Geylang Lorong 3 on Film (or nearly)

The church

You can read the about the context of the post here A rainy walk in Geylang Lorong 3

I managed to go to that place on Saturday and back on Sunday and I managed to f*ck-up two rolls of film in two separate days.

As I did not really knew the place I rode there Saturday for a scouting tour ahead of a potential further photo outing. I don’t like carrying a camera on the bike, but I still packed the Leica M6 with the Elmar 50mmF3.5 loaded with a half roll of Kentmere 400. I found the place quite easily and a group of urban sketchers where at work on the late morning sun. You can check there Facebook group there : https://www.facebook.com/usksg

Mike Fellow Hasselblad user

As per my last post the area, without lacking of interest, looks more like a slum than a rural village. There is surely a certain esthetic to it, and a small sense of history in the houses hosting places of worship.

The essence of moving places

So why did the film turn that bad? I was a bit stressed with by the fact that this was the first time I processed the Kentmere 400 in Caffenol and I could not really find any indication of processing time. I decided to try the Delta Recipe with the usual timing but even before starting the processing something was smelling fishy: my Caffenol mix did not have the usual smell, but was smelling as plain coffee. I pursued in pouring the mix … et voila: a very undeveloped film. I am surprised that the scanner (Epson v800) can make images of it at all.

Bis repetita Sunday : I went with the Leica M262 (hence the first post) and the Hassie 500. The weather was very bad, but I made a roll of Ilford HP5+ which I though could have been half decent

Lord Ganesha’s shrine (Hasselblad 500 CM)

I mixed the Delta recipe when I reached home and that one smelled fine. So I definitely mixed something incorrectly Saturday. Alas having a problem loading the film on my plastic spool, I split the spool in the dark bag and decided to pull it out and clean it, but in the movement I also pulled the film out of the bag. By the time I could put it back, the roll as been exposed to light and only 3 shots are exploitable.

The roll was mostly of frontal shots of the houses that I found geometrically interesting, this one shows the light leaks.

A village street under the rain.

Lessons learned: once again if is smells fishy it surely is, less haste, nothing is worth than the pictures you will never see.

Nevermind, I still have faith in Caffenol and home processing.

Geylang Lorong 3 on Film (or nearly)

2018 – The year I still shot one roll of film a week.

La mort subite
Camera n.1: Leica M6 with Rollei Vario

Happy  new year everybody, happy film shooting to all the film photogs. If I looks around me in Singapore it looks like more and more people are shooting film. I see young kids buying film at the shop and carrying around some analog point and shoots, SLRs or rangefinders. I met fellow film shooters in Japan, Laos and Thailand this year and at the big dismay of my family I (nearly) always go and talk to them, and take their picture sometime.

In my own opinion 2018 has been less exciting that 2017 in term of the film industry : Cinestill is now part of the landscape, Kodak Ektachrome is said to be available but I have not tried it yet, Film Ferania is still nowhere near the shelves. The only new film I tried is the Rollei variochrome positive film, which is quite gimmicky.

Camera N.2 : Leica IIIC with Kodak TMAX 100

 

Below is a breakdown of my film rolls:

Film Rolls
Ultrafine 400 17
Cinestill 50D 3
Rollei Retro 80s 3
Bergger Pancro400 3
Kodak Tmax 400 2
Rollei CR 200 2
Polypan PF50 2
Cinestill 800 2
Fuji Reala 800 2
Kodak Gold 200 2
Rollei Superpan 200 2
Kodak Colorplus 2
Kodak Portra 400 2
Kodak Ektar 100 1
Rollei Vario 1
Kodak Tmax 100 1
Kentmere 400 1
Ilford hp5 1
Kodak Portra 160 1
Kodak TMZ 3200 1
Agfa APX 400 1
Grand Total 52

And by Brand

Brand Rolls
Ultrafine 17
Kodak 12
Rollei 8
Cinestill 5
Bergger 3
Fuji 2
Polypan 2
Agfa 1
Ilford 1
Kentmere 1
Grand Total 52

A tough one
Camera n.3: Leica M4 with Kentmere 400

The first thing to notice is that I shot a bit less that last year (I did 63 rolls then), I think I also shot less digital, I spend some time in a couple other projects. But still I am holding the one roll per week rate.

I shot 17 rolls of Ultrafine that I hand-rolled myself : this is a first for me. This is a quite good film : I told the lab it is Kentmere 400 and had no problem. I liked the experience of hand rolling shorter rolls, but as I don’t process myself there is a balance to reach between the cost of processing and not having to throw away the last shots of a roll (or shoot meaningless pics with them).

Kodak is a mix bag of black and white and the cheap color films like Colorplus and Gold 200. I tried the new TMZ 3200 once again this year and I think a good performer.  I am a Kodak fanboy.

An angel on the wall
Camera N.4 : Hasselblad 500CM with Cinestill 50D

 

On the disappointment side are the Bergger Panchro and the Rollei Superpan, they lack contrast and have too much grain to my taste (or maybe I lack the skills to make them shine). I cannot make them out of my fridge fast enough, so I will still have some to shoot this year. I finally finished my two years expired Fuji reala 800, both shot with the Leica IIIc, I don’t really like this film (but it was so cheap) and also I have problem measuring for 800 Iso in daylight, so results were not great.

Finally the Rollei Vario ( you can read the full review here ) : it is very gimmicky so one roll is enough. I think if you are a pro and shoot a wedding, you can have a nice couple of pictures with a very different look, but apart from this the tint makes its usage very limited.

#15

Camera N.5 : Agfa Isolette with Bergger Panchro 400

Now let’s look at the gear.

Camera Rolls
Leica M6 21
Leica IIIc 11
Leica M4 10
Hasselblad 500CM 4
Agfa Isolette III 2
EOS 1N 2
Kodak Autographic Jr 1
Minolta Himatic 7s 1
Grand Total 52

Once again Leica’s are on top of the ladder, I am still investing in my Leica Kit, so the M system is set to shine for a while. My travel kit now is the M262, the M6 and 3 or 4 lenses in the shoulder bag.

The Leica IIIc paired with the 35mm F3.5 Summaron is my walk around camera, as a consequence the M4 lags a bit behind.

Chinese new year 2018
Camera N.6 : Canon EOS 1N Kodak Portra 160

I only shot 7 rolls of medium format, the Hasselblad has a problem now and only takes 11 shots per roll, and stays at home during holidays; the Agfa still cannot focus but I like taking it out a couple of times a year (exactly two times)

I kept on my decluttering habit this year, so I got rid of my broken Olympus Mju1, the EOS 1N, the Kiev and some Nikon Zoom lenses.

 

Artist at work
Camera N.7 : Minolta Hi matic with Ultrafine Xtreme 400

 

Finally my v500 scanner died in the first week on 2018, so I upgraded to an Epson v800. Frankly the difference is not that visible but it is a lot faster and the Silverfast software is quite better than the Epson one, although I must say I still have some work to master it.

2017-29-Dacora-1-006
Camera N. 8 : Kodak Autographic Jr 6×9 with Rollei retro 80s.

 

If you are curious you can check the past reviews : 2015, 2016, 2017.

Happy shooting in 2019 !

2018 – The year I still shot one roll of film a week.