So after Roll15, here is Roll14. This one is a bit late as I had to bring it to the lab and it took me the whole week to do it. Well so here is a beautiful roll of Kodak Ektar, processed and scanned by Whampoa color. The roll was shot with the Hasselblad 500CM with the kit lens (Planar 80mmF2.8), as last Sunday I stick to the rule, one camera one lens.
So these are 12 shots done when I met Ez in Joo Chiat, you can see him in one of the shots.
It was a beautiful morning, with a lot of light (and very hot), I shot the Ektar at 100 measure with the Sekonic 308x. As usual there was not a single AA battery in sight at home, so I started my photowalk by scouting for batteries.
So when I brought my last roll of Portra to the lab the uncle coaxed me into buying some Ektar 100, not wanting to look mean I bought not a roll but a box of 5 rolls. I must say this is a decent deal as it comes with five coupons of one dollar to be rebated of their processing. If I remember correctly this is 52 dollars for the 5 rolls and they do processing + super decent scanning at 11 dollars (Singapore Dollars).
I shot Ektar before, but mostly in 35mm, I must say it pays credit to the claim that it is the finest grain film. So I loaded the good old Hassie 500 CM with my first roll and hit the road to give it a try.
12 shots on a 120 roll is not much, but walking through overshot areas on a Sunday afternoon, it can be quite a challenge to finish a full roll.
We walked from home to Tiong Bahru, then headed to Chinatown. The Straight Clan is where the Majestic hotel used to be. I spent 5 weeks in this hotel in 2006 and have some interesting shots from the construction site period, when it was converted. Maybe I’ll share this some time.
We moved to the Buddha tooth relic temple where I notice the Buddhist flags which where not there last week ( you can check the post) and I though it was a nice opportunity for color sampling and smooth grain demonstration.
In Chinatown every year temporary stands selling goods for the occasion the Chinese New Year appear and disappear in a mater of a few weeks. Generally they close late on the eve of the New Year day. This year everybody was masked, there were less stands as the people coming from other countries could not enter Singapore. If you want to ne picky, the focus is on the cage bars, not the seller.
Exiting Chinatown, I took this shot of the Ox silk paper statue. This is not the best angle as it is quite busy with the traffic lights posts and cars. The best angle is diametrically opposite I think. But you can see here how nice and bright the colors are.
Nice mural on Substation, an art center on Armenian Street, close to the Peranakan museum. Substation used to host gigs and has a broad program, with what seems to be a focus on the street / youth culture.
The last shot in order to finish the roll : a mundane view of the Rendez-Vous Hotel at the bottom of Orchard Road. Totally uninteresting but very nice blues.
A very quick post of shots done earlier this month on an expired roll of Kodak Portra 400 with the Leica M6 and the Summicron 35mm Asph v2.
The roll was processed and scanned at Whampoa Photo. I find the scanning job they do of equal quality (or better) than what I do myself, so no point wasting time. The first set above was done around Marina Bay, over a couple of different week ends, one being just before Halloween.
Second section comprise photos of Little India around Deepavali celebration and the first shot was in Chinatown during a meet up with fellow film photographers.
Third section contains some shot shots fort Siloso in Sentosa, and a couple of random shots from a walk around Newton.
Finally a shot of fellow film photographer from Japan who has been around in Singapore for quite a few years and always carry his two pristine Nikons F2. He will go home soon for good, so farewell.
This was roll number 42 of the year, and the 11th with the M6, I hop eyou enjoyed the ride.
A quick post about last two weeks walking around with the Leica M6 loaded with a roll of Kodak ProImage 100 and paired with a Summicron 50mm V.
This is a bit awkward in the middle of my Caffenol frenzy, but it helps changing perspective. Also I brought the film to Whampoa Photo, and the scanning is very nice. I usually scan myself, but that time I decide to give it a try and the result is surprisingly good.
Regular readers already know the Leice IIIc is my go to camera when I just walk around without goals. This roll was loaded at the end of a supposed Hasselblad walk with the Hasselblad User Group Singaore (HUGS).
This is a roll of cheap Kodak Color Plus. I shot a few of them so far, and I think it is good enough when you have no special goal.
This is quite an easy film to scan, the ISO 200 is quite convenient for color street shots on a nice day.
Walking from Bugis and Waterloo street area, the weather was beautiful, and I think the colors are very nice, vivid enough but not over saturated.
That day I had the Voigtlander 21mmF4 mounted on the Leica IIIc, and as above and below I think it realy renders movement very nicely.
The colors on the next two shots are outstanding, but light was exceptional too.
Of course sometime as above the 21mm gives a bit too much negative space.
Over this last year I shot a lot of with the 21 VC and I like it a lot. On the negative side I would say that sometimes it gives a very crisp and modern look to the pictures you may or may not like.
From this point the pictures are taken with the vintage Summaron 35F3.5. They are mostly taken in the afternoon where the light if not as good.
I also think the Summaron is an excelled lens. 35mm is a lot more manageable than 21, but I also have a 35mm finder,
The above is taken inside the National Design Museum, but there was plenty of light.
I don t realy know the relationship between the expo and Kraftwerk, but…
Film is scanned at home with Epson v800, I do a bit of colour and exposure correction in Light-room .
This is my third post about the Polypan 50 and thanks to my friend Felix who is always eager to feed me some more this is probably the 10th roll I have shot.
This roll is a bit old and traveled in and out of the fridge a few time, also Felix warned me about the first two frames to generally better be avoided. Finally the film is quite thin and this may result in a bit of struggle when loading the film on the reel. so one or two early
So this particular roll I decided to shoot with the Leica IIIc and the Color Skopar 21mm. I am still trying hard to love this lens and the camera looks super good with the VC finder I bought last summer.
At this point I have small problem because I am not really able to guesstimate the light and I have relied on my Sekonic 308, that i bought new in 2010 with my first Leica. The little fellow is now more dead than alive, draining batteries like hell and giving random measures. So after the first half of the film I decided to go the the shop and get a new light-meter. To cut it short I bough the same one, lets hope it last as long.
So this is a recipe for disaster, a slow film, an old camera, and a slow lens. Luckily last Saturday the weather was nice when I hit Chinatown and came across Felix of course.
I am not a big theoretician, but what i like with the 21mm is the dynamic it gives to (rather mundane) pictures where people are moving like above or below.
Chinatown is also the opportunity to catch again and again the old folks playing Chinese checkers or chess. Some slow action going on, so speed can be lessen, perfect for my set-up.
Another obvious thing with the 21 : you need to be close to your subject. How close is close? Probably all the pictures in this post are done between 2 and 4 meters ; the one below more like 1 meter.
And finally a bit more panning for that young lady.
This is a follow up of my last port about the Monkey God temple birthday in Tiong Bahru. These pictures were taken with a roll of Provia 400F given to me by KC Eng. It is expired since 2008, but I did not check at the time and shot it at 400 with Leica M6 and Summicron 50.
Ths shots were processed at Analog Lab and scanned at home ; they turned out quite okay. Maybe the overcast weather did not allow for a more reach color palette.
This is a set of pictures of the colorful public housing blocs situated on Circuit Road in Singapore.
Circuit road is accessible via Mc Pherson MRT, and is located in the east part of town, 20 minutes ride from Orchard Road.
This estate dates back from the early 1970’s and has recently received a face-lift, becoming the Lego or Mondrian estate. Apparently the “upgrade” as we say here was not only cosmetical as the area used to be a bit shabby from what I gathered.
The outing was organized by Low Che Eng from the “Lets Shoot Film SG” Facebook group. We were nearly a dozen freaks walking around the estate, with cameras ranging from various Leicas and medium formats to a view camera (Chamonix ?).
I carried around the Hasselblad 500CM and 80mmF2.8 loaded with a slightly expired roll of Portra 160vc (nearly two years I think) shot at 200iso and the Leica IIIc with the Voigtländer 21mmF4 loaded with a roll of Rollei retro 80s.
The film was processed at the usual lab and scanned at home with the Epson v800.
I did a bit of post processing in light room but even without it the film turned out quite well.
Finally meet a resident, this gentleman used to a be a guitarist at the raffles hotel back in the days where hotels had musicians and is now keeping fit in his old age. This is the last shot of the roll hence the slight issue on the top of the frame.
The hassie keep on having problems shooting 12 complete frames, but this time I got lucky.
Same day different camera in Warorot Market in Chiang Mai, the Leica M262 and the Summilux 50mmv2.
I do not have a lot to say since the last post of film pictures on the same subject, I think I still prefer the film shots. But the flexibility of the M262 in term of ISO is much appreciated. Can go high and low on demand, it looks so obvious, but not really for a film shooter.
It is also here that I realized the Summilux is seriously back focusing and that maybe I
should get a proper 50mm.
This family was rolling some kind of cigarettes.
Serious negotiation (above) about dry goods, looks like everybody was happy in the end.
The coffee shop around the corner, is quite busy and like all the upper section of the market has decent light.
This man is manually making some religious artifacts used as offerings in temples. Below one of the flower stalls doing offerings as well. There are many flower shops there, some are doing offerings some looks to be casual flower shops.
For the last post of the year, I will show you pictures of a small walk I did at Dakota Crescent estate in Singapore.
Like Rochor Centre, Dakota is supposed to be demolished at the end of this year (so pretty soon). The estate belongs to the public housing administration (HDB), it was built in 1959 during the British area.
The blocks have some interesting feature, some inherited form modernist lines. The most well known feature is the “dove” play ground.
The estate is made of 17 blocks, some high rise, some lower rise, located closed between Old Airport Road and the Kaland river. Old airport road s the road that was leading to the airport that was used prior to the opening of Changi in the 1990’s I think.
As this time the buildings are more or less empty, ready to leave way for a new development (I ignore which). There will be more pictures of Dakota as I went there again last week. But that will be for 2017.
Color shots done with Leica M262 and Summaron 35mmF2.8; Back and white with leica M4 with Voightlander Color Skopar 21mmF4 or Summitar 50mmF2 on odak TMY 400 film.