Damien Hirst: Treasures from the Wreck of the Unbelievable

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Aspect of Katie Ishtar ¥o-landi

So holidays are over, and after a one week business trip to Philippines I am back home where I can start processing my pictures. Let me start by saying that I enjoyed very much the Leica Kit that I wrapped in my last post (The summer bag). Sadly the 90mm did not get much use (apart from some marmots)  and my sensor is dusty so every shot with some blue sky needs editing.

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Let me start by a small post about the exhibition “Treasures from the Wreck of the Unbelievable” the latest work of Damien Hirst at Foundation Pinault both at Palazzo Grassi and at la Punta Della Dogana. This is off the Biennale, but probably the most striking work to be seen in Venice this year.

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Gilded Medusa head

Hirst exhibitions is a colossal collection of the old world wonders as they have been recovered from a wreck in Easter Mediterranean sea. The exhibition boasts the “original” treasures as recovered, some footage of the salvaging, some artifacts redone as new.

This fictional (needless to say) story and the amount (in quantity, variety of materials and size) of the objects in display is mesmerizing, whatever anyone can think of Hirst work. If you still have time don’t hesitate to go.

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Silver Unicorn skull

The ticket covers both exhibitions, but frankly the exhibition at Punta Della Dogana is superior to the Palazzo Grassi, so if you have to chose… The Palazzo offers two major items, a colossal status of three stores high (below) and a piece inspired by the haircut of Yolandi from the band “Die Antwort” and teh bust of the artist girlfriend (so was I said, but I did not have a chance to check).

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You can check  http://www.palazzograssi.it/

Note also that the building at the Punta Della Dogana is a 17th century warehouse refurbished by Tadao Ando, this by itself is worth visiting.

All shots with Leica M262 with Summicron 28mm or 50mm.

Damien Hirst: Treasures from the Wreck of the Unbelievable

St Matthew’s Church – Neil Road

Small walk to Neil Road a few weeks back  to check the intriguing architecture of the old abandoned St Matthews Church.

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Most of the information here is taken from Remember Singapore  a great site about things of the past in Singapore.

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The original church was built in the 1890’s as a place of worship for the British sailors.

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It operated though all the first half of the 20th Century, including the Japanese occupation during WWII.

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In the late fifties, St Matthew’s embarked on a re-building plan of its main church building.

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Designed with a distinctive Modern style, the new double-storey building consisted of a prayer hall on top of a large function room. It also possessed an unique vertically protruding roof that looked like a ship’s prow, and a tall concrete bell tower that was erected beside the main chapel.

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Also, after the war, St Matthew’s Church carried out plans to, expand its premises, including the construction of a vicarage and a kindergarten was also built in the early fifties.

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The new kindergarten was designed in simple Art Deco-style; it had a sloping roof laid with terracotta Marseilles tiles and timber windows with louvers.

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Color pictures Leica M262 ; B&W pictures Leica M4 with Kotak TMAX 100.

Wide angle Summicron 28mmF2 Asph ; normal lens Summicron 50mm F2 type V

St Matthew’s Church – Neil Road

Eve of Vesak Day in Brigh Hill temple – Singapore

For Buddhists Vesak Day marks the birth, enlightenment and death of Buddha. This is my very first time at Bright hill temple ; it is a huge compound in the center of Singapore.

Bright Hill temple also known as Kong Meng San Phor Kark See Monastery, is famous for the “3 Steps 1 Bow ceremony” on the eve of Vesak Day.

Above are monks who are opening the procession. The ceremony starts at 5pm and takes 2 and half hours to complete ending with the monks back in the main hall blessing the devotees with water.

Monks are followed by lay people who will queue all evening and a big part of the night. One people I know said he will go at 3am.

Below people queuing at the start of the procession

 

The main halls are also the occasion to pray and give offerings; mostly candles.

During the day itself, ritual is generally the bathing of the Buddha.

Most shots done with Leica M262 and Summicron 28mm, close ups with Elmarit 90mmF2.8.

Some film shots (with black border) done with Leica M6 on Fuji Xtra 800ISO with same lenses.

How to get there: Bright Hill is quite central  (like in the middle of the island) but may take some time to reach. You can get a bus there (check gothere.sg) which will take close to one hour from CDB or take a cab (more of less 15 SGD).

Devotees and temple staff are quite photo friendly, so as long as you are decently dressed and don’t go in the middle of ceremony you feel welcome to shoot. There is actually a small crowd of photographers.

Eve of Vesak Day in Brigh Hill temple – Singapore

A morning in Myanmar

During our trip to Chiang Rai one of the most exciting activities available is to walk into Burma, for a few hours only. Driving one hour from our resort in Chiang Saen (already one hour north of Chiang Rai), we arrive in the Mae Sai checkpoint where it is possible to cross the border and enter Myanmar at Tachileik.

This in the Shan State; Tachileik boasts 50000 inhabitants.

Crossing the border is allowed provided that you leave your passport at the border and pay a nominal fee. Overnight stay is not permitted and I read that guesthouses in the border areas of Myanmar are not allowed to host foreign tourists.

The area close to the checkpoint has a busy market where Thai and Chinese tourists like to shop, for cheap counterweight of handbags, watches and so on. We rode a tuck tuck outside of this area in a more rural side of the city with its food market.

Aside from the usual colorful street life, a nearby covered market, shows more food stalls.

But also some fashion shops; tailors, housewares,…

A few streets from there, a Buddhist monastery, hosts young and old monks who were having their lunch when we arrived. There we could witness the ceremonial of meals, who its first, who last who eats what is not eaten by the others.

The main attraction in Tachileik may well be the replica of the Shwedagon Pagoda. Situated on a small hill. There are a few tourist / devotee stalls outside and food stalls on the parking.

One of the food stalls around the pagoda.

I tried one of these sweet pancakes, delicious. Grilled for you on the spot on the ground of the parking.

Our guide was very knowledgeable or the area and spoke fluent Burmese which made the experience very enjoyable.

3 hours in Myanmar, a new Stamp on our passports, time to head back in Thailand.

All shots with Leica M262 and Summicron 28mmF2.

A morning in Myanmar

Chiang Saen – Thailand

So I finally shot the roll of Velvia 50 that has been sitting in the fridge for nearly two years. As around 20 SGD from the shop plus 13 for processing, this does not come cheap so I was waiting for an occasion to put it at good use. It made the trip to Chamonix last year but flew back to the fridge due to terrible weather in french alps.

I finally used it during the recent trip in Sunny Thailand. I used a Leica M6 classic and most of the pictures here are done with the Summicron 28mm. The film was shot at box speed.

Scanning the slides does probably not give them justice, I think that slides are better projected or printed in Cibachrome (who remembers this?) Here they look like nice digital shots, what they are at the end of the day. Scanned on the Epson v500, they look very close to what I can get out of the M262.

For people my age (50+), shooting travel on slides, reminds or the time where our dad or uncle keen on photography was bringing tons or slides from exotics places he visited and embark us for then boring evenings or projections (including oddly synched soundtracks)

Nowadays I the slides are shoot are mostly Rollei; they are more affordable. Both Rollei and Fuji have color casts one scanned, Fuji in the pink , Rollei on the yellow. On this set of late afternoon pictures in Chiang Saen, the cast is quite pleasant and I did not try to correct it too much.

The meter of the M6 (with new batteries) is doing a good job as only one slide of the roll was badly exposed. Counter-intuitively, slides who are notorious for being picky with exposure are better shot under exposed, the opposite to print film which likes to be a little over.

Chiang Sen, is situated in the most northern part f Thailand inside the Golden Triangle notorious for opium trafficking and more. Situated 1 hour from Chiang Rai and 5 hours drive from Chiang Mai, it is  nice city along the mekong where the 3 countries (Laos, Myanmar and Thailand) meet.

I read once that in the 21st Century, slides are the only serious reason to still shoot film. This may not be totally true, but it is probably the type of film which competes the best with commonplace high end digital image.

Chiang Saen – Thailand

Sydney on Film

I went “down under” for the first time last school holidays. I was now carrying the “new” travel kit:

  • Leica M6
  • Leica M262
  • Summicron 28F2
  • Summaron 35mmF2.8
  • Summilux 50mmF1.4v2
  • Elmarit 90mmF2

5 or 6 rolls of film (I just shot 2) and small accessories.

I overcome (temporarily the urge to by a new camera bag by loading all of this is the very big Crumpler 8Mio and for day to day walks to put in my suitcase a Crumpler 1Mio. The later can fit one body with a lens and an extra lens, my wallet and phone, the second body goes around the neck.

On circular quay there are always a few buskers including this group of aboriginals, playing didgeridoo along with disco beats.

The fish market is packed with Chinese tourists.

Men’s biz : a trendy barber in one of the galleries in central Sydney.

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CENO2 Graffiti Artist

This is the second time I bump into CENO2  over the past few years he is a Singaporean graffiti artist that lives abroad, apparently often in Chicago.

This time again I saw him working on a mural at Somerset Skate park in central Singapore. This was one of the first days where I was carrying around the M262 and Summicron 28.

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Back two weeks later I saw he had already replaced his drawing with the two followings.

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These were taken with the old Summilux 50mm V2 mounted on the M262.

You can learn more about Ceno2 at https://www.facebook.com/Ceno2Artkhalytis/

 

 

CENO2 Graffiti Artist