Malta on Cinestill 400D

Here are a bit too many pictures of my first ever Cinestill 400D roll for my first ever trip to Malta.

I bought this roll a while back, maybe 6 months, from Analogue Labs ( where this roll was processed) for what seemed to a bit too much money ( about 18 GBP).

Marsaxlokk

I waited for the correct opportunity and here I am going to sunny Malta for a family holiday.

Marsaxlokk Sunday market

The D in 400D stands for daylight, and the film is described as a fine grain color film with daylight balance. It has soft tones, natural saturation, warm skin tones. The film can be shot between 200 and 800 without push process and up to 3200 with push process.

Marsaxlokk Sunday market cleaning up

I loaded the film in the faithful Leica M6 classic, fitted with the Summicron 50mm v5. ( some shots may have been taken with the 35 Asph v2 or the 38 Asph v1, but generally the 50 is attached to the M6 and the others to the M262)

I set the ISO dial of the camera to 400, not knowing what was best for my situation, the box speed seems to always be a safe bet.

Valetta

The days were very sunny so a lot of the shots were done with high speed and smaller apertures. The colors remind of Kodak Portra ( warm tones) maybe and surely has a certain vintage look to them. Is this expected or not, I am not sure.

The film surely has very fine grain and shows a lot of details.

I also find the shots to have a lot of contrast, maybe just bit too much for my taste. But it is a very nice result I think. I an already looking to buy some more.

Oh and Malta in this story? Malta is a small country consisting in a few islands, the capital Valetta is where we stayed. If you are open minded there are plenty of things to do, mostly around history and architecture.

There are also plenty of outdoors activities.

Diving just outside the city walls is one of them.

The place is attracting quite a crowd of tourists, in this mid-term holidays the place was packed with French and Britons.

A street photographer with his box camera

A couple of steep streets with stairs are hosting several bars and eateries.

Our first stop was Marsaxlokk with a famous Sunday fish market. You can access from Valetta by bus or Uber. From the ferry terminal in Valetta you can access the northern island of Gozo ( we missed because the schedule changed the day we planned to go) or you can take a 2 Euros ride across to the 3 cities.

Tourist boat touring the harbour

Boats in the Three Cities marina.

Typical houses with their bow windows

The fortifications and the war museum

Wuestenwinds beach

At night

Finally on the light picture, you can see a very special effect around the led lights. I think its called halation. Very common on the 800T film, but I was not aware that the 400D would also produce it. Anyway, this picture managed to go in Explore on flickr, so thank you Cinestill.

I hope you enjoyed the reading.

LONDON IN PRIDE – On Film

Spartacus?

I wont write much in this post as I probably said it all in the last one : London in Pride. Start of the film was a bit damaged when loading, but I feel it has style.

Lets just say that I carried along the Leica M6 and I switched the summicron 35 and the summicron 50 with the digital Leica M262. The other post contains the digital shots, this one the film ones.

Tom was here!

I arrived with the M6 loaded with the Ilford Delta 400 roll I used for the post The Corpus Christi procession 2023 (The film version), quite a different style or parade.

I then brought a roll of Cinestill 800T that if my memory serves me I bought back in 2017. I shot this tungsten film in daylight without filter, and it seems its ok.

The film is probably decently expired as Cinestill goes. I shot it at 640, same as I did in the past.

The film shots suffer from the same issue as the digital ones, as the afternoon passed I had more and more back light, which is not strictly great.

A bit of flare or processing issue here? I don’t mind, its quite cool.

BA crew deserves an Oscar for their performance

Our neighbour in all his glory!

I hope you enjoyed the viewing.

Paris in the spring

Batmaid (Boulevard Beaumarchais)

So this is the second part of my second roll of Cinestill XX I started in Biarritz. I was not super satisfied with the scanning so I plugged the old Epson v800 and rescan the whole film. I did not like the scan for two reasons, first I forgot to ask for high res, and I though the pictures were a bit small. Second I thought it was too grainy and had too much contrast.

City of Romance (Rue Amelot)

I quite liked the result of the Epson, if I recon correctly I scanned in 2400 dpi, saved as B&W JPG using the standard holders. The result is a bit smooth, that you may assimilate to lack of sharpness.

Fun in Paris (Ile de la cité)

I think there is a bit on compromise between sharpness, grain and details. Well anyway I am not very technical, I like these scans better.

Ready maestro (Rue de Buci)

These shot are still part of the same trip so I think the lens is either the Summicron 50mm v5, either the Summicron 35mmF2 Asph v2, attached to the Leica M6 classic

Glorious food (Rue du pas de la mule)

After the second roll, its a bit difficult to make an opinion on the Cinestill XX, as I am not sure how properly my lab process it. As I said before a bit too much grain for my taste (remember my favourite film is the Rollei Retro 80), but maybe there is a ratio between the distance to the subject and the grain that makes it less suitable to my may of shooting (I usually do streets shots between 5 and 10 meters) ? Did anybody consider that?

Public transport ( Rue Saint Antoine)

Enough of the technical bit, Paris in the spring is a beautiful place to be. That’s a first for me in about 15 years so I was under the spell, and I thing that will be the same for the seasons to come.

A l italienne (Boulevard Saint Germain)

Paris is not as eccentric as London, but there is a good mix of old and new, tourists and locals, fake and authentic, making you raising your camera every 5 minutes. Ok I am a slow shooter so that will be once every thirty minutes.

Lost if thoughts (Rue de la petite boucherie)

One last technical thing: I can see on forums the never ending question of bringing films through airports: remember that there are x-ray machines as well when you take the Eurostar. I never cared being worried about X-ray machines damage to film. I think if you are an amateur this is irrelevant. If you are a pro that’s different, but then you can always buy and process locally if its so important.

For the ladies : the firemen of Paris (Bords de Seine, quai François Mitterrand)

Lost ( Quai des Grands augustins)

Thanks for reading.

All shots Leica M6 Classic, Summicron 35 or 50, Cinestill XX shot at 200 ISO, I put an indication of where the pictures were shot so you can plan a tour. This roll is older that the one displayed in My last roll of Ektachrome.

Biarritz in Black and White

So holidays were not over by then and I was still in Biarritz with the Leica M6 and a couple of Summicrons (35 and 50) when I loaded my second roll of Cinestill XX ( purchased in Aperture UK shop in London).

The Market

I think I changed the roll around the market, so some pictures of this place can be found on my previous post.

Markets are different that in Asia a Singaporean friend told me, Same same but different I reply. Goods, people, food, money,… all the same.

I found this set a bit flat to my taste, although the light was great that day, and it was still reasonably early.

I made the mistake not to ask the lab to scan in high res, so this format is the one at which I got my negs. I will have to rescan them but probably not immediately. I think the low res scan adds to the grain, but maybe I am wrong.

To go or not to go that is the question

Biarritz has a market and also a seaside famous for surfing.

Nah not enough waves

Baywatch

It has sometime a bay watch vibe.

Surf is family thing here

Cal look

My first roll of Cinestill XX

London, where else?

A bit more than a month back I bought two rolls of Cinestill XX in the Aperture UK shop in London. I have read about this film, but its the first time I saw some available for purchase, so I picked two rolls to see what it is like, keeping in mind that I will have a road trip in France a few weeks down the line.

I loaded the first roll soon after and started shooting in London over a couple of very sunny week-ends we had in late April.

The XX box claim to be a variable speed motion picture, but on a conservative move, I set the M6 speed dial to 200, and put a 50mm lens in front of it, most likely the Summicron v5 or the Summilux v2 with a yellow filer.

Balthazar’s bride

It is very difficult to tell which one I used from the pictures.

Twins

Off the wall

So a good first part of the roll was shot in London, the weather was nice and my brain clicked in shooting mode.

Fashion addicts

When holidays started, I spent a day in Paris, with not much shooting action, then drove to the Loire valley, where frankly I felt more compelled to use the digital M and 28 mm cron.

But here are three shots of the park of the Chenonceau castle.

At this point we drove to Bordeaux witch I never visited before and seems to be a good place for street photography, just enough people, and specific places.

A street in Cite Fujes built by Le Corbusier

Worth visiting for modern architecture buffs : the cité frugès built by Le Corbusier, one house is a museum and can be visited upon appointment.

The market

The blue oyster cult

Street life

The film was processed by my usual lab here in London : Analogue Films in Shoreditch, it seems they were not very familiar with the film at first. They managed to do their usual good job as processing and scanning.

The last part we moved to Biarritz in the Basque Country, capital of surfing in France.

Life is a beach

I always found very odd to shoot sea side in black and white, but hey why not, my parents did this ages ago.

Bay watch

Local artists

The market

I found the XX a bit too grainy for my taste, maybe blame the processing, who knows? Lets see how the second roll turns out.

Oh yes, the cost. The film was 11£ a roll ( almost 13 Euros, 14 USD, 19 SGD), mmm I think I still have some HP5+ in my 100ft roll. And Analogue Films charge about 8£ for process and scan.

Hope you enjoyed the ride.

The Social Kitchen at Orchard YMCA

Today I am posting a few shots salvaged from a friendly “reportage” we did with a group of friends last week for The Social Kitchen at Orchard YMCA, in Singapore.

The Social Kitchen, is the Cafe located on 4th floor of the YMCA. It is a social enterprise that provides employment to disadvantaged individuals. The intention was to give them a few pictures to put on their website.

I must say I did not perform very well, and I am bit ashamed of it. I pleased myself in my choice of gear, but the result is not really usable by our friends at Social Kitchen. Luckily some more conscientious photogs were there.

• 

• 

• 

• 

• 

I brought the Leica M6 with Summilux 50 v2 loaded with Ilford Delta 400. Above are the shots processed in Caffenol, my eights roll and the worst so far I must say. Very nice opportunity to shoot in a kitchen, but also quite difficult as the place is small and was packed with 3 staff and 4 photogs.

• 

• 

• 

I also carried the Hasselblad 500CM loaded with Cinestill 500. There are only 3 “good” shots on 12, I don’t use the blad so often these days, so I mixed up mix and max aperture, and the first 6 shots were blank. The Cinestill roll was shot at ISO640 as usual, and all shots were done at 1/60 F2.8.

It’s nice to have fun, delivering good and usable pictures is another matter.

A NIGHT TRIP TO SENOKO FISHERY PORT (Film version)

This is  a small follow-up to my former post : A NIGHT TRIP TO SENOKO FISHERY PORT .

These pictures were shot on Cinestill 800T with a Leica M6 with Summicron 35 Asph v2 or 50mm V5. Processed at the lab around the corner and scanned at home with the Epson v800.

I shot the roll at 640 ISO, still I found the pictures being under exposed, unlike the roll I shot in Tokyo last year.

She is the boss.

 

Toa Payoh Markets

Saturday Low Che Ng, the man behind the facebook group “Lets shoot Film SG” organized an outing in Toa Payoh area in central Singapore ; mostly visiting two markets (apparently there are more around there)

I packed a bit too much gear, but mostly for this post, I shot two rolls of Cinestill 800 with the Hasselblad 500cm and 80mmF2.8. The films were processed in express by one of the labs we still have here : Konota. They were scanned at home on the Epson v800 and Silverfast, using the Portra 400 VC 6×6 profile.

I never really managed to get perfect exposure with the 800T, but generally I shoot them at 640 and process at box speed, giving it a bit of over exposure. The markets were very nicely lit and indoor and shots were generally done at 1/125 F4.

The Jackfruit man

The first market has a first floor hosting a few stalls and giving a nice view of the ground level.

The reluctant model (I will print and bring her the picture in order to appease her)

For outdoors shot I did not use any filters. Just a bit of post processing in Lightroom ; it looks like the color rendering is quite OK.

These two rolls are dating back from the kick-starter project of the Cinetstill 120 format, it appears they survived nicely in the fridge (there are 3 more there).

The second market (Toa Payoh Lor 7 Market I think)  is a bit smaller in term of food but the hawker center was quite busy and nobody seemed too bothered by six photographer hanging around.

The amount of detail in the shots is amazing despite of the grain, in the shot above at full size, you can see the cigarette butt glowing.

A lot of sitting and waiting it seems.

And playing with phones

At the back was a small shrine attended by the lady with the green hat.

And finally a stall selling the king of fruits : Durian.

As for every activity in Singapore we have a fodd break, tasting an amazing carrot cake at xin ji fried carrot cake (for non Singaporeans you have to google to check what this is, and come around to try it) .

I also did two half rolls of B&W in 35mm so maybe you will hear more about the Toa Payoh markets soon.

A walk around Singapore with the Hassie and a roll of Cinestill 50D

One of the vintage public housing estates in Singapore

I realized when doing the math at the end of the year that in 2018 I did not shoot much medium format film. I must say that my only working condition camera is the Hasselblad 500 CM which is not so easy to grad around for my casual shots.

A traditional flowers arrangement for a shop opening in Singapore, to wish success. Now binned

One of the consequences is that my film box contains now mostly 120 film, some starting to be expired for more than two years. Not that I think that the are going to be wasted, but it is never a good sign.

 

Hong Lim park

So I have now decided to bring the Hassie along for casual shooting. There will probably be less people in the coming rolls as it is not greatly suited for “street” shots, but probably more city views from a local tourist.

Hong Lim park

Hong Lim park

Hong Lim park

Bollywood Dhoom on Circular Road

Mustapha shopping center

Mustapha shopping center – with people

Allenby House : a colorful building at Jalan besar

I think this is my last roll of the Cinestill 50D, part of the Kickstarter package. I quite like this film in the end as per my last post, it s quite punchy, is easy to scan. And slow speed is fine in good weather and daylight. I am not sure I ever shot many films with the Hassie at night or dusk.

The thyme at Merci Marcel in Tiong Bahru. I love the light bulbs.

One thing the lead of the film is gooey so when you remove the lead you will often end up with some parts of the back that take up the film being sticky, and some goo ending up on the roll as in the first Hong Lim shot.

 

2018 – The year I still shot one roll of film a week.

Camera n.1: Leica M6 with Rollei Vario

Happy  new year everybody, happy film shooting to all the film photogs. If I looks around me in Singapore it looks like more and more people are shooting film. I see young kids buying film at the shop and carrying around some analog point and shoots, SLRs or rangefinders. I met fellow film shooters in Japan, Laos and Thailand this year and at the big dismay of my family I (nearly) always go and talk to them, and take their picture sometime.

In my own opinion 2018 has been less exciting that 2017 in term of the film industry : Cinestill is now part of the landscape, Kodak Ektachrome is said to be available but I have not tried it yet, Film Ferania is still nowhere near the shelves. The only new film I tried is the Rollei variochrome positive film, which is quite gimmicky.

Camera N.2 : Leica IIIC with Kodak TMAX 100

 

Below is a breakdown of my film rolls:

Film	Rolls
Ultrafine 400	17
Cinestill 50D	3
Rollei Retro 80s	3
Bergger Pancro400	3
Kodak Tmax 400	2
Rollei CR 200	2
Polypan PF50	2
Cinestill 800	2
Fuji Reala 800	2
Kodak Gold 200	2
Rollei Superpan 200	2
Kodak Colorplus	2
Kodak Portra 400	2
Kodak Ektar 100	1
Rollei Vario	1
Kodak Tmax 100	1
Kentmere 400	1
Ilford hp5	1
Kodak Portra 160	1
Kodak TMZ 3200	1
Agfa APX 400	1
Grand Total	52

And by Brand

Brand	Rolls
Ultrafine	17
Kodak	12
Rollei	8
Cinestill	5
Bergger	3
Fuji	2
Polypan	2
Agfa	1
Ilford	1
Kentmere	1
Grand Total	52

Camera n.3: Leica M4 with Kentmere 400

The first thing to notice is that I shot a bit less that last year (I did 63 rolls then), I think I also shot less digital, I spend some time in a couple other projects. But still I am holding the one roll per week rate.

I shot 17 rolls of Ultrafine that I hand-rolled myself : this is a first for me. This is a quite good film : I told the lab it is Kentmere 400 and had no problem. I liked the experience of hand rolling shorter rolls, but as I don’t process myself there is a balance to reach between the cost of processing and not having to throw away the last shots of a roll (or shoot meaningless pics with them).

Kodak is a mix bag of black and white and the cheap color films like Colorplus and Gold 200. I tried the new TMZ 3200 once again this year and I think a good performer.  I am a Kodak fanboy.

Camera N.4 : Hasselblad 500CM with Cinestill 50D

 

On the disappointment side are the Bergger Panchro and the Rollei Superpan, they lack contrast and have too much grain to my taste (or maybe I lack the skills to make them shine). I cannot make them out of my fridge fast enough, so I will still have some to shoot this year. I finally finished my two years expired Fuji reala 800, both shot with the Leica IIIc, I don’t really like this film (but it was so cheap) and also I have problem measuring for 800 Iso in daylight, so results were not great.

Finally the Rollei Vario ( you can read the full review here ) : it is very gimmicky so one roll is enough. I think if you are a pro and shoot a wedding, you can have a nice couple of pictures with a very different look, but apart from this the tint makes its usage very limited.

Camera N.5 : Agfa Isolette with Bergger Panchro 400

Now let’s look at the gear.

Camera	Rolls
Leica M6	21
Leica IIIc	11
Leica M4	10
Hasselblad 500CM	4
Agfa Isolette III	2
EOS 1N	2
Kodak Autographic Jr	1
Minolta Himatic 7s	1
Grand Total	52

Once again Leica’s are on top of the ladder, I am still investing in my Leica Kit, so the M system is set to shine for a while. My travel kit now is the M262, the M6 and 3 or 4 lenses in the shoulder bag.

The Leica IIIc paired with the 35mm F3.5 Summaron is my walk around camera, as a consequence the M4 lags a bit behind.

Camera N.6 : Canon EOS 1N Kodak Portra 160

I only shot 7 rolls of medium format, the Hasselblad has a problem now and only takes 11 shots per roll, and stays at home during holidays; the Agfa still cannot focus but I like taking it out a couple of times a year (exactly two times)

I kept on my decluttering habit this year, so I got rid of my broken Olympus Mju1, the EOS 1N, the Kiev and some Nikon Zoom lenses.

 

Camera N.7 : Minolta Hi matic with Ultrafine Xtreme 400

 

Finally my v500 scanner died in the first week on 2018, so I upgraded to an Epson v800. Frankly the difference is not that visible but it is a lot faster and the Silverfast software is quite better than the Epson one, although I must say I still have some work to master it.

Camera N. 8 : Kodak Autographic Jr 6×9 with Rollei retro 80s.

 

If you are curious you can check the past reviews : 2015, 2016, 2017.

Happy shooting in 2019 !