Warorot Market in Color

Toy stall

Same day different camera in Warorot Market in Chiang Mai, the Leica M262 and the Summilux 50mmv2.

Outside the market the watch repair stall

I do not have a lot to say since the last post of film pictures on the same subject, I think I still prefer the film shots. But the flexibility of the M262 in term of ISO is much appreciated. Can go high and low on demand, it looks so obvious, but not really for a film shooter.

It is also here that I realized the Summilux is seriously back focusing and that maybe I

should get a proper 50mm.

 

This family was rolling some kind of cigarettes.

Serious negotiation (above) about dry goods, looks like everybody was happy in the end.

The coffee shop around the corner, is quite busy and like all the upper section of the market has decent light.

This man is manually making some religious artifacts used as offerings in temples. Below one of the flower stalls doing offerings as well. There are many flower shops  there, some are doing offerings some looks to be casual flower shops.

Warorot Market in Color

Bye Bye Dakota

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For the last post of the year, I will show you pictures of a small walk I did at Dakota Crescent estate in Singapore.

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Like Rochor Centre, Dakota is supposed to be demolished at the end of this year (so pretty soon). The estate belongs to the public housing administration (HDB), it was built in 1959 during the British area.

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The blocks have some interesting feature, some inherited form modernist lines. The most well known feature is the “dove” play ground.

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The estate is made of 17 blocks, some high rise, some lower rise, located closed between Old Airport Road and the Kaland river. Old airport road s the road that was leading to the airport that was used prior to the opening of Changi in the 1990’s I think.

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As this time the buildings are more or less empty, ready to leave way for a new development (I ignore which). There will be more pictures of Dakota as I  went there again last week. But that will be for 2017.

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Color shots done with Leica M262 and Summaron 35mmF2.8; Back and white with leica M4 with Voightlander Color Skopar 21mmF4 or Summitar 50mmF2 on odak TMY 400 film.flickr-013flickr-014flickr-019flickr-026flickr-027flickr-028flickr-030flickr-031flickr-1003444flickr-1003463flickr-1003489flickr-1003484flickr-1003486flickr-1003488flickr-1003493flickr-1003500flickr-1003491

 

Bye Bye Dakota

Leica M240 – A rented friend for a lonely week end (Day four, Monday)

So this is (was) Monday and time to bring back the camera to the shop. I woke up early and decided to walk there armed with the old Summitar 50mmF2.0 and the Voigtlander 21mmF4.0 Color Skopar.

First stop is at the Hong San See Temple on Mohammed Sultan Road.  The M240 shows no mercy for the WWII area screw mount lens : it is obvious the lens back focus; as I said yesterday no point using it if not with live view. The back focusing problem is visible even on the location, so no bad surprise when going back home.

Yes on the close and wide open shots the lens shows some “character”…

A bit frustrated I follow my journey along the Singapore river and put on the Color Skopar.


It is almost midday, the sky is cloudy as usual, so the light is not great. The colorful Alkaf bridge looks very dull on the above. Including the fact that the pictures are coming out with a wide purple band on the right side, even with the leica 21mm profile selected, this is really a no go.


The above is a bit better, but also required a bit of tweaking in Lightroom to remove the purple fringing on the right side.

 

CONCLUSION

So time for conclusion, I have played with the M9 and the M240 this summer, used some new and old lenses and…

1- I won’t rush to buy it: I think this is the most fair assessment I can do: I can probably afford to go to the shop and get a M240 + an Elmarit 28mmF2.8 but my test did not convince me that I really need to do it now.

2 – No mercy : the M240 has no mercy for lesser lenses : you may be lucky with a gem of an old lens, but clearly for me all these old ltm lens I have are useless. No point getting such an expensive kit to produce such below par shots. The weather in Luxembourg and Singapore is quite different but the 28mm Summicron results were far superior to the Elmarit.

3 – Back to film : Do not be mistaken, I really enjoyed the experience, going through the 800 to 900 shots of the week end was a bit painful, I could have done some things better and I may try again next year. Meanwhile I think that I would be more tempted to get a newer Leica film camera and a nice lens like a Summicron 35mm and wait before going digital. But meanwhile the meanwhile, I’ll go back to “junk” gear and Nikon digital. On a side note, I have been shooting recently with the D700 and 1980’s manual lenses again and unlike the Leica I am amazed by the results.

 

Leica M240 – A rented friend for a lonely week end (Day four, Monday)

Haw Par Villa on Film – Singapore

Back to Haw Par Villa after exactly 6 years. Nothing changed much, appart we all grew older; well and there is also a MRT that goes there now.

 

 

Different gear though bye bye the Nikon D80 Dslr.

The Leica IIIC back from the second turn to the repair shop; it looks like it’s working ok now.

Summitar 50mm f2.0 or Voighlander 21mmF4

Film: Kodak Ektar 100ISO

 

 

Haw Par Villa on Film – Singapore

Cannes: Le Kiosque des allées

Xmas film shooting in town with the old Kodak Autographic Jr.

Difficult not to note the problem in the bottom left side of the frame; not sure what it is. It did not appear on the last B&W film and the patterm is quite consistent when it shows. Maybe a pressure plate problem?

Camera: Kodak Autographic Jr
Film: Kodak Ektar 100
Scanning: EPSON V500, Lightroom 3, PSP Elements 4

Cannes: Le Kiosque des allées

Thaipusam 2011

Thaipussam 2011
Thaipussam 2011

Here we are, January again and it’s Thaipusam again, the big Indian festival in Singapore. Devotees walking 4km wearing offerings, some with piercings in their bodies, some wearing structures called Kavadi.
Thaipusam is a great opportunity for photography and there are loads of photogs at the departure of the festival; amazing deployment of hardware. I love Thaipusam, for its atmosphere, sense of togetherness or the people participating. Can’t wait until next year. Thaipusam date if fixed by Hindu authorities and may not not on the most easy day for me to go though, this year I just went 2 hours from 7am after a sleepless night at work.
My recommendation: go at tank road in the middle of the night, to see the first devotees arriving at the temple, get some sleep. Be at Serangoon road about 8am for sunrise and stay a few hours in the temple to follow the devotees preparations. Go back in the evening to follow the procession at night, there are amazing Kavadis with lights!

Camera: Nikon D700
Lens: Nikkor 50mm F1.8 ISO2200 1/160 F5
Retouches: Lightroom 3 + PSP elements 4.0

Thaipusam 2011