Japan Camera Hunter – JCH 400 FILM

During my trip to Melbourne where I discover the FilmNeverDie  shop, I bought a couple of rolls of their SHIROKURO but also one roll of JCH StreetPan 400 film (why only one?)! I am always looking forward to try new or uncommon films, this is part of the magic of chemistry of film photography, to make me expected something new and exciting that does not depend on my technical skills (if I have any) to happen on the roll.

You can find the announcement of the film and read more about it there.

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This does not look to be  a re-branded film as the negs have the mention JCH.

This is not a technical review, I am by noway an expert, I understand that pan chromatic does not mean much other than a reproduction similar to human eye. Not sure what this means for black and white. This film is supposed to have a higher sensibility to red and a low grain.

I loaded the roll in the newly repaired Leica IIIc, and the following shots are done during Chinese new year in Singapore using a Summitar 50mmf2 lens. The Summitar is a bit back focusing so this is probably not a proper set-up to judge the quality of the film, but I have a soft spot for the IIIc.

Exposure is measured with a handheld Sekonic 308s lighmeter.

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Peanut stall

This picture is shot under a red tent and gives for interesting palette of grey, probably due to the sensitivity to red.

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There’s a cow behind the bins

For those who wonder, this was processed by the usual lab used by Ruby photo, no idea what chemical they use.

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Cookie stall
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Fellow film shooter, using a Canon 7s and Summar 50mm (but I saw he has more tricks in his bag)

The grain is actually quite controlled, and the sharpness, if you keep in mind this is shot with a vintage soft lens, is quite good. I am not a big fan of high grain film like the TriX (although I use it a lot), and always preferred the soft TMAX100 or Fuji Acros

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Kueh shop

Actually the contrast is quite smooth, unlike the Rollei Retro 400s I used recently, so for higher contrast scenes it gives  nice gradation of grey.

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The ladies selling newspaper on Keong Saik Road
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Happy fellows
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Night shot in Chinatown, a Bakua shop
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Preparing for Chinese new year

Even this night shot with back-light could be salvaged and give a nice rendering.

All in all this is quite a satisfying experience, if I manage to get more rolls they’l deserve to be shot with a better camera like the M6 or the “never-fail” EOS 1N.

JCH has sold all his stock, so only retailers will have some rolls now, until more are produced. I don’t think anybody has some in Singapore but you can find a list of suppliers on the JCH web-site.

 

 

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Japan Camera Hunter – JCH 400 FILM

Going Digital with the Olympus E-PL2

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Jazz up this old lens – Leitz Summitar 50mm F2 wide open

I was a bit restless last week-end, still scanning the backlog of films I needed some less intensive activity. Plus my son has a field trip in Indonesia and we were thinking he would be better off wit a cheap camera, just in case he lost it, drop it or got robbed.

So I scratched my head and after a while (and a bit of google-ing) went down to the shop and bought a Olympus E-PL2 and 12-24mm lens plus an adapter for Leica lenses.

OLYMPUS DIGITAL CAMERA
Lunch time – Leitz Summitar 50mm F2 wide open

For 140 USD my son have a very good camera although “obsolete” said the shopkeeper. And I can attach my Leica lenses including the russian and japanese ltms to a digital sensor. I can let you see some results.

OLYMPUS DIGITAL CAMERA
Gong xi fa cai – Industar 22 50mm F3.5 wide open

 

Like everything this takes time to get used to and I am no expert in micro four-third cameras, but it looks this can be a fun toy. A few things to take into account:

  • the E-PL2 has a crop factor of 2, so the 50mm becomes a 100mm and the Serenar 135 becomes a 270mmF4 lens !
  • even with the adaptor depth there is not much room for recessed lenses, so the Jupiter 8 with its big inner element cannot be used (damn I really wanted to use this one)
  • on the good side you cannot hurt the sensor with the collapsible lens.
  • mmm the camera uses the back screen for focusing which is very difficult for me; and EVFs are a bit expensive just for fun, so I don;t know how much usage I’ll do with thus.

Gong Xi Fa Cai everybody, happy year of the monkey.

Going Digital with the Olympus E-PL2

Around Chinatown for Chinese new year – Singapore

So the last week-end before the start of the year of the goat I went with the family in Chinatown. I brought the Leica IIIc and a couple of lenses actually 3.

Most of the shots below are done with the infamous back focusing Jupiter 8, 50mm f2.

Quite fun anyway.

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Chinatown is very busy around this time. People shop for food, decoration, or just stroll around.waex99-01029

These two guys selling chestnuts are here all year roundwaex99-01031

But other stalls are just temporary,

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Just selling nutswaex99-01019

or fruits in the side of the streetwaex99-01021

Some of the sellers are coming from China just for the event, or so have I been told.waex99-01022
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Sausages and cured meat stall.

This was the first time I use Kentmere 100 ISO film; reasonably cheap, I understand it is manufactured by Ilford now. As I rarely use Ilford product (except fro Pan 50 and Pan 400) I cannot really tel how it compares to FP4 for instance. Nothing to rave about, I’ll probably finish my stock and go back to Tmax or Rollei RPX 100.

Around Chinatown for Chinese new year – Singapore

Street shots with the Canon Serenar 135mmF4

Encouraged by some of my tests with the Leica M240 in the summer, I decided to be bold and mount the infamous Serenar 135mm F4 on the Leica IIIC and walk down the streets of Singapore.

Nothing is perfect but I managed to nail a few decent shots (below) and miss a few more. The combo Leicaiii+serenar is very nice and shiny, maybe a bit too much, and a bit on the heavy side. The rangefinder works fine, which is a nice surprise. Apart from not being very well considered as a lens in general, my copy has a few issue, a bit of haze on one of the elements and also some internal painting is peeling.

It is very nice to have models on the street at your disposal….

for all tastes, for boys and for girls,

Nothing beats a little nap really.

This guys paints with his feet and is able to do so even when taking very acrobatic positions. Unfortunately I cannot really tell what’s on the banner.

Camera: Leica IIIC
Lens:Canon Serenar 135mm F4
Film: Rollei RPX 400 ISO
Digifilm: Epson v500

Street shots with the Canon Serenar 135mmF4

The uncle he is a painter – Singapore

 

 

 

 

This old folk was renovation some mural paintings along Keing Saik road near chinatown.

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All shots with the Leica IIIc with the Jupiter 12 35mm f2.8; I used the Ilford Pan 400ISO.

Still 4 or 5 shots going wrong on the film, but the rest is ok, but in short the Leica is not 100 operational.

The Jupiter is not bad after all but it back focuses a bit, it is definitely embarrassing of closer shots.

I just bought a Helios viewfinder for 35,85 and 135 mm so there will be more exploration of the Jupiter but also the Canon 135mm soon.

 

The uncle he is a painter – Singapore

A Chinese Thanksgiving – Singapore

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There was a Chinese Thanksgiving in front of Ngee Ann City on Orchard road in Singapore. That was a good occasion for the test roll of the The Leica IIIc which is back from the shop with a new curtain.

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A Chinese Thanksgiving - Singapore

These are small sculptures on a boat, I am not too sure (how Singaporean) of the meaning.

 

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Uncle watching the musians

 

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Old people folding joss paper to be burned later in offering to the ancestors. I asked once about the significance of the folding and was told it is to make it easier to burn. But there may be another meaning.

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Camera:Leica IIIc
Lens: Summitar 50mmF2
Film:Kodak trix 400ISO

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14 Juillet 2013 – Cannes – France

So actually on the french national day I was going to the market and I came across a guy in traditional dress holding a drum so just followed and realized he was going to the local celebration of the national day. I took a few shots with the Dacora Digna, my beloved holiday camera, and with the LeicaIII that I brought with me for the summer holidays back home.

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French National Day

The Leica shots are done with the Summitar 50mmF2 on a Rollei RPX 100 Film and I managed to ruin the shots by trying to process the film at home using the Caffenol method. The film was not well developed and very difficult to scan, hence the grain. I’ll come back on the Caffenol story later.

 

I like the shot I called “The photographers”, the Asian tourist with her phone on the foreground and the official photog in the background.

14 Juillet 2013 – Cannes – France