon films, this is part of the magic of chemistry of film photography, to make me expected something new and exciting that does not depend on my technical skills (if I have any) to happen on the roll.

You can find the announcement of the film and read more about it there.

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This does not look to be  a re-branded film as the negs have the mention JCH.

This is not a technical review, I am by noway an expert, I understand that pan chromatic does not mean much other than a reproduction similar to human eye. Not sure what this means for black and white. This film is supposed to have a higher sensibility to red and a low grain.

I loaded the roll in the newly repaired Leica IIIc, and the following shots are done during Chinese new year in Singapore using a Summitar 50mmf2 lens. The Summitar is a bit back focusing so this is probably not a proper set-up to judge the quality of the film, but I have a soft spot for the IIIc.

Exposure is measured with a handheld Sekonic 308s lighmeter.

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Peanut stall

This picture is shot under a red tent and gives for interesting palette of grey, probably due to the sensitivity to red.

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There’s a cow behind the bins

For those who wonder, this was processed by the usual lab used by Ruby photo, no idea what chemical they use.

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Cookie stall
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Fellow film shooter, using a Canon 7s and Summar 50mm (but I saw he has more tricks in his bag)

The grain is actually quite controlled, and the sharpness, if you keep in mind this is shot with a vintage soft lens, is quite good. I am not a big fan of high grain film like the TriX (although I use it a lot), and always preferred the soft TMAX100 or Fuji Acros

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Kueh shop

Actually the contrast is quite smooth, unlike the Rollei Retro 400s I used recently, so for higher contrast scenes it gives  nice gradation of grey.

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The ladies selling newspaper on Keong Saik Road
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Happy fellows
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Night shot in Chinatown, a Bakua shop
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Preparing for Chinese new year

Even this night shot with back-light could be salvaged and give a nice rendering.

All in all this is quite a satisfying experience, if I manage to get more rolls they’l deserve to be shot with a better camera like the M6 or the “never-fail” EOS 1N.

JCH has sold all his stock, so only retailers will have some rolls now, until more are produced. I don’t think anybody has some in Singapore but you can find a list of suppliers on the JCH web-site.

 

 

Japan Camera Hunter – JCH 400 FILM

The Kiev IV is still alive

The end of 2016 was fast approaching and looking at the treasure chest (and my spreadsheet of films shots during the year), I looked at camera who had not went to the field.

The Kiev IV is one of them, and I felt the next trip to Dakota was a good opportunity to take it for a spin. I loaded a roll of Tri-X and pocketed (so to speak) the body, the 50F2 and the 35F2.8.

My Kiev now has a new skin (no more mummy look), and no more light leaks (fingers crossed). So it does not look to shabby anymore and is quite a usable device.

The light-meter on mine is dead, or maybe is it too complicated to use. I find the speed control very difficult to use, and difficult to read with my poor eyesight at close range. The rangefinder with its lighting window below the shutter is not great as I always have a tendency to obscure it with a finger or the other.

I always like the images that the Kiev produces, my two lenses are very sharp, the rangefinder when not blocked, is very accurate. The speeds on my copy are quite on as well. But this fellow stays in the cupboard (actually a giant Tupperware) because of its not so friendly controls (speed change, shutter button, lens change, winding, loading of film). I think it even compares negatively to the Leica III.

This says I love the pics, I may get rid of my set this year, it may be a cheap entry  level rangefinder for someone else, who knows.

About Dakota Crescent estate, you can read more on other posts, around mid-December the place is quite empty now.

This is a roll shot with the Kiev IV Camera, Jupiter 35 or 50 lens on Kodak TRI-X.

Scanned at home on Epson v500.

The Kiev IV is still alive

Sydney on Film

I went “down under” for the first time last school holidays. I was now carrying the “new” travel kit:

  • Leica M6
  • Leica M262
  • Summicron 28F2
  • Summaron 35mmF2.8
  • Summilux 50mmF1.4v2
  • Elmarit 90mmF2

5 or 6 rolls of film (I just shot 2) and small accessories.

I overcome (temporarily the urge to by a new camera bag by loading all of this is the very big Crumpler 8Mio and for day to day walks to put in my suitcase a Crumpler 1Mio. The later can fit one body with a lens and an extra lens, my wallet and phone, the second body goes around the neck.

On circular quay there are always a few buskers including this group of aboriginals, playing didgeridoo along with disco beats.

The fish market is packed with Chinese tourists.

Men’s biz : a trendy barber in one of the galleries in central Sydney.

Sydney on Film

Panguni Celebration – Singapore

So what happened since the March Photowalk? No pictures ? Well a bit of the contrary, I have been in a film frenzy and I now average 2 rolls a week, but then this takes  a lot of time to process and there is little time left to put this us in a post. Also of course has there’s been a bit of travelling, but that will be for other posts…

So at the week after the March photowalk, on a Wednesday morning, was the celebration of Panguni.

Panguni is a Hindu celebration similar to Thaipusam (you can see my post for this year here). In Singapore it is held two lunar months after Thaipusam, in the Yishun area, at the Holy Tree Sri Balasubramaniar Temple.

Like Thaipusam it involves body piercing, carrying Kavadis, music, friends and family support.

It is always amazing from the outside to see people going through this ritual. But you can also find some laughter there.

Panguni is a lot smmaller celebration that Thaipusam and it is less crowded. A lot less photographers and onlokers as well. Some of the people I spoke to pput the emphasis on the local dimension of the ceremony.

Pictures are done with Leica M4 and M6, with Summaron 35F2.8 and Summilux 50F1.4v2, using Kodak Tri-X. I also shot some colours pics but they did not make it through the selection.

Panguni Celebration – Singapore

Over and Under the sea with my Heineken Camera

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Ok actually this is more over the sea than under. Part of the “big tour of the south pacific” holidays camera pack, I carried along the Heineken Toy Camera and its waterproof case. I had a great time and some interesting shots when I brought in on a company week end out in Phuket two years ago, so I thought it would be a nice complement to the DSLR and the Agfa.

To make things a bit more funny, I loaded it with Black and White Tri-X film. I think the colors generally sucks with such cameras and black and white will make a bit more special images. I think at 400ISO the Tri-X is a bit over exposed even given the F9, 1/60th of a second fixed exposure of the camera. The 100ISO shots at Phuket where a bit better.

Oh and the fixed lens is a 28mm.

Below is my aquatic family, mini me and wifey
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And your servitor, shot by Noé the aquatic photographer.

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Shots from our hotel in Tahiti, with the island of Moorea in the background.

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Our neightborhoud

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Finaly a real underwater shot with fish included.Facebook-5-2

All of this is good fun. I missed having a digital submarine camera though, I must say the few underwater shots would have been nice. But not regret, i’ll do this again.

Over and Under the sea with my Heineken Camera

Good bye Mister Lee – Day two

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On the second day or the mourning, the body is mister Lee was visible in the Parliament house. A large crowd attended the transfer itself early in the morning. From then the body of mister Lee was visible for the public inside the parliament.

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A large queue started to form and when I stepped outside of home and head to the river, by 3pm the queue was zig zagging along more than 6km to end up around Clark Quay.

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People with flowers were trying to reach the start of the queue

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The queue was turning along new bridge road up to Hong Lim park. Luckily there was shade for most of this stretch.Facebook-7

Not so lucky were the people still on the bridge.Facebook-14

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The police organized the queue, but everybody was polite and patient it seemed. No the policeman is not pointing at me.

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Some more far-sighted people have brought umbrellas and seats.

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Staff from Song Fa Bak Kut Teh shop were distributing water to people in the queue passing by their shop.

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I made it to Canvenagh bridge in 30 minutes, probably it will be 4 hours minimum for the people in the queue and from here a good one to two hours extra to get the parliament. I could not cross so I walked back along the queue.Facebook-17

Opposite the Fullerton hotel, some guys were distributing water.

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Another refreshment point in front of Maybank

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The queue passed with Marina Bay Sands in the background, the latest Icon of the capital city.

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I really hope this woman did not have to go back all the way to Clarke Quay to queue. People I met at this point had no idea how far the start of the queue was.

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Today’s walk from the back of the queue up to Cavenagh bridge, took me a good hour.

All pictures with Leica M4

Summilux 50mm1.4
Rollei RPX100 or Kodak Tri-x

Good bye Mister Lee – Day two