So after the Road Side vegetables market of Toa Payoh we are heading north to Senoko fishery port. There is wholesale fish market providing stock from local fish trawlers, in-shore vessels and fish farms as well as imported sources, and distributes to markets, supermarkets, food courts and restaurants across Singapore
The market is located at 31 Attap Valley Road, Singapore 759908; east to Woodlands checkpoint. It is lucky hat one of my friends was driving otherwise it would have been difficult to get there and back.
Around midnight the market starts to be busy. Individuals come here for cheaper seafood particularly in this time coming up to Chinese new year.
But the market is also preparing orders for hawkers, wet markets and the restaurants of Singapore.
The place is busy, the ground slippery, that’s a nice small adventure.
You can find different products types, like crabs, prawns and fish from all types.
Each company have its own delimited concrete square , with scales and a boss, noting down orders
The work of others is always a nice show to behold.
People are quite friendly, I did not really go asked not to take a picture, but the place is very busy so mind not standing in the way.
Prawns or shrimps arriving and being thrown to the ground. They will be sorted manually later.
So off to Vietnam for Xmas 2019, for a bit of chilling time over Christmas. In the bag, the usual kit, M262, M6, 28,35 and 50 crons and of course a couple of Tri-x rolls.
Hanoi is a great place to shoot. People are friendly and generally not photo adverse. There are so many pictures to take, that if you cannot take one, just walk to the next.
As usual, the M6 is most often mounted with the 50 cron, that ensures a reasonable distance for candid shots.
Street side food vendors and their patrons are still a great subject.
I was last in Hanoi 10 years ago and the traffic has not changed, crossing the roads still feels like an adventure and motorcycles are omnipresent.
We arrived late on Christmas eve, so our first outing was a walk to Saint Joseph Cathedral on Christmas day. The mass was already going on when we reached and people were standing outside of the church.
After the service an orchestra was playing outside.
A good opportunity for selfies.
We walked down to the Metropole hotel, where the two Citroen below are standing guard. I stayed there 10 years ago, and at that time they could be sent to fetch you from the airport in style.
We then walk north in direction of Long Bien bridge, going through the old quarter.
Among many, I met these local photographers and we took shots of each others.
Finally we made it to Long Ben bridge.
Where I met the two young film photographers below.
Hey this was a long post. Be reassured the next roll is not as good.
Nearly one year ago, in January, I went to Tank road in the middle of the night to shoot a roll of Ilford Delta 3200 at the Sri Thendayuthapani Temple for the Thaipusam ceremony.
Thaipusam is a Tamil Hindu ceremony where devotees walk from Sri Srinivasa Perumal Temple in Little India to the temple in Tank road.
It is interesting to shoot the ceremony at both temples ; at Little India where they start the pilgrimage or here where they finish it.
I favor the little India location early in the morning ; it is already very busy, but manageable. But for a couple of years I go to Tank Road in the evening before ; it is general quiet, the action (if I can say so) is more subdued. Pilgrims flow through the temple, receive blessings and walk out.
At the back of the temple is a resting aera and pilgrim receive tea and nibbles.
This year I tried a roll of Ilford Delta 3200 with the Leica M6 and the Summicron 50mm version 5. The result is quite nice, the M6 does a good job once again, the light meter is working very well once again.
I rarely shot the Ilford 3200, but must say the result is quite good. The grain is nice but controlled, the contrast is good. As I said somewhere else I think high ISO film give good results if you scene has a minimum of contrast.
These were shot around 11pm, on the first evening, it is very quite just when the priest open the inner sanctum of the temple. Alternatively, you can come around on the next day and take pictures from pilgrims disassembling their Kavadis.
The inside on the temple of the day itself is over crowed and their is no shortcut, you have to follow the devotees from Penang road, I am not sure how long it will take. Surely a great experience, but you will need a good couple of hours.
Get ready I have 2 or 3 rolls of TRIX that I shoot the next day.
Get ready, this year the Thaipusam procession is expected to start from SSPT on 07/02/2020 from 11.30pm.
You can read more about the Fire Walking Ceremony in my post from 2014 (here). In short it is a Indian festival honoring the Hindu goddess Sri Draupadi, who is the wife of the five Pandava brothers who walked on hot coals to prove her purity.
Devotees go through a purification period and on the day of the festival they walk from Little India where they get blessing and protective amulets to the SRI MARIAMMAN TEMPLE in Chinatown where they walk through the coals of the fire pit. After this they go at the back of the temple where they discard they protection and offer to the god the beads necklace they wear since the beginning of the cleansing period.
This is the 3rd time I am going to the festival. As I mentioned in my last post, total respect to the devotees. I went in the evening as usual with my friend Matte Lim.
This is my second or third roll of this film. The first attempt was so so. This is supposedly a new film, replacing the old TMZ 3200 discontinued in 2012. I think the film works well for scenes with good contrast and some lighted parts ; if your scene is grayish you wont get much on the picture.
It was night when I attend the fire-walk festival but both places where I was had some heavy lights on parts of the scene.
The M6 is great for focusing in the night, even with my ageing eyes, also the metering is quite ok.
Most shots are done with 50mm Cron (v 5), maybe some with the 35mm Cron (Asph v2), as I swapped the lens between teh M6 and M262 at some point.
Processing was done by the usual lab and scanning at home with the Epson v800 , scanning is easy.
I like the grain, which is quite limited and pleasant imo (but my wife does not).
India is a feast for the street photographer, photo friendly people, a lot of color, everything is so different, so many things happening all the time. The tea merchant with his yellow scarf is one of the first pictures I took. Through the window of the car stuck in the traffic jam.
Soon we had to step out and walk to the golden temple as the traffic was so bad on Sunday. I stumbled on one of the many horse carts with the driver standing up gauging the traffic.
After the temple visit looking for our car, I came across this friendly rickshaw driver.
In the afternoon we went to Wagah border ceremony; here also the crowd after the ceremony on the way out offers many photo opportunities.
The crowd after the ceremony is eager to partake in ice cream, pop corns
It gets dark quickly, and there is nearly one km of little stalls stretched along the car parks.
There is not enough time to stop at every stall to take some shots of vendors and their patrons. In this early evening, the lights, the fumes and the colors of the stalls make a beautiful composition every meter.
Polypan F50 is a mysterious beast : it is a film made to copy cinema movies. It has no anti halation layer: it means the light bounces back from the pressure plate of the camera and on highlights produce a “glow” effect (To reduce the glow you can put apply some black backing paper to the pressure plate).
It comes in bulk of various lengths and can be found on auction sites, it looks it was produced until recently. It can be pushed to 100 or 200 as some friends do, I may try on the next roll.
This roll was shot with the Leica M4 + Summilux 50v2, at 50 ISO, hand metered (Sekonic 308S). I processed mine at my local lab which used Kodak D76, I was told the buy pushed it one stop.
The result is quite OK to my taste, the grain is quite smooth in some of the shots, more present on others, like a generic 100 ISO film. There is something special on some shots that can be related to the “Glow”.
This is a 50 ISO film, so not so easy for street shooting, but still I think three out of four shots are OK technically. Using the Summilux gives a bit more leeway to play with compare to slower lens, and on a sunny day I could shoult at 1/125, 1/250
The film is moderately curly, scanning did not show any special difficulties. The highlight seems to be a bit blown, bringing them in line needs darkening the pictures a bit too much to my taste, but I cannot deny the palette of grey is interesting.
I though it was more interesting to share about this new experience that following up my last post about the art of curating films. But I can quickly share the following: on the 25 shots of this roll, 5 where not good technically, 4 are of my family, 13 seriously lack of interest or are dupes. So I am left with the 8 shareable shots shown here
A bit high ratio, but I am a slow shooter, specially with a film of such slow speed, so maybe I paid more attention. The first and last shots are probably a bit above OK. “Music head” with its quirky composition is probably very close to be an OK. The “Girl in Wanzi” would have been as well if not for some motion shake I think. “Bump”, “Egg Business” and the “Time Off” are on the very low end of the interesting range.