Amritsar street photography

Tea merchant

India is a feast for the street photographer, photo friendly people, a lot of color, everything is so different, so many things happening all the time. The tea merchant with his yellow scarf is one of the first pictures I took. Through the window of the car stuck in the traffic jam.

One of the many horse carts around

Soon we had to step out and walk to the golden temple as the traffic was so bad on Sunday. I stumbled on one of the many horse carts with the driver standing up gauging the traffic.

You can read the visit of the temple here.

Rickshaw driver

After the temple visit looking for our car, I came across this friendly rickshaw driver.

In the afternoon we went to Wagah border ceremony; here also the crowd after the ceremony on the way out offers many photo opportunities.

Ice cream

The crowd after the ceremony is eager to partake in ice cream, pop corns

The last pop corn parlor before the border

It gets dark quickly, and there is nearly one km of little stalls stretched along the car parks.

A fruit stall
Some more spicy stuff
“Let’s ride”: the burger stall

There is not enough time to stop at every stall to take some shots of vendors and their patrons. In this early evening, the lights, the fumes and the colors of the stalls make a beautiful composition every meter.

All shots with the Leica M262, Summicron 50mmF2.

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Amritsar street photography

A first roll of Polypan F50

Uncles at play. The best shot of the roll.

Polypan F50 is a mysterious beast : it is a film made to copy cinema movies. It has no anti halation layer: it means the light bounces back from the pressure plate of the camera and on highlights produce a “glow” effect (To reduce the glow you can put apply some black backing paper to the pressure plate).

Nice special “glow” and shades or grey

It comes in bulk of various lengths and can be found on auction sites, it looks it was produced until recently.  It can be pushed to 100 or 200 as some friends do, I may try on the next roll.

The girl in Wanzi.

This roll was shot with the Leica M4 + Summilux 50v2, at 50 ISO, hand metered (Sekonic 308S). I processed mine at my local lab which used Kodak D76, I was told the buy pushed it one stop.

Music Head

The result is quite OK to my taste, the grain is quite smooth in some of the shots, more present on others, like a generic 100 ISO film. There is something special on some shots that can be related to the “Glow”.

Egg Business

This is a 50 ISO film, so not so easy for street shooting, but still I think three out of four shots are OK technically. Using the Summilux gives a bit more leeway to play with compare to slower lens, and on a sunny day I could shoult at 1/125, 1/250

At the crossing

The film is moderately curly, scanning did not show any special difficulties. The highlight seems to be a bit blown, bringing them in line needs darkening the pictures a bit too much to my taste, but I cannot deny the palette of grey is interesting.

Edit with highlights “in line”

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I though it was more interesting to share about this new experience that following up my last post about the art of curating  films. But I can quickly share the following: on the 25 shots of this roll, 5 where not good technically, 4 are of my family, 13 seriously lack of interest or are dupes. So I am left with the 8 shareable shots shown here
Time off

A bit high ratio, but I am a slow shooter, specially with a film of such slow speed, so maybe I paid more attention. The first and last shots are probably a bit above OK. “Music head” with its quirky composition is probably very close to  be an OK. The “Girl in Wanzi” would have been as well if not for some motion shake I think. “Bump”, “Egg Business” and the “Time Off” are on the very low end of the interesting range.

Some fools sell, some fools buy.

You can check the on the web;

 

Thanks for reading.

A first roll of Polypan F50

St Matthew’s Church – Neil Road

Small walk to Neil Road a few weeks back  to check the intriguing architecture of the old abandoned St Matthews Church.

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Most of the information here is taken from Remember Singapore  a great site about things of the past in Singapore.

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The original church was built in the 1890’s as a place of worship for the British sailors.

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It operated though all the first half of the 20th Century, including the Japanese occupation during WWII.

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In the late fifties, St Matthew’s embarked on a re-building plan of its main church building.

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Designed with a distinctive Modern style, the new double-storey building consisted of a prayer hall on top of a large function room. It also possessed an unique vertically protruding roof that looked like a ship’s prow, and a tall concrete bell tower that was erected beside the main chapel.

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The bell was removed sometime in the 2000’s.Flickr-1006999

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Also, after the war, St Matthew’s Church carried out plans to, expand its premises, including the construction of a vicarage and a kindergarten was also built in the early fifties.

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The new kindergarten was designed in simple Art Deco-style; it had a sloping roof laid with terracotta Marseilles tiles and timber windows with louvers.

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Color pictures Leica M262 ; B&W pictures Leica M4 with Kotak TMAX 100.

Wide angle Summicron 28mmF2 Asph ; normal lens Summicron 50mm F2 type V

St Matthew’s Church – Neil Road

Warorot Market in Color

Toy stall

Same day different camera in Warorot Market in Chiang Mai, the Leica M262 and the Summilux 50mmv2.

Outside the market the watch repair stall

I do not have a lot to say since the last post of film pictures on the same subject, I think I still prefer the film shots. But the flexibility of the M262 in term of ISO is much appreciated. Can go high and low on demand, it looks so obvious, but not really for a film shooter.

It is also here that I realized the Summilux is seriously back focusing and that maybe I

should get a proper 50mm.

 

This family was rolling some kind of cigarettes.

Serious negotiation (above) about dry goods, looks like everybody was happy in the end.

The coffee shop around the corner, is quite busy and like all the upper section of the market has decent light.

This man is manually making some religious artifacts used as offerings in temples. Below one of the flower stalls doing offerings as well. There are many flower shops  there, some are doing offerings some looks to be casual flower shops.

Warorot Market in Color

Warorot Market – Chiang Mai – Thailand

Last holidays trip was in Chiang Mai in Northern Thailand. This is my second trip there and I love place. This is the second time I travel with a Leica kit both Film and Digital. I have two bodies a M6 and a M262, a 28 Summicron, a 35 Summaron F2.8, an old Summilux 50 v2 and an Elmarit 90F2.8.

2 Bodies, 4 lens that sounds a lot and actually I packed the big Crumpler 8 Mio dollar bag. It is a bit over-sized, but then I have room for papers, wallet, reading and sun glasses and on the flight I can pack in a book, you can probably pack a tablet as well. I am proud I resisted the urge to buy a new bag.

I shot 4 rolls of film and a few hundred (but less than 1K) digital frames; this first set was done inside the Warorot market with the M6 and mainly the Summilux; film is the Kodak TMY 400.

I like the TMY400 for its low grain and slightly lower contrast that the Tri-x. I think all in all these shots turn out to be quite pleasant.

The Summilux is suffering from back focusing on the M262 but that does not show at all on the film shots.

People in the market are quite friendly, actually it is quite a touristic spot so the view of a tourist with a camera is not news.

I try to follow the advice of pro photographer Bobby Lee : let people know you are here, that you want to take a picture of them or their activity, but once they agree (or ignore you) don’t just snap and run away; as they don’t bother the least you can do is hang around until you have a good shot.

All scanned with the now antique Epson v500

 

Warorot Market – Chiang Mai – Thailand

The Kiev IV is still alive

The end of 2016 was fast approaching and looking at the treasure chest (and my spreadsheet of films shots during the year), I looked at camera who had not went to the field.

The Kiev IV is one of them, and I felt the next trip to Dakota was a good opportunity to take it for a spin. I loaded a roll of Tri-X and pocketed (so to speak) the body, the 50F2 and the 35F2.8.

My Kiev now has a new skin (no more mummy look), and no more light leaks (fingers crossed). So it does not look to shabby anymore and is quite a usable device.

The light-meter on mine is dead, or maybe is it too complicated to use. I find the speed control very difficult to use, and difficult to read with my poor eyesight at close range. The rangefinder with its lighting window below the shutter is not great as I always have a tendency to obscure it with a finger or the other.

I always like the images that the Kiev produces, my two lenses are very sharp, the rangefinder when not blocked, is very accurate. The speeds on my copy are quite on as well. But this fellow stays in the cupboard (actually a giant Tupperware) because of its not so friendly controls (speed change, shutter button, lens change, winding, loading of film). I think it even compares negatively to the Leica III.

This says I love the pics, I may get rid of my set this year, it may be a cheap entry  level rangefinder for someone else, who knows.

About Dakota Crescent estate, you can read more on other posts, around mid-December the place is quite empty now.

This is a roll shot with the Kiev IV Camera, Jupiter 35 or 50 lens on Kodak TRI-X.

Scanned at home on Epson v500.

The Kiev IV is still alive

CENO2 Graffiti Artist

This is the second time I bump into CENO2  over the past few years he is a Singaporean graffiti artist that lives abroad, apparently often in Chicago.

This time again I saw him working on a mural at Somerset Skate park in central Singapore. This was one of the first days where I was carrying around the M262 and Summicron 28.

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Back two weeks later I saw he had already replaced his drawing with the two followings.

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These were taken with the old Summilux 50mm V2 mounted on the M262.

You can learn more about Ceno2 at https://www.facebook.com/Ceno2Artkhalytis/

 

 

CENO2 Graffiti Artist