A quick post about last two weeks walking around with the Leica M6 loaded with a roll of Kodak ProImage 100 and paired with a Summicron 50mm V.
This is a bit awkward in the middle of my Caffenol frenzy, but it helps changing perspective. Also I brought the film to Whampoa Photo, and the scanning is very nice. I usually scan myself, but that time I decide to give it a try and the result is surprisingly good.
Regular readers already know the Leice IIIc is my go to camera when I just walk around without goals. This roll was loaded at the end of a supposed Hasselblad walk with the Hasselblad User Group Singaore (HUGS).
This is a roll of cheap Kodak Color Plus. I shot a few of them so far, and I think it is good enough when you have no special goal.
This is quite an easy film to scan, the ISO 200 is quite convenient for color street shots on a nice day.
Walking from Bugis and Waterloo street area, the weather was beautiful, and I think the colors are very nice, vivid enough but not over saturated.
That day I had the Voigtlander 21mmF4 mounted on the Leica IIIc, and as above and below I think it realy renders movement very nicely.
The colors on the next two shots are outstanding, but light was exceptional too.
Of course sometime as above the 21mm gives a bit too much negative space.
Over this last year I shot a lot of with the 21 VC and I like it a lot. On the negative side I would say that sometimes it gives a very crisp and modern look to the pictures you may or may not like.
From this point the pictures are taken with the vintage Summaron 35F3.5. They are mostly taken in the afternoon where the light if not as good.
I also think the Summaron is an excelled lens. 35mm is a lot more manageable than 21, but I also have a 35mm finder,
The above is taken inside the National Design Museum, but there was plenty of light.
I don t realy know the relationship between the expo and Kraftwerk, but…
Film is scanned at home with Epson v800, I do a bit of colour and exposure correction in Light-room .
This is my third post about the Polypan 50 and thanks to my friend Felix who is always eager to feed me some more this is probably the 10th roll I have shot.
This roll is a bit old and traveled in and out of the fridge a few time, also Felix warned me about the first two frames to generally better be avoided. Finally the film is quite thin and this may result in a bit of struggle when loading the film on the reel. so one or two early
So this particular roll I decided to shoot with the Leica IIIc and the Color Skopar 21mm. I am still trying hard to love this lens and the camera looks super good with the VC finder I bought last summer.
At this point I have small problem because I am not really able to guesstimate the light and I have relied on my Sekonic 308, that i bought new in 2010 with my first Leica. The little fellow is now more dead than alive, draining batteries like hell and giving random measures. So after the first half of the film I decided to go the the shop and get a new light-meter. To cut it short I bough the same one, lets hope it last as long.
So this is a recipe for disaster, a slow film, an old camera, and a slow lens. Luckily last Saturday the weather was nice when I hit Chinatown and came across Felix of course.
I am not a big theoretician, but what i like with the 21mm is the dynamic it gives to (rather mundane) pictures where people are moving like above or below.
Chinatown is also the opportunity to catch again and again the old folks playing Chinese checkers or chess. Some slow action going on, so speed can be lessen, perfect for my set-up.
Another obvious thing with the 21 : you need to be close to your subject. How close is close? Probably all the pictures in this post are done between 2 and 4 meters ; the one below more like 1 meter.
And finally a bit more panning for that young lady.
This is a follow up of my last port about the Monkey God temple birthday in Tiong Bahru. These pictures were taken with a roll of Provia 400F given to me by KC Eng. It is expired since 2008, but I did not check at the time and shot it at 400 with Leica M6 and Summicron 50.
Ths shots were processed at Analog Lab and scanned at home ; they turned out quite okay. Maybe the overcast weather did not allow for a more reach color palette.
This is a set of pictures of the colorful public housing blocs situated on Circuit Road in Singapore.
Circuit road is accessible via Mc Pherson MRT, and is located in the east part of town, 20 minutes ride from Orchard Road.
This estate dates back from the early 1970’s and has recently received a face-lift, becoming the Lego or Mondrian estate. Apparently the “upgrade” as we say here was not only cosmetical as the area used to be a bit shabby from what I gathered.
The outing was organized by Low Che Eng from the “Lets Shoot Film SG” Facebook group. We were nearly a dozen freaks walking around the estate, with cameras ranging from various Leicas and medium formats to a view camera (Chamonix ?).
I carried around the Hasselblad 500CM and 80mmF2.8 loaded with a slightly expired roll of Portra 160vc (nearly two years I think) shot at 200iso and the Leica IIIc with the Voigtländer 21mmF4 loaded with a roll of Rollei retro 80s.
The film was processed at the usual lab and scanned at home with the Epson v800.
I did a bit of post processing in light room but even without it the film turned out quite well.
Finally meet a resident, this gentleman used to a be a guitarist at the raffles hotel back in the days where hotels had musicians and is now keeping fit in his old age. This is the last shot of the roll hence the slight issue on the top of the frame.
The hassie keep on having problems shooting 12 complete frames, but this time I got lucky.
Same day different camera in Warorot Market in Chiang Mai, the Leica M262 and the Summilux 50mmv2.
I do not have a lot to say since the last post of film pictures on the same subject, I think I still prefer the film shots. But the flexibility of the M262 in term of ISO is much appreciated. Can go high and low on demand, it looks so obvious, but not really for a film shooter.
It is also here that I realized the Summilux is seriously back focusing and that maybe I
should get a proper 50mm.
This family was rolling some kind of cigarettes.
Serious negotiation (above) about dry goods, looks like everybody was happy in the end.
The coffee shop around the corner, is quite busy and like all the upper section of the market has decent light.
This man is manually making some religious artifacts used as offerings in temples. Below one of the flower stalls doing offerings as well. There are many flower shops there, some are doing offerings some looks to be casual flower shops.
For the last post of the year, I will show you pictures of a small walk I did at Dakota Crescent estate in Singapore.
Like Rochor Centre, Dakota is supposed to be demolished at the end of this year (so pretty soon). The estate belongs to the public housing administration (HDB), it was built in 1959 during the British area.
The blocks have some interesting feature, some inherited form modernist lines. The most well known feature is the “dove” play ground.
The estate is made of 17 blocks, some high rise, some lower rise, located closed between Old Airport Road and the Kaland river. Old airport road s the road that was leading to the airport that was used prior to the opening of Changi in the 1990’s I think.
As this time the buildings are more or less empty, ready to leave way for a new development (I ignore which). There will be more pictures of Dakota as I went there again last week. But that will be for 2017.
Color shots done with Leica M262 and Summaron 35mmF2.8; Back and white with leica M4 with Voightlander Color Skopar 21mmF4 or Summitar 50mmF2 on odak TMY 400 film.
So this is (was) Monday and time to bring back the camera to the shop. I woke up early and decided to walk there armed with the old Summitar 50mmF2.0 and the Voigtlander 21mmF4.0 Color Skopar.
First stop is at the Hong San See Temple on Mohammed Sultan Road. The M240 shows no mercy for the WWII area screw mount lens : it is obvious the lens back focus; as I said yesterday no point using it if not with live view. The back focusing problem is visible even on the location, so no bad surprise when going back home.
Yes on the close and wide open shots the lens shows some “character”…
A bit frustrated I follow my journey along the Singapore river and put on the Color Skopar.
It is almost midday, the sky is cloudy as usual, so the light is not great. The colorful Alkaf bridge looks very dull on the above. Including the fact that the pictures are coming out with a wide purple band on the right side, even with the leica 21mm profile selected, this is really a no go.
The above is a bit better, but also required a bit of tweaking in Lightroom to remove the purple fringing on the right side.
So time for conclusion, I have played with the M9 and the M240 this summer, used some new and old lenses and…
1- I won’t rush to buy it: I think this is the most fair assessment I can do: I can probably afford to go to the shop and get a M240 + an Elmarit 28mmF2.8 but my test did not convince me that I really need to do it now.
2 – No mercy : the M240 has no mercy for lesser lenses : you may be lucky with a gem of an old lens, but clearly for me all these old ltm lens I have are useless. No point getting such an expensive kit to produce such below par shots. The weather in Luxembourg and Singapore is quite different but the 28mm Summicron results were far superior to the Elmarit.
3 – Back to film : Do not be mistaken, I really enjoyed the experience, going through the 800 to 900 shots of the week end was a bit painful, I could have done some things better and I may try again next year. Meanwhile I think that I would be more tempted to get a newer Leica film camera and a nice lens like a Summicron 35mm and wait before going digital. But meanwhile the meanwhile, I’ll go back to “junk” gear and Nikon digital. On a side note, I have been shooting recently with the D700 and 1980’s manual lenses again and unlike the Leica I am amazed by the results.
Xmas film shooting in town with the old Kodak Autographic Jr.
Difficult not to note the problem in the bottom left side of the frame; not sure what it is. It did not appear on the last B&W film and the patterm is quite consistent when it shows. Maybe a pressure plate problem?
Camera: Kodak Autographic Jr Film: Kodak Ektar 100 Scanning: EPSON V500, Lightroom 3, PSP Elements 4