A very quick post of shots done earlier this month on an expired roll of Kodak Portra 400 with the Leica M6 and the Summicron 35mm Asph v2.
The roll was processed and scanned at Whampoa Photo. I find the scanning job they do of equal quality (or better) than what I do myself, so no point wasting time. The first set above was done around Marina Bay, over a couple of different week ends, one being just before Halloween.
Second section comprise photos of Little India around Deepavali celebration and the first shot was in Chinatown during a meet up with fellow film photographers.
Third section contains some shot shots fort Siloso in Sentosa, and a couple of random shots from a walk around Newton.
Finally a shot of fellow film photographer from Japan who has been around in Singapore for quite a few years and always carry his two pristine Nikons F2. He will go home soon for good, so farewell.
This was roll number 42 of the year, and the 11th with the M6, I hop eyou enjoyed the ride.
Brace yourself for a long post today, with many pics selected form two rolls of Ultrafine Xtreme 400. If you look through this blog, you will find out that in 2018, I shot an entire 30m roll of Ultrafine Xtreme 400. I quite like this film and my usual lab was doing a good job processing it.
This year is another game as my friend Ray Toei, the serial shooter who introduced me to this film, offered me two of his hand rolled film, with 24 shots each, and this year as you may know is the year of Caffenol.
The are not many resources on the web about processing this film in Caffenol, or maybe I was not able to find hem, so I decided to start with the Delta Recipe which is now my go to recipe for Ilford Delta and HP5+.
The first film (Roll 43) was processed for 4’40” at 28 Celsius, time from pouring in the mix, to pouring it out (I start pouring out at 4’35” ). The resulting negative is quite thick, meaning over processed. I cut the time down to 4’15” for the second film (Roll 44) and the result is much much better, maybe I can try to cut down few more seconds.
I had another problem with the first film : I did somehow manage to not load it properly on the spool, so some areas were not properly processed, giving some vast white areas in the pictures (black on the negs). Ths is very clear on the first shot of this post. That’s a lesson learned : when the spooling does not sound right it is not right.
To make this a bit more difficult I have shoot these two rolls with my antique Nikon F3 and 50mmF1.4 AIS. I have dug the F3 out of the dry box for my last travel in February where I shot a quite nice roll of HP5, and I though he deserved a second round this year.
I bought the F3 in 1992 already pretty battered, and I was never totally satisfied with it. But I long so much for this little fellow that I cannot drop it totally.
I never have so many out of focus focus pictures with any of the Leica’s. I have changed the micro prism focusing screen for a vertical split screen in 2008 but it did not bring much improvements. I am happy to blame my eyesight of my technique.
This said, the pictures that are technically ok have a different quality to them than those taken wit the Leica. Not better (impossible 🙂 ) , just different, and its quite appreciable.
For those interested, I carried last week both the F3 combo and the Leica M6 with the 35 Cron Asph v2, and the Leica is about 200 grams lighter, the F3 being just short of 1 KG. Still it is not big camera and discounting the fact I miss-focused 6 images at least on these rolls, it is a pleasure to use.
I went to Whampoa to bring a roll of color film to the lab there, not remembering that Saturday was a public holiday (Deepavali), so being confronted with the closed shop I walked to Whampoa market.
A few kilometers away, on Serangoon road, Hindu’s were visiting the temple, like this young family with a baby. I walk close the 11 km Saturday.
My Delta recipe is as follows:
I kept last week Caffenol, but decide not to use it, let’s brew some fresh stuff for the moment. For those interested in stats I shot 44 rolls sofa this tear, and 24 processed in Caffenol (probably 4 can be considered as having been sacrificed on the path to knowledge).
The National Aerated Water Co Pte Ltd was the actual goal of my walk. I went there with public transport and walk my way back home via Marina Bay. The old factory is going to be part of a new development, but almost two years after my last visit this is still a work in progress.
This is the first time I pass by the Geylang Bahru industrial estate. It looks like a promising area, with small workshops, like here a Rattan Basket factory.
Heading down into town towards Boon Keng MRT, is a very lively areas
I am nearly a full time barista because this is another roll processed in Caffenol. As the Agfa one it turned out very fine with the new Vitamin C. This is a roll of Ilford Delta 400 by the way.
The roll was shot with the Elmar 50 mm F3.5 on the Leica M4.
I took a close up on this little paper flag used for prayers or offerings and I am very pleased on the sharpness and overall rendering.
Opposite Jalan Besar stadium are a few workshops creating tarpaulins. I made many shots over the years but this is one off the best.
The title of today’s post is a trap. It should be called Caffenol week 6, but it starts to be boring. Saturday I finished a roll of Ilford Delta 400, and processed it as soon as I was back home.
This is my second brew that I kept from last week. I have been careful today to limit the time of processing to 5 minutes at 28 degrees, plus 10 seconds for pouring out.
The negatives are still a bit thick but on the better side I would say. I also filtered my fixer before using it. As a result I have very few crap on the film.
Another innovation this week is that I cut the roll in two before processing to squeegee. Less chance to scratch by carrying dust over with my fingers, less residual water at the bottom of the film. Unfortunately I did not count he frames so I ended up with an odd number of strips.
The result : this is my best Caffenol film of these past 6 weeks. I must say it is the best film altogether and choosing a small number of shots from it was difficult.
But back to the processing, there was very little dust on the film, and I did only minimal spot cloning in light-room after processing. I also added 1 more minute to the fixing time, this is the 7th roll with the fixer (It should do 17), it cannot harm.
This is shot again with the Leica IIIc, but with the Summaron 35mmF3.5, which is quite a sharp lens. I measured the light with the handheld Sekonic L-308-s, and used my 35mm Leica finder. The finder shoe was bent during my last move and I think the shot above really shows it.
The first three shots were taken around Chinatown last week, while the next three where taken around Marina Bay, where I met some friends by complete fluke. Friends are great picture subjects, lets remember this.
Saturday morning I met some fellow shutterbugs in Haji Lane. The two frames above were shot in a kind of artsy enclave where a lot of murals can be found.
The area is far less crowed than usual, but its still a busy place in the morning, with deliveries for local businesses, people having coffee or photographers bringing models to shoot with the colorful area as a backdrop.
We hijacked the model above, thanks, thanks, one shot and we move, my camera is so old, anyway.
We have entered the 7th month of the Chinese new year and offerings are appearing outside maybe businesses.
Processing film at home is a funny activity, actually it is a very modern one, inline with instant self rewarding of Instagram and phone-o-graphy.
So after 4 weeks wit the same brew, I decided it was time for fresh coffee. I followed the same recipe but added some table salt, which is supposed to limit the fogging on the negative, specially for high speed film like the Ilford Delta 400.
I prepared the mix Sunday afternoon to be ready for processing in the evening, but actually I could not wait and loaded the finished roll I had in an improvised dark cupboard.
I realized that my expired fixer is now all grey and contains a lot of flocculation. I try not to poor the deposit in the tank, but did not think of filtering. I fixed for the usual 5 minutes. Then I filtered the fixer back in the bottle.
It looked the film was fixed properly but there is some deposit in places. Next time I will filter before pouring and extend the fixing time just to be safe.
So I used the new mix at 28 degrees for a bit more than 5 minutes. The result is OK, but I would say a bit over done. I cannot tell if the table salt had any effect (I put 10g for a litter of Caffenol).
This time I managed to squeegee the water from the film without leaving dust or hair and let dry in the bathroom. The negatives are thick but scanned ok as you can see. There are some marks due to the residuals of the fixer I think.
So this is a roll of Ilford Delta 400, supposed to be a fine grain film (compared to HP5), a bit cheaper than the usual TriX. The film lacks a bit of contrast in my opinion.
This was shot with the Leica IIIC and Voigtländer 21mm F4. With the 21mm the subject is always so far away.
Unless you come very close
In which case you make friends, or at least you have to engage.
I engaged the social distancing ambassadors, as I think they deserve to be remembered for their service to the community and that hopefully one day they will only be memories and we will look back at this picture to make sure this was not just a dream.
The shots around Marina bay were made by a very bright day and some are done at higher speeds for which I suspect the Leica III to be a bit lazy, hence the mild darker right side (or brighter left).
I included a few more shots back to my usual habit of burning film randomly.
I am still not so good at hip shooting, it seems I constantly aim too high. Luckily I realized I am not the only one.
I am a bit better at pre-focusing and aiming from the eye level. Particularly with my VC 21-25mm finder.
I hope you enjoyed the reading. The next roll is not very far away.
Here I am back for the fourth week with my Caffenol. I intended this week to be the last of my first brew. I was encouraged by the last weeks experience and became a bit too bold maybe and alas the issues added to the issues.
First for this last batch I chose to process a roll of Tri-x that I shot over the week end with friends and family. Tri-x is said to be not super Caffenol friendly and my first roll was not a massive success. How to calculate for both the estimates 7.3 minutes leading to over processing and the exhaustion of the Caffenol? I settled to try for a 6.3 minutes (including pouring in and pouring out time). To put odds on my side I also filtered the fixer that seemed to show some flocculation last week.
Alas again the gods of the dark room were not with me today, and after fiddling for a while (in the dark) I managed to load the film incorrectly in the spool of my Patterson tank. And the result is here : half of my roll is not processed. As I write it I think could have put it back in the Caffenol, but actually I just binned it. Well we learn by our mistakes, so I will have to iron out this process. All in all I may only have loaded 10 to 15 rolls in my life.
The film shows a bit of reticulation, but I think it may be the tap water used to rince the film, may have been to warm (tap let on hot after the washing up). Also it i snot as clean as my first negs so on top of it maybe the Caffenol need also to be filtered.
Anyway, I think the point is that my negative looks ok, so 6 minutes 30 seconds in 3 weeks old caffenol is OK for processing Tri-x and also maybe the caffenol can last 4 weeks?
Another long post, but I don’t fill like splitting this story up, hey that’s my third post about Thaipusam this year.
On arriving at Farrer park MRT, we met our first Kavadi bearer.
And then more devotees waiting for the traffic light.
The little devotees
Then when moving inside the temple the devotees are assembling the Kavadis
or prepare their offerings
While others use their phones to snap their friends.
Pictures above are taken Ilford HP5 shot at box speed, I used not to be a big fan of this film, but actually I am very satisfied with these results. The pictures after are done with the Kodak TMY 400, not exactly my usual Tri-X, but i generally quite like it.
Actually I don’t see any difference, so I may shoot more of the cheaper HP5 going forward.
Still osculating but looking more steady.
All shots with Leica M6 Classic and most of them with the Summicron 35mm F2 AsphvII (the last version), processed at the usual lab (well dropped at Ruby and they get the usual guy do the work) and scanned at home with the Epson v800.
This is a follow up of the first roll shot in Hanoi (here). On the way back to Sapa, we stopped in the area from Hanoi which is close to the lake for a single night, lucky enough thee was this nice market next door.
Best shot of the roll was the first one, on the evening of the arrival, this man was barbecuing meet outside of the market.
This also is a roll of Tri-X 400 shot with the Leica M6, and the Summicron 50mm v5.
The market is small but large enough to shop with your moped.
The market though small has several entrances making for interesting lights (not that I may have used it).
Outside the market the area is very lively with street sellers, small shops and all.
On the fringe of the old quarter this is a nice area to visit, a lot of small hotels, shops, an further out you can walk to the lake are.
This is one of the last rolls of 2019, finished on the 31st December morning.
It is a Kodak Portra 400, shot with the Sumaron 35mm F3.5 lens on the Leica IIIc.
As usual I shot the roll over two weeks, I was lucky on the first day to stumble upon a ceremony at Hong San See temple around the corner, where deities coming from China to be worshiped here were sent back home by the lion head lorry. A few moments later I went to Sri Layan Sithi Vinayagar Temple in Chinatown for a the temple consecration ceremony after its renovation.
December is a wet month in Singapore, umbrellas are out (and colorful).
Pre-Christmas the Orchard road shopping area was busy.
At the “wings” watering hole in Clark quay I finally managed a decent picture of girls in uniform. I just printed it for them, to give away next time I walk by. This was shot wide open at 1/60 or 1/30.
The newly opened Funan mall with its climbing wall is just around the famous Peninsula shopping center with its many cameras shop and my fav lab.
I like the Portra for many reasons, I think it is very good for shots as above with muted colors.
Christmas is also an opportunity to visit churches for office or to watch the Christmas cribs.
Finally on the 31st of Dec, I carried the M4 along, to finish the roll. This was to Chinatown again with a group of photographers. Weather was just great.
I must say I also love the Portra for its saturated colors.
All shots, Leica IIIC, with the Summaron 35mmF3.5 LTM lens and assorted 35mm Viewfinder. Kodak Portra 400
Scanned at home with Epson v800
Dropped for processing at Ruby Photo (not sure who does the actual processing)
This year the STPI in Singapore had its open day during the Takashi Murakami exhibition “From Superflat to Bubblewrap“, this was the opportunity to kill two birds with one stone.
No need I think to introduce the iconic Japanese artist who uses manga like practice to depict modern Japan. I only had B&W film that day so I did not took many pictures of the art works.
Open days at the STPI (Former Singapore Tyler Print Institute) are always enjoyable, if you have young children they can discover and experiment various print practices, that also work it seems for teenagers and young adults alike.
For guys (or gals) with a camera, it is a nice opportunity to captures willing models engaged in not so common activities.
The STPI now positions itself as a gallery, aiming to promote the usage of print and paper mediums.
Artists shown in the gallery often have a collaboration with the print makers.
The smiling lady at the printing press has been working there for years, she is now an independent architect ; time flies.
All shots were done with the Leica M6 and Summicron 50mm on Kodak Tri X, at 400 ISO. genarally shot between F2 and F4 and 1/60s ro 1/12s. The film was processed by Ruby photo (or rather their usual contractor) and scanned at home on Epson v800 with Silverfast.
I generally convert the images to grey-scale and remove dust spots in Adobe Elements and adjust the contract and brightness in Lightroom.
The workshop can also be a treasure where odd objects can be found and pictured for eternity.
One of the DIY items of the week end was an STPI apron.
You can see picture of the last workshop I went to 4 years ago STPI at that time pictures were shot with Canon EOS 1N and 1.8 Canon lens.