THE SECOND ROLL OF BERGGER PANCRO400

Most common activity : posing in from the Mexican style mural

Last week I went out with fellow members of the “Lets shoot film SG” group, in the area of Arab Street in Singapore. The intent was to shoot the crowd : this has became a very popular spot now and there are many opportunities for candid shots.

Second most favorite activity : show your best profile to the camera

I loaded the Agfa Isolette III with my second roll (on 3) or Pancro 400, to see how it fares with a slightly better camera. I must say this was not some precision work, the uncoupled rangefinder is not working so the distances are guestimated and I preset the exposition most of the time. I put the original yellow filter (probably 1/2 stop) in front of the Apotar 80mmF4.5 lens as well as the aluminium hood for good order.

Painting is older than film

The film was processed at the same lab as the first one, I was not told the film need pushing this time, so maybe they worked out how to process it “normally”, go figure!

Small variation : a duo in from of a plain wall

The results : as the first film, this one came fairly flat from the lab and was easy to scan. A bit of tweaking in Lightroom, et voila!

Is it the conjunction of the small aperture used and / or  the yellow filter? The results surely have more contrast that my first roll but still shows pretty smooth tones, and no hard contrasts. Highlights were easily recuperated, underlining the claim to large latitude.

Whats going on there?

Something keep on surprising me ( as I also just scanned my first roll in 35mm format) it is that this film manage to be quite grainy and still preserves an impressive amount of details even in under or over exposed shots (no shown here) or areas.

I will shot the last 120 roll with the Hassie; maybe I’ll try to do some portraits to see if in a more controlled environment something else is revealed.

 

 

THE SECOND ROLL OF BERGGER PANCRO400

First roll of Bergger Pancro400

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The French company Bergger released earlier this year the Pancro400 film in 120 roll film & 35mm. Without getting too much in the technical details that you can find here, this is a film  with high speed, fine grain and wide exposure latitude (from ISO 100 to 1600). As per Wikipedia, a panchromatic emulsion produces a realistic reproduction of a scene as it appears to the human eye, which is what most modern films are tending to (except the ones labelled as orthochromatic films) so nothing special to expect. Some of my friends think the film will have a tendency to highlight skins and darken greens / blues.

 

Le refuge du Lac D’Allos – Parc de Mercantour

Recently during my last fridge replenishing order, I bought 3 rolls of this film in both 120 and 35mm.

I shot the first roll with the Dacora Digna, a 1950’s German 6×6 camera with a collapsible 80mm lens, a fixed speed of roughly 1/50 seconds and a choice of aperture of f8 or f11. This is not a perfect camera for testing a new film but the Hassie was 10000 KM away.

 

On the way to the Col D’Allos.

The film was processed at my usual lab; when I collected I was told it was pushed; the only explanation I had was that the guy from the lab knows the film need to be pushed. The result is ok-ish anyway, but the negative did not look too contrasty; I expected it to be overexposed a bit by sunny sixteen rule.

View from the Col d’Allos

On a practical note the markings on the back of the film are very faint so it is difficult to read the frame number though the red window when you advance the film.

Alpine shed

The pictures were taken during a walk to the Lac d’Allos one of biggest high altitude (2230m ) lakes in Europe.

Roll number two is at the lab at the moment, street shots from yesterday walk with the more reliable Agfa Isolette III, the last roll I’ll definitely keep for the Hassie.

Bergger Panchro400-120

First roll of Bergger Pancro400

A Roll of Rollei ATP 32

Rollei ATP11

Rollei ATP (Advanced Technical Pan) 1.1 is advertised as an extremely high-resolution black and white fine grain film. This film is characterized by fine grain, high sharpness and variable contrast. It has a nominal sensitivity of ISO 32/16°.

The roll was shot with the Leica M6 and mostly a Summicron 28.

It is a  (super) panchromatic film, ie have a sensibility to all the visible wavelength as opposed to orthochromatic which have a specific sensibility to red.

This is the second roll I shot in 35mm and as you can see from the label is has passed the expiration date by 2 years, but was kept in the fridge. As usual my rolls go to the shop (Ruby photo in Singapore) and do not get any special processing.

Back from the shop it is evident the roll is underexposed, blame the 2 years expiry or the failing batteries on the M6? I cannot say. But all in all a bit under.

The first 3 pictures were taken in the afternoon, on a rather sunny day, in Mac Ritchie reservoir in central Singapore. I really like the metallic rendering of these pictures, particularly the second one. The first one has something special in the richness of the grey tones which is very pleasing.

The picture above is very different, under midday sun a family scene a the skate park. Hard sun, not ideal conditions, but the contrast is not as harsh as with the Rollei 25 RPX. Very pleasing.

Same goes for the above; hard light, wide range of grey.

Above the heritage buildings on Petain Court. And below the Summicron wide open on an overcast day. Very nice definition.

Finally the last picture below, and the revelation of why I liked this roll very much : these negative scans (with the now outdated Epson v500) have a rendering close to a wet print. I think it is done to the total range but also something special in the depth of the blacks.

I checked the results of the first roll that I shot 3 years ago with the defunct NikonF4s. The pictures are showing the same smoothness, high resolution and deep darks, and a bit undeexposed. So, with the Rollei Retro 80s this is a very good choice of film for a change. I will order some Medium format rolls to check with the hassie.

Finally, what can you shoot at 32 ISO? On a sunny day with a F2 lens ? Anything. But when the sun goes out you better have another body at hand. So it can be quite frustrating at times.

Oh and where to get some? No idea where you can buy some in Singapore. In France I order mine from http://www.mx2boutique.com/ , there is also https://www.macodirect.de/en/ in Germany.

A Roll of Rollei ATP 32

Eve of Vesak Day in Brigh Hill temple – Singapore

For Buddhists Vesak Day marks the birth, enlightenment and death of Buddha. This is my very first time at Bright hill temple ; it is a huge compound in the center of Singapore.

Bright Hill temple also known as Kong Meng San Phor Kark See Monastery, is famous for the “3 Steps 1 Bow ceremony” on the eve of Vesak Day.

Above are monks who are opening the procession. The ceremony starts at 5pm and takes 2 and half hours to complete ending with the monks back in the main hall blessing the devotees with water.

Monks are followed by lay people who will queue all evening and a big part of the night. One people I know said he will go at 3am.

Below people queuing at the start of the procession

 

The main halls are also the occasion to pray and give offerings; mostly candles.

During the day itself, ritual is generally the bathing of the Buddha.

Most shots done with Leica M262 and Summicron 28mm, close ups with Elmarit 90mmF2.8.

Some film shots (with black border) done with Leica M6 on Fuji Xtra 800ISO with same lenses.

How to get there: Bright Hill is quite central  (like in the middle of the island) but may take some time to reach. You can get a bus there (check gothere.sg) which will take close to one hour from CDB or take a cab (more of less 15 SGD).

Devotees and temple staff are quite photo friendly, so as long as you are decently dressed and don’t go in the middle of ceremony you feel welcome to shoot. There is actually a small crowd of photographers.

Eve of Vesak Day in Brigh Hill temple – Singapore

Chiang Saen – Thailand

So I finally shot the roll of Velvia 50 that has been sitting in the fridge for nearly two years. As around 20 SGD from the shop plus 13 for processing, this does not come cheap so I was waiting for an occasion to put it at good use. It made the trip to Chamonix last year but flew back to the fridge due to terrible weather in french alps.

I finally used it during the recent trip in Sunny Thailand. I used a Leica M6 classic and most of the pictures here are done with the Summicron 28mm. The film was shot at box speed.

Scanning the slides does probably not give them justice, I think that slides are better projected or printed in Cibachrome (who remembers this?) Here they look like nice digital shots, what they are at the end of the day. Scanned on the Epson v500, they look very close to what I can get out of the M262.

For people my age (50+), shooting travel on slides, reminds or the time where our dad or uncle keen on photography was bringing tons or slides from exotics places he visited and embark us for then boring evenings or projections (including oddly synched soundtracks)

Nowadays I the slides are shoot are mostly Rollei; they are more affordable. Both Rollei and Fuji have color casts one scanned, Fuji in the pink , Rollei on the yellow. On this set of late afternoon pictures in Chiang Saen, the cast is quite pleasant and I did not try to correct it too much.

The meter of the M6 (with new batteries) is doing a good job as only one slide of the roll was badly exposed. Counter-intuitively, slides who are notorious for being picky with exposure are better shot under exposed, the opposite to print film which likes to be a little over.

Chiang Sen, is situated in the most northern part f Thailand inside the Golden Triangle notorious for opium trafficking and more. Situated 1 hour from Chiang Rai and 5 hours drive from Chiang Mai, it is  nice city along the mekong where the 3 countries (Laos, Myanmar and Thailand) meet.

I read once that in the 21st Century, slides are the only serious reason to still shoot film. This may not be totally true, but it is probably the type of film which competes the best with commonplace high end digital image.

Chiang Saen – Thailand

Warorot Market – Chiang Mai – Thailand

Last holidays trip was in Chiang Mai in Northern Thailand. This is my second trip there and I love place. This is the second time I travel with a Leica kit both Film and Digital. I have two bodies a M6 and a M262, a 28 Summicron, a 35 Summaron F2.8, an old Summilux 50 v2 and an Elmarit 90F2.8.

2 Bodies, 4 lens that sounds a lot and actually I packed the big Crumpler 8 Mio dollar bag. It is a bit over-sized, but then I have room for papers, wallet, reading and sun glasses and on the flight I can pack in a book, you can probably pack a tablet as well. I am proud I resisted the urge to buy a new bag.

I shot 4 rolls of film and a few hundred (but less than 1K) digital frames; this first set was done inside the Warorot market with the M6 and mainly the Summilux; film is the Kodak TMY 400.

I like the TMY400 for its low grain and slightly lower contrast that the Tri-x. I think all in all these shots turn out to be quite pleasant.

The Summilux is suffering from back focusing on the M262 but that does not show at all on the film shots.

People in the market are quite friendly, actually it is quite a touristic spot so the view of a tourist with a camera is not news.

I try to follow the advice of pro photographer Bobby Lee : let people know you are here, that you want to take a picture of them or their activity, but once they agree (or ignore you) don’t just snap and run away; as they don’t bother the least you can do is hang around until you have a good shot.

All scanned with the now antique Epson v500

 

Warorot Market – Chiang Mai – Thailand

Japan Camera Hunter – JCH 400 FILM

During my trip to Melbourne where I discover the FilmNeverDie  shop, I bought a couple of rolls of their SHIROKURO but also one roll of JCH StreetPan 400 film (why only one?)! I am always looking forward to try new or uncommon films, this is part of the magic of chemistry of film photography, to make me expected something new and exciting that does not depend on my technical skills (if I have any) to happen on the roll.

You can find the announcement of the film and read more about it there.

streetpan-400iso

This does not look to be  a re-branded film as the negs have the mention JCH.

This is not a technical review, I am by noway an expert, I understand that pan chromatic does not mean much other than a reproduction similar to human eye. Not sure what this means for black and white. This film is supposed to have a higher sensibility to red and a low grain.

I loaded the roll in the newly repaired Leica IIIc, and the following shots are done during Chinese new year in Singapore using a Summitar 50mmf2 lens. The Summitar is a bit back focusing so this is probably not a proper set-up to judge the quality of the film, but I have a soft spot for the IIIc.

Exposure is measured with a handheld Sekonic 308s lighmeter.

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Peanut stall

This picture is shot under a red tent and gives for interesting palette of grey, probably due to the sensitivity to red.

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There’s a cow behind the bins

For those who wonder, this was processed by the usual lab used by Ruby photo, no idea what chemical they use.

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Cookie stall
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Fellow film shooter, using a Canon 7s and Summar 50mm (but I saw he has more tricks in his bag)

The grain is actually quite controlled, and the sharpness, if you keep in mind this is shot with a vintage soft lens, is quite good. I am not a big fan of high grain film like the TriX (although I use it a lot), and always preferred the soft TMAX100 or Fuji Acros

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Kueh shop

Actually the contrast is quite smooth, unlike the Rollei Retro 400s I used recently, so for higher contrast scenes it gives  nice gradation of grey.

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The ladies selling newspaper on Keong Saik Road
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Happy fellows
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Night shot in Chinatown, a Bakua shop
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Preparing for Chinese new year

Even this night shot with back-light could be salvaged and give a nice rendering.

All in all this is quite a satisfying experience, if I manage to get more rolls they’l deserve to be shot with a better camera like the M6 or the “never-fail” EOS 1N.

JCH has sold all his stock, so only retailers will have some rolls now, until more are produced. I don’t think anybody has some in Singapore but you can find a list of suppliers on the JCH web-site.

 

 

Japan Camera Hunter – JCH 400 FILM