Biarritz in Black and White

So holidays were not over by then and I was still in Biarritz with the Leica M6 and a couple of Summicrons (35 and 50) when I loaded my second roll of Cinestill XX ( purchased in Aperture UK shop in London).

The Market

I think I changed the roll around the market, so some pictures of this place can be found on my previous post.

Markets are different that in Asia a Singaporean friend told me, Same same but different I reply. Goods, people, food, money,… all the same.

I found this set a bit flat to my taste, although the light was great that day, and it was still reasonably early.

I made the mistake not to ask the lab to scan in high res, so this format is the one at which I got my negs. I will have to rescan them but probably not immediately. I think the low res scan adds to the grain, but maybe I am wrong.

To go or not to go that is the question

Biarritz has a market and also a seaside famous for surfing.

Nah not enough waves
Baywatch

It has sometime a bay watch vibe.

Surf is family thing here
Cal look

Biarritz in Black and White

My first roll of Cinestill XX

London, where else?

A bit more than a month back I bought two rolls of Cinestill XX in the Aperture UK shop in London. I have read about this film, but its the first time I saw some available for purchase, so I picked two rolls to see what it is like, keeping in mind that I will have a road trip in France a few weeks down the line.

I loaded the first roll soon after and started shooting in London over a couple of very sunny week-ends we had in late April.

The XX box claim to be a variable speed motion picture, but on a conservative move, I set the M6 speed dial to 200, and put a 50mm lens in front of it, most likely the Summicron v5 or the Summilux v2 with a yellow filer.

Balthazar’s bride

It is very difficult to tell which one I used from the pictures.

Twins
Off the wall

So a good first part of the roll was shot in London, the weather was nice and my brain clicked in shooting mode.

Fashion addicts

When holidays started, I spent a day in Paris, with not much shooting action, then drove to the Loire valley, where frankly I felt more compelled to use the digital M and 28 mm cron.

But here are three shots of the park of the Chenonceau castle.

At this point we drove to Bordeaux witch I never visited before and seems to be a good place for street photography, just enough people, and specific places.

A street in Cite Fujes built by Le Corbusier

Worth visiting for modern architecture buffs : the cité frugès built by Le Corbusier, one house is a museum and can be visited upon appointment.

The market
The blue oyster cult
Street life

The film was processed by my usual lab here in London : Analogue Films in Shoreditch, it seems they were not very familiar with the film at first. They managed to do their usual good job as processing and scanning.

The last part we moved to Biarritz in the Basque Country, capital of surfing in France.

Life is a beach

I always found very odd to shoot sea side in black and white, but hey why not, my parents did this ages ago.

Bay watch
Local artists
The market

I found the XX a bit too grainy for my taste, maybe blame the processing, who knows? Lets see how the second roll turns out.

Oh yes, the cost. The film was 11£ a roll ( almost 13 Euros, 14 USD, 19 SGD), mmm I think I still have some HP5+ in my 100ft roll. And Analogue Films charge about 8£ for process and scan.

Hope you enjoyed the ride.

My first roll of Cinestill XX

Twelve a dozen

And here is the second roll shot with the Hassie in London last month. Kodak Ektar 100 shot at 100, with Hassie 500CM.

Friendly climate activist (Aren’t they all?)

I use a handled Sekonic L-308X, that is overkill for the job, but I had to change my last one after 10 years of service, some soldering broke, and I though about finding it a new home and treating me to a new meter.

Unhappy campers

I am impressed by the 3D pop on this shot. The hassie is a great ice breaker. I really like these first two shots.

Market Magic

A bit of Easter spirit was still hanging around.

Hassie is for making friends

We bumped into Malaysian students around Borough Market, chit chat about Singapore and Malaysia and took a few pics and weefy.

The Cabbies café

I was quite intrigues when I arrive din London to see these street shops selling food for cabbies and probably the general public also. I never tried though.

A colourful block near Victoria station

Battersea station

Film processed and scanned by Analogue Lab in Shoreditch.

Twelve a dozen

Cannes in black and white

Welcome

Everything is nice in black and white, there was not other choice for pictures a few decades back anyway, nor for motion pictures. And black clothes have a sliming effect (oh I m being carried away, my goth side is speaking now).

Vintage Vedette projector, Cannes is home of the film festival right?

That said the seaside is not necessarily associated with black and white photography, the sand and blue skies are far away from the gloom and doom of big cities.

This is part of the second roll of the year, still going through the 30 meters roll of Ilford HP5. It is a bit boring but I used the M6 classic again and all these pictures were taken with the 35mm Summicron Asph v2.

Topolino

The Fiat 500 is associated to the Dolce Vita, a movie that was host in … Technicolor black and white.

The Blue chairs

In winter on the famous Croisette boulevard, not many stars nor sunbathers, but you can see the light is quite good.

A walk along the dock

On the seaside you can also so some street type shots.

Smells fishy

Finally the sea, on this scene backlit by the setting sun (on the left), the old city of Cannes in the far right, hills of Tanneron behind and the Esterel range on the left.

Finally two random shots, trying to see what can be done a bit closer.

Cannes in black and white

Last black and white shots of 2021

Oh my Oh my. We are in March already and here is my last B&W roll of 2021, where was I? Well not shooting for sure, as I just brought my first roll of 2022 to the lab. Well time flies, photography is one of the losers in the adjustment to my new life.

Anyway, last roll of 2021, shot in December in France, first 4 shots in Paris, next 5 in Cannes, the others in Antibes.

This is a single roll of Ilford HP5+, still hand rolled from the 30 meters roll I bought last year in Singapore. Pictures were taken with the M6 classic with the Elmar 50F3.5 or the Summicron 35 Asph v2. Oh by the way that’s not my last roll of 2021, no no no sir, I quickly shot a roll of expired Portra 400 at the end of December, but I am not sure there are enough shots to share on that one, or maybe yes I ll do next week.

Hope you enjoyed watching…

Last black and white shots of 2021

LONDON 2021 ROLL#3

The painter

I am a slow shooter and a slower poster. So here is a roll shot in late October / November 2021 in London and in Paris for the last few shots.

She was there is the sunlight

I am sure the film was from my 30m meters roll of Ilford HP5, and shot with the Leica M6. I cannot se so sure about the lens.

The roll was processed by AnalogueFilms in Shoreditch again. I had to explain a bit that the film was not what was said on the canister, but I think the message passed across. They were also very kind and gave me a handful of empty canisters that I will replenish with more HP5.

Planking

The first three shots were taken during a long walk from Knightsbridge to Borough Market, the one above and the one below were taken another week around Covent Garden. The guy above was having some kind of practical joke with friends.

Select your Chanel (Harrods London)
Martin Margiela window
Back from another later afternoon walk

Then we went to Paris for the last week of November, from now on I used the Elmarit 50 only on the M6.

A vigil for Virgil Abloh in front of Louis Vuitton

We are all kids in front of the Galleries Lafayette Christmas display.

Inside the Galleries Lafayette
Good Bye, two more rolls to process to finish 2021!

Hope you enjoyed the reading.

LONDON 2021 ROLL#3

Bye Bye Paris

Paris by night

If you read the last two posts, you get that I fell in love with Paris for the second time (or the third maybe, one shall not count when it comes to love).

Palais Royal

So this is my last post of the digital shots made with the M262 and the Elmar 50 or the Summicron 35.

Goldilocks was here

You guess by this last sentence that there are indeed some analogue shots of Paris but that will be for another post.

Goldilocks’ car a pre WWII Citroen Rosalie I think

To each his (her) own

6 or 7 weeks after these pictured le M11 is out and the M262 really feels like an antique. But I still really like it, faithful device, my goto camera.

The model and her phographers.
False hopes?

I did not go camera shopping in Paris. Err, ok I went to the Leica shop on the Faubourg Saint Honoré, to check on the film MP prices in France. This camera is a beauty, but do I really need it? Ah let’s wait a bit longer…

That week Josephine Baker made it to the Panthéon. A bit of history captured here.
Patron un p’tit coup on a soif

Probably translate literally to “Boss pour us a little one, we are thirsty”. Paris and its bistro’s could fill a life of photography.

Paris by night again and again
Bye Bye Paris

Bye bye, but don’t be sad I will be back soon.

Bye Bye Paris

London 2021 Roll#2

That’s it Roll#2 is finally back from the lab. Thanks to some film fotogs I met in town, I finally find a more affordable lab, although I must say the over all price is still steep, but I am down to 10 £ for processing and scanning down from 16£ for my first roll.

Still a long way to go to beat Singapore prices. On a side note, I have ordered some Vitamin C and a thermometer so I can go back to Caffenol, as soon as I find some Soda wash.

Good job from the last, scanning is quite ok, I chose the high res JPG option for the price. I must say that after 18 month of Cafenol, I really cannot make the difference. More grain, less grain? I am not very technical.

Definitely London offers different scenes that Singapore, I still don’t feel at ease shooting random strangers, but there is enough going on to make useful subjects.

Roll 3 is under way, but as I mentioned somewhere else being grounded 10 days with Covid is not helping my photographic activity.

Size matters

London 2021 Roll#2

New place, new life, new photos?

So that’s it after 14 years in Asia I am moving back to Europe, UK to be precise. I have now been 6 weeks on the old continent, and a first post is long overdue. While all my stuff is in transit, I have carried in my hand luggage the M6 and the M262 with 3 summicrons, the 28, 35 and 50.

I have finished my first roll of expired Fuji Across 100 and had it process at the first shot I could find for the whooping price of 16 GBP. I could hardly believe it, but I will be back to Cafenol soon so this is a one off. It seems however that prices of film are a bit higher that in Singapore.

Shooting in a new country is both exhilarating and inhibiting : I can see so many new things to capture but also I am a bit camera shy these days, and don’t really know how people will react to the camera. I have engaged a couple of photographers in the street and they assured me there was no problem with this, but I have to get into the mood.

Strange enough, I don’t see many people with cameras in the street and I am yet to meet a Leica shooter, but I am keeping my eyes open.

The shots were scanned by the shop (Snappy Snap), it seems they did an ok job at it.

I hope you’ll enjoy the reading, my second roll is nearly done and I start having a backlog of digital, so get ready for more posts. All shots Leia M6 + summicron 28 Asph v1

New place, new life, new photos?

ROLL 2021#14 COLORFUL JOO CHIAT

So after Roll15, here is Roll14. This one is a bit late as I had to bring it to the lab and it took me the whole week to do it. Well so here is a beautiful roll of Kodak Ektar, processed and scanned by Whampoa color. The roll was shot with the Hasselblad 500CM with the kit lens (Planar 80mmF2.8), as last Sunday I stick to the rule, one camera one lens.

So these are 12 shots done when I met Ez in Joo Chiat, you can see him in one of the shots.

It was a beautiful morning, with a lot of light (and very hot), I shot the Ektar at 100 measure with the Sekonic 308x. As usual there was not a single AA battery in sight at home, so I started my photowalk by scouting for batteries.

ROLL 2021#14 COLORFUL JOO CHIAT