Caffenol Rebirth : perseverare humanum est

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We roll models

So what happened since last post and the “Caffenol rebirth” ; well nothing much happened in town nor to myself, so I shot half a roll of Fuji Across, mostly Saturday

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Lonely dinner

Last Sunday I pour my Caffenol in a bottle of green glass (Perrier) and kept in just in case.

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Gelato

So tonight I was restless and I decide to give Caffenol another try.

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Buddha Tooth Relic Temple
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Time for a nap
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or catching up with th enews
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Chinatown is her catwalk

As I did not finish my roll, I opened the Leica M4 in the dark, fiddle a bit with the film and managed to cut a 1 cm lead for the rest of the roll and unload the 22 first shots from the camera. I then loaded it in the Paterson tank and proceed as last week.

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The lovely newly weds from China
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That way

Massive Development chart give me again 6’44 @ 28 deg, for 100 ISO Accross, the Tri-x was overcooked last week, but that was 400ISO, so I though that I should give it a try, but actually I emptied the tank at 6’14.

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Time for a trim
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Double ciggie break

The film is still dense, but can be seen through in normal light. Probably some of this is due to the coffee coloration (I can see if is brownish), so for the next 12 shost I will cut the time down by maybe another 30 or 45 seconds.

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Social distancing
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Orchard back-light

I kept the Caffenol again, I read you can keep for 6 or 8 weeks. Without being so extreme, if I can use one batch for my monthly shooting this changes the economics of it totally, at 2$ a roll this is a no brainer. Plus it is amazing to have all the products ready and go through the motion in about 45 minutes.

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My new fav model

Ok so now I’ve been through this roll what is the conclusion. It looks quite good for what it is, no reticulation, reasonable grain, the contrast is quite good.

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Walking in the sunshine

This was also measured using my new Keks EM01 ligh meter.

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A COVID hero back from work
Caffenol Rebirth : perseverare humanum est

When humans were roaming the streets

Well the situation in Singapore is not too much at celebrating and I did not find yet the way to represent the poetry of empty streets. So this posts start with reminding the not so distant past when Humans were roaming the streets.

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Why did the bus move?

At that time, a couple of weeks ago, I put one of my last rolls of Polypan F50 in the Leica M4 and hit the road with the Summaron 35mm F3.5 ltm.

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Not really a crowd

I have a nice Leica LTM to M adapter which provides proper focusing, and bring the 35mm framelines on the M4, so I can frame accurately.

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Resting

The roll of Polypan was given to me two years ago, and is probably expired, but shot at ISO 50 it still looks fine.

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Napping in back alleys will soon be a luxury

Shooting ISO 50 with a 3.5 max aperture lens in overcast light is a bit challenging.

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The careful walker
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Chinatown even had Caucasian tourists at that time

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Grab drivers at rest
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Mobile worship has no limit of race or religion

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Shades of grey on the old Polypan are amazing, so are the details.

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I had a couple of disappointing roll recently. First I shot a roll of Kodak Tri-X with the Heineken toy camera that shows reticulation. This was a small boat trip with friends for a birthday celebration, so I am quite annoyed.

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Ramming speed

The camera works superbly, and ISO 400 by the see on a bright day is plenty for the F10 plastic lens.

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Our captain

Even in the shadows as above, but it was screwed up at processing as you can see below.

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Is it a call for self processing in the future?

The next roll, is the evening birthday party of my friend Paul, shot with the Leica M6, and still the Summaron 35mm F3.5 LTM. This was a roll of Ilford Delta 3200 shot at 3200. The M6 meter is always very accurate so I am very surprised that the roll turned out so underexposed.

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The film was not expired. My only guess is that the meter was fooled by the very bright patches at the table, and even more easily that a 35mm gets a wider range), probably for such event its better to meter from close and keep it fixed.

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You can find more articles on this blog about:

I hope you enjoyed the reading and the pictures.

 

 

 

When humans were roaming the streets

Kodak Ultramax 400 – Oh no I did it again (Took the M4 and VC 21 on the road again)

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SMU

We are entering the rainy season in Singapore now, and film rolls are not easy to finish. So the roll of Kodak Ultramax 400 I loaded in the Leica M4 took a little time to finish. Particularly with a F4 lens and less light, not all opportunities are good,

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At the crossroad

I very rarely shot the Ultramax before, it is a quite cheap film you can still buy in supermarkets in France. My friend Felix, gave me a roll last time I met him, and he get a quantity of them for the same reason.

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Peninsula shopping center

The Leica M4 has no meter so I used my new Sekonic handheld light meter. All in it is doing quite a good job.

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Coleman street

The Ultramax end up being quite a different beast compare to the Portra 400. The grain is more accentuated, the colors get a bit more pink / green hue, the film I got from the lab was a bit more curly, but I am not sure it affected the scanning (with Epson v800).

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Tiong Bahru

The 21mm gave good results again, thanks to the viewfinder again I think. The vertical shots of cross roads gave what I called “dynamic” in my last post; I think they would benefit in being shot a bit lower, like wait level…

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The party is over

… but OK hand metering, range-finding (or pre-focusing or hyper focusing) and view finding are already a lot of actions for a single shot.

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Bincho
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A choir

With the 21mm the subject is often too far as above, unless you come really close to unsuspected subject …

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Fun for everybody

… for everybody’s fun.

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Carlsberg for free

Or willing models as above.

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The Instax team

Or you meet the Fuji Instax team (I did not enter the discussion about Fuji vs Kodak with them).

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Fancy fair

I also had the opportunity to take a few shots at night in a fancy fair and I must say the result is quite pleasant. A bit Saturated, but it looks the film reacted well to artificial light.

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Fancy fair
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Indonesian model

Interesting story here, aspirant photographer and aspiring make up artists from Indonesia using their friend as a model.

 

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SMU : Looping the loop

A  few weeks after the first shot back  at the SMU (Singapore Management University).

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The culprit! 

In case you directly jumped here: all shots on Kodak Ultramax 400 (not expired), with Voigtlander 21mm F4, VC viewfinder 21-25mm on Leica M4.

Kodak Ultramax 400 – Oh no I did it again (Took the M4 and VC 21 on the road again)

You can’t hurry love but you can try (More about the VC Color Skopar 21mm F4)

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One George Street in Singapore CDB

This is a follow up of my first write up YOU CAN’T HURRY LOVE (ABOUT THE VC COLOR SKOPAR 21MM F4) For those who don’t feel like digging back in the archives (pitty, there are a couple of nice shots there and probably my best piece of text in a while), this is about picking the Voigtlander Cosina Color Skopar 21mmF4 back from the dry box and putting it back to work.

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Ice cream parlor near Singapore river

Very quickly, the 21mm had two terrible defects for me: the color fringing in digital and the difficulty to frame in general. I decided in June to invest into a proper viewfinder to try to overcome the second issue : I picked a 21-25 VC metal finder.

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Walk down the bridge

The viewfinder did a really good job, it very bright and accurate, well built and on top of it it is super sexy (I have to post pictures of the Leica IIIc with it).

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Keong Saik road corner with Teck Lim road

All pictures here are from a single roll of Kodak Portra 400 shot with Leica M4 and VC Color Skopar 21mm F4 with the now famous 21-25 VC metal finder. Even vertical framing is accurate now.

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“MY CHINATOWN HOME” by  Yip Yew Chong 30 SMITH STREET

Horizontal framing works as well. As I am a slow shooter these were probably taken over a few week ends in different areas of central Singapore.

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The guitar hero

To shoot portraits the 21mm requires you to get very close to your subject, and still you will get some distracting details in your frame. Also you may get funky perspectives even if you frame correctly your subject (thanks to the perfect new viewfinder)

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Tan Boon Liat Building – a commercial / industrial building

When yout wan to put a lot in the frame as the Tan Boon Liat Building, actually it goes in. Colors with the Portra are quite rich, and vignetting is limited.

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The Monkey God temple in Tiong Bahru

Or when you are close to buildings and want to put them in the frame as above, this is a great ultra wide angle.

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Don’t go away

I did not do many “street” shots on this roll, but the 21 gives an amazing dynamics to the shots like above.

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Sakya Muni Buddha Gaya Temple in Little India

I was very convinced by these first 2 or 3 rolls, and this has slightly changed my photographic practice recently. I use the M262 and M6 with the summicrons for holidays or events, the M4 and IIIc with older lenses for fun( or street, or burning film name it as you want) and recently the 21 is glued to them.

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Sakya Muni Buddha Gaya Temple in Little India

So expect more posts like this one, but as you know that I found love with the VC21 again, so i will have to find out new titles.

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The Singapura Club – Little India

 

 

You can’t hurry love but you can try (More about the VC Color Skopar 21mm F4)

A wet day in chinatown

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A small write up today, and I will avoid the temptation to make another complete roll review (although in fairness I was tempted).

The flea market that use to seat in Sungei Road east of the city center has been closed for building a MRT (the local term for underground). What used to be coined as the “thieves market” has slowly moved to Chinatown in the heard of the city.

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I am not sure what the authorities think of it, but here is another attraction in one of the tourist hubs of the Lion-city. These guys sell mostly old junk, and it’s rare you will find anything you might want to bargain for … actually as odd as it seems I bought for 2$ a record of Industrial Music, and one of the sellers (not sure how to call them) actually has a few interesting cameras.

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You will find old watches and Buddhist artifacts and amulets, and for the rest … you’ll see for yourself.

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Sure this will come a popular spot for street photography.

The 4 shots above were taken in a rainy afternoon,  with Ultrafine Xtreme 400 iso with the Leica IIIc and the Summaron 35mmF3.5, probably 1/60 second and f3.5.

As I am here I also add as a bonus three earlier shots done on the same film with the Leica M4 and teh modern Summicron 50mm v5.

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I hope you enjoyed the visit

A wet day in chinatown

KEBUN BARU BIRDSINGING CLUB (The Leica M4 SHOTS)

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A follow up of the last post , I showed pictured made with the Hassie 500 CM on Cinestill 50D, but that was the Leica User Group Singapore outing after all, so I carried along a Leica M4 for film shots (here) and a M262 for Digital.

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On the recommendation of fellow members of the group I brought my longer lenses, the 90mm Elmarit and a Canon Serenar 135mmF4  (the bad version). I did not use the Serenar on the M4, it is too unpredictable no use to throw away valuable shots.

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It is easy to see here what shots are taken with the 90mm and whose with the 50mm.

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Shooting with the 90mm is very unusual for me, specially on film. The Elmarit often comes with me on holidays but only for a couple of digital shots. The results are quite pleasing, it offers very different point of view.

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The film is another roll of my bulk Ultrafine Extreme 400 hand-rolled. The processing from the lab was a bit below the usual quality, that’s life.

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You see mostly men in these pictures, but there were many women as well, they just did not come on the frame at the right time.

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KEBUN BARU BIRDSINGING CLUB (The Leica M4 SHOTS)

ZHOUJIA QINGMING – Part 2

A small follow up to y last post about this celebration

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Above is mister Lee Kum Yuen, he is the current master and son of the master who brought this Kung Fu / Lion Dance style in Singapore. There is a very interesting video here https://youtu.be/kZq6iGxfWUo.

I shot a couple of rolls with the Leica M4 and either the Summaron 35mm F2.8 (the one with Goggles) or a Summicron 50mm v5.

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Above is the typical Lion Dance troupe transport, a lorry used the rest of the week for hardware work.

Below the troupes gathering before climbing up the slope to the part of the temple where the celebration takes place. (Did I mention if the other post the temple is massive?)

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The slope is tough, the sun is hot, and yes they drum up-hill

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Below starts the celebration directed by a monk,

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below the final parade and one minute drumming of all the troops together.

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The color shots are Kodak Portra 400, the black and white are Ultrafine Extreme 400, hand-rolled.

Oh yes if you want to see more, come back soon, I also did  a certain number of digital shots as well.

ZHOUJIA QINGMING – Part 2

A first roll of Polypan F50

Uncles at play. The best shot of the roll.

Polypan F50 is a mysterious beast : it is a film made to copy cinema movies. It has no anti halation layer: it means the light bounces back from the pressure plate of the camera and on highlights produce a “glow” effect (To reduce the glow you can put apply some black backing paper to the pressure plate).

Nice special “glow” and shades or grey

It comes in bulk of various lengths and can be found on auction sites, it looks it was produced until recently.  It can be pushed to 100 or 200 as some friends do, I may try on the next roll.

The girl in Wanzi.

This roll was shot with the Leica M4 + Summilux 50v2, at 50 ISO, hand metered (Sekonic 308S). I processed mine at my local lab which used Kodak D76, I was told the buy pushed it one stop.

Music Head

The result is quite OK to my taste, the grain is quite smooth in some of the shots, more present on others, like a generic 100 ISO film. There is something special on some shots that can be related to the “Glow”.

Egg Business

This is a 50 ISO film, so not so easy for street shooting, but still I think three out of four shots are OK technically. Using the Summilux gives a bit more leeway to play with compare to slower lens, and on a sunny day I could shoult at 1/125, 1/250

At the crossing

The film is moderately curly, scanning did not show any special difficulties. The highlight seems to be a bit blown, bringing them in line needs darkening the pictures a bit too much to my taste, but I cannot deny the palette of grey is interesting.

Edit with highlights “in line”

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Original version
I though it was more interesting to share about this new experience that following up my last post about the art of curating  films. But I can quickly share the following: on the 25 shots of this roll, 5 where not good technically, 4 are of my family, 13 seriously lack of interest or are dupes. So I am left with the 8 shareable shots shown here
Time off

A bit high ratio, but I am a slow shooter, specially with a film of such slow speed, so maybe I paid more attention. The first and last shots are probably a bit above OK. “Music head” with its quirky composition is probably very close to  be an OK. The “Girl in Wanzi” would have been as well if not for some motion shake I think. “Bump”, “Egg Business” and the “Time Off” are on the very low end of the interesting range.

Some fools sell, some fools buy.

You can check the on the web;

 

Thanks for reading.

A first roll of Polypan F50

St Matthew’s Church – Neil Road

Small walk to Neil Road a few weeks back  to check the intriguing architecture of the old abandoned St Matthews Church.

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Most of the information here is taken from Remember Singapore  a great site about things of the past in Singapore.

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The original church was built in the 1890’s as a place of worship for the British sailors.

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It operated though all the first half of the 20th Century, including the Japanese occupation during WWII.

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In the late fifties, St Matthew’s embarked on a re-building plan of its main church building.

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Designed with a distinctive Modern style, the new double-storey building consisted of a prayer hall on top of a large function room. It also possessed an unique vertically protruding roof that looked like a ship’s prow, and a tall concrete bell tower that was erected beside the main chapel.

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The bell was removed sometime in the 2000’s.Flickr-1006999

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Also, after the war, St Matthew’s Church carried out plans to, expand its premises, including the construction of a vicarage and a kindergarten was also built in the early fifties.

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The new kindergarten was designed in simple Art Deco-style; it had a sloping roof laid with terracotta Marseilles tiles and timber windows with louvers.

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Color pictures Leica M262 ; B&W pictures Leica M4 with Kotak TMAX 100.

Wide angle Summicron 28mmF2 Asph ; normal lens Summicron 50mm F2 type V

St Matthew’s Church – Neil Road

Bye Bye Dakota

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For the last post of the year, I will show you pictures of a small walk I did at Dakota Crescent estate in Singapore.

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Like Rochor Centre, Dakota is supposed to be demolished at the end of this year (so pretty soon). The estate belongs to the public housing administration (HDB), it was built in 1959 during the British area.

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The blocks have some interesting feature, some inherited form modernist lines. The most well known feature is the “dove” play ground.

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The estate is made of 17 blocks, some high rise, some lower rise, located closed between Old Airport Road and the Kaland river. Old airport road s the road that was leading to the airport that was used prior to the opening of Changi in the 1990’s I think.

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As this time the buildings are more or less empty, ready to leave way for a new development (I ignore which). There will be more pictures of Dakota as I  went there again last week. But that will be for 2017.

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Color shots done with Leica M262 and Summaron 35mmF2.8; Back and white with leica M4 with Voightlander Color Skopar 21mmF4 or Summitar 50mmF2 on odak TMY 400 film.flickr-013flickr-014flickr-019flickr-026flickr-027flickr-028flickr-030flickr-031flickr-1003444flickr-1003463flickr-1003489flickr-1003484flickr-1003486flickr-1003488flickr-1003493flickr-1003500flickr-1003491

 

Bye Bye Dakota