Everything is nice in black and white, there was not other choice for pictures a few decades back anyway, nor for motion pictures. And black clothes have a sliming effect (oh I m being carried away, my goth side is speaking now).
That said the seaside is not necessarily associated with black and white photography, the sand and blue skies are far away from the gloom and doom of big cities.
This is part of the second roll of the year, still going through the 30 meters roll of Ilford HP5. It is a bit boring but I used the M6 classic again and all these pictures were taken with the 35mm Summicron Asph v2.
The Fiat 500 is associated to the Dolce Vita, a movie that was host in … Technicolor black and white.
In winter on the famous Croisette boulevard, not many stars nor sunbathers, but you can see the light is quite good.
On the seaside you can also so some street type shots.
Finally the sea, on this scene backlit by the setting sun (on the left), the old city of Cannes in the far right, hills of Tanneron behind and the Esterel range on the left.
Finally two random shots, trying to see what can be done a bit closer.
My posts since July are like a pinball : London – Paris – Cannes – London – London – London – Paris – Cannes – London. There are worst things in life particularly by the time being.
I have tried many times to shot the water on pebbles and finally above is a picture I like. Probably the only picture with amazing colors.
This a roll of expired Portra 400 shot on the French Riviera during the Christmas season.
I missed Santa but the Christmas trees were growing very close to the sea this year. I used the faithful Leica M6 and either the Summicron 35mm Asph v2 or the Elmar 50 F3.5.
I found the seaside less inspiring that the city, but if you look closely there is always something to capture.
Older gents playing chess with their Covid masks on or not. I generally prefer to shoot Black and White on film, as I think the digital M renders more live like colours and the picture are popping more.
The misaligned sign of the “pétanque” club…
Nice is nice as goes the song, not too far away from Cannes, a big 30 minutes by train, and a bit more city like.
Oh my Oh my. We are in March already and here is my last B&W roll of 2021, where was I? Well not shooting for sure, as I just brought my first roll of 2022 to the lab. Well time flies, photography is one of the losers in the adjustment to my new life.
Anyway, last roll of 2021, shot in December in France, first 4 shots in Paris, next 5 in Cannes, the others in Antibes.
This is a single roll of Ilford HP5+, still hand rolled from the 30 meters roll I bought last year in Singapore. Pictures were taken with the M6 classic with the Elmar 50F3.5 or the Summicron 35 Asph v2. Oh by the way that’s not my last roll of 2021, no no no sir, I quickly shot a roll of expired Portra 400 at the end of December, but I am not sure there are enough shots to share on that one, or maybe yes I ll do next week.
After leaving Paris, I travelled to my hometown of Cannes, famous for its festival, the beaches and its beautiful weather.
Cannes also boasts two main harbours, filled with oversized yachts but also with fishermen’s boats as in the two pictures above showing some traditional fishing boats called “pointus”.
The end of the bay on the east side is called la Pointe Croisette and hosts the casino named “Palm Beach”, whose name is sometime used to designate the area. The casino is under renovation, and for those with a culture in French cinema, the crane you see is located where the famous swimming pool of “Melodie en Sous Sol” was located.
Cannes is not just for stars : locals still play the “petanque”
And not all drive Rolls Royces.
A tiny Autobianchi can be found on the harbour (in excellent condition)
There was a lot of activity along the beach this year. Some relax, some have to work, thats life.
All shots with Leica M262 and 35mm Summicron Asph v2 or Elmar 50mmF3.5 ltm, what else do you need?
If you read the last two posts, you get that I fell in love with Paris for the second time (or the third maybe, one shall not count when it comes to love).
So this is my last post of the digital shots made with the M262 and the Elmar 50 or the Summicron 35.
You guess by this last sentence that there are indeed some analogue shots of Paris but that will be for another post.
Goldilocks’ car a pre WWII Citroen Rosalie I think
6 or 7 weeks after these pictured le M11 is out and the M262 really feels like an antique. But I still really like it, faithful device, my goto camera.
I did not go camera shopping in Paris. Err, ok I went to the Leica shop on the Faubourg Saint Honoré, to check on the film MP prices in France. This camera is a beauty, but do I really need it? Ah let’s wait a bit longer…
Probably translate literally to “Boss pour us a little one, we are thirsty”. Paris and its bistro’s could fill a life of photography.
I travelled to Paris in November last year for the first time in more than 10 years, the main reason being that I left the last 14 years on the other side of the planet. We were blessed with nice weather for the first part of our stay.
It was real fun being a tourist in a city I leaved for in the late 80’s. Like London, it takes me a little time to adjust and turn my eye to the local subjects and actually press the shutter, but there are really plenty of subjects here.
I carried my usual set in Paris, the M262 and the M6, but due to some luggae constraints I only carried two lenses : the Summicron 35mm Asph v2 and the vintage screw mount Elmar 50mmF3.5.
The Summicron is as always a great performer, and the Elmar is very pleasant. I must say the aperture adjustment at the front of the lens is a pain on a film camera without meter, but with the M6 or even better with the M262 set on auto mode, its no longer a problem.
Yes subjects are plenty in Paris, the sites, the people, the tourists, there is always something to shoot. I found there are also a lot of smaller shops that in London, which are making nice subjects.
Of course I was blessed being there during Christmas season where a lot of decorations are making the city even more attractive.
Below a few more random pictures. I have a couple more sets on Paris to come and in a few weeks, some analogue shots will come up.
If read until now you deserve me to whish you a happy new year, keep on shooting and may the light be with you.
When life is slow and shooting slower, or when life is too fast to shoot, isn’t there an opportunity to look back at the albums ( ie Lightroom folders) for recent or not so recent pictures?
I don’t’ know how you sort your pictures, for me the digital shots end up being sorted in monthly folders (unless there is a very special event and I group them into that folder). I also end up putting the scans of each film roll in a separate subfolder under each monthly one.
I originally load these images in my working hard drive, but then move them to an externals one always attached to my PC plus a couple of backups. Its not fool proof but it means all my pictures are both at arms reach and reasonably safe. I do not have an off site backup though.
That also ensures I can “focus” on the images that are recent (or not so ) and that I have not shared.
Well lets say that when shooting gets slow and I need something to share I know where to look at. SO today these are some shots done around Singapore in May 2021, nearly 6 month ago.
Another time another place says the song. Walking around a few places I liked carrying around the Leica M262 and I think the 35mmSummicron Asph v2.
It is getting colder in London and there is some satisfaction looking at pictures from a warmer place.
Don’t worry I am not turning all sad and nostalgic, I have ordered some Ilford Fixer and some Vitamin C for the next round of Caffenol and even invested in a Thermometer so I can work properly. I have to Washing Soda at the moment but that will come soon.
So that’s it after 14 years in Asia I am moving back to Europe, UK to be precise. I have now been 6 weeks on the old continent, and a first post is long overdue. While all my stuff is in transit, I have carried in my hand luggage the M6 and the M262 with 3 summicrons, the 28, 35 and 50.
I have finished my first roll of expired Fuji Across 100 and had it process at the first shot I could find for the whooping price of 16 GBP. I could hardly believe it, but I will be back to Cafenol soon so this is a one off. It seems however that prices of film are a bit higher that in Singapore.
Shooting in a new country is both exhilarating and inhibiting : I can see so many new things to capture but also I am a bit camera shy these days, and don’t really know how people will react to the camera. I have engaged a couple of photographers in the street and they assured me there was no problem with this, but I have to get into the mood.
Strange enough, I don’t see many people with cameras in the street and I am yet to meet a Leica shooter, but I am keeping my eyes open.
The shots were scanned by the shop (Snappy Snap), it seems they did an ok job at it.
I hope you’ll enjoy the reading, my second roll is nearly done and I start having a backlog of digital, so get ready for more posts. All shots Leia M6 + summicron 28 Asph v1
It has been quite commotion recently in Singapore, when the news hit the headlines that the area of Geylang called Lorong 3 will have to be handed back to the state by their owners.
Like in UK, there are many schemes of property ownership in Singapore: you can own the land of your property of just have a lease for a certain time (generally 99 or 999 years). In that case the owners of the properties had a 60 years deals and they have been informed for a while. Most of the houses are sublet to foreign workers, and some also house some places or worship.
This is not a walk down memory lane with charming old houses presenting architectural interest, home of families and smiling old folks. This is rather a set of shabby terraced housed built in 1960, in various states of dereliction. Of course the areas as a historical and Social interest and is worth documenting.
A very quick post of shots done earlier this month on an expired roll of Kodak Portra 400 with the Leica M6 and the Summicron 35mm Asph v2.
The roll was processed and scanned at Whampoa Photo. I find the scanning job they do of equal quality (or better) than what I do myself, so no point wasting time. The first set above was done around Marina Bay, over a couple of different week ends, one being just before Halloween.
Second section comprise photos of Little India around Deepavali celebration and the first shot was in Chinatown during a meet up with fellow film photographers.
Third section contains some shot shots fort Siloso in Sentosa, and a couple of random shots from a walk around Newton.
Finally a shot of fellow film photographer from Japan who has been around in Singapore for quite a few years and always carry his two pristine Nikons F2. He will go home soon for good, so farewell.
This was roll number 42 of the year, and the 11th with the M6, I hop eyou enjoyed the ride.