Warorot Market in Color

Toy stall

Same day different camera in Warorot Market in Chiang Mai, the Leica M262 and the Summilux 50mmv2.

Outside the market the watch repair stall

I do not have a lot to say since the last post of film pictures on the same subject, I think I still prefer the film shots. But the flexibility of the M262 in term of ISO is much appreciated. Can go high and low on demand, it looks so obvious, but not really for a film shooter.

It is also here that I realized the Summilux is seriously back focusing and that maybe I

should get a proper 50mm.

 

This family was rolling some kind of cigarettes.

Serious negotiation (above) about dry goods, looks like everybody was happy in the end.

The coffee shop around the corner, is quite busy and like all the upper section of the market has decent light.

This man is manually making some religious artifacts used as offerings in temples. Below one of the flower stalls doing offerings as well. There are many flower shops  there, some are doing offerings some looks to be casual flower shops.

Warorot Market in Color

Warorot Market – Chiang Mai – Thailand

Last holidays trip was in Chiang Mai in Northern Thailand. This is my second trip there and I love place. This is the second time I travel with a Leica kit both Film and Digital. I have two bodies a M6 and a M262, a 28 Summicron, a 35 Summaron F2.8, an old Summilux 50 v2 and an Elmarit 90F2.8.

2 Bodies, 4 lens that sounds a lot and actually I packed the big Crumpler 8 Mio dollar bag. It is a bit over-sized, but then I have room for papers, wallet, reading and sun glasses and on the flight I can pack in a book, you can probably pack a tablet as well. I am proud I resisted the urge to buy a new bag.

I shot 4 rolls of film and a few hundred (but less than 1K) digital frames; this first set was done inside the Warorot market with the M6 and mainly the Summilux; film is the Kodak TMY 400.

I like the TMY400 for its low grain and slightly lower contrast that the Tri-x. I think all in all these shots turn out to be quite pleasant.

The Summilux is suffering from back focusing on the M262 but that does not show at all on the film shots.

People in the market are quite friendly, actually it is quite a touristic spot so the view of a tourist with a camera is not news.

I try to follow the advice of pro photographer Bobby Lee : let people know you are here, that you want to take a picture of them or their activity, but once they agree (or ignore you) don’t just snap and run away; as they don’t bother the least you can do is hang around until you have a good shot.

All scanned with the now antique Epson v500

 

Warorot Market – Chiang Mai – Thailand

The Kiev IV is still alive

The end of 2016 was fast approaching and looking at the treasure chest (and my spreadsheet of films shots during the year), I looked at camera who had not went to the field.

The Kiev IV is one of them, and I felt the next trip to Dakota was a good opportunity to take it for a spin. I loaded a roll of Tri-X and pocketed (so to speak) the body, the 50F2 and the 35F2.8.

My Kiev now has a new skin (no more mummy look), and no more light leaks (fingers crossed). So it does not look to shabby anymore and is quite a usable device.

The light-meter on mine is dead, or maybe is it too complicated to use. I find the speed control very difficult to use, and difficult to read with my poor eyesight at close range. The rangefinder with its lighting window below the shutter is not great as I always have a tendency to obscure it with a finger or the other.

I always like the images that the Kiev produces, my two lenses are very sharp, the rangefinder when not blocked, is very accurate. The speeds on my copy are quite on as well. But this fellow stays in the cupboard (actually a giant Tupperware) because of its not so friendly controls (speed change, shutter button, lens change, winding, loading of film). I think it even compares negatively to the Leica III.

This says I love the pics, I may get rid of my set this year, it may be a cheap entry  level rangefinder for someone else, who knows.

About Dakota Crescent estate, you can read more on other posts, around mid-December the place is quite empty now.

This is a roll shot with the Kiev IV Camera, Jupiter 35 or 50 lens on Kodak TRI-X.

Scanned at home on Epson v500.

The Kiev IV is still alive

CENO2 Graffiti Artist

This is the second time I bump into CENO2  over the past few years he is a Singaporean graffiti artist that lives abroad, apparently often in Chicago.

This time again I saw him working on a mural at Somerset Skate park in central Singapore. This was one of the first days where I was carrying around the M262 and Summicron 28.

Facebook-1-2Facebook-2-2

Back two weeks later I saw he had already replaced his drawing with the two followings.

Facebook-1Facebook-2

Facebook-3

These were taken with the old Summilux 50mm V2 mounted on the M262.

You can learn more about Ceno2 at https://www.facebook.com/Ceno2Artkhalytis/

 

 

CENO2 Graffiti Artist

Singapore Tyler Print Institute open doors

Sunday was an open doors day at the STPI along Singapore river. On top of excellent exhibitions through the year the STPI does an open day each year for the biggest joy of kids and adults alike.

Screen printScreen print

It is an opportunity to learn about the many techniques of printing, and try them first hand.

Printing press

Printing press

Blouses

On one of the workshops you also have the opportunity to make your own paper.

Paper making workshop

For more information about the STPI check http://www.stpi.com.sg/

Eitaro Ogawa - Chief printer
Mr Eitaro Ogawa – Chief printer

This was also the day I tried my “new” Canon (yes you read correctly)

My friend Chum gave me his EOS-1N last week. In pristine condition I must say. I rushed to Excelsior Plazza Saturday to get a lens. I bought a 50mm1.8 MKII for 99 SGD. Load 8 new batteries in the grip, a roll of TMAX and Sunday was the day I shot a Cannon SLR for the first time.

Camera: Canon EOS-1N
Lens: Canon 50mmF1.8 EF MKII
Film:Kodak TMAX 100ISO

Singapore Tyler Print Institute open doors

The German- Soviet Pact (In photography term)

I can never resist doing something foolish, so after having owned the Zorki for a few weeks, I googled a bit and flickered a lot and ordered an adapter to put the Industar 22 lens on the Leica M4.

Leica introduced the M mount in 1954, before this time the M39 (LRM or screw mount) was the norm with some variations on the on the thread. Since 1954 it is possible to mount older LTM lenses on M bodies using adapters. Adapters have 3 functions:

  • allow mounting the LTM lens on the M body (the reverse is not possible)
  • enable the usage of the view finder for focusing
  • trigger the display of the correct frame lines in the M viewfinder. This means you need several adapters if you have several different lenses.
  • I found a very cheap adapter on Ebay (8 $ including port) and could attach the Industar on the M4. Hurrah ! I managed to replace a 50mm Summilux F1.4 genuine Leica lens that costs a 1000 bucks by a Industar F3,5 russian lens probably older that costs me 50 dollars at most. The 3 functions above work very well : the rangefinder displays the proper distance, the 50mm frame is shown on the viewfinder and needless to say that the lens is attached.

    I loaded a roll of Fuji Neopan 400ASA, so I can shoot at smaller apertures; we never know and a after a couple of days of waiting I got the results from the lab.


    Walking to the office, I came across this guy painting a very nice mural that can be found on my Flickr. I made a couple of shots at F3.5 and 1/30s; probably the Summilux would have come more handy.


    This lens has a terrible flare; I cannot see any special damage to my sample, so probably it’s a factory defect. I applied a bit of dodging in Lightroom to fix that one. I think the picture has a nice “old time” effect to it.


    This one is my favorite; nothing to add, I just like it.

    So all in all, that works, it’s good fun for 8$, plus the lens is very nice to focus but the aperture is a real pain to set. If you add the fact that the M4 has no internal meter it’s not so easy to take a pic. Or you have to play it but ear; very old style.

    But that’s not the end of the story. During a late Sunday night at home I ordered on Ebay (where else) a Canon LTM lens, a 135MM F4, called Serenar, for 60 USD including shipping. I also got the correct 135mm adapter. This one was a different ballgame:

  • It is not mounting on the Zorki because the thread is different, so it does not lock, plus it may get stuck with the Zorki Rangefinder prong.
  • And it does not couple with the M4 rangefinder prong. Basically once attached the M4 prong is at 12 o’clock and the lens one at 11AM: no rangefinder coupling. Ok I said I can use the guessometer, this useful tool I used for the Zorki, but damn the bloody lens distance scale is in imperial measurements!

    To be short there will be some DIY sooner or later, but however I made a few shots sitting at the terrasse of a Cafe and here is a sample below. Not mind blowing but that works.

    I think I like the 135mm.

  • The German- Soviet Pact (In photography term)

    The first Zorki Film

    If you missed the last episode, I bought a Zorki S for 40EUR in an antique shop and it turned out there are some quite obvious problems with it. Two days later, I tempted my luck with a 6 years expired Kodak Gold film. I shot the film on the way to work, using hyper-focal focusing because the range finder does not work, and I missed one shot out of 5 as the curtains of the shutter stay stuck most of the time. Meanwhile the mini-lab broke down so I had to wait two extra days to be able to have a look at this masterpiece.

    As expected, one picture in 5 to 6 turned out ok in term of exposure and the 4 below are the best of the lot. It’s very difficult to guess for the rest because of the very bad quality of the film (or because of it’s high artistic quality). Well that will need another try.

    In between I have lubricated the shutter by dropping some silicon lubricant on the shutter button and it seems that by firing 20 shots a day the shutter no longer get stuck: good news. Also a gentle fellow user gave me some information on the rangefinder issue so I may run a second roll very soon. Probably an unexpired B&W film.

    Graph at the sate park

    Appart from trying the Zorki out, I liked this mural very much down in the Summerset skate park; it changes from the usual things we see there. Hope I can shot it with a proper camera before its gone.

    Graph at the sate park
    Ice cream stall
    Signs

    Camera:Zorki-S
    Lens:Industar 22 50mm F3.5
    Film:Kodak Gold 100ASA expired 2006
    DigiFilm:Epsonv500, LightroomV3.6

    The first Zorki Film