Agent Shadow in Paris

The Leica M4 was my first Leica, I bought it in 2011 for the incredible amount of roughly 2000 Eur with a Summilux 50mm v2 attached, to the amazement of my son ( 9 years old then ) who looked at me counting 100 SGD bills as I paid the seller.

Bibliotheque Mazarine, Institut e France – Paris

The M4 had a strange double effect on me : first it was not love at first sight, second it still pushed me further down the Leica rabbit hole. Fast forward 12 years, I only shoot rangefinders ( 90% or more of my pictures ) and I sold my Nikon Digital Kit (awesome gear) .

Libre Service

So as per the opening picture I still own the M4, and shoot with it from time to time, the lack of a meter make me use the M6 more ( or the IIIC if I want to go back to basic). Over all these years however I am ashamed to admit that I have only shot about 50 rolls with it, so roughly 4 a year.

Bourse du commerce

Heading for Paris recently I attached the Summicron 35mm Asph v2 ( the only Leica Lens I ever bought new ) and loaded my second roll of Kosmo Foto Agent Shadow film. This is a pretty sexy combo, I also carried the Sekonic 380x.

La petite tailleuse de pierres

Actually not : the young lady above is not a stone mason, but close enough : she is a project manager in a company renovating historical buildings. And she was giving a hand for the “Journées du Patrimoine”, and yes : she can handle a hammer.

I can’t I have pop-up

So back to Agent Shadow… I found the name a bit ridiculous, why do you have to give witty names to films? Also I was not so amazed by my first roll. But at a third of the TMY / TRI-X price, it is worth giving it a second chance.

A Love Letter to Paris by Peter Turnley, by the Paris Townhall

In fact this roll gave me some good reasons to like the film : it is not too contrasty, grain is small, details are good. All in all this a very good midway between the HP5 and the TMY.

La Sorbonne

Mazarin statue on his tomb

We were lucky to be in Paris during the Journées Européennes du Patrimoine as we could visit a couple of historical buildings like the Institut de France, la Sorbonne and the College de France.

La Sorbonne library

A professor introducing us to the College de France

On the last day we had a bit of street action as the sun was going down. Walking towards Chatelet, we met what was left of a street party / demonstration.

On n’arrete pas un peuple qui danse

When suddenly arrived a massive party of rollers / cyclists.

Causing an interesting / interested reaction from the party side of the place.

Ensemble / together

I hope you enjoyed the pics. Film was processed ( and bought ) at Analogue Films in Shoreditch.

Agent Shadow in Paris

KosmoFoto Mono

Passing my favorite photo shop the other day (Ruby Ye in Excelsior Plaza basement), I noticed a stack of an unknown (to me) boxes of film. I was told it is Kosmo Foto Mono. I heard of the brand before but never tried it. So I could not resist, parted from 14 SGD and walked home.

Next day was an unformal outing of the HUGS (Hasselblad User Group Singapore) and I brought both the Hassie (see last post) and the Leica M6 loaded with the said Kosmo Foto Mono and mounted with the 50mm Summilux v2 (My first ever Leica Lens). We met in Chinatown, to capture the Chinese New Year atmosphere.

That day was also the outing of the Urban Sketchers group, which gave us (me) plenty of pictures opportunity, I like shooting random strangers, but strangers in action is even better.

The Mono is a 100 ISO film, the weather that morning was quite ok for outdoor shots with normal speed and aperture. Except the below, inside the Chinatown complete, probably full open and 1/60 sec.

When I reached home after lunch the tricky question came : how do I process this film? Querying the Caffenol Facebook group I learned that this is some rebranded Kentmere 100, so I looked up processing time. But when I removed the label to take a nice scan of it for my collection I noticed the canister actually says Fomo.

Who to believe? Anyway checking the Massive Development Chart I noticed both the Kentmere 100 and the Foma 100 have the same development time for the same Caffenol formula. My vitamin C stock is a bit depleted but I still could find enough to process one roll with the following formula:

500 ml water. 27g Washing Soda, 8 g Vitamin C , 20g Netscafe classic

My room temperature here in Singapore is 28 Deg, so I scaled the time and processed for 6 minutes, with agitation the first 20 seconds then 3 inversions every minute.
Using Ilford method to rinse, Ilford rapid fixer and dishwashing soap in the last rinse batch.

The negative is a bit over but the scams are looking good. There is a certain softness to them which is quite pleasant. 14$ is a bit expensive for a standard 100 ISO film, but I quite like the results so I may give it another try (oh yes maybe I have to finish by 100ft roll of Ilford Delta first, I probably have the equivalent of 12 rolls left in there)

The HUGS gang that day.

KosmoFoto Mono