Concerts : Ash Code ( IT) – March 2024

Ash Code is a Dark Wave band from Italy, actually form Napoli. They were playing here in March, opening for French band Corpus Delicti. I could not resit to go back to concert shooting after a very long hiatus.

I wasn’t sure how much gear the venue would allow me to bring in, so I settled for one lens one body set. Namely the LeicaM6 classic and the summicron 50mm v5. My favourite provider had no more Kodak TMZ 3200 so I bought two rolls of Ilford 3200 for the whole show.

The venue is  229 at 229 Great Portland and the evening organized by Reptile. I had no problem checking the camera in. I had set the body to 6400 ISO, but I will come back to this later.

The concert was great. Ash Code, produces some dancy tunes, not very remote to what Sisters of Mercy would have done, with a bit more synthwave side. Maybe a better comparison could be found in the direction off some 80’s belgian bands , remote cousins of Neon Judgement or Parade Ground.

They deliver a pretty good show, Alessandro and Claudia taking turns to the mic. Although I am pretty new to their music, that was a very enjoyable.

The scene was quite dark with a lot of back light, so not super ideal, but access to the front of the stage was super easy. I shot a concert of a friends band with the same set-up a few years back and I realised that the only good shots are those where there are both dark areas and highlighted ones, there is not point shooting a scene without contrast, whatever the ISO.

I also had a discussion with a pro about the value of metering : because most of the scene is in the dark, your meter will be fooled and try to over expose. So having shot the rolls at 6400 ISO I had them processed at box speed, actually pulling the film or compensating by -1 stop ( there is no compensation setting on the M6 ). I think that was a wise choice. Because most of the shots were taken at 1/125 f.2 or f2.8, I have a fantasy of setting the speed and aperture once for all and not to bother, but I was told otherwise.

More on on Ash Code:

Discogs : https://www.discogs.com/artist/3844956-Ash-Code

Bandcamp : https://ashcode.bandcamp.com/music

Oh great party afterwards by the Reptile team, but it takes too long to recover past a certain age.

A Harman Phoenix 200 test roll

Happy new year dear readers. January is coming to its end, but its never too late, so here is my first post of the year.

Back in December we visited the amazing exhibition of Daido Moriyama at the Photographer’s Gallery in Soho ( London) and I discovered that their shop in the basement has a dream selection of films.

I am still going to patronize the usual smaller shops but I think it’s great to be able to put one’s hand on the stuff you read about in blogposts. So I browsed the shelves and found a roll of the just available ( and if I am correct not for long) color film from Harman.

I vaguely remembered that Harman is the company producing the Ilford films, but frankly I don’t know much more. So at the end of December we were back home in Cannes for family holidays and I finished my roll of TMY400 and loaded the roll of Phoenix 200.

As you can see on the first picture the film has a very pretty ( odd?) yellow color out of the canister and once processed a pronounced purple tint. I loaded the film in full light, in the skate park above, but I don’t think it had any effect. And set the meter to 200ISO, although the film is said to have latitude ( but not so much if you read some reviews).

The skate park is a new addition to the Cannes cityscape, that day was really gorgeous and the tint of the film goes pretty well with the colors of the place.

Moving a bit further towards the Pointe de la Croisette I took a couple of shots of boats. I think we see here what people mean by the film being very contrasty.

I quite like the picture above, probably the color scheme fell right into the soft spot of the film, and the light being softer the contrast is less accentuated ( oxymoron )?

The four pictures above are taken along the promenade des Anglais in Nice. A certain atmosphere develops there, probably mid afternoon winter light and overcast day helps with the contrast. The feeling is very vintage.

Back in London, the dummies below were remarkable by their red heads. The glow is quite funny, I would say unexpected.

The Standard building renders pretty well ( overcast, mid afternoon ) with not so much color cast. Definitely vintage and some glow around the lights.

Bye Bye Georg Baselitz sculpture in Hyde Park.

Finally walking on a beautiful lunch time towards Hyde Park I met these two nice Brazilian students, one holding a Nikon F3, we had quite a long chat ( in the cold), and parted our way after taking this shot. This gives an idea of how skin tones are rendered.

Final word? Probably worth a try. Surely has a lot of character, I think Hartman said the film was experimental. A very specific vintage look, a lot of contrast but I probably won’t try again to be honest. If I compare with the post about the Cinestill 400 D I think the Cinestill has a lot less color cast, a smoother rendering of contrast, but ok its more expensive ( 12.5 GBP vs 17 GBP if I remember well).

LONDON IN PRIDE – On Film

Spartacus?

I wont write much in this post as I probably said it all in the last one : London in Pride. Start of the film was a bit damaged when loading, but I feel it has style.

Lets just say that I carried along the Leica M6 and I switched the summicron 35 and the summicron 50 with the digital Leica M262. The other post contains the digital shots, this one the film ones.

Tom was here!

I arrived with the M6 loaded with the Ilford Delta 400 roll I used for the post The Corpus Christi procession 2023 (The film version), quite a different style or parade.

I then brought a roll of Cinestill 800T that if my memory serves me I bought back in 2017. I shot this tungsten film in daylight without filter, and it seems its ok.

The film is probably decently expired as Cinestill goes. I shot it at 640, same as I did in the past.

The film shots suffer from the same issue as the digital ones, as the afternoon passed I had more and more back light, which is not strictly great.

A bit of flare or processing issue here? I don’t mind, its quite cool.

BA crew deserves an Oscar for their performance

Our neighbour in all his glory!

I hope you enjoyed the viewing.

The Corpus Christi procession 2023 (The film version)

In Singapore I often shot Hindu, Buddhist or Taoist ceremonies, but never Christian ones ( nor Muslim by the way). I came across the Corpus Christi procession two years ago by complete chance and it is now on my agenda one year to the next.

You can find details info at https://catholicengland.org/ but if I may quote the site:

The Westminster Parishes of Maiden Lane & Spanish Place, together with the Ukrainian Catholic Eparchy, the Ordinariate of Our Lady of Walsingham, and the Order of Malta, invite you to a week of celebrations, centred on the Blessed Sacrament.

The week culminates in a procession bringing Christ to the streets of London, and honouring Him in the Most Holy Eucharist

One to two hundred devotees walk from Maiden Lane in Soho, through Regents Street, Oxford Street, make a first stop at the Ukrainian Cathedral (opposite Leica Mayfair), then cross Oxford street north along Selfridges to end in a short celebration at the Spanish church in George Street.

a guest

Regents street as you never saw it

certainly an interesting unday attraction

The Ukrainian Cathedral

This type of events is also a good opportunity to meet fellow photogs years after years, or to make new friends.

All shots with the Leica M6 “Classic” with either the 28mm Summicron Asph v1 or the 35mm Summicron Asph v2. I used two rolls of Ilford Delta 400 bought in my last trip in Singapore to my favourite shop there ( Ruby Photo ).

I also carried the M262 and the 90mm, but that’s another affair.

the good usage of the 28mm

If you read that far I hope you enjoyed the pictures. Shall I indicate that these pictures have no intentions to mock nor to proselytize?

Roll 11 – The Leica IIIC is back from repair

So the Leica IIIC went for a repair, at Analogue UK, he was suffering for a lazy curtain causing half of the frames to be underexposed.

When I collected the camera from the shop I loaded it with a roll of Ilford FP4, screwed in the Summaron 35mmF3.5 and hit the road for some test shots.

I have been quite slow to go expose the whole roll. The IIIc even flew to Singapore ( and back ) for a week of work when I only took 4 shots ( I was super busy).

One of the 4 shots is a portrait of my shy colleague Terrance above, while we had lunch at Keppel Bay.

The other 32 shots were taken around London, in my usual areas, Chelsea above, Regent’s Street below.

Or even people strolling along King’s road.

So what do I think about the repair? Well the main defect is gone, clearly there is no comparison with my two rolls from Paris in April.

If I want to be picky I would say that I still fill that I still found the right side of the pictures like the above a tad darker. But this is very subjective

When the light is more subdued left and right seems identically exposed.

Up close and personal, with some flare, that’s not on the body, relax.

The Austin Mini (Special) was my very first car back in 1986!

A colourful street, converted in black and white inside the camera.

Around that time everything felt regal.

Emergency Exit, inside a party bus

Fenwick has been sold and will go soon have I heard

Oh I recently read a review of the TT Artisan 28mmF5.6 LTM version, this is a very tempting lens to complete my LTM kit for a limited budget. The original Summaron prices has rocketed sky high. As we enter July tomorrow, Christmas is just 6 month away 🙂

Everything comes to an end. I hope yo enjoyed the post.

2023 Roll#02 – Week end strolls around London

Hey hey, slow shooter I am, we are mid April already, and I am just posting about this year’s second roll.

Around Chalk Farm Tube station

Actually I have my 3rd roll out of the lab now, the 4th is there and a 5th is on the way.

A nice day for a ride

SO this is my last roll of HP5+ from the infamous bulk I bought in Singapore in 2021 before moving to the UK. I am not sure how many rolls that was in total but I think that was worth it.

He is a great painter

HP5 made sense when I was doing Caffenol back then, as it is pretty friendly with this process, but I would say I am not the biggest fan, and unless I go back to shooting one roll a week as I did in Singapore, I may stick to the Kodak emulsions.

Anchored along the Thames

So this roll stayed in the M6 for a while. The first shot was probably taken in February, along Chalk farm on a long walk to Camden. Then subsequent pictures from another very long walk through Sloane street, Battersea Bridge, along the Thames,

Lady with a TLR

and back to South Ken.

Thames Heliport

Yes there is an Heliport along the Thames for the not so climate conscious in haste to join the city.

Black and white

These were 10+ km walks so the week after we probably just had a casual stroll to South Bank via Green Park (above).

Hayworth Gallery

Hayworth Gallery

I can fly

Something different the next week end for a walk to Angel to see a show at the Sadler’s Wells Theatre (Excellent Copelia by Scottish Ballet) and back.

Never get what this one was about

It seems there are defects like the white mark on some shots, not sure to blame processing or a light leak.

Finally comes the Saturday where we walked to Borough Market to stock up cheese.

Friendly Chap

I am not sure if the issue is with the processing or the film was scratched. Pity I wont be able to print it for him.

All shots with the Summaron 35mm F3.5 LTM, I love this lens, but you my know already.

There is no Planet B

This is not a piece of sci-fi write up, just a few shots from a protest about Climate Change on Trafalgar Square in London in early November.

It seems to become a recurring pattern in my posts (check here ), but this is a reality : some people wants to let the others know that climate is changing and its time we do something about it.

I don’t necessarily do enough myself (oh that business trip to Asia makes me guilty) , but maybe sharing pictures is a small action I can do?

It cannot be less productive than wearing an extinction rebellion tie 🙂 . Ok ok and what about the impact of film processing? Frankly I don’t know. This was shot with my Leica M4 from 1967, with an even older lens, so probably it has less impact that a digital sensor made in the recent years. Tough question, a bit like electric car battery impact vs thermic engine oil consumption.

This guy’s accordion is probably not younger than the M4, he kindly started playing when I asked to take his portrait, but even in 2022 the M4 is still not capturing sound. I used the KEKS EM-01 Light meter , it is nice and light and quite accurate, but I still have problems reading the measure.

This is another roll of my 100ft HP5 roll that I still have not finished, it is not so old, so I don’t think age has deteriorated it that much but I am not really enthralled by the grain. Well another 4 rolls to go. It seems it never finishes, but all in all it should be about 18 rolls overall. I think I’ll buy something else next. Maybe some Ultrafine 400, but it seems the Extreme is sold out. They now have a different product, Finesse, I have to dig a little before engaging me for another 18 rolls, but also that is just 60USD for 100ft roll.

Rebels at rest

By the way this is roll 23 of this year, all in all better than last year (in term of number of rolls anyway) but far from my 55 rolls from a few years back.

Oh I have decide to go back to Caffenol, so watch this space for badly processed pictures in the coming weeks.

I hope you enjoyed the pics, and remember : “There is no planet B”

The happy people party in the park

A few time last summer we bumped into this lot of happy skaters, who were engaged in what can be described as a party.

Good atmosphere, disco music and smiles all around, all lead by the above MC.

Hurry up Alice or you ll be late to the party.

The sun was going down and available light was no much, but good enough for the Summicron 50 and the roll of HP5 loaded in the M6.

A bit of line dancing.

I m just passing by, please ignore me.

4 MONTH IN THE BACK OF THE HASSIE (THE BLACK AND WHITE VERSION)

If you have read the last post you have probably guessed the plot of this one : a roll of HP5, loaded in the back of the Hasselblad with no label, is first loaded around May, and used to shoot a single frame, the above view of Battersea Power Station as seen from other side of the river.

A few weeks later it travelled to Brick lane on a sunny Saturday afternoon, very close to where my photo lab is (Analogue Films).

The area is famous for its murals.

Probably the next day, I went for a walk in Chelsea Harbour and its surroundings

and then the camera, the back (the other back) and the film they contain all go back in to the box. Until a couple of weeks back, where I started the famous walk from Maida Vale to Regents park and further.

I thought this film was contained in the back with the “400 ” label, when it was on the other ones, so the shots from the one above were “pulled” at 100. I think the film handled it pretty well, if not for obvious marking problems.

Regents Canal is pretty nice place to walk through, a bit of Venetian style given by the boat, but something more urban brought by the metal bridges and the street art.

At the end of the Canal is the unique Chinese floating restaurant.

Back in Regent’s park to look at Freeze Art Fair open air sculpture, the tree of socks was waiting for my last frame

Is there any moral? One stop does not mater much surely, probably don’t keep your film 4 month in your camera. Ilford 120 rolls are known to have some backing paper issues, I should check if this is the case with this roll instead of blaming the storage in the cupboard.

The Queen is dead (The film edition)

There are a few inconvenient living close to Buckingham palace, one good thing is that its easy to drop buy when something is happening, even an unfortunate event as the passing of queen Elizabeth II.

It was easy to go a couple of times over the fatal week end, shoot a bit of film, with the M6 and the Summicron 50v5.

Oh we are 20th of October 2022 today, so from now on I have to specify that my M6 is an original classic one with alloy body, not the new version with mate paint over brass body, as it seems these things matters to camera makers.

This is part of a roll of Ilford HP5, hand rolled from the 30 meters spool I bought nearly 2 years ago, processed at the usual Analogue Films Lab in Shoreditch.

The two days were quite different, the Friday being is, may I say, more interesting and laid-back, we could even see the King getting out of the palace. The area before the palace was easy to access, and I circled it a few times.

Saturday, the place was packed to the point of not being accessible (no interest if you ve been here the day before), and the crowd was mostly laying flowers in Green Park.

It was a heyday for photographers, even for smartphotographers from Asia.

Talking about the event with my wife we remembered that we witnessed the passing of King Baudouin of Belgium in 1993 while we were living there (sorry I don have any pictures) and the one of Lee Kwan Yew in Singapore in 2015 (you can find some of my pictures here), but don’t go imagining things.

The Philippino ladies kindly agreed to have their pix taken

Are you ok?