I had a couple of events recently and thought about trying the new Kodak TMax 3200. This is supposedly a new film, replacing the old TMZ 3200 discontinued in 2012.
I loaded the Leica M6 and used my brand new Summicron 35mm Asph v2. The M6 meter is basic but consistent.
The result is quite disappointing, chances are that can be some issue with the processing as the lab may not get used to this film yet (but they have been quite reliable so far).
What is so disappointing? Mainly the high level of grain. I shot a roll of Ilford 3200 last year and it was far lot better. Ok the lighting conditions vary, last year was a concert where the band was quite lighten up on a dark background.
On this roll there are different scenes with various lighting conditions. The first shot isoutdoor, late afternoon light. The next two ones are a show for kids, one make up session lighten through a bright large window, the second a little girl during the show.
Shots 4 and 5 are taken during the preparation of the Charity day in my office. Light on shot 4 is challenging, as it’s shot through glass. But 5 is standard office neon light.
The last 6 shots were taken during the opening party of Merci Marcel restaurant in Singapore (thank you guys this was a nice party). The pictures are quite moody, and the 35 mm is a great party lens. Maybe I should have overexposed a bit?
I read this brilliant idea last week, but I I cannot remember where nor who to credit, so my apologies to the original writer. So here it is, Sunday was father’s day and what nicer tribute to my dad that to shoot with his camera?
So I loaded his Agfa Isolette III with a roll of Bergger Panchro 400 and went for the usual family stroll in the city center.
A small write up today, and I will avoid the temptation to make another complete roll review (although in fairness I was tempted).
The flea market that use to seat in Sungei Road east of the city center has been closed for building a MRT (the local term for underground). What used to be coined as the “thieves market” has slowly moved to Chinatown in the heard of the city.
I am not sure what the authorities think of it, but here is another attraction in one of the tourist hubs of the Lion-city. These guys sell mostly old junk, and it’s rare you will find anything you might want to bargain for … actually as odd as it seems I bought for 2$ a record of Industrial Music, and one of the sellers (not sure how to call them) actually has a few interesting cameras.
You will find old watches and Buddhist artifacts and amulets, and for the rest … you’ll see for yourself.
Sure this will come a popular spot for street photography.
The 4 shots above were taken in a rainy afternoon, with Ultrafine Xtreme 400 iso with the Leica IIIc and the Summaron 35mmF3.5, probably 1/60 second and f3.5.
As I am here I also add as a bonus three earlier shots done on the same film with the Leica M4 and teh modern Summicron 50mm v5.
Hello, today a little pointless exercise consisting in reviewing the shots of an entire roll. You will see below keepers in a larger size that the dismissed shots.
I loaded the roll during the LUGS (Leica User Group Singapore) outing in Little India last month inside Sri Veeramakaliamman Temple. This is always a good place for shooting.
Lesson from the first frame: always skip the first 1 or 2 frames, otherwise in the unlikely event you like the shot, it may be half burned.
It is quite rare that I shoot color films with the IIIc, actually I mostly shot Black and white film anyway, I feel very restricted by color film, I generally prefer to shoot digital for color.
So far no shot is great, maybe number 5 is ok, street activity, a bit of the documentary style, probably ok technically. I like the color of the Ektar for “street” photos.
There are many mural in little India now, this one is in a back alley, it is not so great , or maybe too much. The shot is quite bad, not sure its even in focus.
Probably an Indian actor, the first good shot, nice color. Taken bottom up with the 35mm, the vertical line are of course not straight, but that’s the name of the game.
Not as good.
Ok you get that it it about the plight of people making a leaving from urban scraps. Not such an uncommon sight in Singapore. Informative, but not necessarily a great pic.
I would find that picture quite uninteresting, but technically ok; color-wise it is another chance for the Ektar to rock.
Leaving Chinatown and moving toward city center, two visions of hotel 81 in Jalan Besar.
Second shot is better exposed an less traffic in the middle. Roughly ok, The Art Deco building is attractive, but not overwhelming.
In the street with a camera in hand it is tempting to catch passers by, in particular if they are charming.
Too far, would you even have noticed her?
Motion blur, Out of focus, bad framing.
Maybe yes, maybe not, that was just a try.
The same afternoon I walked into Chinatown
Quite a bad pic, maybe OOF ? Shame. I thinks it’s also not Ceno2’s best mural.
The two commercial buildings are quite ok, I would be happy to show the second one, the colors and details are good to my taste, and the composition not so bad.
Second version is probably an ok street shot, movement, color and overall an umbrella.
Buddha tooth relic temple, one random shot
I tough the light was great and worth capturing
I quite like this one, unusual.
Another random shot, not great angle, too far, not showing much.
Ok ok we can try.
Next great spot is the Merlion Park, it is always endless fun shooting people taking selfies there.
It would have work with better light, the subject here is a bit lost in the background.
This one is really random.
Something was going on, but it was not the right moment yet.
I think that one is ok, just average but ok. Nice light, funny pause and all.
Nothing easier to ask somebody who pause if you can also take a shot. Too contrasty but probably OK.
These three Muslim ladies remind me of the good fairies in Walt Disney’s Cinderella. They were very happy to oblige. I like he colorful bags, maybe a second closer shot without the bags would have been a nice complement.
The new building on Beach Road in the evening light. Nice tourist shot.
Finally the next 5 shots were taken during the next LUGS outing in Tiong Bahru, on my birthday.
Ok I think I took enough fish stalls so far not to call this one a keeper.
I would keep this one, framing is nicer, action is clear. technically I think it’s ok, may need to be overexposed a little bit.
The lens was attracted by the lady in the center, but one week later it does not look like it is enough.
So where am I a the end of the exercise? I managed to shot 36 and half frames on this roll, all exposed properly and focused reasonably well (two are debatable), the only thing you can take from this is that my IIIC works reasonably well and, probably, produces a comparable result to a modern camera. One picture out of three, I will probably share on one of the Facebook groups I partake in. Real keepers (going on Flickr), will be “Working Class Hero“, “Strangers with brolly“, “the three good fairies“, maybe the “Other fish stall“.
At this point in time he Leica IIIc is my favorite 35mm film camera : it is small and sexy and over the time it get slightly improved : by the addition of the a 35mm Summaron (f3.5), then by the one of a 35mm finder. I always dismissed the 35 finders as being not useful, but in the end this accessory proved very good for composition. Over the years I had the curtain changed, there is still a a small defect when shooting at fast speeds, the right side exposure is a bit under exposed, but it looks like using it more often, at least one roll a month, it seems to be less obvious.
Hope you enjoyed the reading and viewing, to later
A follow up of the last post , I showed pictured made with the Hassie 500 CM on Cinestill 50D, but that was the Leica User Group Singapore outing after all, so I carried along a Leica M4 for film shots (here) and a M262 for Digital.
On the recommendation of fellow members of the group I brought my longer lenses, the 90mm Elmarit and a Canon Serenar 135mmF4 (the bad version). I did not use the Serenar on the M4, it is too unpredictable no use to throw away valuable shots.
It is easy to see here what shots are taken with the 90mm and whose with the 50mm.
Shooting with the 90mm is very unusual for me, specially on film. The Elmarit often comes with me on holidays but only for a couple of digital shots. The results are quite pleasing, it offers very different point of view.
The film is another roll of my bulk Ultrafine Extreme 400 hand-rolled. The processing from the lab was a bit below the usual quality, that’s life.
You see mostly men in these pictures, but there were many women as well, they just did not come on the frame at the right time.
A small follow up to y last post about this celebration
Above is mister Lee Kum Yuen, he is the current master and son of the master who brought this Kung Fu / Lion Dance style in Singapore. There is a very interesting video here https://youtu.be/kZq6iGxfWUo.
I shot a couple of rolls with the Leica M4 and either the Summaron 35mm F2.8 (the one with Goggles) or a Summicron 50mm v5.
Above is the typical Lion Dance troupe transport, a lorry used the rest of the week for hardware work.
Below the troupes gathering before climbing up the slope to the part of the temple where the celebration takes place. (Did I mention if the other post the temple is massive?)
The slope is tough, the sun is hot, and yes they drum up-hill
Below starts the celebration directed by a monk,
below the final parade and one minute drumming of all the troops together.
The color shots are Kodak Portra 400, the black and white are Ultrafine Extreme 400, hand-rolled.
Oh yes if you want to see more, come back soon, I also did a certain number of digital shots as well.
The Leica User Group Singapore (LUGS) organized an outing last week (7 April 2008) to the Kebun Baru Birdsinging Club.
The Hassie came to the party loaded with a roll of Cinestill 50D. Here is the result. The Kebun Baru Birdsinging Club is place in Amg Mo Kio, central Singapore, where bird lovers have their pets compete. In both singing and look competition.
It is a beutiful places with both shadow areas with low hanging bird cages but also a wide open space with high poles were cages are hoisted by a pulley system.
(The above rectangular shot is due to an issue with the Hassie back frame spacing)
On competition days judges are walking between the birds and give notes.