A first roll of Polypan F50

Uncles at play. The best shot of the roll.

Polypan F50 is a mysterious beast : it is a film made to copy cinema movies. It has no anti halation layer: it means the light bounces back from the pressure plate of the camera and on highlights produce a “glow” effect (To reduce the glow you can put apply some black backing paper to the pressure plate).

Nice special “glow” and shades or grey

It comes in bulk of various lengths and can be found on auction sites, it looks it was produced until recently.  It can be pushed to 100 or 200 as some friends do, I may try on the next roll.

The girl in Wanzi.

This roll was shot with the Leica M4 + Summilux 50v2, at 50 ISO, hand metered (Sekonic 308S). I processed mine at my local lab which used Kodak D76, I was told the buy pushed it one stop.

Music Head

The result is quite OK to my taste, the grain is quite smooth in some of the shots, more present on others, like a generic 100 ISO film. There is something special on some shots that can be related to the “Glow”.

Egg Business

This is a 50 ISO film, so not so easy for street shooting, but still I think three out of four shots are OK technically. Using the Summilux gives a bit more leeway to play with compare to slower lens, and on a sunny day I could shoult at 1/125, 1/250

At the crossing

The film is moderately curly, scanning did not show any special difficulties. The highlight seems to be a bit blown, bringing them in line needs darkening the pictures a bit too much to my taste, but I cannot deny the palette of grey is interesting.

Edit with highlights “in line”

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I though it was more interesting to share about this new experience that following up my last post about the art of curating  films. But I can quickly share the following: on the 25 shots of this roll, 5 where not good technically, 4 are of my family, 13 seriously lack of interest or are dupes. So I am left with the 8 shareable shots shown here
Time off

A bit high ratio, but I am a slow shooter, specially with a film of such slow speed, so maybe I paid more attention. The first and last shots are probably a bit above OK. “Music head” with its quirky composition is probably very close to  be an OK. The “Girl in Wanzi” would have been as well if not for some motion shake I think. “Bump”, “Egg Business” and the “Time Off” are on the very low end of the interesting range.

Some fools sell, some fools buy.

You can check the on the web;

 

Thanks for reading.

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A first roll of Polypan F50

St Matthew’s Church – Neil Road

Small walk to Neil Road a few weeks back  to check the intriguing architecture of the old abandoned St Matthews Church.

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Most of the information here is taken from Remember Singapore  a great site about things of the past in Singapore.

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The original church was built in the 1890’s as a place of worship for the British sailors.

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It operated though all the first half of the 20th Century, including the Japanese occupation during WWII.

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In the late fifties, St Matthew’s embarked on a re-building plan of its main church building.

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Designed with a distinctive Modern style, the new double-storey building consisted of a prayer hall on top of a large function room. It also possessed an unique vertically protruding roof that looked like a ship’s prow, and a tall concrete bell tower that was erected beside the main chapel.

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The bell was removed sometime in the 2000’s.Flickr-1006999

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Also, after the war, St Matthew’s Church carried out plans to, expand its premises, including the construction of a vicarage and a kindergarten was also built in the early fifties.

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The new kindergarten was designed in simple Art Deco-style; it had a sloping roof laid with terracotta Marseilles tiles and timber windows with louvers.

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Color pictures Leica M262 ; B&W pictures Leica M4 with Kotak TMAX 100.

Wide angle Summicron 28mmF2 Asph ; normal lens Summicron 50mm F2 type V

St Matthew’s Church – Neil Road

Bye Bye Dakota

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For the last post of the year, I will show you pictures of a small walk I did at Dakota Crescent estate in Singapore.

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Like Rochor Centre, Dakota is supposed to be demolished at the end of this year (so pretty soon). The estate belongs to the public housing administration (HDB), it was built in 1959 during the British area.

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The blocks have some interesting feature, some inherited form modernist lines. The most well known feature is the “dove” play ground.

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The estate is made of 17 blocks, some high rise, some lower rise, located closed between Old Airport Road and the Kaland river. Old airport road s the road that was leading to the airport that was used prior to the opening of Changi in the 1990’s I think.

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As this time the buildings are more or less empty, ready to leave way for a new development (I ignore which). There will be more pictures of Dakota as I  went there again last week. But that will be for 2017.

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Color shots done with Leica M262 and Summaron 35mmF2.8; Back and white with leica M4 with Voightlander Color Skopar 21mmF4 or Summitar 50mmF2 on odak TMY 400 film.flickr-013flickr-014flickr-019flickr-026flickr-027flickr-028flickr-030flickr-031flickr-1003444flickr-1003463flickr-1003489flickr-1003484flickr-1003486flickr-1003488flickr-1003493flickr-1003500flickr-1003491

 

Bye Bye Dakota

The year of shooting with Leica(s) – Part 1

 

I bought my first Leica in 2009; it was a very nice M4 paired with a Summilux 50mm version2; both from 1967 as close as I could to by date of birth (I was a bit worried at the time about getting involved in the double stroke or single stroke on the M3).  In 2009 I was already back into film for 2 years, I was lusting for a Leica. After much considerations I splurged the equivalent of 2500 USD on the above combo.

M4

If was not love at first sight with the Leica. First I was back to the shop (actually another) to invest in a light meter (Sekonic 380s). Then I brought it in  couple of trips, but with mixed feelings.

Japan 2010

I enjoyed using the little fellow, but really the results were no all great and also I have a trouble bringing the Leica on travel : I though the 35mm was redundant with my DSLR; at least in term of format.

The following years I bought a few other film cameras and got distracted, so indeed the love story with the M4 was not going the right way.

In 2013 I invested in a small LeicaIIIc and a Summitar 50mmF2; this fellow had a couple of problems, but I quite liked it for shooting around.
The Leica IIIc

I got a couple on third party lens in various stage of in-usability to pair him with (a back focusing Jupiter 35mm, a non-focusing Canon 135F4, not mentioning  the Industar of the Zorki 1) , but all in all we had good fun. Around this time I also invested in a 21mmF4 Color Skopar, that I always found difficult to use. And I made my first Leica trip only to Taiwan.

LeicaIIIc Taiwan 2013

Leica M4 Taiwan 2013

Last year finally when Lee Kwan Yew passed away I shot a lot of the funerals with the M4 and my interest was aroused again by the Leica M, so finally for a similar amount of the M4 kit, I bought a minty M6 Classic (Back) and a Summaron 35mmF2 (The version with the goggles).

And so started the year of shooting with Leica(s) (to be followed)

The year of shooting with Leica(s) – Part 1

Panguni Celebration – Singapore

So what happened since the March Photowalk? No pictures ? Well a bit of the contrary, I have been in a film frenzy and I now average 2 rolls a week, but then this takes  a lot of time to process and there is little time left to put this us in a post. Also of course has there’s been a bit of travelling, but that will be for other posts…

So at the week after the March photowalk, on a Wednesday morning, was the celebration of Panguni.

Panguni is a Hindu celebration similar to Thaipusam (you can see my post for this year here). In Singapore it is held two lunar months after Thaipusam, in the Yishun area, at the Holy Tree Sri Balasubramaniar Temple.

Like Thaipusam it involves body piercing, carrying Kavadis, music, friends and family support.

It is always amazing from the outside to see people going through this ritual. But you can also find some laughter there.

Panguni is a lot smmaller celebration that Thaipusam and it is less crowded. A lot less photographers and onlokers as well. Some of the people I spoke to pput the emphasis on the local dimension of the ceremony.

Pictures are done with Leica M4 and M6, with Summaron 35F2.8 and Summilux 50F1.4v2, using Kodak Tri-X. I also shot some colours pics but they did not make it through the selection.

Panguni Celebration – Singapore

Good bye Mister Lee – Day two

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On the second day or the mourning, the body is mister Lee was visible in the Parliament house. A large crowd attended the transfer itself early in the morning. From then the body of mister Lee was visible for the public inside the parliament.

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A large queue started to form and when I stepped outside of home and head to the river, by 3pm the queue was zig zagging along more than 6km to end up around Clark Quay.

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People with flowers were trying to reach the start of the queue

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The queue was turning along new bridge road up to Hong Lim park. Luckily there was shade for most of this stretch.Facebook-7

Not so lucky were the people still on the bridge.Facebook-14

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The police organized the queue, but everybody was polite and patient it seemed. No the policeman is not pointing at me.

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Some more far-sighted people have brought umbrellas and seats.

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Staff from Song Fa Bak Kut Teh shop were distributing water to people in the queue passing by their shop.

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I made it to Canvenagh bridge in 30 minutes, probably it will be 4 hours minimum for the people in the queue and from here a good one to two hours extra to get the parliament. I could not cross so I walked back along the queue.Facebook-17

Opposite the Fullerton hotel, some guys were distributing water.

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Another refreshment point in front of Maybank

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The queue passed with Marina Bay Sands in the background, the latest Icon of the capital city.

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I really hope this woman did not have to go back all the way to Clarke Quay to queue. People I met at this point had no idea how far the start of the queue was.

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Today’s walk from the back of the queue up to Cavenagh bridge, took me a good hour.

All pictures with Leica M4

Summilux 50mm1.4
Rollei RPX100 or Kodak Tri-x

Good bye Mister Lee – Day two

A couple of hours with a Leica M9

Mrs B with the Noctilux at F2
Mrs B with the Noctilux at F2

 

In Luxembourg for a few days I had the chance to borrow a Leica M9 from my friend Herman. The camera was passed to me with the Summicron 28mmF2.0 and the Noctilux 50mmF0.95. It was feeling like Christmas in July! As I am planning to rent a M240 + Summarit 28mmF2.8 when back in Singapore this is a very good opportunity.

Theatre de Luxembourg Summicron 28mm
Theatre de Luxembourg Summicron 28mm







Theatre de Luxembourg Summicron 28mm
Theatre de Luxembourg Summicron 28mm

Owning a Leica M4, the Camera feels familiar. It is strange not to have to carry a handheld light-meter with a Leica and not to have a winding knob. The internal meter with its red arrows indicating the over or under-exposure is easy enough to use but probably needs some time to get used to as it’s quite different to other camera’s I own. The speed selector enables an “auto” mode, which enables Aperture priority as in many SLR’s, this is really a great feature. The ISO selection also enables auto mode.

Menus are quite simple, I managed to configure the setting for the Summicron which is not a coded version (ie not recognized automatically by the camera) and change the picture resolution.Gelateria Summicron 28mm

The access to the battery and the memory card by the bottom plate is more funny than anything else. For a few hours I did not need a lot of access, just changing the card for the session.

The optical rangefinder is great, on the 100 odd pictures I took none was out of focus (although not all were artistic).

Le Pacha Summicron 28mm
Le Pacha Summicron 28mm

The Noctilux is awesome, but frankly it is bulky so expensive that I was frightened to drop it. With high iso available do the average shooter (aka me) needs .95? I’ll try my old Summilux 50mm1.4 soon and see how it fares for indoor and night shots.

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Nothing to say on the Summicron, I love the 28mm on full frame, full stop. This lens Is a bit on the expensive side and I will rent the twice cheaper Summarit, albeit F2.8 only, with the M240. There is not much visible distortion on the pictures, BUT the lens does not come with a viewfinder and the camera viewfinder full field is about 35mm. This is probably not an issue for casual shots, but it is a bit frustrating.

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One negative point: some of the grey areas in some of the pictures are showing some artifacts. I will check carefully during next try how often this happens.

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A quick conclusion: this was a very good but short experience, I am now looking forward to renting the Leica M240 this week-end, nearly 3 days shooting in Singapore I will also have the opportunity to test my older lenses. It is a bit early to say if this a definite buy or not.

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A couple of hours with a Leica M9